Felix Kaulmann felt that he had made good use of his opportunity. All would now go well. The prince would no longer avail himself of the Bondavara catastrophe to ruin him; on the contrary, his influence would stem the panic which the news had, no doubt, already caused in the Vienna money-market, and when the papal loan was concluded all would be smooth. There was Eveline, of course; but a man such as Kaulmann, whose conscience had long since been as withered as was his heart, soon found excuses for any ill-doing. No one could blame him for the prince's infatuation; it would be only a fool who wouldn't take advantage of it, especially one in his situation. A drowning man catches at any plank; and as for Eveline, she owed him a debt of gratitude. Had he not raised her from the very dust of the coal-pit to her present situation, saved her from a brutal husband like the savage Saffran, educated her, made her a fit companion for a prince? Better women than she would be glad of the elevation that was awaiting her; and this reminded him that the AbbÉ Samuel's interview must have opened the matter, so he went in search of him. The priest, however, was not to be found at any of his usual haunts. Felix, therefore, repaired to Eveline's hotel; neither was she at home. She had gone to the theatre; it was one of her acting nights. Eveline was dressed for her part and waiting to go on. When she saw Kaulmann she turned away angrily. Why did he disturb her when she was busy with her calling? "I have only come to wish you good-evening," he said. "You might have waited until to-morrow." "To wish you good-evening? Ha! ha!" "No; but you know I am always so nervous before I go on—" "I only wished to tell you that the cream of Parisian society are fighting to get tickets for your concert. Have you reserved one for me?" Felix was full of amiability and admiration. "I have reserved none." "Ah! And why not?" He said this in a soft, complaining voice. "Because I have given up the concert. It shall not take place." The face of her husband suddenly lengthened. "Will you kindly tell me the reason of this change?" "After I have come off. My scene has come. I must go." So saying, she left the room and went to the wings. Felix followed to a point from which he could see his wife on the stage and have a general view of the house. Eveline played badly and sang worse. Her voice Eveline left them on the stage and hurried away to her dressing-room. Kaulmann followed her. "Why didn't you pick up those lovely bouquets?" he asked, carelessly. "I felt I didn't deserve any. I know I did badly to-night." "But surely for the sake of the giver you should have taken one of the bouquets." "Ah, you would like that." "I?" "Yes. All those flowers came from you—at least, so I have always understood." "Pardon me, ma chÈre. Didn't you notice that they all came from the side box? Didn't you recognize who was in that box?" "I never looked." "It was Prince Waldemar." "The man who is your enemy—who wants to ruin you?" "Oh, that is not so! He has quite changed. He is now our best friend." "Our friend? Whom do you include in 'our'?" "You, as well as myself." "Thanks; but I decline my share." "I am afraid you will find it difficult to stand aloof, for I consider Prince Waldemar as my best friend, and henceforth my house is open to him as to a brother." "I am sorry, but your words oblige me to break a disagreeable piece of news to you. But I see you are busy; you don't take any interest—" "Go on talking," returned Eveline, who was standing before the looking-glass washing the paint off her face. "I am listening." "For the future, I regret to say, you will not have a house of your own. The affairs of your friend, Prince Theobald, have been sequestrated; his property is now in the hands of trustees. I need not tell you, for I am sure you have known all along, that the hotel you occupy, together with all your expenses, has been paid for by him. This, naturally, is at an end. In my circumstances I could not afford to give you a separate establishment; we will, therefore, be obliged to live together, and it follows naturally that I shall expect my wife to receive as her guests my friends, and to make them welcome." Eveline had laid aside her queenly robes; she now took off her diadem, and as she slowly unfastened her bracelets she turned and faced Felix. "And do you think," she said, "that when I leave my hotel I cannot get for myself a garret somewhere, where there will be a door with a strong bolt, with which I can bar the entrance of any unpleasant visitors?" Felix looked at her in amazement; he constrained himself to take a more friendly tone. "I must call your attention to one fact. We are in Paris, and the French marital law is strict. A wife must dwell under her husband's roof. She must go where he goes. She must obey him." Eveline was now busy undoing the gold sandals which bound her feet. She looked steadily at Kaulmann, with her eyes glowing like lamps. Kaulmann sprang to his feet as if he had been bitten by a tarantula. "What are you saying?" he cried, in a voice that was almost a shriek. Eveline had loosened the golden sandals. She stood before Felix in her bare feet, and threw him the sandals. "These belong to you. I am once more Eva Dirkmal. I belong to myself." "Who has told you this?" stammered the banker, pale with rage. "The AbbÉ Samuel, who advised you to treat me in the same manner." Kaulmann felt the room going round. "And now," continued Eveline, with a dignified motion of her hand, "I must remind you that this is the dressing-room of a young girl." Felix did not wait to have his dismissal repeated; he took his hat and went without another word. He ran away, and he ran so fast that he took no heed where he was going till he stumbled and fell. All was over; he had played his last card and lost. Everything was gone; there was no more help. He had two courses open to him: he might put a pistol to his head, and so end the drama, or he might take all the money in his counting-house and fly. He chose the last. |