Clink of metals striking together, hammer sound, sound of the wheel, sound of the fed furnace, sound of voices among metals. Up and down this was the strain of the smiths’ street. Summer, autumn, winter, spring, round went the wheel. The street lay hot under the sun, the street stretched dim and breathless under clouds. Rain poured down, freshness and song of the sea drawn into the air. The wind sang his great song of vigour. Fog came and shut the eyelids of the world, then passed away and one started as from sleep. Snow fell in small flakes or in large flakes, in few or in many. The street lay white, the roofs white. All day voices in the long workroom, footsteps to and fro, sound of the craft, Diccon Dawn fashioning beautiful things. He had helpers, Jankin and a boy, and also his sister, Alice Dawn. There was that which she could do and he showed her how. Those who came that way in the smiths’ street saw a brother and sister, a tall pair, working together. Beside this, she toiled like all the women in the street. She kept the Clink, clink, clink in the street of the smiths. Water from the well, dashing over the stones, water brought home in great ewer or pail, balanced so. Sometimes at sunset, go, the two of them, down to the river. Sunday beyond the wall into green country, into sere autumn country, into winter country. Mix and not mix with those about them, live and let live, keeping observation as near as possible to ebb tide. Live—let live! Live—let live! In this time the herb found some growing room. Away from the smith’s street they saw the able king go by with his able men, the queen with her ladies. They saw the cardinal and Clink, clink, clink in the street of the smith. Diccon and Alice Dawn. Out of blind feeling there rose, they knew not just when nor how, desire for that light which is comprehension. “Tell me—” “Tell me—” Breadth by breadth, work of the day done, or on holidays, they unrolled the bale of old life and regarded the figures, the outer figures and the figures of thought and feeling. Each grew to be to the other a vast and deep and fortunate object of study. She would say, “When you were in France, tell me—” or “I was a young girl, just over childness. I was dancing. My father and mother watched. I do not know if they were truly my father and mother, but I called them that. They watched me and they watched the crowd watching. They always did that. If the crowd did not grow warm, then afterwards in the booth they beat me. Oh, they beat me sore! So I always thought into the crowd as it were and willed it as hard as I might, ‘Oh, love my dancing! Oh, love to look at me!’ I thought it so hard that sometimes it seemed that the crowd and I were one, and I beat their flame upward so that they, too, were dancing and liking it. But I remember that day something beat my flame upward, too, far upward and very wide! And the very earth and world was dancing, whirling and rising like a golden ball in air, and great figures sat around, laughing and applauding and crying, ‘You will do! You will do!’” “Once in Italy, with my master Andrew the Goldsmith, I was walking alone by olive trees and blue sea. The sun was low, there was the greatest beauty! Then gold Apollo walked with me. I saw him in lines of pale gold, and I felt him a great god, calm and happy. Vulcan is for the smiths, but I changed that day to Apollo. Not that I left Vulcan, but Apollo, too. The next month I made for Andrew the Goldsmith a cup which when he looked at he said, ‘Thou’rt accepted!’” “I remember—” “When thou rememberest me—and I remember thee—” “Will we come to remember all?” Up and down, to and fro in the smiths’ street. Snow was falling, great flakes, softly, smoothly. Jankin looked out of window. “Here cometh a great Blackfriar!” He walked along the street, a big Dominican out on his travels. Richard Englefield glanced, but did not recognize him, though, a moment afterwards, as he bent to his work, there rose in mind a picture of Montjoy’s hall the day he stood there, bound and gagged, like to burst in his rage and agony. Now he laid hand on graver’s tool and fell to work. He was fashioning a silver dish like a shell. Jankin took his cap and cloak and said good night, for the short day was closing. Morgen Fay crossed the street in the snow, returning to the house from some errand. Reaching “Aye, Brother, they are coming like white butterflies.” He looked more fully upon her, “Push back your hood, woman!” She knew him. “Ah! Middle Forest!” Her heart stood still, then she changed as she could expression of her face, roughened her voice. “Whiter than last Christmas, Brother! That was a brown one here in London.” “It was white in Middle Forest!” He stared in doubt. “What is your name?” “Alice Dawn, Brother.” Still he stared, but she saw his uncertainty increase. “Did ever you have a sister who called herself Morgen Fay?” She shook her head. “I had one named Mercy.” “By Saint Thomas, likenesses are strange things!” said Friar Martin. “There’s something that binds them together, if we could but get it clear!” He looked up at the smith’s sign. He went on through the snowy street. Diccon Dawn looked up from the fluted shell. “You are as pale as the snow! What is it?” “Is Jankin gone, and the boy? Here is Friar Martin of Saint Leofric’s.” “Here!” “In the street. He has gone by. But I know that he will return.” Englefield rose from the silver work and they stood in the dusky room. “Did he know you?” he asked. She told. He said, “It was chance his being here! He saw what he thought was chance likeness. It will pass from his mind.” “It may and it may not. Will there be raised a cry against me—against us? Look!” Hidden themselves, they looked through the window. Other side the street, in the falling snow, stood Friar Martin, intent upon the goldsmith’s house and sign. A man going by was stopped and questioned. Alone once more, the friar gazed, dubitated, drew his picture. Diccon? A Richard made silver dishes for Abbot Mark. June. He came into this house in June, and none in these parts had known him before. The friar made a movement. “If this be so, what gain to Saint Leofric?” But first it was to tell beyond peradventure of a doubt if it were so! He crossed the smith’s street and with his staff knocked upon the door of Diccon Dawn. “Shalt open to him?” “If I do he may find likeness. If I do not—” They stood in the dusky place, a long room with the red fire eye of the small furnace dully winking, with the snow falling, falling. The friar knocked again. “If we do not answer, then surely will he say, ‘Witch’s house!’” Englefield moved toward the door, but Friar Martin, impatient and bold, did not wait, but lifting the latch, pushed inward. It was dusk, beyond seeing clearly. “Are you the smith?” “Aye, Brother. Can I serve you?” “I would see your work. But I cannot do so without light.” “Work hour and shop hour are over. Best come to-morrow.” “To-morrow we may all be dead. Canst not light candle?” “Aye, I can.” He took a brand from the fire and suited action to word. But Friar Martin said, “Did ever you wander by a stream called Wander? Do you know a town named Middle Forest, and the Abbey of Silver Cross?” Diccon Dawn shook his head. “I stick to my work, Brother. It’s night and snowing fast!” Light—light! It seemed to blaze around. “Didst never make silver dishes for abbots?” “No. I have a humbler trade. It nears curfew, Brother!” “I met a woman upon your doorstep. Your wife or perhaps your sister?” “My sister,—Curfew, Brother!” The other was thinking, “I do not yet know wholly, but I guess, I guess!” He said aloud, “Do smiths have visions? Doth heaven ever open in this street?” “All streets are ways to that. Curfew, Brother!” It was dusk save for the one taper and the fire He went. The street was snowy. His great sandalled foot made no sound. Going, a little chime rang in his brain. “I see the gain of Saint Leofric! I see the gain of Saint Leofric!” In the dusky room the two moved closer together. “Thy danger.” “Thine!” “Ah, our danger!” “Act, then!” He looked from the window. “Out of gate ere it is quite night!” They had warm mantles, good shoes. They made a packet of food, took coin from the strong box. Englefield wrote a short letter and placed it where Jankin should find it the first thing coming in, in the morning,—find it, read it and burn it, though there was naught in it that could harm Jankin. Jankin and the boy had had their wage paid that day. Out quietly into the deep twilight, the snow falling. |