"Denny," said Hagar, "ask Mary Magazine to give you a coffee-cup." Denny came back with it and she filled it from the silver urn. "Rose went to Brooklyn to-night?" "Yes.—I was to have spoken down on Omega Street, but at the last moment Harding came in and I sent him instead. 'Onward!' 's got the strongest kind of stuff this week, and there are some finishing touches—I'm going back to the office in an hour or two. Rose said that she asked you for that poem, and that you said you would give it, and she thought you might have it ready. I've got a telling place for it—" "Drink your coffee and talk to the others while I copy it out," said Hagar. She rose and went to the desk in the smaller room. When she came back, Lily was dreaming with her eyes upon the forest bough, and the two men sat discussing Syndicalism. She laid a folded piece of paper upon the table beside Denny's hand. "There are only three verses." He opened the paper and read them. "Thank you, Hagar! You've struck it home." He refolded the paper and was about to put it in his pocket when John Fay held out his hand. "Mayn't I see it, too?" He looked at Hagar. "Yes, of course, if you wish." Fay read it, held the paper in his hand for a moment, then His tone was so oddly humble that Hagar laughed. "I wish that I could build great bridges across deep rivers!" she said. They sat and talked, and the poem gave leadings to their talk, though they did not speak of the poem. At first it was Fay, answering Hagar's questions, telling of the struggle of muscle and brain with the physical earth, of mountain-piercing, river-spanning, harbour-making. He was thirty-nine; he had been engineering, building in strange and desert places since he was a boy; he had a host of memories of struggles, now desperate and picturesque, now patient and drudging, grapples of mind with matter, first-hand encounters with solids and liquids and gases. He had had to manage men in order to manage these; he had had to know how to manage men. Born with an enquiring mind, he learned as he went along his governments and peoples, their customs, institutions, motor-faiths, strengths and weaknesses; also he knew the natural history of places, and loved Mother Earth and a good part of her progeny. He had also a defined, quizzical humour which saved the day for him when it grew too strenuous. He talked well, with a certain drawling fitness of phrase which brought Medway into Hagar's mind, but not unpleasantly. There had been much in Medway which she had liked. Fay was no monopolist. The talk went from one to another, and Denny drew more into it. He had been listening attentively to Fay. "It's your work," he said, "and it's tremendous and basic work. You've been doing it through "Why, one day," said Fay, "they'll work as artists. A far day, doubtless, and there are degrees in artists; but I see no other conclusion. And to give the artist component in the mass of humanity a chance to strengthen and come out is, I take it, the tremendous and basic work to which we've all got to devote the next century or two." "Oh, you're all right!" said Denny. Hagar smiled. "My old 'News from Nowhere'—" "But with a difference," said Denny. "Morris's was an over-simplified dream." "Yes; we are more complex and flowing than that. But it was lovely. Do you remember the harvest home, and the masons, so absorbed and happy in their building ... like children, and yet conscious artists, buoyant, free—" Fay looked at her. "What," he said, "is your vision of the country that is coming?" Her candid eyes met his. "I have no clear vision," she said. "Visions, too, are flowing. The vision of to-day is not that of yesterday and to-morrow's may be different yet. Moreover, I don't want to fix a vision, to mount it like a butterfly and keep it with the life gone out. We've done too much of that all along the way behind us. Vision grows, and who wishes to say 'Lo, the beautiful End!' There is no End. I do not wish a rigid mind, posturing before one altar-piece. Pictures dissolve and altars are portable." "Yes," said Denny, "but—" "Lily says she reads Vedanta. Well, it is the Yogi's Neti—neti! Almost your only possible definition as yet is, 'Not this—not this!' The country that is coming—It is not capitalism, though capitalism is among its ancestors. It is not war, though in the past it warred. It is not ecclesiasticism, though ecclesiasticism, too, was an inn on its road. It is not sex-aristocracy, though that, too, is behind it; it is not preoccupation with sex at all. It is not sectionalism, nor nationalism, nor imperialism. It is not racial arrogance. It is not arrogance at all. It is not exploitation. It is not hatred. It is not selfishness. It is not lust. It is not bigotry. It is not ignorance, or pride in ignorance.—Neti, neti!... It is beauty—and truth.... And always greater.... And it comes by knowledge, out of which grows understanding, and by courage, out of which come great actions." She ceased to speak, and leaned back in her chair, her hand at the amethysts about her throat. Fay kept his eyes upon her. He was conscious of a resurgence of a morning of a couple of years before when he had cut from a magazine a page bearing a half-tone portrait and had pinned it above his book-shelf. HAGAR ASHENDYNE had said the legend below. The rustle of the palms outside his hut came to him, and the mist of early morning above the waters. The clock on Hagar's mantel-shelf struck ten with a silvery stroke. Denny started. "I've got to go—work's calling!" "I had rather hear you say, at ten o'clock, that sleep was calling," said Hagar. "You're working too hard, Rose says so, and I say so." She looked at him with friendliness deep "There's so much to do and so few are doing it," said Denny. His eyes were upon the great forest bough, but he seemed to be looking beyond it, down long, long vistas. "I don't know that I worship work. But I want every prisoner of wrong to rebel. And there's no time to waste when you have to pass the word along to so many cells. Sometimes I feel, too, like sitting down and playing, but when I do, I always begin after a little to hear the chains." He laughed. "And I like you and Rose preaching dolce far niente! If ever there were two who had the power of work—!" "All the same," said Hagar, "go to bed before two o'clock, won't you?" He shook hands around and was gone. "What a wonderful face!" said Lily; and Fay nodded. "A kind of worn, warrior angel—" Hagar took Lily's hand and kissed it. "You've defined Denny to a nicety! 'A kind of worn, warrior angel'—I like that!... No, don't go! It isn't late." "We'll stay, then, just one other half-hour. And now," said Lily, "tell me about yourself. We see your name, of course, and what the papers think you are doing. But you yourself—" "But I myself?" said Hagar. "Ah, if you'll tell me, I'll tell you!" The great bough of red leaves against the wall was repeated in miniature by a spray upon the table, resting in a piece of cloudy Venetian glass. Hagar took it from the vase When the clock struck again, Lily and John Fay said good-night. Lily was to come once more before her boat sailed. Hagar looked at Fay. "You are going to England, too?" He hesitated. "I've said so—" "He's just built a great bridge," said Lily, "and he hasn't really taken a holiday for years. Robert and I want him just as long as he will travel with us." When they were gone, Hagar went to the window and looked out far and wide upon the city settling to its rest. Here, to-night, would be deep repose, here fevered tossing, here perhaps no sleep at all. There would be death chambers and birth chambers—a many of each. And spiritual death chambers and spiritual birth chambers and the trodden middle rooms, minds that cried, "Light, more light!" and minds that said, "We see as it is." ... And over all, the suns so far away they were but glittering points. Hagar's gaze moved across the heavens from host to host. "Ah, if you were hieroglyphics, and we could find the key—" She came back to the lamplit table; Thomasine away, Mary Magazine asleep—the place was alone with her. She had been tired, but she did not feel so now. She sat down, put her arms above her head and her eyes upon the forest bough, and began to think.... She thought visually with Three days later, at the hotel, Lily and John Fay had a short but momentous conversation. "Do you want to go, John? I don't want you to go if you don't want to go, you know." "That's what I came to talk to you about," said Fay. "I have my stateroom. The boat sails day after to-morrow. I've written to men I know in London and in Paris. I want to see them. They're men I've worked with. I want to see Robert. I even want to keep on seeing you, Lily! I've been about as eager as a boy for that run over Europe with the two of you. And I don't want to disappoint you and Robert, if it is the least disappointment. But—" "I don't know that she'll ever marry," said Lily. "She'll not, unless she finds some one alike to strengthen and be strengthened by. A lot of the reasons for which women used to marry are out of court with her. Even what we call love—she won't feel it now for anything less than something that matches her." Fay walked across the floor, stood at the window a moment, then came back. "I won't fence," he said. "It's simple truth, however you divined it. And I'm going to stay. I don't match her, but I've never proposed to stop growing." |