Thomasine and Maggie and Corker arrived and filled the overseer's house with noise. They were a blatantly healthful, boisterous set, only Thomasine showing gleams of quiet. They wanted at once to play on the ridge, but now Hagar wouldn't play on the ridge. She said she didn't like it any more. As she spoke, her thin shoulders drew together, and her eyes also, and two vertical lines appeared between these. "What you shakin' for?" asked Corker. "Got a chill?" So they played down by the branch where the willows grew, or in the old, disused tobacco-house, or in the orchard, or about a haystack on a hillside. Corker wanted always to play robbers or going to sea. Maggie liked to jump from the haystack or to swing, swing, swing, holding to the long, pendant green withes of the weeping willow, or to climb the apple trees. Thomasine liked to make dams across the streamlet below the tobacco-house. She liked to shape wet clay, and she saved every pebble or bit of bright china, or broken blue or green glass with which to decorate a small grotto they were making. She also liked to play ring-around-a-rosy, and to hunt for four-leaved clovers. Hagar liked to play going to sea, but she did not care for robbers. She liked to swing from the willows and to climb a particular apple tree which she loved, but she did not want to jump from the haystack, nor to climb all trees. She liked almost everything that Thomasine And then came the day that they went after raspberries. That morning Hagar, turning the doorknob of her mother's room, found the door softly opened from within and Phoebe on the threshold. Phoebe came out, closing the door gently behind her, beckoned to Hagar, and the two crossed the hall to the deep window. "I wouldn't go in this mahnin' ef I were you, honey," said Phoebe. "Miss Maria done hab a bad night. She couldn't sleep an' her heart mos' give out. Oh, hit's all right now, an' she's been lyin' still an' peaceful since de dawn come up. But we wants her to sleep an' we don' want her to talk. An' Old Miss thinks an' Phoebe thinks too, honey, dat you'd better not go in this mahnin'. Nex' time Old Miss 'll let you stay twice as long to make up for it." Hagar looked at her large-eyed, "Is my mother going to die, Aunt Phoebe?" But old Phoebe put her arms around her and the wrinkles came out all over her brown face as they did when she laughed. Phoebe was a good woman, wise and old and tender and a strong liar. "Law, no, chile—What put dat notion in yo' po' little haid? No, indeedy! We gwine pull Miss Maria through, jes' as easy! Dr. Bude he say he gwine do hit, and what Dr. Bude say goes for sho! Phoebe done see him raise de mos' dead. Law, no, don' you worry 'bout Miss Maria! An' de nex' time you goes in de room, you kin stay jes' ez long ez you like. You kin sit by her er whole hour an' won't nobody say you nay." Downstairs Captain Bob was sitting on the sunny step of the sunny back porch, getting a thorn out of Luna's paw. "Hi, Gipsy," he said, when Hagar came and stood by him; "what's the matter with breakfast this morning?" "I don't know," said Hagar. "I haven't seen grandmother to-day. Uncle Bob—" "Well, chicken?" "They'd tell you, wouldn't they, if my mother was going to die?" Captain Bob, having relieved Luna of the thorn, gave his attention fully to his great-niece. He was slow and kindly and unexacting and incurious and unimaginative, and the unusual never occurred to him before it happened. "Maria going to die? That's damned nonsense, partridge! Haven't heard a breath of it—isn't anything to hear. Nobody dies at Gilead Balm—hasn't been a death here since the War. Besides, Medway's away.—Mustn't get notions in your "I don't believe I do, thank you, Uncle Bob." Mrs. LeGrand came out upon the porch, fresh and charming in a figured dimity with a blue ribbon. "Mrs. Ashendyne and Serena are talking to Dr. Bude, and as you men must be famished, Captain Bob, I am going to ring for breakfast and pour out your coffee for you—" In the hall Hagar appealed to her. "Mrs. LeGrand, can't I go into grandmother's room and hear what Dr. Bude says about my mother?" But Mrs. LeGrand smiled and shook her head and laid hands on her. "No, indeed, dear child! Your mother's all right. You come with me, and have your breakfast." The Bishop appearing at the stair foot, she turned to greet him. Hagar, slipping from her touch, stole down the hall to Old Miss's chamber and tried the door. It gave and let her in. Old Miss was seated in the big chair, Dr. Bude and the Colonel were standing on either side of the hearth, and Miss Serena was between them and the door. "Hagar!" exclaimed Miss Serena. "Don't come in now, dear. Grandmother and I will be out to breakfast in a moment." But Hagar had the courage of unhappiness and groping and fear for the most loved. She fled straight to Dr. Bude. "Dr. Bude—oh, Dr. Bude—is my mother going to die?" "No, Bude," said the Colonel from the other side of the hearth. Dr. Bude, an able country doctor, loved and honoured, devoted and fatherly and wise, made a "Tchk!" with his tongue against the roof of his mouth. Old Miss, leaving the big chair, came and took Hagar and drew her back with her into the deep chintz hollows. No one might doubt that Old Miss loved her granddaughter. Now her clasp was as stately as ever, but her voice was quite gentle, though of course authoritative—else it could not have belonged to Old Miss. "Your mother had a bad night, dear, and so, to make her quiet and comfortable, we sent early for Dr. Bude. She is going to sleep now, and to-morrow you shall go in and see her. But you can only go if you are a good, obedient child. Yes, I am telling you the truth. I think Maria will get well. I have never thought anything else.—Now, run away and get your breakfast, and to-day you and Thomasine and Maggie and Corker shall go raspberrying." Dr. Bude spoke from the braided rug. "No one knows, Hagar, what's going to happen in this old world, do they? But Nature has a way of taking care of people quite regardless and without waiting to consult the doctors. I've watched Nature right closely, and I never give up anything. Your mother's right ill, my dear, but so have a lot of other people been right ill and gotten well. You go pick your raspberries, and maybe to-morrow you can see her—" "Can't I see her to-night?" "Well, maybe—maybe—" said the doctor. The raspberry patches were almost two miles away, past a number of shaggy hills and dales. A wood road led that way, Corker strode along whistling. Maggie whistled, too, as well as a boy, though he looked disdain at her and said, "Huh! Girls can't whistle!" "Dar's a piece of poetry I done heard," said Jinnie,— "'Er whistlin' woman an' er crowin' hen, Dey ain' gwine come ter no good end.'" Thomasine hummed as she walked. She had filled her bucket with various matters as she went along, and now she was engaged in fashioning out of the green burrs of the burdock a basket with an elaborate handle. "Don't you want some burrs?" she asked Hagar, walking beside her. Thomasine was always considerate and would give away almost anything she had. Hagar took the burrs and began also to make a basket. She was being good. And, indeed, as the moments passed, the heavy, painful feeling about her heart went away. The doctor had said and grandmother had said, and Uncle Bob and Phoebe and every one.... The raspberries. She instantly visualized one of the blue willow saucers filled with raspberries, carried in by herself to her mother, at supper-time. Yarrow was in bloom and Black-eyed Susans and the tall white Jerusalem candles. Coming back she would gather a big bouquet for the grey jar on her mother's table. She grew light-hearted. A bronze butterfly fluttered before her, the heavy odour of the pine filled her nostrils, the sky was so blue, the air so sweet—there was a pearly cloud like a castle and another like a little boat—a little boat. Off went her fancy, lizard-quick, feather-light. "Swing low, sweet chariot—" sang Jinnie as she walked. The raspberry patches were in sunny hollows. There was a span-wide stream, running pure over a gravel bed, and a grazed-over hillside, green and short-piled as velvet, and deep woods closing in, shutting out. Summer sunshine bathed every grass blade and berry leaf, summer winds cooled the air, bees and grasshoppers and birds, squirrels in the woods, rippling water, wind in the leaves made summer sounds. It was a happy day. Sometimes Hagar, Thomasine, Maggie, Corker, and Jinnie picked purply-red berries from the same bush; sometimes they scattered and combined in twos and threes. Sometimes each established a corner and picked in an elfin solitude. Sometimes they conversed or bubbled over "Trailing clouds of glory do we come From God, who is our home—" When she had repeated it dreamily, in an inward whisper, the problem of why, in that case, she was so far from home engaged her attention. The "here" and the "there—" God away, away off on a throne with angels, and Hagar Ashendyne, in a blue sunbonnet here by a Virginia rail fence, with raspberry stain on her hands. Home was where you lived. God was everywhere; then, was God right here, too? But Hagar Ashendyne couldn't see the throne and the gold steps and floor and the angels. She could make a picture of them, just as she could of Solomon's throne, or Pharaoh's throne, or Queen Victoria's throne, but the picture didn't stir anything at her heart. She wasn't homesick for the court. She was Before her on the grey rail was a slender, burnished insect, all gold-and-green armour. Around the lock of the fence came, like a gold-and-green moving stiletto, a lizard which took and devoured the gold-and-green insect.... God in the lizard, God in the insect, God devouring God, making Himself feed Himself, growing so.... The sun suddenly left the grass and the raspberry bushes. A cloud had hidden it. Other cloud masses, here pearly white, here somewhat dark, were boiling up from the horizon. Jinnie called the children together. "What we gwine do? Look like er storm. Reckon we better light out fer home!" Protests arose. "Ho!" cried Corker, "it ain't going to be a storm. I haven't got my bucket more'n half full and we haven't had a picnic neither! Let's stay!" "Let's stay," echoed Maggie. "Who's afraid of a little bit of storm anyhow?" "It's lots better for it to catch us here in the open," argued Thomasine. "They're all tall trees in the wood. But I think the clouds are getting smaller—there's the sun again!" The sunshine fell, strong and golden. "We's gwine stay den," said Jinnie. "But ef hit rains an' you all gets wet an' teks cold, I's gwine tell Old Miss I jus' couldn't mek you While they were eating the snowball cakes, a large cloud came up and determinedly covered the sun. By the time they had eaten the last crumb, lightnings were playing. "Dar now, I done tol' you!" cried Jinnie. "I never see such children anyhow! Old Miss an' Mrs. Green jus' ought-ter whip you all! Now you gwine git soppin' wet an' maybe de lightning'll strike you, too!" "No, it won't!" cried Corker. "The cow-house's my castle, an' we've been robbing a freight train an' the constable an' old Captain Towney and the army are after us—I'm going to get to the cow-house first!" Maggie scrambled to her feet. "No, you ain't! I'm going to—" The cow-house was dark and somewhat dirty, but they found a tolerable square yard or two of earthen floor and they all sat close together for warmth—the air having grown quite cold—and for company, a thunderstorm, after all, being a thing that made even train robbers and castled barons feel rather small and helpless. For an hour lightnings flashed and thunders rolled and the rain fell in leaden lines. Then the lightnings grew less frequent and vivid, and the thunder travelled farther away, but the rain still fell. "Oh, it's so stupid and dark in here!" said Corker. "Let's tell stories. Hagar, you tell a story, and Jinnie, you tell a story!" Hagar told about the Snow Queen and Kay and Gerda, and they liked that very well. All the cow-house was dark as the little robber girl's hut in the night-time when all were asleep The clouds were breaking—the lines of rain were silver instead of leaden. Even the cow-house was lighter inside. There was no reindeer, after all; there were only brown logs and trampled earth and mud-daubers' nests and a big spider's web. "Now, Jinnie," said Corker, "you tell a ghost story." Thomasine objected. "I don't like ghost stories. Hagar doesn't either." "I don't mind them much," said Hagar. "I don't have to believe them." But Jinnie chose to become indignant. "You jes' hab to believe dem. Dey're true! My lan'! Goin' ter church an' readin' de Bible an' den doubtin' erbout ghosts! I'se gwine tell you er story you's got ter believe, 'cause hit's done happen! Hit's gwine ter scare you, too! Dey tell me hit scare a young girl down in de Hollow inter fits. Hit's gwine ter mek yo' flesh crawl. Sayin' ghos' stories ain't true, when everybody knows dey's true!" The piece of ancient African imagination, traveller of ten thousand years through heated forests, was fearsome enough. "Ugh!" said the children and shivered and stared.—It took the sun, indeed, to drive the creeping, mistlike thoughts away. Going home through the rain-soaked woodland, Hagar began to gather flowers. Her bucket of berries on her arm, They came, in the afternoon glow, in sight of Gilead Balm. They came closer until the house was large, standing between its dark, funereal cedars, with a rosy cloud behind. "All the blinds are closed as though we'd gone away!" said Hagar. "I never saw it that way before." Mrs. Green was at the lower gate, waiting for them. Her old, kind, wrinkled face was pale between the slats of her sunbonnet, but her eyelids were reddened as though she had been weeping. "Yes, yes, children, I'm glad you got a lot of berries!—Corker and Maggie and Thomasine, you go with Jinnie. Mind me and go.—Hagar, child, you and me are goin' to come on behind.... You and me are goin' to sit here a bit on the summer-house step.... The Colonel said I was the best one after all to do it, and I'm going to do it, but I'd rather take a killing! ... Yes, sit right here, with my arm about you. Hagar, child, I've got something to tell you, honey." Hagar looked at her with large, dark eyes. "Mrs. Green, why are all the shutters closed?" |