The other day Miss Everett, the English teacher, took a book away from Jessica Archibald. She said it wasn't suitable for a girl in her teens. It was too sentimental and romantic. Jess didn't mind it very much, for she is one of the worshippers at Miss Everett's shrine. When a bunch of girls are so devoted to a person that they'll go to her room and take the hairs out of her comb to put in their lockets or their memory books, that is the limit. I don't see how any novel ever written could beat that for being sentimental.

But Babe Nolan doesn't agree with me. She never does. She said, "Look at the old Romans. Didn't I remember in Anthony over Caesar's dead body:

"Yea, beg a hair of him for memory, and dying, mention it within their wills, bequeathing it as a rich legacy."

But Babe admits that Jessica is disgustingly sentimental. They are room-mates. And Babe says how any grown person can be the blind bat that Jess's mother is, is a mystery to her. Mrs. Archibald told Miss Everett that her little daughter is "an unawakened child as yet, just a shy, budding, white violet," and she wants to keep her so till she's through school. She says Jessica has always been totally indifferent to boys, never gives them a thought, and she doesn't want her to until she is grown and Prince Charming arrives on the scene. She's just fifteen now.

And all the time, Babe says, shy little Jessica is having the worst kind of a case with one of the Military Academy cadets, who started up an acquaintance with her one day on the street-car, behind the chaperone's back. She's slipped off and gone alone to movies several times to meet him, when she was supposed to be taking tea with her aunt. Yet she looks up in such an innocent, wide-eyed way, and seems so shocked when such escapades are mentioned, that you wouldn't suspect her any more than you would a little gray kitten. But it's making her dreadfully deceitful.

Babe came up to our room to talk to Lillian and me about it, for she's really worried over those clandestine meetings. She says the whole trouble is that Jess doesn't know boys as they exist in the flesh. She knows only the demi-gods created by her own imagination. She has been brought up on fairy-tales in which princes often go around disguised as swine-herds, and, not having any brothers which would give her the key to the whole species, she doesn't know a swineherd when she meets him.

Babe told her no real prince would ask anything clandestine, and that this cadet she's mooning around about is only an overgrown schoolboy with a weak chin and a bad complexion, and if she could see him as he really is and as he looks to the rest of us girls, it would cure her of her romantic infatuation. And Babe told her, moreover, that no real prince would pretend to be a poet when he wasn't, and that the verses he sent her were not original as she fondly believed, wearing them around inside her middy blouse. Babe couldn't remember just what poem they were taken from, but said they were as well known to the public as "Casey at the bat." She is so blunt that when she begins handing out plain truths she never stops for anyone's feelings.

Babe says that if she ever marries and is left a widow in poor circumstances, she will support herself by starting a Correspondence School in a branch that will do more good than all the curriculums of all the colleges. It will be a sort of Geography of Life, teaching maps and boundaries of the "United States" and general information to fit one for entering it. She said we shouldn't be left to stumble into it, in blindfold ignorance like Jessica's.

Right there I couldn't resist breaking in to say, "Oh, speaking of a correspondence course, Babe, did you ever find that brass-balled bedstead you were looking for at the auction?"

Of course the question had no significance for Lillian, but it pointedly reminded Babe of the correspondence she had with the One for whom she was once all eyes when he was present, and all memory when he was gone. She's entirely over that foolishness now, but she turned as red as fire, just the same, and to keep Lillian from noticing, she turned to the bureau and began talking about the first thing she looked at.

It happened to be a photograph of Lillian's brother, Duffield, who is an upper classman at Annapolis. Lillian is awfully proud of him, although from his picture you wouldn't call him anything extraordinary. His nose is sort of snub, but he has a nice face as if he really might be the jolly kind of a big brother that Lillian says he is. She's always quoting him. I've heard so much about what "Duff thinks" and "Duff used to say and do" that I feel that I know him as well as if we'd been brought up in the same house.

So when she began singing his praises again, declaring that Duffield wouldn't ask a girl to meet him clandestinely and he wouldn't have any respect for one who wanted to, I withdrew from the conversation. It was time for me to go on copying the theme which Babe's entrance had interrupted.

She must have been responsive enough to have pleased even Lillian, for when next I was conscious of what they were saying, Lillian was including Babe in the invitation she had given me some time ago, to go along with them next time her mother motored down to Annapolis to see Duff. They're going down to a hop in April, which is only a few days off now, and again in June week, and stay at John Carrol Hall. Mrs. Locke has already written to Barby, inviting me, and Barby has given her permission.

Mrs. Locke is from Kentucky, and knows all the Shirleys. She always introduces me as "the granddaughter of our illustrious editor, you know." In that way I've met a lot of Barby's old friends when I've been invited to take dinner at the hotel with Lillian. That accounts also for my being included in their invitation to an informal musicale at the White House where I met the President and his wife. (See Book of Chronicles for six pages describing that grand occasion.)

Of all the legacies in the world, nothing is more desirable for children to inherit than old friendships. One day when Mrs. Locke took Lillian and me shopping with her, we met a lady in one of the stores whom she introduced as Mrs. Waldon. No sooner had she been told who I am than she held out both hands to me, saying in the dearest way, "Not Barby Shirley's daughter, and half a head taller than I! Why, my dear, I was at your mother's wedding, and it seems only yesterday. Our families have been neighbors for three generations, so you see we inherited our friendship, and now here you come, walking into the same heritage."

She insisted on taking us home to lunch with her. Mrs. Locke had another engagement, but Lillian and I went. She has the dearest apartment, on the top floor with a stairway running up to a little roof garden. Her husband served in the Civil War and was a general in the Cuban war, and two of her daughters have recently married naval officers. They were living in Annapolis when that happened, so she knows all about the place. Her other daughter, Miss Catherine, has just come back from a visit down there, and she told us so much about the place and the good times she has there that we are simply wild to go. I can hardly wait for the time to come.

We have just come to our rooms from the Current Events class. If it wasn't for Miss Allen's little lecture every Friday afternoon, reviewing the happenings of the week, we'd hardly know what is going on outside of the school premises. We rarely see the papers, and it is as sweet and peaceful as a cloister, here at the Hall, with its high-hedged park around it. We forget, sometimes, the awful suffering and horrors that have been shocking the world for nearly two years. Our lessons and recreations and friendships fill our days to the brim, and crowd the other things out. While we're digging into our mathematics or playing basketball with all our might, if we think of war at all, it's in the back of our heads, like the memory of a bad dream.

But when Miss Allen tells us of some new horror as she did today, of the torpedoing of the Sussex, crowded with passengers and many Americans aboard, then we realize we are living on the edge of a smouldering volcano, which may burst into action any moment. It doesn't seem possible that our country can keep out of it much longer. I know Father thinks so. His letters are few and far between because he's so very busy, but there's always that same note of warning running through them.

"Make the most of this year at school, Georgina. Nobody knows what is coming. So get all you can out of it in the way of preparation to meet the time of testing that lies ahead for all of us."

After one of those letters I go at my lessons harder than ever, and the little school happenings, its games and rivalries and achievements, seem too trivial for words. I keep measuring them by Father and his work, and what Richard is doing so splendidly up there in Canada, and I wish there was something I could do to make them as proud of me as I am of them. If the family would only consent to my going in for a nurse's training! I'm going to talk Barby into letting me stop school this vacation, and beginning this fall to fit myself for Red Cross service.

When Richard found that Mr. Milford had told us about him being the temporary head of a family, he began mentioning his proteges now and then in a joking way. But two snapshots which he sent of them told more than all his brief descriptions. The one labelled "Granny" shows more than just a patient-faced little woman knitting in the doorway. The glimpse of cottage behind her and the neat door-yard in front shows that he has something to go back to every night that has a real touch of home about it. He boards there, so that he can keep an eye on the boys. One is five, the other seven. He said he had to give the older one, Cuthbert, a fatherly spanking one day, but it didn't seem to make any difference in the kid's feeling towards him.

They seem to be very fond of each other, judging from the second snapshot, labelled "Uncle Dick and his acrobats." The two boys were climbing up on his shoulders like little monkeys, all three in overalls and all grinning as if they enjoyed it. It seems too queer for words to think of Richard being dignified and settled down enough for anybody to look up to him as authority. But the sights he sees are enough to make him old and grave beyond his years. He has written several times of going to the station to help with a train-load of soldiers returned from the front. They are constantly coming back, crippled and blinded and maimed in all sorts of ways. He says that sights like that make him desperate to get a whack at the ones who did it. He'll soon be in shape to do something worth while, for he's learning to fly, so he can test the machines they are making.

Lillian looked at the acrobat picture rather sniffily when it came. I think she took him for just an ordinary mechanic in his working clothes. But when I told her what a Sir Gareth deed he is doing her indifference changed almost to hero-worship. She's so temperamental. Not long ago he sent another picture of himself, a large one, in the act of seating himself in the plane, ready for flight. She wanted to know if she had anything I'd be willing to trade with her for it. She'd gladly give me one of Duff in place of it.

It put me in rather an awkward position for I didn't want Duffield's picture, and I most certainly didn't want her to have Richard's.