Dangerfield kept his promise to Inga. Breeding and training in him were too finely aristocratic for him to surrender weakly under the girl’s eyes. He went to his easel each morning with the early hours, sometimes in the company of Tootles, sometimes alone. Each day he passed Inga in the hall and exchanged cheery greetings with forced gaiety, but beyond this they did not meet. He laid before himself the task of finding himself if it could be done, now that his whole day had to be reorganized and the figure of the young girl banished from it. At the bottom he knew the task was beyond him. He knew himself and the child in the artist that cried out for comradeship and love. If the change was noticed in the Arcade, no one spoke to him of it. Tootles had looked surprised when Inga had not appeared the first mornings, but kept his own counsel. Mr. Cornelius, too, after a first inquiry, made no further reference to Inga’s absence, though he made a point of dropping in more frequently. The crisis brought the two men together in a closer companionship, in a subtle instinct of class loyalty. To cap it all, Mr. Cornelius, in his most formal manner, invited Dangerfield to dine with him on the occasion of his monthly pilgrimage to Delmonico’s. At half-past seven, Dangerfield, who had been fidgeting in his studio, doing a dozen things by fits and starts, dressed and started down the hall. Two things had induced him to accept an invitation which threw him When Dangerfield reached the end of the hall, he found the door open and Pansy, who had been hastily summoned, busy with the final touches of Mr. Cornelius’ tie, over which he was as particular as an old beau. “All ready?” said Dangerfield, stopping at the threshold by discretion. “Entrez, entrez, mon vieux! Come in—I am with you in one little moment!” cried Mr. Cornelius, who was in such a pitch of excitement that he was springing about like a dÉbutante on the eve of her first ball. “Aha, we will make a night of it, a dinner like that at the CafÉ Anglais and a bottle of wine to make you dream! Faisons la noce! two old boulevardiers, deux vieux moustaches—hein? Panzee, ma mignonne, what are you doing there with that tie?” “Why, Mr. Cornelius,” exclaimed Pansy, laughing, “how can I do anything when you’re prancing around like that? Stand still and put your chin up!” “That is so—that is so. There, I’m frozen to the ground. What a night!” Pansy thrust an imperious finger toward the ceiling, and he obeyed by elevating his chin, not without grumbling, while the operation was completed with nicety. “There, you’re handsome as Chauncey Olcott!” said “My hat and my cane!” exclaimed “the baron,” as gayly as though he had cried, “My helmet and my sword!” Pansy disappeared in the closet and emerged polishing a hat that might have come from a museum. Dangerfield, meanwhile, gave a last careful survey of the room. In one corner was a four-poster bed with the faded peacock-blue dressing-gown pendent below a tousled nightcap of gray silk. What furniture there was, and it consisted of a table, a chest of drawers, a bookcase, three chairs, and a massive Breton chest heavily reinforced with iron clasps, was mostly reminiscent of the First Empire which was “the baron’s” hobby, for the walls were covered with engravings of the great Conqueror. Between the windows was the full-length portrait of an actress of the last generation—a striking figure in the costume of Adrienne Lecouvreur, slender and towering, a magnetic brow, ethereal eyes, and, below, the smile of a pagan. Dangerfield stood before the portrait in long and profound study. Mr. Cornelius, turning from a search through the confusion of his wardrobe for the newest pair of gloves, looked up and saw the reverie into which his friend had fallen. “Elle Était bien belle,” said Dangerfield, catching his eye. “N’est ce pas?” The aristocratic little figure drew up in a sort of military attention. He glanced at the woman in the frame and then at the room in which they stood. “It was worth it,” he said smiling, with that loyalty unto sentiment that never dies in the soul of a Frenchman. “What are you two talking about?” said Pansy, pouting. “I don’t think it’s at all decent of you to talk French before me.” “There, there, ma petite amie!” said Mr. Cornelius, patting the pink cheeks. “Don’t scold! Monsieur Dangerfield was saying only what he could say of you—that the lady was very beautiful.” “Did you know her?” said Pansy, opening her eyes. “I had the great privilege of seeing her act,” said Dangerfield carefully, at which Mr. Cornelius sent him a pleased glance. Pansy mollified, placed the odd hat upon “the baron’s” head, tilting it a little to one side, so as to give him a rakish look, and snuggled him into his overcoat, which likewise had a decided reminiscent note. Dangerfield felt a sudden pang in watching this affectionate solicitude—a feeling of an emptiness in his own life—of something that had been and had been taken away. The thought of Inga, of the close companionship, of the strange, elusive girl, who had watched over him and fought his struggles, threw him into such a swift dejection that Mr. Cornelius, noticing it, cried out: “No blue devils to-night! En avant, mon vieux, and to the charge! Panzee, an old fellow kisses your cheek with respect and gratitude—merci!” But as he started out, he stopped, mumbled something to himself, and going back to the chest, unlocked it with a key that hung from his watch-chain, and, holding the lid cautiously open, began to seek among rustling papers. “He must have diamonds there,” said Pansy, laughing; “he makes such a time over that box!” Mr. Cornelius took out several sheets of paper covered with figures, examined them carefully, thrust them in his pocket, and, after carefully locking the chest, led the way out, locking the door behind him. Dangerfield forgot himself in a momentary absorption. Outside, Dangerfield suggested the subway, only to be met with a scornful denial. For one night a month, at least, the illusion must be revived in its completeness. They hailed a taxi and arrived thus at Delmonico’s. In the crowded room, their table was reserved and at each plate a gardenia was laid. Gustave, the head waiter, was at the chairs bowing recognition, visibly intrigued at the unprecedented spectacle of Mr. Cornelius arriving with a companion, nor was his surprise diminished by perceiving Dangerfield, whom he knew of old. Their entrance occasioned quite a stir among the diners, where the strangely distinctive figure of Dangerfield, with his one splash of gray amid the tangled black hair, was quickly recognized. Until this moment, he had felt no unease, “Pardon, Monsieur Garford, one moment—excuse me—it will be better if I change your place.” “This is all right,” he said, without much attention. “I think you would prefer—that is—Mr. Garford—forgive me—there is some one quite near——” Dangerfield looked up. Two tables away, directly facing him, in a party of ten or a dozen, his former wife was sitting. “No; this will do,” he said coldly and sat down. The test had brought back the sang-froid of the man of the world. He took his seat in a most natural manner, aware of what eyes must be watching his every expression, and, slipping his gardenia in his buttonhole, said, with a smile for the public, as he studied the menu which Mr. Cornelius had commanded: “Really, de Retz, you are a connoisseur—the choice is perfection, just right—perfectly balanced. Excuse Mr. Cornelius hastily suggested changing seats. “No; not for anything in the world,” said Dangerfield, with a grim smile. “Go on talking—Oysters from Ostend, petite marmitÉ, filet de sole CafÉ Riche—Bravo!” Mr. Cornelius, thus encouraged, broke into an enthusiastic discussion of each dish, explaining that he had chosen filet de sole CafÉ Riche, rather than Marguery, as the latter was a piÈce de rÉsistance in itself, rather than the appropriate stepping-stone to the dish of the evening, which was a caneton Joseph cooked with gooseberries and fine champagne, with a bottle of Chambertin genuine cuvÉe de 1872 from the Marquis de Severin’s special reserve. While the old gourmet discoursed thus eloquently on the art of the immortal Vatel, Dangerfield looked at the woman who had been his wife, to whom he had yielded the period of his fullest youth. He did not shift his glance, he stared at her steadily, wondering, not taking pains to mask his curiosity, though he was aware that she flinched under the estimate. How was it possible that this woman, whom he saw now in the nakedness of her cold calculating, could have given him a moment’s torture! “Really,” he thought to himself, “it must have been something in me, a need of an outward inspiration that blinded me and cloaked her with illusions,—I myself in love with what I profoundly longed for and created in my need!” But if Louise had no longer power to wound him on his own account, she brought back to him, with overwhelming sadness, the memory of Inga, and the ceaseless, burning need that all the deeper sources of his nature had of her sustaining presence. Of those who were at the table, he “A little glass of Amontillado with the oysters,” said “the baron,” “just to flavor them!” He looked down, his fingers closed over the slender neck of his glass that held the first golden stream back to forgetfulness. He hesitated, shrugged his shoulders, and drank. When he had groped his way down the hall and found with difficulty his door, one thing was clear to him even in the swirling, happy numbness of his brain. He knew now the secret of “the baron’s” strange existence, of his brilliant monthly recrudescence and the long days of subsequent denial. He knew now what the sheets of paper covered with ordered figures meant, and the explanation or the curious, whirring noises which often at the dead of night came from behind the door of Mr. Cornelius. “The baron” was still, as he had always been, a blind, insensate gambler, passionately absorbed in the quest of that touchstone of gamblers, the pursuit of the infallible system which once attained held the alchemy of success. From Delmonico’s they had gone to a select gambling-house in the Forties, where the Comte de Retz was as punctual as the calendar, and where he returned, night after night, until the quick and inevitable night when ill Dangerfield came into his room, threw on the single gold-shaded table-lamp and sat down beyond the circle of light that cut the shadows of the studio. He felt painfully, treacherously awake, and he knew that, for the black balance of the night, sleep would not come until he fell over with physical fatigue at the mingling of the dawn. His surroundings, which lately had come into his intimacy, rousing the pleasant sense of the harmonious, now were empty and hostile. The living touch was absent, in the absence of Inga, just as, in the early days of his apprenticeship, he had felt in his muddy attempts at painting, the absence of the illuminating sense of atmosphere. How a human touch colors the inanimate world with the communicated warmth of its enchantment! Yes; her absence had changed all. It was no longer the spot for dreams he had called it—each tapestry chair and table no longer wrapped around with the memory of her, of returning hope and struggling ambition—but a cold and deserted thing, which claimed him, too, cold and deserted. He loved her beyond what he had thought possible, beyond what he had believed lay in him to love, not simply as a part, though the vital element in his life, but as the whole world, the window through which all sensations must come to him. He had felt this realization in the tricked-out gaiety of the restaurant, in the sudden lightening of his heart as he had stood behind Mr. Cornelius, looking up at the ghost of the fatal romance which had sent him into exile, comprehending the man who, over the flight of years, could still pronounce that the past had been worth all that had been and was to come. After all, why not? What she had pronounced as her theory of life and love he had himself a hundred times acclaimed in conversation, heard dozens of others maintain. His brain was soaring on fiery wings with the divine frenzy of genius, which lifts itself up with pinions which consume themselves. He was drunk with the intoxication of the old world and with other days. There was something superb in it, something heroically mad—not the sordid drunkenness of small beer. He felt among the privileged of the earth. He had a cruel sense of power, the right to thrust aside petty plebeian scruples, to take what he needed. He was filled with the rage of living, desiring, conquering, to make an end of depression and weakness. Why should he stand on a scruple—that was hardly a scruple, a sentimental yielding to the conventions of right and wrong of a society of surface morality against which he had himself rebelled. He had but to cross the hall and knock, to swim back into the stream of youth and ambition. He pressed his hands to his hot temples, took a short fierce breath and said to himself: “Will I do it? Now?” At this moment, a knock sounded at the door. His heart stood still. Was it Inga—Inga who herself in her wretchedness had come to him, knowing his need? He “Some one has entered my room, while we were away. Come; I show you.” |