This collection of verse I have named "Flint and Feather" because of the association of ideas. Flint suggests the Red Man's weapons of war; it is the arrow tip, the heart-quality of mine own people; let it therefore apply to those poems that touch upon Indian life and love. The lyrical verse herein is as a
"Skyward floating feather,
Sailing on summer air."
And yet that feather may be the eagle plume that crests the head of a warrior chief; so both flint and feather bear the hall-mark of my Mohawk blood.
E.P.J.
BIOGRAPHICAL SKETCH
E. Pauline Johnson (Tekahionwake) is the youngest child of a family of four born to the late G. H. M. Johnson (Onwanonsyshon), Head Chief of the Six Nations Indians, and his wife, Emily S. Howells, a lady of pure English parentage, her birth-place being Bristol, England, but the land of her adoption was Canada.
Chief Johnson was of the renowned Mohawk tribe, and of the "Blood Royal," being a scion of one of the fifty noble families which composed the historical confederation founded by Hiawatha upwards of four hundred years ago, and known at that period as the Brotherhood of the Five Nations, but which was afterwards named the Iroquois by the early French missionaries and explorers. These Iroquois Indians have from the earliest times been famed for their loyalty to the British Crown, in defence of which they fought against both French and Colonial Revolutionists; and for which fealty they were granted the magnificent lands bordering the Grand River in the County of Brant, Ontario, and on which the tribes still live.
It was upon this Reserve, on her father's estate, "Chiefswood," that Pauline Johnson was born. And it is inevitable that the loyalty to Britain and Britain's flag which she inherited from her Red ancestors, as well as from her English mother, breathes through both her prose and poetic writings.
At an extremely early age this little Indian girl evinced an intense love of poetry; and even before she could write, composed many little childish jingles about her pet dogs and cats. She was also very fond of learning by heart anything that took her fancy, and would memorize, apparently without effort, verses that were read to her. A telling instance of this early love of poetry may be cited, when on one occasion, while she was yet a tiny child of four, a friend of her father's, who was going to a distant city, asked her what he could bring her as a present, and she replied, "Verses, please."
At twelve years of age she was writing fairly creditable poems, but was afraid to offer them for publication, lest in after years she might regret their almost inevitable crudity. So she did not publish anything until after her school days were ended.
Her education was neither extensive nor elaborate, and embraced neither High School nor College. A nursery governess for two years at home, three years at an Indian day school half a mile from her home, and two years in the central school of the City of Brantford was the extent of her educational training. But besides this she acquired a wide general knowledge, having been, through childhood and early girlhood, a great reader, especially of poetry. Before she was twelve years old she had read every line of Scott's poems, every line of Longfellow, much of Byron, Shakespeare, and such books as Addison's "Spectator," Foster's Essays and Owen Meredith.
The first periodicals to accept her poems and place them before
the public were "Gems of Poetry," a small magazine published in
New York, and "The Week," established by the late Professor Goldwin
Smith, of Toronto, the "New York Independent," and "Toronto Saturday
Night." Since then she has contributed to "The Athenaeum," "The
Academy," "Black and White," "The Pall Mall Gazette," "The Daily
Express," and "Canada," all of London, England; "The Review of
Reviews," Paris, France; "Harper's Weekly," "New York Independent,"
"Outing," "The Smart Set," "Boston Transcript," "The Buffalo
Express," "Detroit Free Press," "The Boys' World" (David C. Cook
Publishing Co., Elgin, Illinois), "The Mothers' Magazine" (David
C. Cook Publishing Co.), "The Canadian Magazine," "Toronto Saturday
Night," and "The Province," Vancouver, B.C.
In 1892 the opportunity of a lifetime came to this young versifier, when Frank Yeigh, the president of the Young Liberals' Club, of Toronto, conceived the idea of having an evening of Canadian literature, at which all available Canadian authors should be guests and read from their own works.
Among the authors present on this occasion was Pauline Johnson, who contributed to the programme one of her compositions, entitled "A Cry from an Indian Wife"; and when she recited without text this much-discussed poem, which shows the Indian's side of the North-West Rebellion, she was greeted with tremendous applause from an audience which represented the best of Toronto's art, literature and culture. She was the only one on the programme who received an encore, and to this she replied with one of her favourite canoeing poems.
The following morning the entire press of Toronto asked why this young writer was not on the platform as a professional reader; while two of the dailies even contained editorials on the subject, inquiring why she had never published a volume of her poems, and insisted so strongly that the public should hear more of her, that Mr. Frank Yeigh arranged for her to give an entire evening in Association Hall within two weeks from the date of her first appearance. It was for this first recital that she wrote the poem by which she is best known, "The Song my Paddle Sings."
On this eventful occasion, owing to the natural nervousness which besets a beginner, and to the fact that she had scarcely had time to memorize her new poem, she became confused in this particular member, and forgot her lines. With true Indian impassiveness, however, she never lost her self-control, but smilingly passed over the difficulty by substituting something else; and completely won the hearts of her audience by her coolness and self-possession. The one thought uppermost in her mind, she afterwards said, was that she should not leave the platform and thereby acknowledge her defeat; and it is undoubtedly this same determination to succeed which has carried her successfully through the many years she has been before the public.
The immediate success of this entertainment caused Mr. Yeigh to undertake the management of a series of recitals for her throughout Canada, with the object of enabling her to go to England to submit her poems to a London publisher. Within two years this end was accomplished, and she spent the season of 1894 in London, and had her book of poems, "The White Wampum," accepted by John Lane, of the "Bodley Head." She carried with her letters of introduction from His Excellency the Earl of Aberdeen and Rev. Professor Clark, of Toronto University, which gave her a social and literary standing in London which left nothing to be desired.
In London she met many authors, artists and critics, who gave this young Canadian girl the right hand of fellowship; and she was received and asked to give recitals in the drawing-rooms of many diplomats, critics and members of the nobility.
Her book, "The White Wampum," was enthusiastically received by the critics and press; and was highly praised by such papers as the Edinburgh "Scotsman," "Glasgow Herald," "Manchester Guardian," "Bristol Mercury," "Yorkshire Post," "The Whitehall Review," "Pall Mall Gazette," the London "Athenaeum," the London "Academy," "Black and White," "Westminster Review," etc.
Upon her return to Canada she made her first trip to the Pacific Coast, giving recitals at all the cities and towns en route. Since then she has crossed the Rocky Mountains nineteen times, and appeared as a public entertainer at every city and town between Halifax and Vancouver.
In 1903 the George Morang Publishing Company, of Toronto, brought out her second book of poems, entitled "Canadian Born," which was so well received that the entire edition was exhausted within the year.
About this time she visited Newfoundland, taking with her letters of introduction from Sir Charles Tupper to Sir Robert Bond, the then Prime Minister of the colony. Her recital in St. John was the literary event of the season, and was given under the personal patronage of His Excellency the Governor-General and Lady McCallum, and the Admiral of the British Flagship.
After this recital in the capital Miss Johnson went to all the small seaports and to Hearts' Content, the great Atlantic Cable station, her mission being more to secure material for magazine articles on the staunch Newfoundlanders and their fishing villages than for the purpose of giving recitals.
In 1906 she returned to England, and made her first appearance in Steinway Hall, under the distinguished patronage of Lord and Lady Strathcona, to whom she carried letters of introduction from the Right Honourable Sir Wilfrid Laurier, Prime Minister of Canada. On this occasion she was accompanied by Mr. Walter McRaye, who added greatly to the Canadian interest of the programme by his inimitable renditions of Dr. Drummond's Habitant poems.
The following year she again visited London, returning by way of the United States, where she and Mr. McRaye were engaged by the American Chautauquas for a series of recitals covering eight weeks, during which time they went as far as Boulder, Colorado. Then, after one more tour of Canada, she decided to give up public work, settle down in the city of her choice, Vancouver, British Columbia, and devote herself to literature only.
Only a woman of tremendous powers of endurance could have borne up under the hardships necessarily encountered in travelling through North-Western Canada in pioneer days as Miss Johnson did; and shortly after settling down in Vancouver the exposure and hardship she had endured began to tell upon her, and her health completely broke down. For more than a year she has been an invalid; and as she was not able to attend to the business herself, a trust was formed by some of the leading citizens of her adopted city for the purpose of collecting, and publishing for her benefit, her later works. Among these is a number of beautiful Indian legends which she has been at great pains to collect; and a splendid series of boys' stories, which were exceedingly well received when they ran recently in an American boys' magazine.
During the sixteen years Miss Johnson was travelling she had many varied and interesting experiences. She has driven up the old Battleford trail before the railroad went through, and across the Boundary country in British Columbia in the romantic days of the early pioneers; and once she took an 850-mile drive up the Cariboo trail to the gold-fields. She was always an ardent canoeist, ran many strange rivers, crossed many a lonely lake, and camped in many an unfrequented place. These venturous trips she took more from her inherent love of nature and of adventure than from any necessity of her profession.
After an illness of two years' duration Miss Johnson died in Vancouver on March 7, 1913. The heroic spirit in which she endured long months of suffering is expressed in her poem entitled "And He Said 'Fight On'" which she wrote after she was informed by her physician that her illness would prove fatal.
Time and its ally, Dark Disarmament
Have compassed me about;
Have massed their armies, and on battle bent
My forces put to rout,
But though I fight alone, and fall, and die,
Talk terms of Peace? Not I.
It is eminently fitting that this daughter of Nature should have been laid to rest in no urban cemetery. According to her own request she was buried in Stanley Park, Vancouver's beautiful heritage of the forest primeval. A simple stone surrounded by rustic palings marks her grave and on this stone is carved the one word "Pauline." There she lies among ferns and wild flowers a short distance from Siwash Rock, the story of which she has recorded in the legends of her race. In time to come a pathway to her grave will be worn by lovers of Canadian poetry who will regard it as one of the most romantic of our literary shrines.
THE WHITE WAMPUM
(The following poems are from the author's first book, "The White
Wampum," first published in 1895.)
OJISTOH
I am Ojistoh, I am she, the wife
Of him whose name breathes bravery and life
And courage to the tribe that calls him chief.
I am Ojistoh, his white star, and he
Is land, and lake, and sky—and soul to me.
Ah! but they hated him, those Huron braves,
Him who had flung their warriors into graves,
Him who had crushed them underneath his heel,
Whose arm was iron, and whose heart was steel
To all—save me, Ojistoh, chosen wife
Of my great Mohawk, white star of his life.
Ah! but they hated him, and councilled long
With subtle witchcraft how to work him wrong;
How to avenge their dead, and strike him where
His pride was highest, and his fame most fair.
Their hearts grew weak as women at his name:
They dared no war-path since my Mohawk came
With ashen bow, and flinten arrow-head
To pierce their craven bodies; but their dead
Must be avenged. Avenged? They dared not walk
In day and meet his deadly tomahawk;
They dared not face his fearless scalping knife;
So—Niyoh![1]—then they thought of me, his wife.
O! evil, evil face of them they sent
With evil Huron speech: "Would I consent
To take of wealth? be queen of all their tribe?
Have wampum ermine?" Back I flung the bribe
Into their teeth, and said, "While I have life
Know this—Ojistoh is the Mohawk's wife."
Wah! how we struggled! But their arms were strong.
They flung me on their pony's back, with thong
Round ankle, wrist, and shoulder. Then upleapt
The one I hated most: his eye he swept
Over my misery, and sneering said,
"Thus, fair Ojistoh, we avenge our dead."
And we two rode, rode as a sea wind-chased,
I, bound with buckskin to his hated waist,
He, sneering, laughing, jeering, while he lashed
The horse to foam, as on and on we dashed.
Plunging through creek and river, bush and trail,
On, on we galloped like a northern gale.
At last, his distant Huron fires aflame
We saw, and nearer, nearer still we came.
I, bound behind him in the captive's place,
Scarcely could see the outline of his face.
I smiled, and laid my cheek against his back:
"Loose thou my hands," I said. "This pace let slack.
Forget we now that thou and I are foes.
I like thee well, and wish to clasp thee close;
I like the courage of thine eye and brow;
I like thee better than my Mohawk now."
He cut the cords; we ceased our maddened haste
I wound my arms about his tawny waist;
My hand crept up the buckskin of his belt;
His knife hilt in my burning palm I felt;
One hand caressed his cheek, the other drew
The weapon softly—"I love you, love you,"
I whispered, "love you as my life."
And—buried in his back his scalping knife.
Ha! how I rode, rode as a sea wind-chased,
Mad with sudden freedom, mad with haste,
Back to my Mohawk and my home. I lashed
That horse to foam, as on and on I dashed.
Plunging thro' creek and river, bush and trail,
On, on I galloped like a northern gale.
And then my distant Mohawk's fires aflame
I saw, as nearer, nearer still I came,
My hands all wet, stained with a life's red dye,
But pure my soul, pure as those stars on high—
"My Mohawk's pure white star, Ojistoh, still am I."
[1] God, in the Mohawk language.
AS RED MEN DIE
Captive! Is there a hell to him like this?
A taunt more galling than the Huron's hiss?
He—proud and scornful, he—who laughed at law,
He—scion of the deadly Iroquois,
He—the bloodthirsty, he—the Mohawk chief,
He—who despises pain and sneers at grief,
Here in the hated Huron's vicious clutch,
That even captive he disdains to touch!
Captive! But never conquered; Mohawk brave
Stoops not to be to any man a slave;
Least, to the puny tribe his soul abhors,
The tribe whose wigwams sprinkle Simcoe's shores.
With scowling brow he stands and courage high,
Watching with haughty and defiant eye
His captors, as they council o'er his fate,
Or strive his boldness to intimidate.
Then fling they unto him the choice;
"Wilt thou
Walk o'er the bed of fire that waits thee now—
Walk with uncovered feet upon the coals,
Until thou reach the ghostly Land of Souls,
And, with thy Mohawk death-song please our ear?
Or wilt thou with the women rest thee here?"
His eyes flash like an eagle's, and his hands
Clench at the insult. Like a god he stands.
"Prepare the fire!" he scornfully demands.
He knoweth not that this same jeering band
Will bite the dust—will lick the Mohawk's hand;
Will kneel and cower at the Mohawk's feet;
Will shrink when Mohawk war drums wildly beat.
His death will be avenged with hideous hate
By Iroquois, swift to annihilate
His vile detested captors, that now flaunt
Their war clubs in his face with sneer and taunt,
Not thinking, soon that reeking, red, and raw,
Their scalps will deck the belts of Iroquois.
The path of coals outstretches, white with heat,
A forest fir's length—ready for his feet.
Unflinching as a rock he steps along
The burning mass, and sings his wild war song;
Sings, as he sang when once he used to roam
Throughout the forests of his southern home,
Where, down the Genesee, the water roars,
Where gentle Mohawk purls between its shores,
Songs, that of exploit and of prowess tell;
Songs of the Iroquois invincible.
Up the long trail of fire he boasting goes,
Dancing a war dance to defy his foes.
His flesh is scorched, his muscles burn and shrink,
But still he dances to death's awful brink.
The eagle plume that crests his haughty head
Will never droop until his heart be dead.
Slower and slower yet his footstep swings,
Wilder and wilder still his death-song rings,
Fiercer and fiercer thro' the forest bounds
His voice that leaps to Happier Hunting Grounds.
One savage yell—
Then loyal to his race,
He bends to death—but never to disgrace.
THE PILOT OF THE PLAINS
"False," they said, "thy Pale-face lover, from the land of waking morn;
Rise and wed thy Redskin wooer, nobler warrior ne'er was born;
Cease thy watching, cease thy dreaming,
Show the white thine Indian scorn."
Thus they taunted her, declaring, "He remembers naught of thee:
Likely some white maid he wooeth, far beyond the inland sea."
But she answered ever kindly,
"He will come again to me,"
Till the dusk of Indian summer crept athwart the western skies;
But a deeper dusk was burning in her dark and dreaming eyes,
As she scanned the rolling prairie,
Where the foothills fall, and rise.
Till the autumn came and vanished, till the season of the rains,
Till the western world lay fettered in midwinter's crystal chains,
Still she listened for his coming,
Still she watched the distant plains.
Then a night with nor'land tempest, nor'land snows a-swirling fast,
Out upon the pathless prairie came the Pale-face through the blast,
Calling, calling, "Yakonwita,
I am coming, love, at last."
Hovered night above, about him, dark its wings and cold and dread;
Never unto trail or tepee were his straying footsteps led;
Till benumbed, he sank, and pillowed
On the drifting snows his head,
Saying, "O! my Yakonwita call me, call me, be my guide
To the lodge beyond the prairie—for I vowed ere winter died
I would come again, beloved;
I would claim my Indian bride."
"Yakonwita, Yakonwita!" Oh, the dreariness that strains
Through the voice that calling, quivers, till a whisper but remains,
"Yakonwita, Yakonwita,
I am lost upon the plains."
But the Silent Spirit hushed him, lulled him as he cried anew,
"Save me, save me! O! beloved, I am Pale but I am true.
Yakonwita, Yakonwita,
I am dying, love, for you."
Leagues afar, across the prairie, she had risen from her bed,
Roused her kinsmen from their slumber: "He has come to-night," she said.
"I can hear him calling, calling;
But his voice is as the dead.
"Listen!" and they sate all silent, while the tempest louder grew,
And a spirit-voice called faintly, "I am dying, love, for you."
Then they wailed, "O! Yakonwita.
He was Pale, but he was true."
Wrapped she then her ermine round her, stepped without the tepee door,
Saying, "I must follow, follow, though he call for evermore,
Yakonwita, Yakonwita;"
And they never saw her more.
Late at night, say Indian hunters, when the starlight clouds or wanes,
Far away they see a maiden, misty as the autumn rains,
Guiding with her lamp of moonlight
Hunters lost upon the plains.
THE CATTLE THIEF
They were coming across the prairie, they were
galloping hard and fast;
For the eyes of those desperate riders had sighted
their man at last—
Sighted him off to Eastward, where the Cree
encampment lay,
Where the cotton woods fringed the river, miles and
miles away.
Mistake him? Never! Mistake him? the famous
Eagle Chief!
That terror to all the settlers, that desperate Cattle
Thief—
That monstrous, fearless Indian, who lorded it over
the plain,
Who thieved and raided, and scouted, who rode like
a hurricane!
But they've tracked him across the prairie; they've
followed him hard and fast;
For those desperate English settlers have sighted
their man at last.
Up they wheeled to the tepees, all their British
blood aflame,
Bent on bullets and bloodshed, bent on bringing
down their game;
But they searched in vain for the Cattle Thief: that
lion had left his lair,
And they cursed like a troop of demons—for the
women alone were there.
"The sneaking Indian coward," they hissed; "he
hides while yet he can;
He'll come in the night for cattle, but he's scared
to face a man."
"Never!" and up from the cotton woods rang the
voice of Eagle Chief;
And right out into the open stepped, unarmed, the
Cattle Thief.
Was that the game they had coveted? Scarce fifty
years had rolled
Over that fleshless, hungry frame, starved to the
bone and old;
Over that wrinkled, tawny skin, unfed by the
warmth of blood.
Over those hungry, hollow eyes that glared for the
sight of food.
He turned, like a hunted lion: "I know not fear,"
said he;
And the words outleapt from his shrunken lips in
the language of the Cree.
"I'll fight you, white-skins, one by one, till I
kill you all," he said;
But the threat was scarcely uttered, ere a dozen
balls of lead
Whizzed through the air about him like a shower
of metal rain,
And the gaunt old Indian Cattle Thief dropped
dead on the open plain.
And that band of cursing settlers gave one
triumphant yell,
And rushed like a pack of demons on the body that
writhed and fell.
"Cut the fiend up into inches, throw his carcass
on the plain;
Let the wolves eat the cursed Indian, he'd have
treated us the same."
A dozen hands responded, a dozen knives gleamed
high,
But the first stroke was arrested by a woman's
strange, wild cry.
And out into the open, with a courage past
belief,
She dashed, and spread her blanket o'er the corpse
of the Cattle Thief;
And the words outleapt from her shrunken lips in
the language of the Cree,
"If you mean to touch that body, you must cut
your way through me."
And that band of cursing settlers dropped
backward one by one,
For they knew that an Indian woman roused, was
a woman to let alone.
And then she raved in a frenzy that they scarcely
understood,
Raved of the wrongs she had suffered since her
earliest babyhood:
"Stand back, stand back, you white-skins, touch
that dead man to your shame;
You have stolen my father's spirit, but his body I
only claim.
You have killed him, but you shall not dare to
touch him now he's dead.
You have cursed, and called him a Cattle Thief,
though you robbed him first of bread—
Robbed him and robbed my people—look there, at
that shrunken face,
Starved with a hollow hunger, we owe to you and
your race.
What have you left to us of land, what have you
left of game,
What have you brought but evil, and curses since
you came?
How have you paid us for our game? how paid us
for our land?
By a book, to save our souls from the sins you
brought in your other hand.
Go back with your new religion, we never have
understood
Your robbing an Indian's body, and mocking his
soul with food.
Go back with your new religion, and find—if find
you can—
The honest man you have ever made from out a
starving man.
You say your cattle are not ours, your meat is not
our meat;
When you pay for the land you live in, we'll pay
for the meat we eat.
Give back our land and our country, give back our
herds of game;
Give back the furs and the forests that were ours
before you came;
Give back the peace and the plenty. Then come
with your new belief,
And blame, if you dare, the hunger that drove him to
be a thief."
A CRY FROM AN INDIAN WIFE
My forest brave, my Red-skin love, farewell;
We may not meet to-morrow; who can tell
What mighty ills befall our little band,
Or what you'll suffer from the white man's hand?
Here is your knife! I thought 'twas sheathed for aye.
No roaming bison calls for it to-day;
No hide of prairie cattle will it maim;
The plains are bare, it seeks a nobler game:
'Twill drink the life-blood of a soldier host.
Go; rise and strike, no matter what the cost.
Yet stay. Revolt not at the Union Jack,
Nor raise Thy hand against this stripling pack
Of white-faced warriors, marching West to quell
Our fallen tribe that rises to rebel.
They all are young and beautiful and good;
Curse to the war that drinks their harmless blood.
Curse to the fate that brought them from the East
To be our chiefs—to make our nation least
That breathes the air of this vast continent.
Still their new rule and council is well meant.
They but forget we Indians owned the land
From ocean unto ocean; that they stand
Upon a soil that centuries agone
Was our sole kingdom and our right alone.
They never think how they would feel to-day,
If some great nation came from far away,
Wresting their country from their hapless braves,
Giving what they gave us—but wars and graves.
Then go and strike for liberty and life,
And bring back honour to your Indian wife.
Your wife? Ah, what of that, who cares for me?
Who pities my poor love and agony?
What white-robed priest prays for your safety here,
As prayer is said for every volunteer
That swells the ranks that Canada sends out?
Who prays for vict'ry for the Indian scout?
Who prays for our poor nation lying low?
None—therefore take your tomahawk and go.
My heart may break and burn into its core,
But I am strong to bid you go to war.
Yet stay, my heart is not the only one
That grieves the loss of husband and of son;
Think of the mothers o'er the inland seas;
Think of the pale-faced maiden on her knees;
One pleads her God to guard some sweet-faced child
That marches on toward the North-West wild.
The other prays to shield her love from harm,
To strengthen his young, proud uplifted arm.
Ah, how her white face quivers thus to think,
Your tomahawk his life's best blood will drink.
She never thinks of my wild aching breast,
Nor prays for your dark face and eagle crest
Endangered by a thousand rifle balls,
My heart the target if my warrior falls.
O! coward self I hesitate no more;
Go forth, and win the glories of the war.
Go forth, nor bend to greed of white men's hands,
By right, by birth we Indians own these lands,
Though starved, crushed, plundered, lies our nation low…
Perhaps the white man's God has willed it so.
DAWENDINE
There's a spirit on the river, there's a ghost upon the shore,
They are chanting, they are singing through the starlight evermore,
As they steal amid the silence,
And the shadows of the shore.
You can hear them when the Northern candles light the Northern sky,
Those pale, uncertain candle flames, that shiver, dart and die,
Those dead men's icy finger tips,
Athwart the Northern sky.
You can hear the ringing war-cry of a long-forgotten brave
Echo through the midnight forest, echo o'er the midnight wave,
And the Northern lanterns tremble
At the war-cry of that brave.
And you hear a voice responding, but in soft and tender song;
It is Dawendine's spirit singing, singing all night long;
And the whisper of the night wind
Bears afar her Spirit song.
And the wailing pine trees murmur with their voice attuned to hers,
Murmur when they 'rouse from slumber as the night wind through them stirs;
And you listen to their legend,
And their voices blend with hers.
There was feud and there was bloodshed near the river by the hill;
And Dawendine listened, while her very heart stood still:
Would her kinsman or her lover
Be the victim by the hill?
Who would be the great unconquered? who come boasting how he dealt
Death? and show his rival's scalplock fresh and bleeding at his belt.
Who would say, "O Dawendine!
Look upon the death I dealt?"
And she listens, listens, listens—till a war-cry rends the night,
Cry of her victorious lover, monarch he of all the height;
And his triumph wakes the horrors,
Kills the silence of the night.
Heart of her! it throbs so madly, then lies freezing in her breast,
For the icy hand of death has chilled the brother she loved best;
And her lover dealt the death-blow;
And her heart dies in her breast.
And she hears her mother saying, "Take thy belt of wampum white;
Go unto yon evil savage while he glories on the height;
Sing and sue for peace between us:
At his feet lay wampum white.
"Lest thy kinsmen all may perish, all thy brothers and thy sire
Fall before his mighty hatred as the forest falls to fire;
Take thy wampum pale and peaceful,
Save thy brothers, save thy sire."
And the girl arises softly, softly slips toward the shore;
Loves she well the murdered brother, loves his hated foeman more,
Loves, and longs to give the wampum;
And she meets him on the shore.
"Peace," she sings, "O mighty victor, Peace! I bring thee wampum white.
Sheathe thy knife whose blade has tasted my young kinsman's blood to-night
Ere it drink to slake its thirsting,
I have brought thee wampum white."
Answers he, "O Dawendine! I will let thy kinsmen be,
I accept thy belt of wampum; but my hate demands for me
That they give their fairest treasure,
Ere I let thy kinsmen be.
"Dawendine, for thy singing, for thy suing, war shall cease;
For thy name, which speaks of dawning, Thou shalt be the dawn of peace;
For thine eyes whose purple shadows tell of dawn,
My hate shall cease.
"Dawendine, Child of Dawning, hateful are thy kin to me;
Red my fingers with their heart blood, but my heart is red for thee:
Dawendine, Child of Dawning,
Wilt thou fail or follow me?"
And her kinsmen still are waiting her returning from the night,
Waiting, waiting for her coming with her belt of wampum white;
But forgetting all, she follows,
Where he leads through day or night.
There's a spirit on the river, there's a ghost upon the shore,
And they sing of love and loving through the starlight evermore,
As they steal amid the silence,
And the shadows of the shore.
WOLVERINE
"Yes, sir, it's quite a story, though you won't believe it's true,
But such things happened often when I lived beyond the Soo."
And the trapper tilted back his chair and filled his pipe anew.
"I ain't thought of it neither fer this many 'n many a day,
Although it used to haunt me in the years that's slid away,
The years I spent a-trappin' for the good old Hudson's Bay.
"Wild? You bet, 'twas wild then, an' few an' far between
The squatters' shacks, for whites was scarce as furs when things is green,
An' only reds an' 'Hudson's' men was all the folk I seen.
"No. Them old Indyans ain't so bad, not if you treat 'em square.
Why, I lived in amongst 'em all the winters I was there,
An' I never lost a copper, an' I never lost a hair.
"But I'd have lost my life the time that you've heard tell about;
I don't think I'd be settin' here, but dead beyond a doubt,
If that there Indyan 'Wolverine' jest hadn't helped me out.
"'Twas freshet time, 'way back, as long as sixty-six or eight,
An' I was comin' to the Post that year a kind of late,
For beaver had been plentiful, and trappin' had been great.
"One day I had been settin' traps along a bit of wood,
An' night was catchin' up to me jest faster 'an it should,
When all at once I heard a sound that curdled up my blood.
"It was the howl of famished wolves—I didn't stop to think
But jest lit out across for home as quick as you could wink,
But when I reached the river's edge I brought up at the brink.
"That mornin' I had crossed the stream straight on a sheet of ice
An' now, God help me! There it was, churned up an' cracked to dice,
The flood went boiling past—I stood like one shut in a vice.
"No way ahead, no path aback, trapped like a rat ashore,
With naught but death to follow, and with naught but death afore;
The howl of hungry wolves aback—ahead, the torrent's roar.
"An' then—a voice, an Indyan voice, that called out clear and clean,
'Take Indyan's horse, I run like deer, wolf can't catch Wolverine.'
I says, 'Thank Heaven.' There stood the chief I'd nicknamed Wolverine.
"I leapt on that there horse, an' then jest like a coward fled,
An' left that Indyan standin' there alone, as good as dead,
With the wolves a-howlin' at his back, the swollen stream ahead.
"I don't know how them Indyans dodge from death the way they do,
You won't believe it, sir, but what I'm tellin' you is true,
But that there chap was 'round next day as sound as me or you.
"He came to get his horse, but not a cent he'd take from me.
Yes, sir, you're right, the Indyans now ain't like they used to be;
We've got 'em sharpened up a bit an' now they'll take a fee.
"No, sir, you're wrong, they ain't no 'dogs.' I'm not through tellin' yet;
You'll take that name right back again, or else jest out you get!
You'll take that name right back when you hear all this yarn, I bet.
"It happened that same autumn, when some Whites was comin' in,
I heard the old Red River carts a-kickin' up a din,
So I went over to their camp to see an English skin.
"They said, 'They'd had an awful scare from Injuns,' an' they swore
That savages had come around the very night before
A-brandishing their tomahawks an' painted up for war.
"But when their plucky Englishmen had put a bit of lead
Right through the heart of one of them, an' rolled him over, dead,
The other cowards said that they had come on peace instead.
"'That they (the Whites) had lost some stores, from off their little pack,
An' that the Red they peppered dead had followed up their track,
Because he'd found the packages an' came to give them back.'
"'Oh!' they said, 'they were quite sorry, but it wasn't like as if
They had killed a decent Whiteman by mistake or in a tiff,
It was only some old Injun dog that lay there stark an' stiff.'
"I said, 'You are the meanest dogs that ever yet I seen,'
Then I rolled the body over as it lay out on the green;
I peered into the face—My God! 'twas poor old Wolverine."
THE VAGABONDS
What saw you in your flight to-day,
Crows, awinging your homeward way?
Went you far in carrion quest,
Crows, that worry the sunless west?
Thieves and villains, you shameless things!
Black your record as black your wings.
Tell me, birds of the inky hue,
Plunderous rogues—to-day have you
Seen with mischievous, prying eyes
Lands where earlier suns arise?
Saw you a lazy beck between
Trees that shadow its breast in green,
Teased by obstinate stones that lie
Crossing the current tauntingly?
Fields abloom on the farther side
With purpling clover lying wide—
Saw you there as you circled by,
Vale-environed a cottage lie,
Girt about with emerald bands,
Nestling down in its meadow lands?
Saw you this on your thieving raids?
Speak—you rascally renegades!
Thieved you also away from me
Olden scenes that I long to see?
If, O! crows, you have flown since morn
Over the place where I was born,
Forget will I, how black you were
Since dawn, in feather and character;
Absolve will I, your vagrant band
Ere you enter your slumberland.
THE SONG MY PADDLE SINGS
West wind, blow from your prairie nest,
Blow from the mountains, blow from the west.
The sail is idle, the sailor too;
O! wind of the west, we wait for you.
Blow, blow!
I have wooed you so,
But never a favour you bestow.
You rock your cradle the hills between,
But scorn to notice my white lateen.
I stow the sail, unship the mast:
I wooed you long but my wooing's past;
My paddle will lull you into rest.
O! drowsy wind of the drowsy west,
Sleep, sleep,
By your mountain steep,
Or down where the prairie grasses sweep!
Now fold in slumber your laggard wings,
For soft is the song my paddle sings.
August is laughing across the sky,
Laughing while paddle, canoe and I,
Drift, drift,
Where the hills uplift
On either side of the current swift.
The river rolls in its rocky bed;
My paddle is plying its way ahead;
Dip, dip,
While the waters flip
In foam as over their breast we slip.
And oh, the river runs swifter now;
The eddies circle about my bow.
Swirl, swirl!
How the ripples curl
In many a dangerous pool awhirl!
And forward far the rapids roar,
Fretting their margin for evermore.
Dash, dash,
With a mighty crash,
They seethe, and boil, and bound, and splash.
Be strong, O paddle! be brave, canoe!
The reckless waves you must plunge into.
Reel, reel.
On your trembling keel,
But never a fear my craft will feel.
We've raced the rapid, we're far ahead!
The river slips through its silent bed.
Sway, sway,
As the bubbles spray
And fall in tinkling tunes away.
And up on the hills against the sky,
A fir tree rocking its lullaby,
Swings, swings,
Its emerald wings,
Swelling the song that my paddle sings.
THE CAMPER
Night 'neath the northern skies, lone, black, and grim:
Naught but the starlight lies 'twixt heaven, and him.
Of man no need has he, of God, no prayer;
He and his Deity are brothers there.
Above his bivouac the firs fling down
Through branches gaunt and black, their needles brown.
Afar some mountain streams, rockbound and fleet,
Sing themselves through his dreams in cadence sweet,
The pine trees whispering, the heron's cry,
The plover's passing wing, his lullaby.
And blinking overhead the white stars keep
Watch o'er his hemlock bed—his sinless sleep.
AT HUSKING TIME
At husking time the tassel fades
To brown above the yellow blades,
Whose rustling sheath enswathes the corn
That bursts its chrysalis in scorn
Longer to lie in prison shades.
Among the merry lads and maids
The creaking ox-cart slowly wades
Twixt stalks and stubble, sacked and torn
At husking time.
The prying pilot crow persuades
The flock to join in thieving raids;
The sly racoon with craft inborn
His portion steals; from plenty's horn
His pouch the saucy chipmunk lades
At husking time.
WORKWORN
Across the street, an humble woman lives;
To her 'tis little fortune ever gives;
Denied the wines of life, it puzzles me
To know how she can laugh so cheerily.
This morn I listened to her softly sing,
And, marvelling what this effect could bring
I looked: 'twas but the presence of a child
Who passed her gate, and looking in, had smiled.
But self-encrusted, I had failed to see
The child had also looked and laughed to me.
My lowly neighbour thought the smile God-sent,
And singing, through the toilsome hours she went.
O! weary singer, I have learned the wrong
Of taking gifts, and giving naught of song;
I thought my blessings scant, my mercies few,
Till I contrasted them with yours, and you;
To-day I counted much, yet wished it more—
While but a child's bright smile was all your store,
If I had thought of all the stormy days,
That fill some lives that tread less favoured ways,
How little sunshine through their shadows gleamed,
My own dull life had much the brighter seemed;
If I had thought of all the eyes that weep
Through desolation, and still smiling keep,
That see so little pleasure, so much woe,
My own had laughed more often long ago;
If I had thought how leaden was the weight
Adversity lays at my kinsman's gate,
Of that great cross my next door neighbour bears,
My thanks had been more frequent in my prayers;
If I had watched the woman o'er the way,
Workworn and old, who labours day by day,
Who has no rest, no joy to call her own,
My tasks, my heart, had much the lighter grown.
EASTER
April 1, 1888
Lent gathers up her cloak of sombre shading
In her reluctant hands.
Her beauty heightens, fairest in its fading,
As pensively she stands
Awaiting Easter's benediction falling,
Like silver stars at night,
Before she can obey the summons calling
Her to her upward flight,
Awaiting Easter's wings that she must borrow
Ere she can hope to fly—
Those glorious wings that we shall see to-morrow
Against the far, blue sky.
Has not the purple of her vesture's lining
Brought calm and rest to all?
Has her dark robe had naught of golden shining
Been naught but pleasure's pall?
Who knows? Perhaps when to the world returning
In youth's light joyousness,
We'll wear some rarer jewels we found burning
In Lent's black-bordered dress.
So hand in hand with fitful March she lingers
To beg the crowning grace
Of lifting with her pure and holy fingers
The veil from April's face.
Sweet, rosy April—laughing, sighing, waiting
Until the gateway swings,
And she and Lent can kiss between the grating
Of Easter's tissue wings.
Too brief the bliss—the parting comes with sorrow.
Good-bye dear Lent, good-bye!
We'll watch your fading wings outlined to-morrow
Against the far blue sky.
ERIE WATERS
A dash of yellow sand,
Wind-scattered and sun-tanned;
Some waves that curl and cream along the margin of the strand;
And, creeping close to these
Long shores that lounge at ease,
Old Erie rocks and ripples to a fresh sou'-western breeze.
A sky of blue and grey;
Some stormy clouds that play
At scurrying up with ragged edge, then laughing blow away,
Just leaving in their trail
Some snatches of a gale;
To whistling summer winds we lift a single daring sail.
O! wind so sweet and swift,
O! danger-freighted gift
Bestowed on Erie with her waves that foam and fall and lift,
We laugh in your wild face,
And break into a race
With flying clouds and tossing gulls that weave and interlace.
THE FLIGHT OF THE CROWS
The autumn afternoon is dying o'er
The quiet western valley where I lie
Beneath the maples on the river shore,
Where tinted leaves, blue waters and fair sky
Environ all; and far above some birds are flying by
To seek their evening haven in the breast
And calm embrace of silence, while they sing
Te Deums to the night, invoking rest
For busy chirping voice and tired wing—
And in the hush of sleeping trees their sleeping cradles swing.
In forest arms the night will soonest creep,
Where sombre pines a lullaby intone,
Where Nature's children curl themselves to sleep,
And all is still at last, save where alone
A band of black, belated crows arrive from lands unknown.
Strange sojourn has been theirs since waking day,
Strange sights and cities in their wanderings blend
With fields of yellow maize, and leagues away
With rivers where their sweeping waters wend
Past velvet banks to rocky shores, in canyons bold to end.
O'er what vast lakes that stretch superbly dead,
Till lashed to life by storm-clouds, have they flown?
In what wild lands, in laggard flight have led
Their aerial career unseen, unknown,
'Till now with twilight come their cries in lonely monotone?
The flapping of their pinions in the air
Dies in the hush of distance, while they light
Within the fir tops, weirdly black and bare,
That stand with giant strength and peerless height,
To shelter fairy, bird and beast throughout the closing night.
Strange black and princely pirates of the skies,
Would that your wind-tossed travels I could know!
Would that my soul could see, and, seeing, rise
To unrestricted life where ebb and flow
Of Nature's pulse would constitute a wider life below!
Could I but live just here in Freedom's arms,
A kingly life without a sovereign's care!
Vain dreams! Day hides with closing wings her charms,
And all is cradled in repose, save where
Yon band of black, belated crows still frets the evening air.
