When the Spring flowers are done, and before the full June days come with the great Flag Irises and the perennial Lupines, there is a kind of mid-season. If it can be given a space of ground it will be well bestowed. I have a place that I call the Hidden Garden, because it is in a corner that might so easily be overlooked if one did not know where to find it. No important path leads into it, though two pass within ten yards of it on either side. It is in a sort of clearing among Ilex and Holly, and the three small ways into it are devious and scarcely noticeable from the outside. The most important of these, marked 1 on the plan, passes between some clumps of overarching Bamboo and through a short curved tunnel of Yew and Ilex. Another, marked 2, is only just traceable among Berberis under a large Birch, and comes sharply round a tall Monterey Cypress. The third turns out of one of the shady woodland glades and comes into the little garden by some rough stone steps. The plan shows the simple arrangement; the paths following the most natural lines that the place suggests. The main path goes down some shallow, rough stone steps with a sunny bank to the left and a rocky mound The path leaves the garden again by a repetition of the rough stone steps. The mossy growth of Arenaria balearica clings closely to the stones on their cooler faces, and the frond-like growths of Solomon's Seal hang out on either side as a fitting prelude to the dim mysteries of the wide green wood-path beyond. It is a garden for the last days of May and the first fortnight of June. Passing through the Yew tunnel, the little place bursts on the sight with good effect. What is most striking is the beauty of the blue-lilac Phlox divaricata and that of two clumps of Tree Peony—the rosy Baronne d'AlÈs and the pale salmon-pink Comtesse de Tuder. The little garden, with its quiet environment of dark foliage, forbids the use of strong colouring, or perhaps one should say that it suggested a restriction of the scheme of colouring to the tenderer tones. There seemed to be no place here for the gorgeous Oriental Poppies, although they too are finest in partial shade, or for any strong yellows, their character needing wider spaces and clearer sunlight. The Tree Peonies are in two groups of the two kinds only; it seemed enough for the limited space. In front of Comtesse de Tuder is a group of Funkia Sieboldi, its bluish leaves harmonising delightfully The foot of the near mound is a pink cloud of London Pride. Shooting up among it and just beyond is the white St. Bruno's Lily. More of this lovely little lily-like Anthericum is again a few feet further along, grouped with Iris Cengialti, one of the bluest of the Irises. The back of the mound has some of the tenderly tinted Caparne hybrid Irises two feet high, of pale lilac colouring, rising from among dark-leaved, white-bloomed Iberis, and next the path a pretty, large-flowered tufted Pansy that nearly matches the Iris. But the glory of the mound is the long stretch of blue-lilac Phlox divaricata, whose colour is again repeated by a little of the same on the sunny bank to the left. Here it is grouped with pale pink Scotch Brier, more pale yellow Corydalis and Arenaria montana smothered in its masses of white bloom. At the end of the bank the colour of the Phlox divaricata is deepened by sheaves of Camassia esculenta that spear up through it. The whole back of this bank has a free planting The dark trees on the right have rambling Roses growing into them—Paul's Carmine Pillar and the Himalayan R. Brunonis. The red Rose does not flower so freely here as on a pillar in sunlight, but its fewer stems clamber high into the Holly and the bloom shows in thin natural wreaths that are even more pleasing to an artist's eye than the more ordered abundance of the flowery post. At the foot of the Hollies hardy Ferns grow luxuriantly in the constant shade. A little later a few clumps of Lilies will spring up from among them; the lovely pink rubellum, the fine yellow szovitzianum, and the buff testaceum. On the left-hand side, behind the sunny bank, a Garland Rose comes through and tumbles out of a Yew, and some sprays of an old bush of the single R. polyantha, that has spread to a circumference of one hundred and fifty feet, have pushed their way through the Ilex. The Hollies and Ilexes all round are growing fast, and before many years are over the little garden will become too shady for the well-being of the flowers that now occupy it. It will then change its character and become a Fern garden. All gardening involves constant change. It is even more so in woodland. A young bit of wood such as Meanwhile the little tree-embowered garden has a quiet charm of its own. It seems to delight in its character of a Hidden Garden, and in the pleasant surprise that its sudden discovery provokes. For between it and its owner there is always a pretty little play of pretending that there is no garden there, and of being much surprised and delighted at finding, not only that there is one, but quite a pretty one. The Hidden Garden is so small in extent, and its boundaries are already so well grown, that there is no room for many of the beautiful things of the time of year. For May is the time for the blooming of the most important of our well-known flowering shrubs—Lilac, Guelder Rose, White Broom, Laburnum, and Pyrus Malus floribunda. But one shrub, as beautiful as any of these and as easily grown, seems to be forgotten. This is Exochorda grandiflora—related to the SpirÆas. Its pearl-like buds have earned it the name of Pearl Bush, but its whole lovely bloom should before now have secured it a place in every good garden. Every one knows the Guelder Rose, with its round white flower-balls, but the wild shrub of which this is a garden variety is also a valuable ornamental bush and should not be neglected. It is a native plant, growing in damp places, such as the hedges of water-meadows and the sides of streams. The English name White Broom is in flower from the middle of May to the second week of June. There is a fine Flag Iris of a rich purple colour called "Purple King." It is well to grow it just in front of some young bushes of White Broom. Then, if one of the hybrid Irises of pale lilac colour is there as well, and a bush of Rosa altaica, the colour-effect will be surprisingly beautiful. This Rose is the bolder-growing, Asiatic equivalent of our Burnet Rose (R. spinosissima), with the same lemon-white flowers. When any such group containing White Broom is planted, it should be remembered that the tendency of the Broom is to grow tall and leggy. It bears pruning, but it is a good plan to plant some extra ones behind the others. After a couple of years, if the front plants have grown out of bounds, the back ones can be bent down and fastened to sticks, so that their heads come in the required places. It is one of the many ways in which a pretty garden picture may be maintained from year to year by the exercise of a little thought and ingenuity. The undergrowth of such a group may be of Solomon's Seal at the back, and, if the bank or border is in sun, of a lower groundwork of Iberis and Corydalis ochroleuca, or, if it is shaded, of Tiarella, Woodruff or Anemone sylvestris. With these, for the sake of their A wonderful plant of May is the great Euphorbia Wulfenii. It adapts itself to many ways of use, for, though the immense yellow-green heads of bloom are at their best in May, they are still of pictorial value in June and July, while the deep-toned, grey-blue foliage is in full beauty throughout the greater part of the year. It is valuable in boldly arranged flower borders, and holds its own among shrubs of moderate size, but I always think its best use would be in the boldest kind of rock-work. One of my desires that can never be fulfilled is to have a rocky hillside in full sun, so steep as to be almost precipitous, with walls of bare rock only broken by ledges that can be planted. I would have great groups of Yucca standing up against the sky and others in the rock-face, and some bushes of this great Euphorbia and only a few other plants, all of rather large grey effect; Phlomis, Lavender, Rosemary and Cistus, with Othonna hanging down in long sheets over the bare face of the warm rock. It would be a rock-garden on an immense scale, planted as Nature plants, with not many different things at a time. The restriction to a few kinds of plants would give the impression of spontaneous growth; of that large, free, natural effect that is so rarely achieved in artificial planting. Besides natural hillsides, there must be old quarries within or near the pleasure-grounds of many places in our islands where such a scheme of planting could worthily be carried out. |