The old house stood by the silent country road, secluded by many a long, long mile, and yet again secluded within the great walls of the garden. Often and often I rambled up to the milestone which stood under an oak, to look at the chipped inscription low down—"To London, 79 Miles." So far away, you see, that the very inscription was cut at the foot of the stone, since no one would be likely to want that information. It was half hidden by docks and nettles, despised and unnoticed. A broad land this seventy-nine miles—how many meadows and corn-fields, hedges and woods, in that distance?—wide enough to seclude any house, to hide it, like an acorn in the grass. Those who have lived all their lives in remote places do not feel the remoteness. No one else seemed to be conscious of the breadth that separated the place from the great centre, but it was, perhaps, that consciousness which deepened the solitude to me. It made the silence more still; the shadows of the oaks yet slower in their movement; everything more earnest. To convey a full impression of the intense concentration of Nature in the meadows is very difficult—everything is so utterly oblivious of man's thought and man's heart. The oaks stand—quiet, still—so still that the lichen loves them. At their feet the grass grows, and heeds nothing. Among it the squirrels leap, and their little hearts are as far away from you or me as the very wood of the oaks. The sunshine settles itself in the valley by the brook, and abides there whether we come or not. Glance through the gap in the hedge by the oak, and see how concentrated it is—all of it, every blade of grass, and leaf, and flower, and living creature, finch or squirrel. It is mesmerised upon itself. Then I used to feel that it really was seventy-nine miles to London, and not an hour or two only by rail, really all those miles. A great, broad province of green furrow and ploughed furrow between the old house and the city of the world. Such solace and solitude seventy-nine miles thick cannot be painted; the trees cannot be placed far enough away in perspective. It is necessary to stay in it like the oaks to know it.

Lime-tree branches overhung the corner of the garden-wall, whence a view was easy of the silent and dusty road, till overarching oaks concealed it. The white dust heated by the sunshine, the green hedges, and the heavily massed trees, white clouds rolled together in the sky, a footpath opposite lost in the fields, as you might thrust a stick into the grass, tender lime leaves caressing the cheek, and silence. That is, the silence of the fields. If a breeze rustled the boughs, if a greenfinch called, if the cart-mare in the meadow shook herself, making the earth and air tremble by her with the convulsion of her mighty muscles, these were not sounds, they were the silence itself. So sensitive to it as I was, in its turn it held me firmly, like the fabled spells of old time. The mere touch of a leaf was a talisman to bring me under the enchantment, so that I seemed to feel and know all that was proceeding among the grass-blades and in the bushes. Among the lime trees along the wall the birds never built, though so close and sheltered. They built everywhere but there. To the broad coping-stones of the wall under the lime boughs speckled thrushes came almost hourly, sometimes to peer out and reconnoitre if it was safe to visit the garden, sometimes to see if a snail had climbed up the ivy. Then they dropped quietly down into the long strawberry patch immediately under. The cover of strawberries is the constant resource of all creeping things; the thrushes looked round every plant and under every leaf and runner. One toad always resided there, often two, and as you gathered a ripe strawberry you might catch sight of his black eye watching you take the fruit he had saved for you.

Down the road skims an eave-swallow, swift as an arrow, his white back making the sun-dried dust dull and dingy; he is seeking a pool for mortar, and will waver to and fro by the brook below till he finds a convenient place to alight. Thence back to the eave here, where for forty years he and his ancestors built in safety. Two white butterflies fluttering round each other rise over the limes, once more up over the house, and soar on till their white shows no longer against the illumined air. A grasshopper calls on the sward by the strawberries, and immediately fillips himself over seven leagues of grass-blades. Yonder a line of men and women file across the field, seen for a moment as they pass a gateway, and the hay changes from hay-colour to green behind them as they turn the under but still sappy side upwards. They are working hard, but it looks easy, slow, and sunny. Finches fly out from the hedgerow to the overturned hay. Another butterfly, a brown one, floats along the dusty road—the only traveller yet. The white clouds are slowly passing behind the oaks, large puffed clouds, like deliberate loads of hay, leaving little wisps and flecks behind them caught in the sky. How pleasant it would be to read in the shadow! There is a broad shadow on the sward by the strawberries cast by a tall and fine-grown American crab tree. The very place for a book; and although I know it is useless, yet I go and fetch one and dispose myself on the grass.

I can never read in summer out-of-doors. Though in shadow the bright light fills it, summer shadows are broadest daylight. The page is so white and hard, the letters so very black, the meaning and drift not quite intelligible, because neither eye nor mind will dwell upon it. Human thoughts and imaginings written down are pale and feeble in bright summer light. The eye wanders away, and rests more lovingly on greensward and green lime leaves. The mind wanders yet deeper and farther into the dreamy mystery of the azure sky. Once now and then, determined to write down that mystery and delicious sense while actually in it, I have brought out table and ink and paper, and sat there in the midst of the summer day. Three words, and where is the thought? Gone. The paper is so obviously paper, the ink so evidently ink, the pen so stiff; all so inadequate. You want colour, flexibility, light, sweet low sound—all these to paint it and play it in music, at the same time you want something that will answer to and record in one touch the strong throb of life and the thought, or feeling, or whatever it is that goes out into the earth and sky and space, endless as a beam of light. The very shade of the pen on the paper tells you how utterly hopeless it is to express these things. There is the shade and the brilliant gleaming whiteness; now tell me in plain written words the simple contrast of the two. Not in twenty pages, for the bright light shows the paper in its common fibre-ground, coarse aspect, in its reality, not as a mind-tablet.

The delicacy and beauty of thought or feeling is so extreme that it cannot be inked in; it is like the green and blue of field and sky, of veronica flower and grass blade, which in their own existence throw light and beauty on each other, but in artificial colours repel. Take the table indoors again, and the book; the thoughts and imaginings of others are vain, and of your own too deep to be written. For the mind is filled with the exceeding beauty of these things, and their great wondrousness and marvel. Never yet have I been able to write what I felt about the sunlight only. Colour and form and light are as magic to me. It is a trance. It requires a language of ideas to convey it. It is ten years since I last reclined on that grass plot, and yet I have been writing of it as if it was yesterday, and every blade of grass is as visible and as real to me now as then. They were greener towards the house, and more brown-tinted on the margin of the strawberry bed, because towards the house the shadow rested longest. By the strawberries the fierce sunlight burned them.

The sunlight put out the books I brought into it just as it put out the fire on the hearth indoors. The tawny flames floating upwards could not bite the crackling sticks when the full beams came pouring on them. Such extravagance of light overcame the little fire till it was screened from the power of the heavens. So here in the shadow of the American crab tree the light of the sky put out the written pages. For this beautiful and wonderful light excited a sense of some likewise beautiful and wonderful truth, some unknown but grand thought hovering as a swallow above. The swallows hovered and did not alight, but they were there. An inexpressible thought quivered in the azure overhead; it could not be fully grasped, but there was a sense and feeling of its presence. Before that mere sense of its presence the weak and feeble pages, the small fires of human knowledge, dwindled and lost meaning. There was something here that was not in the books. In all the philosophies and searches of mind there was nothing that could be brought to face it, to say, This is what it intends, this is the explanation of the dream. The very grass-blades confounded the wisest, the tender lime leaf put them to shame, the grasshopper derided them, the sparrow on the wall chirped his scorn. The books were put out, unless a screen were placed between them and the light of the sky—that is, an assumption, so as to make an artificial mental darkness. Grant some assumptions—that is, screen off the light—and in that darkness everything was easily arranged, this thing here, and that yonder. But Nature grants no assumptions, and the books were put out. There is something beyond the philosophies in the light, in the grass-blades, the leaf, the grasshopper, the sparrow on the wall. Some day the great and beautiful thought which hovers on the confines of the mind will at last alight. In that is hope, the whole sky is full of abounding hope. Something beyond the books, that is consolation.

The little lawn beside the strawberry bed, burned brown there, and green towards the house shadow, holds how many myriad grass-blades? Here they are all matted together, long, and dragging each other down. Part them, and beneath them are still more, overhung and hidden. The fibres are intertangled, woven in an endless basket-work and chaos of green and dried threads. A blamable profusion this; a fifth as many would be enough; altogether a wilful waste here. As for these insects that spring out of it as I press the grass, a hundredth part of them would suffice. The American crab tree is a snowy mount in spring; the flakes of bloom, when they fall, cover the grass with a film—a bushel of bloom, which the wind takes and scatters afar. The extravagance is sublime. The two little cherry trees are as wasteful; they throw away handfuls of flower; but in the meadows the careless, spendthrift ways of grass and flower and all things are not to be expressed. Seeds by the hundred million float with absolute indifference on the air. The oak has a hundred thousand more leaves than necessary, and never hides a single acorn. Nothing utilitarian—everything on a scale of splendid waste. Such noble, broadcast, open-armed waste is delicious to behold. Never was there such a lying proverb as "Enough is as good as a feast." Give me the feast; give me squandered millions of seeds, luxurious carpets of petals, green mountains of oak leaves. The greater the waste, the greater the enjoyment—the nearer the approach to real life. Casuistry is of no avail; the fact is obvious; Nature flings treasures abroad, puffs them with open ups along on every breeze, piles up lavish layers of them in the free open air, packs countless numbers together in the needles of a fir tree. Prodigality and superfluity are stamped on everything she does. The ear of wheat returns a hundredfold the grain from which it grew. The surface of the earth offers to us far more than we can consume—the grains, the seeds, the fruits, the animals, the abounding products are beyond the power of all the human race to devour. They can, too, be multiplied a thousandfold. There is no natural lack. Whenever there is lack among us it is from artificial causes, which intelligence should remove.

From the littleness, and meanness, and niggardliness forced upon us by circumstances, what a relief to turn aside to the exceeding plenty of Nature! There are no bounds to it, there is no comparison to parallel it, so great is this generosity. No physical reason exists why every human being should not have sufficient, at least, of necessities. For any human being to starve, or even to be in trouble about the procuring of simple food, appears, indeed, a strange and unaccountable thing, quite upside down, and contrary to sense, if you do but consider a moment the enormous profusion the earth throws at our feet. In the slow process of time, as the human heart grows larger, such provision, I sincerely trust, will be made that no one need ever feel anxiety about mere subsistence. Then, too, let there be some imitation of this open-handed generosity and divine waste. Let the generations to come feast free of care, like my finches on the seeds of the mowing-grass, from which no voice drives them. If I could but give away as freely as the earth does!

The white-backed eave-swallow has returned many, many times from the shallow drinking-place by the brook to his half-built nest. Sometimes the pair of them cling to the mortar they have fixed under the eave, and twitter to each other about the progress of the work. They dive downwards with such velocity when they quit hold that it seems as if they must strike the ground, but they shoot up again, over the wall and the lime trees. A thrush has been to the arbour yonder twenty times; it is made of crossed laths, and overgrown with "tea-plant," and the nest is inside the lath-work. A sparrow has visited the rose-tree by the wall—the buds are covered with aphides. A brown tree-creeper has been to the limes, then to the cherries, and even to a stout lilac stem. No matter how small the tree, he tries all that are in his way. The bright colours of a bullfinch were visible a moment just now, as he passed across the shadows farther down the garden under the damson trees and into the bushes. The grasshopper has gone past and along the garden-path, his voice is not heard now; but there is another coming. While I have been dreaming, all these and hundreds out in the meadow have been intensely happy. So concentrated on their little work in the sunshine, so intent on the tiny egg, on the insect captured on the grass-tip to be carried to the eager fledglings, so joyful in listening to the song poured out for them or in pouring it forth, quite oblivious of all else. It is in this intense concentration that they are so happy. If they could only live longer!—but a few such seasons for them—I wish they could live a hundred years just to feast on the seeds and sing and be utterly happy and oblivious of everything but the moment they are passing. A black line has rushed up from the espalier apple yonder to the housetop thirty times at least. The starlings fly so swiftly and so straight that they seem to leave a black line along the air. They have a nest in the roof, they are to and fro it and the meadow the entire day, from dawn till eve. The espalier apple, like a screen, hides the meadow from me, so that the descending starlings appear to dive into a space behind it. Sloping downwards the meadow makes a valley; I cannot see it, but know that it is golden with buttercups, and that a brook runs in the groove of it.

Afar yonder I can see a summit beyond where the grass swells upwards to a higher level than this spot. There are bushes and elms whose height is decreased by distance on the summit, horses in the shadow of the trees, and a small flock of sheep crowded, as is their wont, in the hot and sunny gateway. By the side of the summit is a deep green trench, so it looks from here, in the hill-side: it is really the course of a streamlet worn deep in the earth. I can see nothing between the top of the espalier screen and the horses under the elms on the hill. But the starlings go up and down into the hollow space, which is aglow with golden buttercups, and, indeed, I am looking over a hundred finches eagerly searching, sweetly calling, happy as the summer day. A thousand thousand grasshoppers are leaping, thrushes are labouring, filled with love and tenderness, doves cooing—there is as much joy as there are leaves on the hedges. Faster than the starling's flight my mind runs up to the streamlet in the deep green trench beside the hill.

Pleasant it was to trace it upwards, narrowing at every ascending step, till the thin stream, thinner than fragile glass, did but merely slip over the stones. A little less and it could not have run at all, water could not stretch out to greater tenuity. It smoothed the brown growth on the stones, stroking it softly. It filled up tiny basins of sand and ran out at the edges between minute rocks of flint. Beneath it went under thickest brooklime, blue flowered, and serrated water-parsnips, lost like many a mighty river for awhile among a forest of leaves. Higher up masses of bramble and projecting thorn stopped the explorer, who must wind round the grassy mound. Pausing to look back a moment there were meads under the hill with the shortest and greenest herbage, perpetually watered, and without one single buttercup, a strip of pure green among yellow flowers and yellowing corn. A few hollow oaks on whose boughs the cuckoos stayed to call, two or three peewits coursing up and down, larks singing, and for all else silence. Between the wheat and the grassy mound the path was almost closed, burdocks and brambles thrust the adventurer outward to brush against the wheat-ears. Upwards till suddenly it turned, and led by steep notches in the bank, as it seemed down to the roots of the elm trees. The clump of elms grew right over a deep and rugged hollow; their branches reached out across it, roofing in the cave.

Here was the spring, at the foot of a perpendicular rock, moss-grown low down, and overrun with creeping ivy higher. Green thorn bushes filled the chinks and made a wall to the well, and the long narrow hart's-tongue streaked the face of the cliff. Behind the thick thorns hid the course of the streamlet, in front rose the solid rock, upon the right hand the sward came to the edge—it shook every now and then as the horses in the shade of the elms stamped their feet—on the left hand the ears of wheat peered over the verge. A rocky cell in concentrated silence of green things. Now and again a finch, a starling, or a sparrow would come meaning to drink—athirst from the meadow or the cornfield—and start and almost entangle their wings in the bushes, so completely astonished that any one should be there. The spring rises in a hollow under the rock imperceptibly, and without bubble or sound. The fine sand of the shallow basin is undisturbed—no tiny water-volcano pushes up a dome of particles. Nor is there any crevice in the stone, but the basin is always full and always running over. As it slips from the brim a gleam of sunshine falls through the boughs and meets it. To this cell I used to come once now and then on a summer's day, tempted, perhaps, like the finches, by the sweet cool water, but drawn also by a feeling that could not be analysed. Stooping, I lifted the water in the hollow of my hand—carefully, lest the sand might be disturbed—and the sunlight gleamed on it as it slipped through ray fingers. Alone in the green-roofed cave, alone with the sunlight and the pure water, there was a sense of something more than these. The water was more to me than water, and the sun than sun. The gleaming rays on the water in my palm held me for a moment, the touch of the water gave me something from itself. A moment, and the gleam was gone, the water flowing away, but I had had them. Beside the physical water and physical light I had received from them their beauty; they had communicated to me this silent mystery. The pure and beautiful water, the pure, clear, and beautiful light, each had given me something of their truth.

So many times I came to it, toiling up the long and shadowless bill in the burning sunshine, often carrying a vessel to take some of it home with me. There was a brook, indeed but this was different, it was the spring; it was taken home as a beautiful flower might be brought. It is not the physical water, it is the sense or feeling that it conveys. Nor is it the physical sunshine; it is the sense of inexpressible beauty which it brings with it. Of such I still drink, and hope to do so still deeper.