A trailing beam of light sweeps through the combe, broadening out where it touches the ground, and narrowing up to the cloud with which it travels. The hollow groove between the hills is lit up where it falls as with a ray cast from a mirror. It is an acre wide on the sward, and tapers up to the invisible slit in the cloud; a mere speck of light from the sky enlightens the earth, and one thought opens the hearts of all men. On the slope here the furze is flecked with golden spots, and black-headed stonechats perch on ant-hills or stray flints, taking no heed of a quiet wanderer. Afar, blue line upon blue line of down is drawn along in slow curves, and beneath, the distant sea appears a dim plain with five bright streaks, where the sunshine pours through as many openings in the clouds. The wind smells like an apple fresh plucked; suddenly the great beam of light vanishes as the sun comes out, and at once the single beam is merged in the many. Light and colour, freedom and delicious air, give exquisite pleasure to the senses; but the heart searches deeper, and draws forth food for itself from sunshine, hills and sea. Desiring their beauty so The fulness of Nature and the vacancy of mental existence are strangely contrasted. Nature is full everywhere; there is no chink, no unfurnished space. The mind has only a few thoughts to recall, and those old, and that have been repeated these centuries past. Unless the inner mind (not that which deals with little matters of daily labour) lets itself rest on every blade of grass and leaf, and listens to the soothing wind, it must be vacant—vacant for lack of something to do, not from limit of capacity. For it is too strong and powerful for the things it has to grasp; they are crushed like wheat in a mill. It has capacity for so much, and it is supplied with so little. All the centuries that have gone have gathered hardly a bushel, as it were, and these dry grains are quickly rolled under strong thought and reduced to dust. The mill must then cease, not Stoop and touch the earth, and receive its influence; touch the flower, and feel its life; face the wind, and have its meaning; let the sunlight fall on the open hand as if you could hold it. Something may be grasped from them all, invisible yet strong. It is the sense of a wider existence—wider and higher. Illustrations drawn from material things (as they needs must be) are weak to convey such an idea. But much may be gathered indirectly by examining the powers of the mind—by the light thrown on it from physical things. Now, at this moment, the blue dome of the sky, immense as it is, is but a span to the soul. The eye-glance travels to the horizon in an instant—the The sweet wind says, again, that the inner mind has never yet been fully employed; that more than half its power still lies dormant. Ideas are the tools of the mind. Without tools you cannot build a ship. The minds of savages lie almost wholly dormant, not because naturally deficient, but because they lack the ideas—the tools—to work with. So we have had our ideas so long that we have built all we can with them. Nothing further can be constructed with these materials. But whenever new and larger materials are discovered we shall find the mind able to build much more magnificent structures. Let us, then, if we cannot yet discover them, at least wait and watch as ceaselessly as the hills, listening as the wind blows over. Three-fourths of the mind still sleeps. That little atom of it needed to conduct the daily routine of the world is, indeed, often strained to the utmost. That small part of it, again, occasionally Touching a flower, it seems as if some of this were absorbed from it; it flows from the flower like its perfume. The delicate odour of the violet cannot be written; it is material yet it cannot be expressed. So there is an immaterial influence flowing from it which escapes language. Touching the greensward, there is a feeling as if the great earth sent a mystic influence through the frame. From the sweet wind, too, it comes. The sunlight falls on the hand; the light remains without on the surface, but its influence enters the very being. This sense of absorbing something from earth, and flower, and sunlight is like hovering on the verge of a great truth. It is the consciousness that a great truth is there. Not that the flower and the wind know it, but that they stir unexplored depths in the mind. They are only material—the sun sinks, darkness covers the hills, and where is their beauty then? The feeling or thought which is excited by them resides in the mind, and the purport and drift of it is a wider existence—yet to be enjoyed on earth. Only to think of and imagine it is in itself a pleasure. The red-tipped hawthorn buds are full of such a thought; the tender green of the leaf just born speaks it. The leaf does not come forth shapeless. Already, at its emergence, there are fine divisions at the edge, markings, and veins. It is wonderful from the commencement. A thought may be put in a line, yet require a life-time to understand in its completeness. The leaf was folded in the tiny red-tipped bud—now it has come forth how long must one ponder to fully appreciate it? Those things which are symbolized by the leaf, the flower, the very touch of earth, have not yet been put before the mind in a definite form, and shaped so that they can be weighed. The mind is like a lens. A lens can examine nothing of itself, but no matter what is put before it, it will magnify it so that it can be searched into. So whatever is put before the mind in such form that it may be perceived, the mind will search into and examine. It is not that the mind is limited, and unable to understand; it is that the facts have not yet been placed in front of it. But because as yet these things are like the leaf folded in the bud, that is no reason why we should say they are beyond hope of comprehension. Such a course inflicts the greatest moral injury on the world. Remaining content upon a mental level is fatal, saying to ourselves, 'There is nothing more, this is our limit; we can go no farther,' is the ruin of the mind, as much sleep is the ruin of the body. Looking back through history, it is evident that The blue hill line arouses a perception of a current of thought which lies for the most part unrecognized within—an unconscious thought. By looking at this blue hill line this dormant power within the mind becomes partly visible; the heart wakes up to it. The intense feeling caused by the sunshine, by the sky, by the flowers and distant sea is an increased consciousness of our own life. The stream of light—the rush of sweet wind—excites a deeper knowledge of the soul. An unutterable desire at once arises for more of this; let us receive more of the inner soul life which seeks and sighs for purest beauty. But the word beauty is poor to convey the feelings intended. Give us the thoughts which correspond with the feeling called up by the sky, the sea afar, and the flower at hand. Let us really be in ourselves the sunbeam which we use as an illustration. The recognition of its loveliness, and of the delicious air, is really a refined form of prayer—the purer because it is not associated with any object, because of its width and openness. It is not prayer in the sense of a benefit desired, it is a feeling of rising to a nobler existence. It does not include wishes connected with routine and labour. Nor does it depend on the brilliant sun—this mere clod of earth will cause it, even a little crumble of mould. The commonest form of matter thus regarded excites the highest form of spirit. The feelings may be received from the least morsel of brown earth adhering to the surface of the skin on the hand that has touched the ground. Inhaling From the blue hill lines, from the dark copses on the ridges, the shadows in the combes, from the apple-sweet wind and rising grasses, from the leaf issuing out of the bud to question the sun—there comes from all of these an influence which forces the heart to lift itself in earnest and purest desire. The soul knows itself, and would live its own life. |