The old proverb says, "Every man is a physician or a fool by forty." Sir Henry Halford happening to quote the old saw to a circle of friends, Canning, with a pleasant humour smiling in his eyes, inquired, "Sir Henry, mayn't he be both?" John Locke, according to academic registration, was not a physician till he was past forty. Born in 1632, he took his M.B. degree Feb. 6th, 1674. To what extent he exercised his profession is still a matter of dispute; but there is no doubt that he was for some period an active practitioner of it. Of his letters to Hans Sloane, that are still extant, the following is one:—
Popularly the name of Locke is as little associated with the profession of medicine as that of Sir James Mackintosh, who was a practising physician, till ambition and poverty made him select a more lucrative vocation, and turn his energies to the bar. Distinguished amongst literary physicians was Andrew Borde, who studied Medicine at Oxford and Montpelier, and it is said acted as a physician in the service of Henry the Eighth. Borde's career has hitherto been a puzzle to antiquaries who, though interested in it, have been able to discover only little about it. It was his whim to sign himself Andrew Perforatus (his name really signifying "a cottage,"—"bordarius=a cottager"). In the same way after him Robert Fludd, the Rosicrucian doctor, adopted for his signature Robertus de Fluctibus. In his works he occasionally gives the reader a glimpse of his personal adventures; and from contemporary literature, as well as tradition, we learn enough to feel justified in believing that he created the cant term "Merry Andrew." Of his freaks, about the most absurd was his conduct when acting as foreman of a jury in a small borough town. A prisoner was charged with stealing a pair of leather breeches, but though appearances were strongly against the accused (who was a notorious rogue), the evidence was so defective that to return a verdict of guilty on the charge was beyond It is needless to say that the jurymen took Andrew's advice, and finding a verdict to the best of those abilities with which it had pleased God to bless them, astonished the judge and the public, not less than the prisoner, with the strange conclusion at which they had arrived. Anthony À Wood and Hearne tell us the little that has hitherto been known of this eccentric physician. To that little an important addition may be made from the following letter, never before published, the original of which is in the State-Paper Office. The epistle is penned to Henry the Eighth's minister, Thomas Cromwell. "Jesus.
Literary physicians have, as a rule, not prospered as medical practitioners. The public harbour towards them the same suspicious and unfavourable prejudices as they do to literary barristers. A man, it is Still, the number of brilliant writers who have enrolled themselves in the medical fraternity is remarkable. If they derived no benefit from their order, they have at least generously conferred lustre upon it. Goldsmith—though no one can say on what his claim to the title of doctor rested, and though in his luckless attempts to get medical employment he underwent even more humiliation and disgrace than fell to his lot as the drudge of Mrs. Griffiths—is one of the most pleasant associations that our countrymen have in connection with the history of "the Faculty." Smollett, like Goldsmith, tried ineffectually to escape from literary drudgery to the less irksome and more profitable duties that surround the pestle and mortar. Of Garth, Blackmore, Arbuthnot, and Akenside, notice has already been taken. Anything like a complete enumeration of medical men who have made valuable contributions to belles lettres would fill a volume, by the writing of which very little good would be attained. By no means the least of them was Armstrong, whose portrait Thomson introduced into the "Castle of Indolence." "With him was sometimes joined in silken walk (Profoundly silent—for they never spoke), One shyer still, who quite detested talk; To grove of pine and broad o'ershadowing oak. There, inly thrilled, he wandered all alone, And on himself his pensive fury woke: He never uttered word, save when first shone The glittering star of eve—'Thank Heaven, the day is done.'" His medical writings, and his best known poem, "The Art of Health," had he written nothing else, would in all probability have brought him patients, but the licentiousness of "The Economy of Love" effectually precluded him from ever succeeding as a family physician. Amongst Armstrong's poet friends was Grainger, the amiable and scholarly physician who enjoyed the esteem of Percy and Samuel Johnson, Shenstone and Sir Joshua. Soon after the publication of his translation of the "Elegies of Tibullus," (1758), Grainger went to the island of St. Christopher's, and established himself there as a physician. The scenery and industrial occupations of the island inspired him to write his most important poem, "The Sugar-Cane," which, in escaping such derision as was poured on Blackmore's effusions, owed its good fortune to the personal popularity of the author rather than its intrinsic merits. The following sample is a fair one:— "Destructive on the upland groves The monkey nation preys: from rocky heights, In silent parties they descend by night, And posting watchful sentinels, to warn When hostile steps approach, with gambols they Pour o'er the cane-grove. Luckless he to whom That land pertains! in evil hour, perhaps, And thoughtless of to-morrow, on a die He hazards millions; or, perhaps, reclines On luxury's soft lap, the pest of wealth; And, inconsiderate, deems his Indian crops Will amply her insatiate wants supply. "From these insidious droles (peculiar pest Thy waving wealth, in traps put not thy trust, However baited: treble every watch, And well with arms provide them; faithful dogs, Of nose sagacious, on their footsteps wait. With these attack the predatory bands; Quickly, th' unequal conflict they decline, And chattering, fling their ill-got spoils away. So when, of late, innumerous Gallic hosts, Fierce, wanton, cruel, did by stealth invade The peaceable American's domains, While desolation mark'd their faithless rout; No sooner Albion's martial sons advanc'd, Than the gay dastards to their forests fled, And left their spoils and tomahawks behind. "Nor with less haste the whisker'd vermin race, A countless clan, despoil the low-land cane. "These to destroy, &c." When the poem was read in MS. at Sir Joshua's house, the lines printed in italics were not part of the production, but in their place stood— "Now, Muse, let's sing of rats." The immediate effect of such bathos was a burst of inextinguishable laughter from the auditors, whose sense of the ridiculous was by no means quieted by the fact that one of the company, slyly overlooking the reader, discovered that "the word had originally been mice, and had been altered to rats, as more dignified." Above the crowd of minor medical litterateurs are conspicuous, Moore, the author of "Zeluco"; Dr. Aikin, one of whose many works has been already referred to; Erasmus Darwin, author of "The Botanic Garden"; Mason Good, the translator of "Lucretius," and author of the "Study of Medicine"; Dr. Ferriar, whose "Illustrations of Sterne" just doubled the value in the market of "Burton's Anatomy of Melancholy"; Cogan, the author of "Life and Opinions Apropos of the Dr. Harrington mentioned above, a writer says—"The Doctor for many years attended the Dowager Lady Trevor, relict of Lord Trevor, and last surviving daughter of Sir Richard Steele. He spoke of this lady as possessing all the wit, humour, and gaiety of her father, together with most of his faults. She was extravagant, and always in debt; but she was generous, charitable, and humane. She was particularly partial to young people, whom she frequently entertained most liberally, and delighted them with the pleasantry and volubility of her discourse. Her person was like that which her pleasant father described himself in the Spectator, with his short face, &c. A little before her death (which was in the month of December) she sent for her doctor, and, on his entering her chamber, he said, 'How fares your Ladyship!' She replied, 'Oh, my dear Doctor, Wolcot, better known as Peter Pindar, was a medical practitioner, his father and many of his ancestors having followed the same calling in Devonshire and Cornwall, under the names of Woolcot, Wolcott, Woolacot, Walcot, or Wolcot. After acquiring a knowledge of his profession in a somewhat irregular manner Wolcot found a patron in Sir William Trelawny, Bart., of Trelawny, co. Cornwall, who, on going out to assume the governorship of Jamaica, took the young surgeon with him to act as medical officer to his household. In Jamaica Wolcot figured in more characters than one. He was the governor's grand-master of the ceremonies, private secretary, and chaplain. When the King of the Mosquitoes waited on the new governor to express his loyal devotion to the King of England's representative, Wolcot had to entertain the royal guest—no difficult task as long as strong drink was in the way. His Majesty—an enormously stout black brute—regarded intoxication as the condition of life most fit for kings. The autocrat of the Mosquitoes, as the greatest only are, in his simplicity sublime, was contented with rum or its equivalent. "Mo' drink for king! Mo' drink for king!" he would bellow, dancing round the grand-master of the "King," the grand-master would reply, "you are drunk already." "No, no; king no drunk. Mo' drink for king! Broder George" (i. e. George III.) "love drink!" Grand-Master.—"Broder George does not love drink: he is a sober man." Autocrat.—"But King of Musquito love drink. Me will have mo' drink. Me love drink like devil. Me drink whole ocean!" The different meagre memoirs of Peter Pindar are conflicting as to whether he ever received ordination from the hands of the Bishop of London. It seems most probable that he never did. But, consecrated or not, there is no doubt that he officiated as a colonial rector for some time. Droll stories of him as a parish priest used to circulate amongst his friends, as well as amongst his enemies. He read prayers and preached whenever a congregation appeared in his church, but three Sundays out of every four not a soul came to receive the benefit of his ministrations. The rector was an admirable shot, and on his way from his house to church used to amuse himself with shooting pigeons, his clerk—also an excellent shot—walking behind with a fowling-piece in his hand, and taking part in the sport. Having reached the sacred edifice, his reverence and attendant opened the church door and waited in the porch ten minutes for the advent of worshippers. If none had presented themselves at the end of ten minutes, the pastor beat a retreat. If only a few black Christians straggled up, the rector bought them off with a few coins and then went home. One cunning old negro, who "What do you come here for, blackee?" the parson would exclaim. "Why, massa, to hear your good sermon and all de prayer ob de church." "Would not a bit or two do you more good?" "Yes, massa doctor—me lub prayer much, but me lub money too." The "bit or two" would then be paid, and the devotee would retire speedily from the scene. For an entire twelve-month was this black-mail exacted. On his return to England, Wolcot, after a few unsuccessful attempts to establish himself in practice, relinquished the profession of physic as well as that of divinity, and, settling himself in London, made both fame and a good income by his writings. As a political satirist he was in his day almost without a rival, and the popularity of his numerous works would have placed a prudent man in lasting affluence. Improvidence, however, necessitated him to sell the copyright of his works to Messrs. Robinson, Golding, and Walker for an annuity of £250, payable half-yearly, during the remainder of his life. Loose agreements have always been the fashion between authors and publishers, and in the present case it was not clearly stated what "copyright of his works" meant. The publishers interpreted it as the copyright of both what the author had written at the time of making the agreement, and also of what "Fired with the love of rhyme, and, let me say, Or virtue, too, I sound the moral lay; Much like St. Paul (who solemnly protests He battled hard at Ephesus with beasts), I've fought with lions, monkeys, bulls, and bears, And got half Noah's ark about my ears; Nay, more (which all the courts of justice know), Fought with the brutes of Paternoster Row." For medicine Peter Pindar had even less respect than Garth had. He used to say "that he did not like the practice of it as an art. He was entirely ignorant, indeed, whether the patient was cured by the vis medicatrix naturÆ, or the administration of a little pill, which was either directly or indirectly to reach the part affected." And for the practitioners of the art held in such low esteem, he cherished a contempt that he would at times display with true Pindaric warmth. In his two-act farce, "Physic and Delusion; or Jezebel and the Doctors," the dialogue is carried on in the following strain:— "Blister.— By God, old prig! Another word, and by my wig—— "Bolus.—Thy wig? Great accoucheur, well said, 'Tis of more value than thy head; And 'mongst thy customers—poor ninnies! Has helped thee much to bag thy guineas." Amongst Peter Pindar's good services to the world was the protection he afforded to Opie (or Oppy, as Wolcot used to tell some droll stories about his artist friend. Opie's indiscreet manner was a source of continual trouble to those who endeavoured to serve him; for, priding himself on being "a rough diamond," he took every pains that no one should fail to see the roughness. A lady sitter was anxious that her portrait should be "very handsome," and frankly told the painter so. "Then, madam," was the reply, "you wish to be painted otherwise than you are. I see you do not want your own face." Not less impudent was he at the close of his first year in London, in taking out writs against several sitters who were rather tardy in their payments. Opie was not the only artist of celebrity deeply indebted to Peter Pindar. Bone, the painter in enamel, found an efficient friend in the same discerning lover of the arts. In this respect Wolcot was worthy of the profession which he deserted, and affected to despise; and his name will ever be honourably mentioned amongst those physicians who have fostered art, from the days of picture-loving Mead, down to those of the writer's very kind friend, Dr. Diamond, One of the worthies of Dr. Diamond's family was Robertus Fludd, or De Fluctibus, the writer of Rosicrucian celebrity who gave Sterne more than one lesson in the arts of eccentricity. Sir Thomas Fludd of Milgate, Bearsted, co. Kent (grandson of David Fludd, alias Lloyd of Morton, in Shropshire), had five sons and a daughter. Of this offspring, one son, Thomas, purchased Gore Court, and fixed there a family, the vicissitudes of which may be learnt by a reference to Hasted's Kent. From this branch of the Fludds descended Dr. Diamond, who, amongst other curious family relics, possesses the diploma of Robertus de Fluctibus. When Robertus de Fluctibus died, Sept. 8, 1637, in Coleman St., London, his body, under the protection of a herald of arms, was conveyed to the family seat in Kent, and was then buried in Bearsted Church, under a stone which he had before laid for himself. The monument over his ashes was ordered by him in his last will to be made after that of William Camden in the Abbey at Westminster. The inscription which marks his resting-place declares his, rather than our, estimate of his intellectual greatness; Magnificus non hÆc sub odoribus urna vaporat, Crypta tegit cineres nec speciosa tuos. Quod mortale minus, tibi te committimus unum; Ingenii vivent hic monumenta tui Nam tibi qui similis scribit, moriturque, sepulchrum Pro tot Æternum posteritate facit. More modest, and at the same time more humorous, "Underneath Tom Crossfield lies, Who cares not now who laughs or cries. He always laughed, and when mellow Was a harum scarum sort of fellow. To none gave designed offence, So—Honi soit qui mal y pense." Amongst the medical poets there is one whom all scholarly physicians jealously claim as of their body—John Keats; he who, dying at Rome, at the age of twenty-six, wished his epitaph to be, "Here lies one whose name was writ in water." After serving his apprenticeship under an Edmonton surgeon, the author of "Endymion" became a medical student at St. Thomas's hospital. Mention here, too, may be made of Dr. Macnish, the author of "The Anatomy of Drunkenness," and "The Modern Pythagorean"; and of Dr. Moir, the poet, whose death, a few years since, robbed the world of a simple and pathetic writer, and his personal acquaintance of a noble-hearted friend. But of all modern English poets who have had an intimate personal connection with the medical profession, the greatest by far is Crabbe— "Nature's sternest painter, yet the best." In 1754 George Crabbe was born in the old sea-faring town of Aldborough, in the county of Suffolk. His father, the collector of salt-duties, or salt-master of the town, was a churlish sullen fellow at the best of times; but, falling upon adversity in his old days, he became the beau-ideal of a domestic tyrant. He was not, however, without his respectable points. "Yar marn't middle a' him; lit him aloone—he ha' got l'arning." The plea was admitted as a good one, and the future bard, taking his benefit of clergy, escaped the profanation of a drubbing. George was sent to two respectable schools, the one at Bungay, in Suffolk, and the other (the better of the two) at Stowmarket, in the same county. The expense of such an education, even if it amounted to no more than £20 per annum, was no small undertaking for the salt-master of a fishing-village; for Aldborough—now a handsome and much frequented provincial watering-place—was in 1750 nothing better It was during his apprenticeship to Mr. Page of Woodbridge that Crabbe made his first important efforts in poetry, publishing, in the year 1772, some fugitive pieces in Wheble's Magazine, and in 1775 "Inebriety, a poem, in three parts. Ipswich: printed and sold by C. Punchard, bookseller, in the Butter-market." While at Woodbridge, too, his friend Levett, a young surgeon of the neighborhood, took him over to Framlingham, introducing him to the families of that picturesque old town. William Springall Levett was at that time engaged to Alethea Brereton, a lady who, under the nom de plume of "Eugenia Acton," wrote certain novels that created a sensation in their brief day. Amongst them were "Vicissitudes "What! though no trophies peer above his dust, Nor sculptured conquests deck his sober bust; What! though no earthly thunders sound his name, Death gives him conquest, and our sorrows fame! One sigh reflection heaves, but shuns excess, More should we mourn him, did we love him less." Subsequently Miss Brereton married a gentleman named Lewis, engaged in extensive agricultural operations. However brief her literary reputation may have been, her pen did her good service; for, at a critical period of her husband's career, it brought her sums of much-needed money. Mr. Levett's romance closed prematurely together with his life, but through him Crabbe first became acquainted with the lovely girl whom he loved through years of trial, and eventually made his wife. Sarah Elmy was the niece of John Tovell, yeoman, not gentleman—he would have scorned the title. Not that the worthy man was without pride of divers kinds, or that he did not hold himself to be a gentleman. He believed in the Tovells as being one of the most distinguished families of the country. A Tovell, by mere right of being a Tovell, could thrash more Frenchmen than any Englishman, not a Tovell, could. When the good man said, "I am nothing more than a plain yeoman," he never intended or expected any one to believe him, or to regard his words He was a well-made, handsome, pleasant fellow—riding a good horse with the hounds—loving good cheer—enjoying laughter, without being very particular as to the cause of it—a little too much addicted to carousing, but withal an agreeable and useful citizen; and he lived at Parham Lodge, a house that a peer inhabited after him, without making any important alterations in the place. On Crabbe's first introduction to Parham Lodge he was received with cordiality; but when it was seen that he had fallen in love with the squire's niece, it was only natural that "his presumption" should not at first meet the approval either of Mrs. Tovell or her husband. But the young people plighted troth to each other, and the engagement was recognized by the lady's family. It was years, however, before the wedding bells were set ringing. Crabbe's apprenticeship to Mr. Page finished, he tried ineffectually to raise the funds for a regular course of hospital instruction in London. Returning to Aldborough, he furnished a shop with a few bottles and a pound's worth of drugs, and set up as "an apothecary." Of course it was only amongst the poor of his native town that he obtained patients, the wealthier inhabitants of the borough distrusting the knowledge of a doctor who had not walked the hospitals. In the summer of 1778, however, he was appointed surgeon to the Warwickshire militia, then stationed at Aldborough, and in the following winter, on the Warwickshire militia being moved and replaced by the Crabbe's marriage with Sarah Elmy eventually conferred on him and his children the possession of Parham Lodge, which estate, a few years since, passed from them into the hands of wealthy purchasers. The poet also succeeded to other wealth through the same connection, an old-maid sister of John Tovell leaving him a considerable sum of money. "I can screw Crabbe up and down like an old fiddle," this amiable lady was fond of saying; and during her life she proved that her boast was no empty one. But her will was a handsome apology for all her little tiffs. |