Mr. Lindon did not remain long with his family on the trip which Mrs. Lindon thought was only to last a month or two. On arriving in England, he transacted his business in a short time, and then proposed a run on the Continent. By degrees he took the family on to Rome, where they made friends at the hotel and seemed contented to remain for a while. He then pretended to have received a cablegram, and came home by the quickest route, having got them fairly installed in a foreign country without letting them suspect any coercion in the matter. Afterward he wrote to say he wished Nina to see something of England and Scotland, and, the proposal being agreeable to Mrs. Lindon, they accepted invitations from people they had met to pay visits in different places, so that, together with an art course in Paris and a musical course at Leipsic, they wandered about until nearly two years had elapsed, when they suddenly suspected that Mr. Lindon preferred that they should be away, upon which they returned at once.

Whether Nina came back "in love" with Jack was a question as to which he made many endeavors to satisfy himself. The ability to live up to the verb "to love" in all its moods and tenses is so varied, and the outward results of the inward grace are often so ephemeral that it would be hazardous to say what particular person is sufficiently unselfish to experience more than a gleam of a phase that calls for all the most beautiful possibilities. It is not merely a jingle of words to say that one who is not minded to be single should be single-minded.

Let us pass over the difficult point and take the young lady's statement for what it was worth. She said, of herself, that she was in love with Jack. He had extracted this from her with much insistence, while she aggravatingly asserted at the same time, that she only made the admission "for a quiet life," leaving Jack far from any certainty of possession that could lead to either indifference or comfort.

Two or three proposals of marriage which she had while away had evidently not captured her, even if they had turned her head a little. She had seen no person she liked better than Jack or else she would not, perhaps, have come back in the way she did. The proposals, however, if they ever had been made, served to turn Jack's daily existence into alternations of hot and cold shower-baths. One day she would talk about a Russian she had met in Paris. Then she solemnly gave the history of her walks and talks with a naval officer in Rome, till Jack's brow was damp with a cold exudation. But when it came to the delightful appearance of Colonel Vere, and the devotion he showed when he took her hand and asked her to share his estates, Jack said, with his teeth clinched, that he had had enough of the whole business—and departed. He then spent two days of very complete misery, barometer at 28°, until she met him and laid her hand on his arm and said she was sorry; would he stop being a cross boy? that she had only been teasing him, and all the rest of it; while she looked out of her soft dark eyes in a way that left no doubt in Jack's mind that he had behaved like a brute.

In this way the first week of her return had been consumed, and as yet he had not felt that he could afford to divide her society with anybody. What with the rich Russian, the naval officer, and Colonel Vere—what with getting into agonies and getting out of them—it took him pretty nearly all his time to try to straighten matters out. So Geoffrey's introduction had not been mentioned further by him, except to Nina, who was becoming curious to see Jack's particular friend and Admirable Crichton. The opportunity for this meeting seemed about to offer itself in the shape of an entertainment where all those who remained in Toronto during the summer would collect—one of those warm gatherings where the oft-tried case of pleasure vs. perspiration results so frequently in an undoubted verdict for the defendant.

The Dusenalls were among those wise enough to know that in summer they could be cooler in Toronto, at their own residence, with every comfort about them, than they could possibly be while stewing in an American hotel or broiling on the sands of an American seaport. They objected to spending large sums yearly in beautifying their grounds, merely to leave the shady walks, cool arbors, and tinkling fountains for the enjoyment of the gardeners' wives and children. In the thickness of their mansion walls there was a power to resist the sun which no thin wooden hotel can possess; therefore, in spite of a fashion which is somewhat dying out, they remained in Toronto during the hot months, and amused themselves a good deal on young Dusenall's yacht.

Their residence was well adapted for such a party as they were now giving, and the guests were made to understand that in the afternoon there would be a sort of garden-party, with lawn-tennis chiefly in view, and at dark a substantial high tea—to wind up with dancing as long as human nature could stand the strain; and if any had got too old or too corpulent or too dignified to play tennis, they could hardly get too much so to look on; or, if this lacked interest, they could walk about the lawns and gardens and converse, or, if possible, make love; or listen to a good military band while enjoying a harmless cigarette; and if they liked none of these things they could never have been known by the people of whom this account is given, and thus, perhaps, might as well never have been born.

The men, of course, played in their flannels, which a few of them afterward changed in Charley Dusenall's rooms when there was a suspension of hostilities for toilets. Most of them went home to dinner and appeared later on for the dancing. People came in afternoon-dress and remained for tea and through the evening in that attire, or else they dropped in at the usual time in evening-dress. It did not matter. It was all a sort of "go-as-you-please." Some girls danced in their light tennis dresses, and others had their maids come with ball dresses. Of course the majority came late—especially the chaperons, the heavy fathers, starchy bank-managers, and such learned counsel as scorned not to view the giddy whirl nor to sample the cellars of the Dusenalls.

Mrs. Lindon arrived with her daughter late in the evening, when everything was whirling. Jack had his name down for a couple of dances, and a few more were bestowed upon eager aspirants, and then she had no more to give away—so sorry!—card quite filled! She told dancing fibs in a charming manner that seemed to take away half the pang of disappointment. This was a field-day, and the discarded ones could receive more notice on some other, smaller occasion.

To see Jack and Nina dancing together was to see two people completely satisfied with themselves. As a dancer, Jack "fancied himself." He had an eye for calculating distances and he had the courage of his opinions when he proposed to dance through a small space. As for Nina, she was the incarnation of a waltz. Her small feet seemed as quick as the pat of a cat's paw. In watching her the idea of exertion never seemed to present itself. There is a pleasure in the rhythmic pulsations of the feet and in yielding to the sensuous strains of the music (which alone seems to be the propelling power) that is more distinctly animal than a good many of our other pleasures; and Nina was born to dance.

At the end of Jack's first dance with her, Geoffrey came idling through the conservatory, and entered the ball-room close beside the place where Mrs. Lindon was seated with several other mothers. As the last bars of the waltz were expiring, Jack brought up at what he called "the moorings" with all the easy swing and grace of a dancer who loves his dance. The act of stopping seemed to divide the unity in trinity existing between his partner, himself and the music, and it was therefore to be regretted, and not to be done harshly, but lingeringly, if it must be done, while Nina, as he released her, came forward toward her mother with her sleeveless arms still partly hanging in the air, and with a pretty little trip and slide on the floor, as if she could not get the "time" out of her feet. Her head was slightly thrown back, the eyelids were drooped, and the lips were parted with a smile of recognition for Mrs. Lindon, while her attitude showed the curves of her small waist to advantage; so that the first glimpse of Nina that Geoffrey received was not an unpleasant one. She seemed to be moving naturally and carelessly. She was only endeavoring to make the other mothers envious, when they compared her with their own daughters. Such wiles were part of her nature. When feeling particularly vigorous, almost every attitude of some people is a challenge—males with their bravery, females with their graces—and, whatever changes the future may develop in the predilections of woman, there may for a long time be some left to acknowledge that for them a likable man is one who is able to assert, in a refined way, sufficient primitive force to make submission seem like conquest rather than choice.

Jack at once introduced Geoffrey—his face beaming while he did so. He was so proud of Nina. He was so proud of Geoffrey. Nina was blushing at having Hampstead witness her little by-play with her mother at the conclusion of the dance—but not displeased withal. Jack thought he had never seen her look so beautiful. And Geoffrey was such a strapper. Jack surveyed them both with unbounded satisfaction. He slapped Hampstead on the arm, and tightened the sleeve of his coat over his biceps, patting the hard limb, and saying warmly: "Here's where the secret lies, Nina! This is what takes the prizes."

"So you are Jonathan's David, are you?" said Nina, smiling, as they talked together.

"Well, he patronizes me a good deal," said Geoffrey. "But don't you think he looks as if he wished to find his next partner? Suppose we give him a chance to do so; let us go off and discuss his moral character."

He went away with Nina on his arm, leaving Jack quite radiant to see them both so friendly.

When they arrived in the long conservatory adjoining, Geoffrey held out his hand for her card. He did not ask for it, except perhaps by a look. Having possessed himself of it, he found five successive dances vacant—evidently kept for some one, and he was bold enough suddenly to conclude they had been kept for him. He looked at the card amused, and as he scratched a long mark across all five, he drawled, "May I have the pleasure of—some dances?" And then he mused aloud as he examined the card, "Don't seem to be more than five. Humph! Too bad! But perhaps we can manage a few more, Miss Lindon?"

Nina was accustomed to distribute her favors with a reluctant hand and with a condescension peculiarly her own, and to hear suppliant voices around her. She would be capricious, and loved her power. Even Jack did not count upon continued sunshine, and took what he could get with some thanksgivings. She was a presumptive heiress, and had not escaped the inflation of the purse-proud. But, on the other hand, since her return she had heard a good deal about the various perfections of his friend, and how well he did everything; and from what her girl friends said, she had gleaned that Geoffrey was more in demand than would be confessed. He was not very desirable financially, perhaps, but hugely so because he was sought after. This much would have been sufficient to have made her amused rather than annoyed at his cool way of assuming that she would devote herself to him for an unlimited time, but there was something more about Geoffrey than mere fashion to account for his popularity, and that was the peculiar influence of his presence upon those with whom he conversed.

Thus Nina, if she came to the Dusenalls with the intention of having a flirtation with Geoffrey, which the condition of her card and her acquiescence to his demands confessed, had hit upon a person who was far more than her match, for Hampstead's acquaintanceships were not much governed by rule. As long as a girl diverted him and wished to amuse herself he had no particular creed as to consequences, but merely made it understood—verbally, at least—that there was nothing lasting about the matter, and that it was merely for "the temporary mutual benefit and improvement of both parties." This was a remnant of a code of justification by which he endeavored to patch up his self-respect; but nobody knew better than he that such phrases mean nothing to women who are falling in love and intend to continue in love.

Underneath the careless tones with which he spoke to Nina there was an earnestness and concentration that influenced her. As he gravely handed back her card and caught and held her glance with an intensity in his gray eyes and will-power in his face, she felt, for the first time with any man, that she was not completely at her ease. When obeying the warning impulses that formerly fulfilled the offices of thought women do not often make a mistake. By these intuitions, sufficient at first for self-protection, she knew there was willfulness and mastery in him, and that if she would be true to Jack she should return to him. If change of masters be hurtful to women, this was the time for her to remember about the woman who hesitates. Geoffrey said, "Let us go in and have a dance, Miss Lindon," and she rose with a nervous smile and glanced across to the place where her mother was sitting. But Mrs. Lindon had never been a tower of strength to her, or she might have gone to her. She had a distinct feeling that this new acquaintance was more powerful in some way than she had anticipated, and that everything was not all right with Jack's interests, and she was at one of those moments when a woman's ability to decide is so peculiarly the essence of her character, circumstances, and teaching as fairly to indicate her general moral level. Goethe tells us "to first understand"; but if we can not know the extent of Geoffrey's influence, or how far her unknown French lineage assisted temptation, we would better leave judgment alone. Geoffrey said something in her ear about the music being delicious. She listened for a moment and longed for a dance with him. Rubbish! only a dance, after all! And the next moment she was circling through the ball-room with his arm around her.

The band that played at the Dusenalls' was one that could be listened to with pleasure. It was composed of bottle-nosed Germans who worked at trades during the day and who played together generally for their own amusement. In all they played they brought out the soul of the movement. It was to one of the dreamiest of waltzes that Nina danced with Geoffrey—one of those pieces where from softer cadences the air swells into rapturous triumph, or sinks into despair, and wooes the dancer into the most unintellectual and pleasant frame of mind—if the weather be not too warm.

A cool night breeze was passing through the room, bringing with it the fragrance of the dewey flowers outside, and carrying off the odor of those nauseating tube-roses (which people will wear), and replacing it with a perfume more acceptable to gods and men—especially men.

If Jack "fancied himself" as a dancer, Geoffrey had a better right to do so. His stature aided him also, and men with retreating chins were rather inclined to give him the road. He had a set look about the lower part of his face which in crowds was an advantage to him. It suggested some vis major—perhaps a locomotive, which no one cares to encounter.

In two minutes after they had embarked on this hazardous voyage Nina had but one idea, or rather she was conscious of a pervading sense of pleasure, that ran away with her calmer self. No thought of anything definite was with her, only a vague consciousness of turning and floating, of being admired, of being impelled by music and by Geoffrey. As the dance went on it seemed like some master power that led through the mazes delightfully and resistlessly.

When the music ended, for they had never stopped, she sighed with sorrow. It had been too short. She had yielded herself so completely to its fascination that she seemed like one awakening from a dream. And then her conscience smote her when she thought of Jack, and how in some way she had enjoyed herself too much, and did not seem to be quite the same girl that she had been half an hour before; but these thoughts left her as they walked about and spoke a few words together. While circling the long room she noticed Geoffrey bowing to a tall young lady whose long white silk train swept behind her majestically. There was a respect and gravity in his bow which Nina, with her quick observation, noticed.

"Who is that you are bowing to?" she asked.

"That is Miss Margaret Mackintosh."

"Oh, I think she is perfectly lovely," said Nina, as she looked back admiringly.

"So do I," said Geoffrey.

Nina turned about now with curiosity, in order to meet her again. Miss Mackintosh came down the room once more with a partner who was one of the very young persons who now are the dancing men in Toronto—called the "infants" by a lady (still unwon) who remembers when there were marriageable men to be found dancing at parties. This detrimental with Miss Mackintosh was having an enjoyable time of it. What with the beauty of his partner, her stately figure, gracious manner, and the rapidity with which she talked to him, the little man did not quite know where he was, and he could do little else than turn occasionally and murmur complete acquiescence in what she was saying, while he sometimes glanced at her active face for a moment. In doing this, though, he would lose the thread of her discourse, in consequence of his unfeigned admiration, and, as he was straining every nerve to follow her quick ideas, this was a risky thing to do. Once or twice, seeing him turn toward her so attentively, she turned also and said, "Don't you think so?" and then the little man would endeavor to mentally pull himself together, and with some appearance of deep thought would again acquiesce with unction. Certainly he thought he did think so—every time.

The close scrutiny of Hampstead and Nina did not seem to affect her as she passed them with her face unlifted and earnest. She did not seem to have any side eyes open to see who were regarding her. When the handsome dress that had made such a cavern in her allowance money was trodden on, she gathered it up with an active movement—not seeming to notice the unpleasantness, nor for a moment abating the earnestness of her conversation. Her idea seemed to be to prevent the dress from interrupting her rather than to save it. One could see that, once on, the dress was perhaps not thought of again, that it was not the main part of her pleasure, but was lost in her endeavor to make herself agreeable, and in this way to enjoy herself.

"I am sure she must have a very kind heart," said Nina, smiling.

"Why?" asked Geoffrey.

"Because she takes so much trouble over such a poor specimen of a man."

"Perhaps, as Douglas Jerrold said, she belongs to the Royal Humane Society," added Geoffrey.

As Nina could not remember being acquainted with any Mr. Jerrold, the remark lost some of its weight. The true inwardness of the old wit that comes down to us in books is our knowledge of the reputation of the joker.

"And does she dance well?" asked Nina.

"No," said Geoffrey, as he still looked after Miss Mackintosh with grave and thoughtful eyes. "I don't think she has in her enough of what Goethe calls the 'dÆmonic element' of our nature to dance well."

"Not very complimentary, to those who can dance well," said Nina, archly pointing to herself.

Geoffrey shrugged his shoulders, as he looked at his partner. "Some people prefer the dÆmonic element," said he. But he turned again from the rose to the tall, white lily, who was once more approaching them, with something of a melancholy idea in his mind that men like him ought to confine themselves entirely to the rose, and not aspire above their moral level. Margaret Mackintosh was the one person he revered. She was the symbol to him of all that was good and pure. He had almost forgotten what these words meant, but the presence of Margaret always re-interpreted the lost language.

"And do you admire her very much?" Nina inquired.

"I admire her more than any person I ever saw."

Sooner or later, it would have gone hard with Geoffrey for making this speech, if he had been any one else. But it occurred to Nina that he did not care whether she took offense or not. He was leaning against the wall, apparently oblivious, for the moment, to any of her ideas, charms, or graces, but looking, withal, exceedingly handsome, and a thought came to her which should not come to an engaged young lady. She made up her mind that she would make him care for her a great deal and then would snub him and marry Jack.

The music commenced again.

"Come now," said Nina, gayly, "and try a little more of the dÆmonic element."

Geoffrey turned to her quickly, and his face flushed as, to quote Shakespeare's sonnet, "his bad angel fired his good one out." He saw in her face her intention to subjugate him, and knew that he had accidentally paved the way for this new foolish notion of hers by his candid admiration of Miss Mackintosh.

"Have you any of it to spare?" said he, as his arm encircled her for the dance.

No verbal answer was given, but they floated away among the dancers. Here she forgot her slight feelings of resentment and retained only the desire to attract him, without further wish to punish him afterward. A few turns around the room, and she was in as much of a whirl as she had been before. They danced throughout the music—almost without ceasing; and when it ended she unconsciously leaned, upon his arm, as they strolled off together, almost as if she were tired. The thought of how she was acting came to her, only it came now as an intruder. A usurper reigned with sovereign sway, and Right was quickly ousted on his approach. A little while ago, and the power to decide, for Jack or against him, was more evenly balanced; but now, how different! She was wandering on with no other impulse than the indefinite wish to please Geoffrey. If she had been a man, sophisms and excuses might have occurred to her. But it was not her habit to analyze self much, and even sophisms require some thought.

They passed through the conservatory and out to the broad walk of pressed gravel, where several couples were promenading. Here they walked up and down once or twice in the cool breeze that seemed delicious after the invisible dust of the ball-room. Nina was saying nothing, but leaning on his arm, and it seemed to her that his low, deep tones vibrated through her—as a sympathetic note sometimes makes glass ring—as if in echo.

Geoffrey was pondering where all the pride and self-assertion had gone to in this girl who now seemed so trustful and docile. Even her answers seemed mechanical and vague, as if she were in some way bewildered.

Jack, in the mean time, was elbowing his way through a crowd, trying to get one of his partners something to eat. He was the only person likely to notice her absence, and this he did not do, and, as Geoffrey was down for five dances, he knew no others would be looking for her. So he walked on past the end of the terrace, and, descending some steps, proceeded farther till they came to more steps leading down into a path dark with overhanging trees. Nina hesitated, and said she was always afraid to go among dark trees, but Geoffrey said, "Oh, I'll take care of you." Then she thought it was pleasant to have an athlete for a protector, and she glanced at his strong face and frame with confidence. She no longer went with him as she had danced, with her mind in a whirl, but peacefully and calmly, with no other thought than to be with him. He took her hand as they descended the stairs, and, though she shrank a little from a proceeding new to her, it seemed natural enough, and gave her a sense of protection in the dark paths. It did not occur to her that she could have done without it. She did not notice their silence. Geoffrey, too, thought it pleasant enough in the balmy air without conversation. He was interested by her beauty and her sudden partiality for him.

At length he stopped in one of the distant paths as they came to a seat between the trunks of two large trees. Here they sat down at opposite sides of the seat, and Geoffrey leaned back against the tree beside him. The leaves on the overhanging boughs quivered in the light of the moon, and the delicate perfume in the air spoke of flower-beds near by. He thought it extremely pleasant here, and he laid his head back against the tree beside him to listen to the tinkling of the fountain and to enjoy the scent-laden night air. An idea was still with him that this was the girl Jack was engaged to, and he thought it would be as well to keep that idea before him. He said to himself that he liked Jack, and thought he was very considerate, under the circumstances, for his friend when he took out a little silver case and suggested that he would like a cigarette.

Nina did not answer him. She was in some phase of thought in which cigarettes had no place, and only looked toward him slowly, as if she had merely heard the sound of his voice and not the words. He selected from the case one of those innocuous tubes of rice-paper and prairie-grass, and, as he did so, the absent look on her face seemed peculiar. With a fuse in one hand and the cigarette in the other, he paused before striking a light, and they looked at each other for a moment as he thought of stories he had read of one person's influence over another. Like many, he had a general curiosity about strange phases of mankind, and it occurred to him that Nina would make an interesting subject for experiment. Presently he said, in resonant tones, deep and musical:

"Do you like to be here, Nina?"

She did not seem to notice that he called her by this familiar name, but she stood up and remained silently gazing at the moon through a break in the foliage. Her beauty was sublimated by the white light, and, as Geoffrey took a step towards her, he forgot about his cigarette, and, taking both her hands in his, he repeated his question two or three times before she answered. Then she turned impetuously.

"Oh, why do you make me do everything that is wrong? I should not be here. I should never have spoken to you. I was afraid of you from the first moment I saw you."

Geoffrey led her by one hand back to the seat.

"Now answer me. Do you like to be here—with me, Nina?"

She looked at the moon and at the ground and all about, but remained mute and apparently pondering.

He had forgotten Jack now as well as the cigarette, and was rapidly losing the remembrance that this was to be merely a scientific experiment.

"Your silence makes me all the more impatient. I will know now. Do you like to be here, Nina?"

A new earnestness in his tone thrilled her and made her tremble. She turned with a sudden impulse, as if something had made her reckless:

"You are forcing me to answer you," she said vehemently, as she looked at him with a constrained, though affectionate expression in her eyes. "But I will tell you if I die for it. Oh, I am so wicked to say so, but I must. You make me. Oh, now let us go into the house."

Geoffrey's generous intention to act rightly by Jack departed from him, and for a moment he drew her toward him, saying that she must not care too much for being there, "because, you know," he said, "this is only a little flirtation, and is quite too good to last."

She seemed not to be listening to him, but to be thinking; and after a moment she said, in long drawn out, sorrowful accents:

"Oh—poor—Jack!"

Something in the slow, melancholy way she said this, and the thought of the poor place that Jack certainly held at the present time in her affections, struck Geoffrey as irresistibly amusing, and he laughed aloud in an unsympathetic way, which presented him to her in a new light, and she sprang from him at once. Her emotion turned to anger as she thought that the laugh had been derisive, and her blood boiled to think he could bring her here to laugh at her after he had succeeded in winning her so completely.

"Come into the house at once," she cried. "I can't go in alone even if I knew the way."

Geoffrey rose and begged her pardon, assuring her that nothing but the peculiarity of her remark had caused his laugh.

"I will not stay here another instant. If you don't come at once I'll find my way alone." And she stamped her foot upon the ground.

Hampstead did not like to be stamped at, and his face altered. As long as she had been facile and pleasing, a sense of duty toward her and Jack had made him considerate. It had seemed to him while sitting there that this girl was his; and the sense of possession had made him kind, but now that she seemed to vex him unnecessarily it appeared to him like a denial of his influence. The idea of the experiment suddenly returned, together with a sense of power and a desire to compel submission which displaced his wish to be considerate. He sat down on the seat again facing her and said:

"I want you to come here." He motioned to the seat beside him.

"I won't go near you. I hate you! I'll run in by myself."

"You can not run away—because I wish you to come here."

Hampstead said this in a measured way, and his brow seemed to knot into cords as he concentrated his will-power. His face bore an unpleasant expression. A quarter of a minute passed and she stood trembling and fascinated; and before another half-minute had elapsed she came very slowly forward, and approached him with the expression of her face changed into one of enervation. Her eyes were dilated, and her hands hung loosely at her sides. Hampstead saw, with some consternation, that she had become like something else, that she looked very like a mad-woman. A shock went through him as he looked at her—not knowing how the matter might terminate. He saw that she was mesmerized—an automaton moved by his will only. The combined flirtation and experiment had gone further than he had intended, and the result was startling—especially as the possibility that she might not recover flashed through his mind. The power he had been wielding (which receives much cheap ridicule from very learned men who would fain deny what they can not explain) suddenly seemed to him to be a devilish one, and he felt that he had done something wrong. He had not intended it. An idea had seized him, and he was merely concentrating a power which he unconsciously used almost every hour of his life. He considered what ought to be done to bring her back to a normal state. Not knowing anything better to do, he walked her about quickly, speaking to her, a little sharply, so as to rouse her.

Then, by telling her to wake up, and by asking her simple questions and requiring an answer, he succeeded in bringing her back to something like her usual condition. When she quite knew where she was, she thought she must have fainted. All her anger was gone, and Geoffrey, to give the devil his due, felt sorry for her. It had been an interesting episode—something quite new to him in a scientific way—but uncanny. She still looked to him as if for protection, and she would have wept had he not warned her how she would appear in the ball-room. "Oh, Mr. Hampstead, you have treated me cruelly," she said. Geoffrey felt that this was true enough.

"It was all my own fault, though. I do not blame you. You have taught me a great deal to-night. I seem to know, somehow, your best and your worst, and what a man can be."

She leaned upon his arm, partly from weakness and partly because she felt that, good or bad, he was master, and that she liked to lean upon him. The movement touched Geoffrey with compassion. Having nothing to offer in return, it distressed him to notice her affection, which he knew would only bring her unhappiness. He tried, therefore, to say something to remove the impressions that had come to her.

"You speak of good and bad in me," he said quickly. "Now I think you are so much in my confidence that I can trust you in what I am going to say. Don't believe that there is any good in me. I tell you the truth now because I am sorry that we have been so foolish to-night. There is no good in me. It is all—the other thing."

Nina shuddered—feeling as if he had spoken the truth but that it was already too late for her to listen to it.

He took her back into the house, smiling and pleasant to those about him, as if nothing had occurred, and left her with Mrs. Lindon.

But he did not go to find Margaret Mackintosh again. He went home somewhat excited, and smoked four or five pipes of tobacco. At first he was regretful, for he knew he had been doing harm. He said he was a whimsical fool. But after a couple of "night-caps" he began to think how picturesque she had looked in the moonlight, and he afterward dropped off into as dreamless and undisturbed a sleep as the most virtuous may enjoy.