I don’t know what it was that made Fessor laugh so when I tried to “spruce up” and make myself look as pretty as possible. Of course, I know full well that I was not a pretty bird. Perhaps I ought to tell you just exactly how I did look. Now you needn’t laugh and think I don’t know, for I do. I’ve seen myself in the mirror lots of times. Fessor and Edith used to take me and stand me before the glass, and while at first I thought it was another little bird, and I tried to talk to and play with it, I soon learned it was only a picture of myself. So, as I looked at myself quite often, I’ll tell you just how I did appear when I was three months old. My baby bill was gone and I looked more like a full-grown bird, but my feathers were still as scraggedy and raggedy as ever. My body and tail were a mousey-brown, with the wing feathers white and tipped with brown. My neck and breast were partially covered with soft, beautiful down of mouse color, and my head feathers were brown, with just one half-white feather in the centre which looked like a tiny crest. I was the smallest little bird ever seen, I guess,—I mean a sparrow,—and no more like the big, healthy, pert, and bouncing street sparrows than a delicate terrier is like a big bull-dog.

I was going to tell you about the way Fessor laughed when I tried to spruce up and preen my feathers. But I have found on his desk something he wrote, and I shall let you read it for yourselves. He doesn’t tell, though, how he used to sit there and laugh and laugh and laugh, until sometimes I almost thought he’d laugh his head off. And why he should laugh to see a tiny little bird like me make myself look nice, I don’t know. He used to spend time enough himself some days in making himself look neat. He’d put on his dress-suit and his pretty tie, and see that his boots were so finely polished, and all that kind of thing, so why should he laugh so at me?

This is what he wrote:

“Some days she will come and preen her feathers by my side as I write. It is her joy to sit on the very sheet upon which I am engaged, and for five or ten minutes such performances! With first one foot, then the other, she scratches her head with inconceivable rapidity. Then, getting a little oil from her receptacle, she begins to preen; under the left wing, down each feather, occasionally darting her bill like lightning upon some other feather that appears to her to need attention. Such screwing of the neck, twisting of the body, standing on tiptoes to get to the feathers on her body, such stretching to reach the tips! After it is done to her content, she gives herself several little shakes-down all over, quick flutterings and flappings of her wings, and settles down for awhile only to begin again and go through the whole performance once more if something suggests it ought to be done.”

Fessor also thought the way I stretched myself was very funny, though I could see nothing funny in it; so I will let you read what he wrote about that:

“To see her stretch one would think her tiny body was as full of sleep as that of a giant. First, one leg goes sprawling out as far as she can reach, and, with a spasmodic little kick, she brings it back into position, to push out the other. Then each wing in succession is stretched out, and sometimes, whether purposely or not I do not know, she lets the feathers comb through her claw.

“But the most interesting of her ‘stretchings’ comes when I put her on the window-sill and something goes on outside that she becomes interested in and wishes to see. She stretches up her little legs until it appears as if she were on stilts, and then, elongating her neck to more than twice its ordinary length, she veritably appears to be a tall bird with a long neck. Her excitement at such times is intense. She prances and cranes, and looks first out of one eye and then out of the other, hops back and forth, dances up and down, and generally shows a tremendous interest for so small a body.”