It might already have been coming indeed, with an immense stride, when, scarce more than ten minutes later, he was aware that the distinguished stranger had brought the Princess straight across the room to speak to him. He had failed in the interval of any glimpse of their closer meeting; for the great tenor had sung another song and then stopped, immediately on which Madame Gloriani had made his pulse quicken to a different, if not to a finer, throb by hovering before him once more with the man in the world he most admired, as it were, looking at him over her shoulder. The man in the world he most admired, the greatest then of contemporary Dramatists—and bearing, independently, the name inscribed if not in deepest incision at least in thickest gilding on the rich recreative roll—this prodigious personage was actually to suffer “presentation” to him at the good lady’s generous but ineffectual hands, and had in fact the next instant, left alone with him, bowed, in formal salutation, the massive, curly, witty head, so “romantic” yet so modern, so “artistic” and ironic yet somehow so civic, so Gallic yet somehow so cosmic, his personal vision of which had not hitherto transcended that of the possessor of a signed and framed photograph in a consecrated quarter of a writing-table.

It was positive, however, that poor John was afterward to remember of this conjunction nothing whatever but the fact of the great man’s looking at him very hard, straight in the eyes, and of his not having himself scrupled to do as much, and with a confessed intensity of appetite. It was improbable, he was to recognise, that they had, for the few minutes, only stared and grimaced, like pitted boxers or wrestlers; but what had abode with him later on, none the less, was just the cherished memory of his not having so lost presence of mind as to fail of feeding on his impression. It was precious and precarious, that was perhaps all there would be of it; and his subsequent consciousness was quite to cherish this queer view of the silence, neither awkward nor empty nor harsh, but on the contrary quite charged and brimming, that represented for him his use, his unforgettable enjoyment in fact, of his opportunity. Had nothing passed in words? Well, no misery of murmured “homage,” thank goodness; though something must have been said, certainly, to lead up, as they put it at the theatre, to John’s having asked the head of the profession, before they separated, if he by chance knew who the so radiantly handsome young woman might be, the one who had so lately come in and who wore the pale yellow dress, of the strange tone, and the magnificent pearls. They must have separated soon, it was further to have been noted; since it was before the advance of the pair, their wonderful dazzling charge upon him, that he had distinctly seen the great man, at a distance again, block out from his sight the harmony of the faded gold and the pearls—to speak only of that—and plant himself there (the mere high Atlas-back of renown to Berridge now) as for communion with them. He had blocked everything out, to this tune, effectually; with nothing of the matter left for our friend meanwhile but that, as he had said, the beautiful lady was the Princess. What Princess, or the Princess of what?—our young man had afterward wondered; his companion’s reply having lost itself in the prelude of an outburst by another vocalist who had approached the piano.

It was after these things that she so incredibly came to him, attended by her adorer—since he took it for absolute that the young Lord was her adorer, as who indeed mightn’t be?—and scarce waiting, in her bright simplicity, for any form of introduction. It may thus be said in a word that this was the manner in which she made our hero’s acquaintance, a satisfaction that she on the spot described to him as really wanting of late to her felicity. “I’ve read everything, you know, and ‘The Heart of Gold’ three times”: she put it all immediately on that ground, while the young Lord now smiled, beside her, as if it were quite the sort of thing he had done too; and while, further, the author of the work yielded to the consciousness that whereas in general he had come at last scarce to be able to bear the iteration of those words, which affected him as a mere vain vocal convulsion, so not a breath of this association now attended them, so such a person as the Princess could make of them what she would.

Unless it was to be really what he would!—this occurred to him in the very thick of the prodigy, no single shade of possibility of which was less prodigious than any other. It was a declaration, simply, the admirable young woman was treating him to, a profession of “artistic sympathy”—for she was in a moment to use this very term that made for them a large, clear, common ether, an element all uplifted and rare, of which they could equally partake.

If she was Olympian—as in her rich and regular young beauty, that of some divine Greek mask over-painted say by Titian, she more and more appeared to him—this offered air was that of the gods themselves: she might have been, with her long rustle across the room, Artemis decorated, hung with pearls, for her worshippers, yet disconcerting them by having, under an impulse just faintly fierce, snatched the cup of gold from Hebe. It was to him, John Berridge, she thus publicly offered it; and it was his over-topping confrere of shortly before who was the worshipper most disconcerted. John had happened to catch, even at its distance, after these friends had joined him, the momentary deep, grave estimate, in the great Dramatist’s salient watching eyes, of the Princess’s so singular performance: the touch perhaps this, in the whole business, that made Berridge’s sense of it most sharp. The sense of it as prodigy didn’t in the least entail his feeling abject—any more, that is, than in the due dazzled degree; for surely there would have been supreme wonder in the eagerness of her exchange of mature glory for thin notoriety, hadn’t it still exceeded everything that an Olympian of such race should have found herself bothered, as they said, to “read” at all—and most of all to read three times!

With the turn the matter took as an effect of this meeting, Berridge was more than once to find himself almost ashamed for her—since it seemed never to occur to her to be so for herself: he was jealous of the type where she might have been taken as insolently careless of it; his advantage (unless indeed it had been his ruin) being that he could inordinately reflect upon it, could wander off thereby into kinds of licence of which she was incapable. He hadn’t, for himself, waited till now to be sure of what he would do were he an Olympian: he would leave his own stuff snugly unread, to begin with; that would be a beautiful start for an Olympian career. He should have been as unable to write those works in short as to make anything else of them; and he should have had no more arithmetic for computing fingers than any perfect-headed marble Apollo mutilated at the wrists. He should have consented to know but the grand personal adventure on the grand personal basis: nothing short of this, no poor cognisance of confusable, pettifogging things, the sphere of earth-grubbing questions and two-penny issues, would begin to be, on any side, Olympian enough.

Even the great Dramatist, with his tempered and tested steel and his immense “assured” position, even he was not Olympian: the look, full of the torment of earth, with which he had seen the Princess turn her back, and for such a purpose, on the prized privilege of his notice, testified sufficiently to that. Still, comparatively, it was to be said, the question of a personal relation with an authority so eminent on the subject of the passions—to say nothing of the rest of his charm—might have had for an ardent young woman (and the Princess was unmistakably ardent) the absolute attraction of romance: unless, again, prodigy of prodigies, she were looking for her romance very particularly elsewhere. Yet where could she have been looking for it, Berridge was to ask himself with private intensity, in a manner to leave her so at her ease for appearing to offer him everything?—so free to be quite divinely gentle with him, to hover there before him in all her mild, bright, smooth sublimity and to say: “I should be so very grateful if you’d come to see me.”

There succeeded this a space of time of which he was afterward to lose all account, was never to recover the history; his only coherent view of it being that an interruption, some incident that kept them a while separate, had then taken place, yet that during their separation, of half an hour or whatever, they had still somehow not lost sight of each other, but had found their eyes meeting, in deep communion, all across the great peopled room; meeting and wanting to meet, wanting—it was the most extraordinary thing in the world for the suppression of stages, for confessed precipitate intensity—to use together every instant of the hour that might be left them. Yet to use it for what?—unless, like beautiful fabulous figures in some old-world legend, for the frankest and almost the crudest avowal of the impression they had made on each other. He couldn’t have named, later on, any other person she had during this space been engaged with, any more than he was to remember in the least what he had himself ostensibly done, who had spoken to him, whom he had spoken to, or whether he hadn’t just stood and publicly gaped or languished.

Ah, Olympians were unconventional indeed—that was a part of their high bravery and privilege; but what it also appeared to attest in this wondrous manner was that they could communicate to their chosen in three minutes, by the mere light of their eyes, the same shining cynicism. He was to wonder of course, tinglingly enough, whether he had really made an ass of himself, and there was this amount of evidence for it that there certainly had been a series of moments each one of which glowed with the lucid sense that, as she couldn’t like him as much as that either for his acted clap-trap or for his printed verbiage, what it must come to was that she liked him, and to such a tune, just for himself and quite after no other fashion than that in which every goddess in the calendar had, when you came to look, sooner or later liked some prepossessing young shepherd. The question would thus have been, for him, with a still sharper eventual ache, of whether he positively had, as an effect of the miracle, been petrified, before fifty pair of eyes, to the posture of a prepossessing shepherd—and would perhaps have left him under the shadow of some such imputable fatuity if his consciousness hadn’t, at a given moment, cleared up to still stranger things.

The agent of the change was, as quite congruously happened, none other than the shining youth whom he now seemed to himself to have been thinking of for ever so long, for a much longer time than he had ever in his life spent at an evening party, as the young Lord: which personage suddenly stood before him again, holding him up an odd object and smiling, as if in reference to it, with a gladness that at once struck our friend as almost too absurd for belief. The object was incongruous by reason of its being, to a second and less preoccupied glance, a book; and what had befallen Berridge within twenty minutes was that they—the Princess and he, that is—had got such millions of miles, or at least such thousands of years, away from those platitudes. The book, he found himself assuming, could only be his book (it seemed also to have a tawdry red cover); and there came to him memories, dreadfully false notes sounded so straight again by his new acquaintance, of certain altogether different persons who at certain altogether different parties had flourished volumes before him very much with that insinuating gesture, that arch expression, and that fell intention. The meaning of these things—of all possible breaks of the charm at such an hour!—was that he should “signature” the ugly thing, and with a characteristic quotation or sentiment: that was the way people simpered and squirmed, the way they mouthed and beckoned, when animated by such purposes; and it already, on the spot, almost broke his heart to see such a type as that of the young Lord brought, by the vulgarest of fashions, so low. This state of quick displeasure in Berridge, however, was founded on a deeper question—the question of how in the world he was to remain for himself a prepossessing shepherd if he should consent to come back to these base actualities. It was true that even while this wonderment held him, his aggressor’s perfect good conscience had placed the matter in a slightly different light.

“By an extraordinary chance I’ve found a copy of my friend’s novel on one of the tables here—I see by the inscription that she has presented it to Gloriani. So if you’d like to glance at it—!” And the young Lord, in the pride of his association with the eminent thing, held it out to Berridge as artlessly as if it had been a striking natural specimen of some sort, a rosy round apple grown in his own orchard, or an exceptional precious stone, to be admired for its weight and lustre. Berridge accepted the offer mechanically—relieved at the prompt fading of his worst fear, yet feeling in himself a tell-tale facial blankness for the still absolutely anomalous character of his friend’s appeal. He was even tempted for a moment to lay the volume down without looking at it—only with some extemporised promise to borrow it of their host and take it home, to give himself to it at an easier moment. Then the very expression of his fellow-guests own countenance determined in him a different and a still more dreadful view; in fact an immediate collapse of the dream in which he had for the splendid previous space of time been living. The young Lord himself, in his radiant costly barbarism, figured far better than John Berridge could do the prepossessing shepherd, the beautiful mythological mortal “distinguished” by a goddess; for our hero now saw that his whole manner of dealing with his ridiculous tribute was marked exactly by the grand simplicity, the prehistoric good faith, as one might call it, of far-off romantic and “plastic” creatures, figures of exquisite Arcadian stamp, glorified rustics like those of the train of peasants in “A Winter’s Tale,” who thought nothing of such treasure-trove, on a Claude Lorrain sea-strand, as a royal infant wrapped in purple: something in that fabulous style of exhibition appearing exactly what his present demonstration might have been prompted by. “The Top of the Tree, by Amy Evans”—scarce credible words floating before Berridge after he had with an anguish of effort dropped his eyes on the importunate title-page—represented an object as alien to the careless grace of goddess-haunted Arcady as a washed-up “kodak” from a wrecked ship might have been to the appreciation of some islander of wholly unvisited seas. Nothing could have been more in the tone of an islander deplorably diverted from his native interests and dignities than the glibness with which John’s own child of nature went on. “It’s her pen-name, Amy Evans”—he couldn’t have said it otherwise had he been a blue-chinned penny-a-liner; yet marking it with a disconnectedness of intelligence that kept up all the poetry of his own situation and only crashed into that of other persons. The reference put the author of “The Heart of Gold” quite into his place, but left the speaker absolutely free of Arcady. “Thanks awfully”—Berridge somehow clutched at that, to keep everything from swimming. “Yes, I should like to look at it,” he managed, horribly grimacing now, he believed, to say; and there was in fact a strange short interlude after this in which he scarce knew what had become of any one or of anything; in which he only seemed to himself to stand alone in a desolate place where even its desolation didn’t save him from having to stare at the greyest of printed pages. Nothing here helped anything else, since the stamped greyness didn’t even in itself make it impossible his eyes should follow such sentences as: “The loveliness of the face, which was that of the glorious period in which Pheidias reigned supreme, and which owed its most exquisite note to that shell-like curl of the upper lip which always somehow recalls for us the smile with which windblown Astarte must have risen from the salt sea to which she owed her birth and her terrible moods; or it was too much for all the passionate woman in her, and she let herself go, over the flowering land that had been, but was no longer their love, with an effect of blighting desolation that might have proceeded from one of the more physical, though not more awful, convulsions of nature.”

He seemed to know later on that other and much more natural things had occurred; as that, for instance, with now at last a definite intermission of the rare music that for a long time past, save at the briefest intervals, had kept all participants ostensibly attentive and motionless, and that in spite of its high quality and the supposed privilege of listening to it he had allowed himself not to catch a note of, there was a great rustling and shifting and vociferous drop to a lower plane, more marked still with the quick clearance of a way to supper and a lively dispersal of most of the guests. Hadn’t he made out, through the queer glare of appearances, though they yet somehow all came to him as confused and unreal, that the Princess was no longer there, wasn’t even only crowded out of his range by the immediate multiplication of her court, the obsequious court that the change of pitch had at once permitted to close round her; that Gloriani had offered her his arm, in a gallant official way, as to the greatest lady present, and that he was left with half a dozen persons more knowing than the others, who had promptly taken, singly or in couples, to a closer inspection of the fine small scattered treasures of the studio?

He himself stood there, rueful and stricken, nursing a silly red-bound book under his arm very much as if he might have been holding on tight to an upright stake, or to the nearest piece of furniture, during some impression of a sharp earthquake-shock or of an attack of dyspeptic dizziness; albeit indeed that he wasn’t conscious of this absurd, this instinctive nervous clutch till the thing that was to be more wonderful than any yet suddenly flared up for him—the sight of the Princess again on the threshold of the room, poised there an instant, in her exquisite grace, for recovery of some one or of something, and then, at recognition of him, coming straight to him across the empty place as if he alone, and nobody and nothing else, were what she incredibly wanted. She was there, she was radiantly at him, as if she had known and loved him for ten years—ten years during which, however, she had never quite been able, in spite of undiscouraged attempts, to cure him, as goddesses had to cure shepherds, of his mere mortal shyness.

“Ah no, not that one!” she said at once, with her divine familiarity; for she had in the flash of an eye “spotted” the particular literary production he seemed so very fondly to have possessed himself of and against which all the Amy Evans in her, as she would doubtless have put it, clearly wished on the spot to discriminate. She pulled it away from him; he let it go; he scarce knew what was happening—only made out that she distinguished the right one, the one that should have been shown him, as blue or green or purple, and intimated that her other friend, her fellow-Olympian, as Berridge had thought of him from the first, really did too clumsily bungle matters, poor dear, with his officiousness over the red one! She went on really as if she had come for that, some such rectification, some such eagerness of reunion with dear Mr. Berridge, some talk, after all the tiresome music, of questions really urgent; while, thanks to the supreme strangeness of it, the high tide of golden fable floated him afresh, and her pretext and her plea, the queerness of her offered motive, melted away after the fashion of the enveloping clouds that do their office in epics and idylls. “You didn’t perhaps know I’m Amy Evans,” she smiled, “or even perhaps that I write in English—which I love, I assure you, as much as you can yourself do, and which gives one (doesn’t it? for who should know if not you?) the biggest of publics. I ‘just love’—don’t they say?—your American millions; and all the more that they really take me for Amy Evans, as I’ve just wanted to be taken, to be loved too for myself, don’t you know?—that they haven’t seemed to try at all to ‘go behind’ (don’t you say?) my poor dear little nom de guerre. But it’s the new one, my last, ‘The Velvet Glove,’ that I should like you to judge me by—if such a corvee isn’t too horrible for you to think of; though I admit it’s a move straight in the romantic direction—since after all (for I might as well make a clean breast of it) it’s dear old discredited romance that I’m most in sympathy with. I’ll send you ‘The Velvet Glove’ to-morrow, if you can find half an hour for it; and then—and then—!” She paused as for the positive bright glory of her meaning.

It could only be so extraordinary, her meaning, whatever it was, that the need in him that would—whatever it was again!—meet it most absolutely formed the syllables on his lips as: “Will you be very, very kind to me?”

“Ah ‘kind,’ dear Mr. Berridge? ‘Kind,’” she splendidly laughed, “is nothing to what—!” But she pulled herself up again an instant. “Well, to what I want to be! Just see,” she said, “how I want to be!” It was exactly, he felt, what he couldn’t but see—in spite of books and publics and pen-names, in spite of the really “decadent” perversity, recalling that of the most irresponsibly insolent of the old Romans and Byzantines, that could lead a creature so formed for living and breathing her Romance, and so committed, up to the eyes, to the constant fact of her personal immersion in it and genius for it, the dreadful amateurish dance of ungrammatically scribbling it, with editions and advertisements and reviews and royalties and every other futile item: since what was more of the deep essence of throbbing intercourse itself than this very act of her having broken away from people, in the other room, to whom he was as nought, of her having, with her crÂnerie of audacity and indifference, just turned her back on them all as soon as she had begun to miss him? What was more of it than her having forbidden them, by a sufficient curt ring of her own supremely silver tone, to attempt to check or criticise her freedom, than her having looked him up, at his distance, under all the noses he had put out of joint, so as to let them think whatever they might—not of herself (much she troubled to care!) but of the new champion to be reckoned with, the invincible young lion of the day? What was more of it in short than her having perhaps even positively snubbed for him the great mystified Sculptor and the great bewildered Dramatist, treated to this queer experience for the first time of their lives?

It all came back again to the really great ease of really great ladies, and to the perfect facility of everything when once they were great enough. That might become the delicious thing to him, he more and more felt, as soon as it should be supremely attested; it was ground he had ventured on, scenically, representation-ally, in the artistic sphere, but without ever dreaming he should “realise” it thus in the social. Handsomely, gallantly just now, moreover, he didn’t so much as let it occur to him that the social experience would perhaps on some future occasion richly profit further scenic efforts; he only lost himself in the consciousness of all she invited him to believe. It took licence, this consciousness, the next moment, for a tremendous further throb, from what she had gone on to say to him in so many words—though indeed the words were nothing and it was all a matter but of the implication that glimmered through them: “Do you want very much your supper here?” And then while he felt himself glare, for charmed response, almost to the point of his tears rising with it: “Because if you don’t——!”

“Because if I don’t—?” She had paused, not from the faintest shade of timidity, but clearly for the pleasure of making him press.

“Why shouldn’t we go together, letting me drive you home?”

“You’ll come home with me?” gasped John Berridge while the perspiration on his brow might have been the morning dew on a high lawn of Mount Ida.

“No—you had better come with me. That’s what I mean; but I certainly will come to you with pleasure some time if you’ll let me.”

She made no more than that of the most fatuous of freedoms, as he felt directly he had spoken that it might have seemed to her; and before he had even time to welcome the relief of not having then himself, for beastly contrition, to make more of it, she had simply mentioned, with her affectionate ease, that she wanted to get away, that of the bores there she might easily, after a little, have too much, and that if he’d but say the word they’d nip straight out together by an independent door and be sure to find her motor in the court. What word he had found to say, he was afterward to reflect, must have little enough mattered; for he was to have kept, of what then occurred, but a single other impression, that of her great fragrant rustle beside him over the rest of the ample room and toward their nearest and friendliest resource, the door by which he had come in and which gave directly upon a staircase. This independent image was just that of the only other of his fellow-guests with whom he had been closely concerned; he had thought of him rather indeed, up to that moment, as the Princess’s fellow-Olympian—but a new momentary vision of him seemed now to qualify it.

The young Lord had reappeared within a minute on the threshold, that of the passage from the supper-room, lately crossed by the Princess herself, and Berridge felt him there, saw him there, wondered about him there, all, for the first minute, without so much as a straight look at him. He would have come to learn the reason of his friend’s extraordinary public demonstration—having more right to his curiosity, or his anxiety or whatever, than any one else; he would be taking in the remarkable appearances that thus completed it, and would perhaps be showing quite a different face for them, at the point they had reached, than any that would have hitherto consorted with the beautiful security of his own position. So much, on our own young man’s part, for this first flush of a presumption that he might have stirred the germs of ire in a celestial breast; so much for the moment during which nothing would have induced him to betray, to a possibly rueful member of an old aristocracy, a vulgar elation or a tickled, unaccustomed glee. His inevitable second thought was, however, it has to be confessed, another matter, which took a different turn—for, frankly, all the conscious conqueror in him, as Amy Evans would again have said, couldn’t forego a probably supreme consecration. He treated himself to no prolonged reach of vision, but there was something he nevertheless fully measured for five seconds—the sharp truth of the fact, namely, of how the interested observer in the doorway must really have felt about him. Rather disconcertingly, hereupon, the sharp truth proved to be that the most amused, quite the most encouraging and the least invidious of smiles graced the young Lord’s handsome countenance—forming, in short, his final contribution to a display of high social candour unprecedented in our hero’s experience. No, he wasn’t jealous, didn’t do John Berridge the honour to be, to the extent of the least glimmer of a spark of it, but was so happy to see his immortal mistress do what she liked that he could positively beam at the odd circumstance of her almost lavishing public caresses on a gentleman not, after all, of negligible importance.