It had made for him, all the same, an immense difference; it had given him an extraordinary lift, so that a certain sweet aftertaste of his freedom might a couple of months later have been suspected of aiding to produce for him another and really a more considerable adventure. It was an absurd way to reason, but he had been, to his imagination, for twenty minutes in good society—that being the term that best described for him the company of people to whom he hadn't to talk, as he phrased it, rot. It was his title to good society that he had, in his doubtless awkward way, affirmed; and the difficulty was just that, having affirmed it, he couldn't take back the affirmation. Few things had happened to him in life, that is few that were agreeable, but at least this had, and he wasn't so constructed that he could go on as if it hadn't. It was going on as if it had, however, that landed him, alas! in the situation unmistakably marked by a visit from Grant-Jackson late one afternoon toward the end of October. This had been the hour of the call of the young Americans. Every day that hour had come round something of the deep throb of it, the successful secret, woke up; but the two occasions were, of a truth, related only by being so intensely opposed. The secret had been successful in that he had said nothing of it to Isabel, who, occupied in their own quarter while the incident lasted, had neither heard the visitors This was of course the franker line, only he hadn't taken it, alas! for frankness—hadn't in the least really adopted it at all, but had been simply himself caught up and disposed of by it, hurled by his fate against the bedizened walls of the temple, quite in the way of a priest possessed to excess of the god, or, more vulgarly, that of a blind bull in a china-shop—an animal to which he often compared himself. He had let himself fatally go, in fine, just for irritation, for rage, having, in his predicament, nothing whatever to do with frankness—a luxury reserved for quite other situations. It had always been his view that one lived to learn; he had learned something every hour of his life, though people mostly never knew what, in spite of its having generally been—hadn't it?—at somebody's expense. What he was at present continually learning was the sense of a form of words heretofore News accordingly was what Gedge had been expecting—and what he knew, above all, had been expected by his wife, who had a way of sitting at present as with an ear for a certain knock. She didn't watch him, didn't follow him about the house, at the public hours, to spy upon his treachery; and that could touch him even though her averted eyes went through him more than her fixed. Her mistrust was so perfectly expressed by her manner of showing she trusted that he never felt so nervous, never tried so to keep straight, as when she most let him alone. When the crowd thickened and they had of necessity to receive together he tried himself to get off by allowing her as much as possible the word. When people appealed to him he turned to her—and with more of ceremony than their relation warranted: he couldn't help this either, if it seemed ironic—as to the person most concerned or most competent. He flattered himself at these moments that no one would have guessed her being his wife; especially as to do her justice, she met his manner with a wonderful grim bravado—grim, so to say, for himself, grim by its outrageous cheerfulness for the simple-minded. The lore she did produce for them, the associations of the sacred spot she developed, She had for a long time said nothing to him so straight—which was but a proof of her real anxiety; the straightness of Grant-Jackson's visit, following on the very slight sinuosity of a note shortly before received from him, made tension show for what it was. By this time, really, however, his decision had been taken; the minutes elapsing between his reappearance at the domestic fireside and his having, from the other threshold, seen Grant-Jackson's broad well-fitted back, the back of a banker and a patriot, move away, had, though few, presented themselves to him as supremely critical. They formed, as it were, the hinge of his door, that door actually ajar so as to show him a possible fate beyond it, but which, with his hand, in a spasm, thus tightening on the knob, he might either open wide or close partly or altogether. He stood at autumn dusk in the little museum that constituted the vestibule of the temple, and there, as with a concentrated push at the crank of a windlass, he brought himself round. The portraits on the walls seemed vaguely to watch for it; it was in their august presence—kept dimly august for the moment by Grant-Jackson's impressive check of his application of a match to the vulgar gas—that the great man had uttered, as if it said all, his "You know, my dear But he was surely not to be obliged to follow that up. Poor Gedge indeed would have been sorry to oblige him, for he saw it was exactly to the atrocious taste of unthankfulness the allusion was made. When he said he wouldn't dwell on what the fortunate occupant of the post owed him for the stout battle originally fought on his behalf, he simply meant he would. That was his tact—which, with everything else that has been mentioned, in the scene, to help, really had the ground to itself. The day had been when Gedge couldn't have thanked him enough—though he had thanked him, he considered, almost fulsomely—and nothing, nothing that he could coherently or reputably name, had happened since then. From the moment he was pulled up, in short, he had no case, and if he exhibited, instead of one, only hot tears in his eyes, the mystic gloom of the temple either prevented his friend from seeing them or rendered it possible that they stood for remorse. He had dried them, with the pads formed by the base of his bony thumbs, before he went in to Isabel. This was the more fortunate as, in spite of her inquiry, prompt and pointed, he but moved about the room looking at her hard. Then he stood before the fire a little with his hands "He said 'You know, my dear fellow, really——!'" "And is that all?" "Practically. Except that I'm a thankless beast." "Well!" she responded, not with dissent. "You mean that I am?" "Are those the words he used?" she asked with a scruple. Gedge continued to think. "The words he used were that I give away the Show and that, from several sources, it has come round to Them." "As of course a baby would have known!" And then as her husband said nothing: "Were those the words he used?" "Absolutely. He couldn't have used better ones." "Did he call it," Mrs. Gedge inquired, "the 'Show'?" "Of course he did. The Biggest on Earth." She winced, looking at him hard—she wondered, but only for a moment. "Well, it is." "Then it's something," Gedge went on, "to have given that away. But," he added, "I've taken it back." "You mean you've been convinced?" "I mean I've been scared." "At last, at last!" she gratefully breathed. "Oh it was easily done. It was only two words. But here I am." Her face was now less hard for him. "And what two words?" "'You know, Mr. Gedge, that it simply won't do.' That was all. But it was the way such a man says them." "I'm glad then," Mrs. Gedge frankly averred, "that he is such a man. How did you ever think it could do?" "Well, it was my critical sense. I didn't ever know I had one—till They came and (by putting me here) waked it up in me. Then I had somehow, don't you see? to live with it; and I seemed to feel that, with one thing and another, giving it time and in the long run, it might, it ought to, come out on top of the heap. Now that's where, he says, it simply won't 'do.' So I must put it—I have put it—at the bottom." "A very good place then for a critical sense!" And Isabel, more placidly now, folded her work. "If, that is, you can only keep it there. If it doesn't struggle up again." "It can't struggle." He was still before the fire, looking round at the warm low room, peaceful in the lamplight, with the hum of the kettle for the ear, with the curtain drawn over the leaded casement, a short moreen curtain artfully chosen by Isabel for the effect of the olden time, its virtue of letting the light within show ruddy to the street. "It's dead," he went on; "I killed it just now." He really spoke so that she wondered. "Just now?" "There in the other place—I strangled it, poor thing, in the dark. If you'll go out and see, there must be blood. Which, indeed," he added, "on an altar of sacrifice, is all right. But the place is for ever spattered." "I don't want to go out and see." She locked her hands over the needlework folded on her knee, and he knew, with her eyes on him, that a look he had seen before was in her face. "You're off your head, you know, my dear, in a way." Then, however, more cheeringly: "It's a good job it hasn't been too late." "Too late to get it under?" "Too late for Them to give you the second chance that I thank God you accept." "Yes, if it had been——!" And he looked away as through the ruddy curtain and into the chill street. Then he faced her again. "I've scarcely got over my fright yet. I mean," he went on, "for you." "And I mean for you. Suppose what you had come to announce to me now were that we had got the sack. How should I enjoy, do you think, seeing you turn out? Yes, out there!" she added as his eyes again moved from their little warm circle to the night of early winter on the other side of the pane, to the rare quick footsteps, to the closed doors, to the curtains drawn like their own, behind which the small flat town, intrinsically dull, was sitting down to supper. He stiffened himself as he warmed his back; he held up his head, shaking himself a little as if to shake the stoop out of his shoulders, but he had to allow she was right. "What would have become of us?" "What indeed? We should have begged our bread—or I should be taking in washing." He was silent a little. "I'm too old. I should have begun sooner." "Oh God forbid!" she cried. "The pinch," he pursued, "is that I can do nothing else." "Nothing whatever!" she agreed with elation. "Whereas here—if I cultivate it—I perhaps can still lie. But I must cultivate it." "Oh you old dear!" And she got up to kiss him. "I'll do my best," he said. |