The Order of our Ideas.—After discrimination, association! It is obvious that all advance in knowledge must consist of both operations; for in the course of our education, objects at first appearing as wholes are analyzed into parts, and objects appearing separately are brought together and appear as new compound wholes to the mind. Analysis and synthesis are thus the incessantly alternating mental activities, a stroke of the one preparing the way for a stroke of the other, much as, in walking, a man's two legs are alternately brought into use, both being indispensable for any orderly advance. The manner in which trains of imagery and consideration follow each other through our thinking, the restless flight of one idea before the next, the transitions our minds make between things wide as the poles asunder, transitions which at first sight startle us by their abruptness, but which, when scrutinized closely, often reveal intermediating links of perfect naturalness and propriety—all this magical, imponderable streaming has from time immemorial excited the admiration of all whose attention happened to be caught by its omnipresent mystery. And it has furthermore challenged the race of philosophers to banish something of the mystery by formulating the process in simpler terms. The problem which the philosophers have set themselves is that of ascertaining, between the thoughts which thus appear to sprout one out of the other, principles of connection whereby their peculiar succession or coexistence may be explained. But immediately an ambiguity arises: which sort of Is it determined by any laws? But as a matter of fact, What determines the particular path? Why do we at a given time and place proceed to think of b if we have just thought of a, and at another time and place why do we think, not of b, but of c? Why do we spend years straining after a certain scientific or practical problem, but all in vain—our thought unable to evoke the solution we desire? And why, some day, walking in the street with our attention miles away from that quest, does the answer saunter into our minds as carelessly as if it had never been called for—suggested, possibly, by the flowers on the bonnet of the lady in front of us, or possibly by nothing that we can discover? The truth must be admitted that thought works under strange conditions. Pure 'reason' is only one out of a The laws are cerebral laws. There seem to be mechanical conditions on which thought depends, and which, to say the least, determine the order in which, the objects for her comparisons and selections are presented. It is a suggestive fact that Locke, and many more recent Continental psychologists, have found themselves obliged to invoke a mechanical process to account for the aberrations of thought, the obstructive prepossessions, the frustrations of reason. This they found in the law of habit, or what we now call association by contiguity. But it never occurred to these writers that a process which could go the length of actually producing some ideas and sequences in the mind might safely be trusted to produce others too; and that those habitual associations which further thought may also come from the same mechanical source as those which hinder it. Hartley accordingly suggested habit as a sufficient explanation of the sequence of our thoughts, and in so doing planted himself squarely upon the properly causal aspect of the problem, and sought to treat both rational and irrational associations from a single point of view. How does a man come, after having the thought of A, to have the thought of B the next moment? or how does he come to think A and B always together? These were the phenomena which Hartley undertook to explain by cerebral physiology. I believe that he was, in essential respects, on the right track, and I propose simply to revise his conclusions by the aid of distinctions which he did not make. Objects are associated, not ideas. We shall avoid confusion The Elementary Principle.—I shall now try to show that there is no other elementary causal law of association than the law of neural habit. All the materials of our thought are due to the way in which one elementary process of the cerebral hemispheres tends to excite whatever other elementary process it may have excited at any former time. The number of elementary processes at work, however, and the nature of those which at any time are fully effective in rousing the others, determine the character of the total brain-action, and, as a consequence of this, they determine the object thought of at the time. According as this resultant object is one thing or another, we call it a product of association by contiguity or of association by similarity, or contrast, or whatever other sorts we may have recognized as ultimate. Its production, however, is, in each one of these cases, to be explained by a merely quantitative variation in the elementary brain-processes momentarily at work under the law of habit. My thesis, stated thus briefly, will soon become more clear; and at the same time certain disturbing factors, which coÖperate with the law of neural habit, will come to view. Let us then assume as the basis of all our subsequent reasoning this law: When two elementary brain-processes have been active together or in immediate succession, one of them, on re-occurring, tends to propagate its excitement into the other. But, as a matter of fact, every elementary process has unavoidably found itself at different times excited in conjunction The amount of activity at any given point in the brain-cortex is the sum of the tendencies of all other points to discharge into it, such tendencies being proportionate (1) to the number of times the excitement of each other point may have accompanied that of the point in question; (2) to the intensity of such excitements; and (3) to the absence of any rival point functionally disconnected with the first point, into which the discharges might be diverted. Expressing the fundamental law in this most complicated way leads to the greatest ultimate simplification. Let us, for the present, only treat of spontaneous trains of thought and ideation, such as occur in revery or musing. The case of voluntary thinking toward a certain end shall come up later. Spontaneous Trains of Thought.—Take, to fix our ideas, the two verses from 'Locksley Hall': "I, the heir of all the ages in the foremost files of time," and— "For I doubt not through the ages one increasing purpose runs." Why is it that when we recite from memory one of these lines, and get as far as the ages, that portion of the other line which follows and, so to speak, sprouts out of the ages does not also sprout out of our memory and confuse the sense of our words? Simply because the word that follows the ages has its brain-process awakened not simply by But if some one of these preceding words—'heir,' for example—had an intensely strong association with some brain-tracts entirely disjoined in experience from the poem of 'Locksley Hall'—if the reciter, for instance, were tremulously awaiting the opening of a will which might make him a millionaire—it is probable that the path of discharge through the words of the poem would be suddenly interrupted at the word 'heir.' His emotional interest in that word would be such that its own special associations would prevail over the combined ones of the other words. He would, as we say, be abruptly reminded of his personal situation, and the poem would lapse altogether from his thoughts. The writer of these pages has every year to learn the names of a large number of students who sit in alphabetical order in a lecture-room. He finally learns to call them by name, as they sit in their accustomed places. On meeting one in the street, however, early in the year, the face hardly ever recalls the name, but it may recall the place of A father wishes to show to some guests the progress of his rather dull child in kindergarten-instruction. Holding the knife upright on the table, he says, "What do you call that, my boy?" "I calls it a knife, I does," is the sturdy reply, from which the child cannot be induced to swerve by any alteration in the form of question, until the father, recollecting that in the kindergarten a pencil was used and not a knife, draws a long one from his pocket, holds it in the same way, and then gets the wished-for answer, "I calls it vertical." All the concomitants of the kindergarten experience had to recombine their effect before the word 'vertical' could be reawakened. Total Recall.—The ideal working of the law of compound association, as Prof. Bain calls it, were it unmodified by any extraneous influence, would be such as to keep the mind in a perpetual treadmill of concrete reminiscences from which no detail could be omitted. Suppose, for example, we begin by thinking of a certain dinner-party. The only thing which all the components of the dinner-party could combine to recall would be the first concrete occurrence which ensued upon it. All the details of this occurrence could in turn only combine to awaken the next following occurrence, and so on. If a, b, c, d, e, for instance, be the elementary nerve-tracts excited by the last act of the dinner-party, call this act A, and l, m, n, o, p be those of walking home through the frosty night, which we may call B, then the thought of A must awaken that of B, because a, b, c, d, e will each and all discharge into l through the paths by which their original discharge took place. Similarly they will discharge into m, n, o, and p; and these latter tracts will also each reinforce the other's action because, in the experience B, they have already vibrated in unison. The lines in Fig. 57 symbolize the Fig. 57. Hamilton first used the word 'redintegration' to designate all association. Such processes as we have just described might in an emphatic sense be termed redintegrations, for they would necessarily lead, if unobstructed, to the reinstatement in thought of the entire content of large trains of past experience. From this complete redintegration there could be no escape save through the irruption of some new and strong present impression of the senses, or through the excessive tendency of some one of the elementary brain-tracts to discharge independently into an aberrant quarter of the brain. Such was the tendency of the word 'heir' in the verse from 'Locksley Hall,' which was our first example. How such tendencies are constituted we shall have soon to inquire with some care. Unless they are present, the panorama of the past, once opened, must unroll itself with fatal literality to the end, unless some outward sound, sight, or touch divert the current of thought. Let us call this process impartial redintegration, or, still better, total recall. Whether it ever occurs in an absolutely complete form is doubtful. We all immediately recognize, however, that in some minds there is a much greater tendency than in others for the flow of thought to take this form. Those insufferably garrulous old women, those dry and fanciless beings who spare you no detail, however petty, of the facts they are recounting, and upon the thread of whose narrative all the irrelevant items cluster as pertinaciously as the essential ones, the slaves of literal fact, the stumblers over the smallest abrupt step in thought, are figures known to all of us. Comic literature has made her profit out of them. Juliet's nurse is a classical example. George Eliot's village characters and some of Dickens's minor personages supply excellent instances. Perhaps as successful a rendering as any of this mental type is the character of Miss Bates in Miss Austen's 'Emma.' Hear how she redintegrates: "'But where could you hear it?' cried Miss Bates. 'Where could you possibly hear it, Mr. Knightley? For it is not five minutes since I received Mrs. Cole's note—no, it cannot be more than five—or at least ten—for I had got my bonnet and spencer on, just ready to come out—I was only gone down to speak to Patty again about the pork—Jane was standing in the passage—were not you, Jane?—for my mother was so afraid that we had not any salting-pan large enough. So I said I would go down and see, and Jane said: "Shall I go down instead? for I think you have a little cold, and Patty has been washing the kitchen." "Oh, my dear," said I—well, and just then came the note. A Miss Hawkins—that's all I know—a Miss Hawkins, of Bath. But, Mr. Knightley, how could you possibly have heard it? for the very moment Mr. Cole told Mrs. Cole of it, she sat down and wrote to me. A Miss Hawkins—'" Partial Recall.—This case helps us to understand why it is that the ordinary spontaneous flow of our ideas does not Expressed in brain-terms, the law of interest will be: some one brain-process is always prepotent above its concomitants in arousing action elsewhere. "Two processes," says Mr. Hodgson, "are constantly going on in redintegration. The one a process of corrosion, melting, decay; the other a process of renewing, arising, becoming.... No object of representation remains long before consciousness in the same state, but fades, decays, and becomes indistinct. Those parts of the object, however, which possess an interest resist this tendency to gradual decay of the whole object.... This inequality in the object—some parts, the uninteresting, submitting to decay; others, the interesting parts, resisting it—when it has continued for a certain time, ends in becoming a new object." Only where the interest is diffused equally over all the parts is this law departed from. It will be least obeyed by those minds which have the smallest variety and intensity of interests—those who, by the general flatness and poverty of their Æsthetic nature, are kept for ever rotating among the literal sequences of their local and personal history. Most of us, however, are better organized than this, and our musings pursue an erratic course, swerving continually into some new direction traced by the shifting play of interest as it ever falls on some partial item in each complex representation that is evoked. Thus it so often comes about that we find ourselves thinking at two nearly adjacent moments of things separated by the whole diameter of space and time. Not till we carefully recall each step of our cogitation do we see how naturally we came by Hodgson's law to pass from one to the other. Thus, for instance, after looking at my clock just now (1879), I found myself thinking of a recent resolution in the Senate about our legal-tender notes. The clock called up the image of the man who had repaired its gong. He suggested the jeweller's shop where I had last seen him; that shop, some shirt-studs which I had bought there; they, the value of gold and its recent decline; the latter, the equal value of greenbacks, and this, naturally, the question of how long they were to last, and of the Bayard proposition. Each of these images offered various points of interest. Those which formed the turning-points of my thought are easily assigned. The gong was momentarily the most interesting part of the clock, because, from having begun with a beautiful tone, it had become discordant and aroused disappointment. But for this the clock might have suggested the friend who gave it to me, or any one of a thousand circumstances connected with clocks. The jeweller's shop suggested the studs, because they alone of all its contents were tinged with the egoistic interest of possession. This interest in the studs, their value, made me single out the material as its chief source, etc., to the end. Every reader who will arrest himself at any moment and say, "How came I to be thinking of just this?" will be sure to trace a train of representations linked together by lines of contiguity and points of interest inextricably combined. This is the ordinary process of the association of ideas as it spontaneously goes on in average minds. We may call it Which Associates come up, in Partial Recall?—Can we determine, now, when a certain portion of the going thought has, by dint of its interest, become so prepotent as to make its own exclusive associates the dominant features of the coming thought—can we, I say, determine which of its own associates shall be evoked? For they are many. As Hodgson says: "The interesting parts of the decaying object are free to combine again with any objects or parts of objects with which at any time they have been combined before. All the former combinations of these parts may come back into consciousness; one must, but which will?" Mr. Hodgson replies: "There can be but one answer: that which has been most habitually combined with them before. This new object begins at once to form itself in consciousness, and to group its parts round the part still remaining from the former object; part after part comes out and arranges itself in its old position; but scarcely has the process begun, when the original law of interest begins to operate on this new formation, seizes on the interesting parts and impresses them on the attention to the exclusion of the rest, and the whole process is repeated again with endless variety. I venture to propose this as a complete and true account of the whole process of redintegration." In restricting the discharge from the interesting item into that channel which is simply most habitual in the sense of most frequent, Hodgson's account is assuredly imperfect. An image by no means always revives its most frequent associate, although frequency is certainly one of the most potent determinants of revival. If I abruptly utter the word swallow, the reader, if by habit an ornithologist, will think of a bird; if a physiologist or a medical specialist in throat-diseases, he will think of deglutition. If I say date, he will, if a fruit-merchant or an Vividness in an original experience may also have the same effect as habit or recency in bringing about likelihood A fourth factor in tracing the course of reproduction is congruity in emotional tone between the reproduced idea and our mood. The same objects do not recall the same associates when we are cheerful as when we are melancholy. Nothing, in fact, is more striking than our inability to keep up trains of joyous imagery when we are depressed in spirits. Storm, darkness, war, images of disease, poverty, perishing, and dread afflict unremittingly the imaginations of melancholiacs. And those of sanguine temperament, when their spirits are high, find it impossible to give any permanence to evil forebodings or to gloomy thoughts. In an instant the train of association dances off to flowers and sunshine, and images of spring and hope. The records of Arctic or African travel perused in one mood awaken no thoughts but those of horror at the malignity of Nature; read at another time they suggest Habit, recency, vividness, and emotional congruity are, then, all reasons why one representation rather than another should be awakened by the interesting portion of a departing thought. We may say with truth that in the majority of cases the coming representation will have been either habitual, recent, or vivid, and will be congruous. If all these qualities unite in any one absent associate, we may predict almost infallibly that that associate of the going object will form an important ingredient in the object which comes next. In spite of the fact, however, that the succession of representations is thus redeemed from perfect indeterminism and limited to a few classes whose characteristic quality is fixed by the nature of our past experience, it must still be confessed that an immense number of terms in the linked chain of our representations fall outside of all assignable rule. To take the instance of the clock given on page 263. Why did the jeweller's shop suggest the shirt-studs rather than a chain which I had bought there more recently, which had cost more, and whose sentimental associations were much more interesting? Any reader's experience will easily furnish similar instances. So we must admit that to a certain extent, even in those forms of ordinary mixed association which lie nearest to impartial redintegration, which associate of the interesting item shall emerge must be called largely a matter of accident—accident, that is, for our intelligence. No doubt it is determined by cerebral causes, but they are too subtile and shifting for our analysis. Focalized Recall, or Association by Similarity.—In partial or mixed association we have all along supposed the interesting The similars which are here associated, or of which the first is followed by the second in the mind, are seen to be compounds. Experience proves that this is always the case. There is no tendency on the part of SIMPLE 'ideas,' attributes, or qualities to remind us of their like. The thought of one shade of blue does not summon up that of another shade of blue, etc., unless indeed we have in mind some general purpose of nomenclature or comparison which requires a review of several blue tints. Now two compound things are similar when some one quality or group of qualities is shared alike by both, although as regards their other qualities they may have nothing in common. The moon is similar to a gas-jet, it is The gradual passage from total to focalized, through what we have called ordinary partial, recall may be symbolized by diagrams. Fig. 58 is total, Fig. 59 is partial, and Fig. 60 focalized, recall. A in each is the passing, Why a single portion of the passing thought should break out from its concert with the rest and act, as we say, on its own hook, why the other parts should become inert, are mysteries which we can ascertain but not explain. Voluntary Trains of Thought.—Hitherto we have assumed the process of suggestion of one object by another to be spontaneous. The train of imagery wanders at its own sweet will, now trudging in sober grooves of habit, now with a hop, skip, and jump, darting across the whole field of time and space. This is revery, or musing; but great segments of the flux of our ideas consist of something very different from this. They are guided by a distinct purpose or conscious interest; and the course of our ideas is then called voluntary. Physiologically considered, we must suppose that a purpose means the persistent activity of certain rather definite brain-processes throughout the whole course of thought. Our most usual cogitations are not pure reveries, absolute driftings, but revolve about some central interest or topic to which most of the images are relevant, and towards which we return promptly after occasional digressions. Problems.—But in the theoretic as well as in the practical life there are interests of a more acute sort, taking the form of definite images of some achievement which we desire to effect. The train of ideas arising under the influence of such an interest constitutes usually the thought of the means by which the end shall be attained. If the end by its simple presence does not instantaneously suggest the means, the search for the latter becomes a problem; and the discovery of the means forms a new sort of end, of an entirely peculiar nature—an end, namely, which we intensely desire before we have attained it, but of the nature of which, even whilst most strongly craving it, we have no distinct imagination whatever (compare pp. 241-2). The same thing occurs whenever we seek to recall something forgotten, or to state the reason for a judgment which we have made intuitively. The desire strains and presses in a direction which it feels to be right, but towards a point which it is unable to see. In short, the absence of an item is a determinant of our representations quite as positive as its presence can ever be. The gap becomes no Their Solution.—The forgotten thing is felt by us as a gap in the midst of certain other things. We possess a dim idea of where we were and what we were about when it last occurred to us. We recollect the general subject to which it pertains. But all these details refuse to shoot together into a solid whole, for the lack of the missing thing, so we keep running over them in our mind, dissatisfied, craving something more. From each detail there radiate lines of association forming so many tentative guesses. Many of these are immediately seen to be irrelevant, are therefore void of interest, and lapse immediately from consciousness. Others are associated with the other details present, and with the missing thought as well. When these surge up, we have a peculiar feeling that we are 'warm,' as the children say when they play hide and seek; and such associates as these we clutch at and keep before the attention. Thus we recollect successively that when we last were considering the The whole process can be rudely symbolized in a diagram. Call the forgotten thing Z, the first facts with which we felt it was related a, b, and c, and the details finally operative in calling it up l, m, and n. Each circle will then stand for the brain-process principally concerned in the thought of the fact lettered within it. The activity in Z will at first be a mere tension; but as the activities in a, b, and c little by little irradiate into l, m, and n, and as Turn now to the case of finding the unknown means to a distinctly conceived end. The end here stands in the place of a, b, c, in the diagram. It is the starting-point of the irradiations of suggestion; and here, as in that case, what the voluntary attention does is only to dismiss some of the suggestions as irrelevant, and hold fast to others which are felt to be more pertinent—let these be symbolized by l, m, n. These latter at last accumulate sufficiently to discharge all together into Z, the excitement of which process is, in the mental sphere, equivalent to the solution of our problem. The only difference between this and the previous case is that in this one there need be no original sub-excitement in Z, coÖperating from the very first. In the solving of a problem, all that we are aware of in advance seems to be its relations. It must be a cause, or it must be an effect, or it must contain an attribute, or it must be a means, or what not. We know, in short, a lot about it, whilst as yet we have no acquaintance with it. Our perception that one of the objects which turn up is, at last, our quÆsitum, is due to our recognition that its relations are identical with those we had in mind, and this may be a rather slow act of judgment. Every one knows that an object may be for some time present to his mind before its relations to other matters are perceived. Just so the relations may be there before the object is. From the guessing of newspaper enigmas to the plotting of the policy of an empire there is no other process than this. We must trust to the laws of cerebral nature to present us spontaneously with the appropriate idea, but we must know it for the right one when it comes. It is foreign to my purpose here to enter into any detailed analysis of the different classes of mental pursuit. In a scientific research we get perhaps as rich an example as can be found. The inquirer starts with a fact of which Similarity no Elementary Law.—Such is the analysis I propose, first of the three main types of spontaneous, and then of voluntary, trains of thought. It will be observed that the object called up may bear any logical relation whatever to the one which suggested it. The law requires only that one condition should be fulfilled. The fading object must be due to a brain-process some of whose elements awaken through habit some of the elements of the brain-process of the object which comes to view. This awakening is the causal agency in the kind of association called Similarity, as in any other sort. The similarity itself between the objects has no causal agency in carrying us from one to the other. It is but a result—the effect of the usual causal agent when this happens to work in a certain way. Ordinary writers talk as if the similarity of the objects were itself an agent, coÖrdinate with habit, and independent of it, and like it able to push objects before the mind. This is quite unintelligible. The similarity of two things does not exist till both things are there—it is meaningless to talk of it as an agent of production of anything, whether in the physical or the psychical realms. It is a relation which the mind perceives after the fact, just as it may perceive the relations of superiority, of distance, of causality, of container and content, of substance and accident, or of contrast, between an object and some second object which the associative machinery calls up. Conclusion.—To sum up, then, we see that the difference between the three kinds of association reduces itself to a simple difference in the amount of that portion of the nerve-tract supporting the going thought which is operative in calling up the thought which comes. But the The law of accidental prepotency of certain processes over others falls also within the sphere of cerebral probabilities. Granting such instability as the brain-tissue requires, certain points must always discharge more quickly and strongly than others; and this prepotency would shift its place from moment to moment by accidental causes, giving us a perfect mechanical diagram of the capricious The effects of interested attention and volition remain. These activities seem to hold fast to certain elements and, by emphasizing them and dwelling on them, to make their associates the only ones which are evoked. This is the point at which an anti-mechanical psychology must, if anywhere, make its stand in dealing with association. Everything else is pretty certainly due to cerebral laws. My own opinion on the question of active attention and spiritual spontaneity is expressed elsewhere (see p. 237). But even though there be a mental spontaneity, it can certainly not create ideas or summon them ex abrupto. Its power is limited to selecting amongst those which the associative machinery introduces. If it can emphasize, reinforce, or protract for half a second either one of these, it can do all that the most eager advocate of free will need demand; for it then decides the direction of the next associations by making them hinge upon the emphasized term; and determining in this wise the course of the man's thinking, it also determines his acts. |