I should have little heart, I confess, for what is essentially the record of a rapid illness if it were not at the same time the image of an admirable soul. Surrounded as she was with affection she had yet greatly to help herself, and nothing is thus more penetrating than the sense, as one reads, that a method of care would have been followed for her to-day, and perhaps followed with signal success, that was not in the healing or nursing range of forty years ago.

Of the following, in spite of its length, I can bring myself to abate nothing.

Singularly present has remained to "Harry," as may be imagined, the rapid visit he paid her at Pelham that February; he was spending a couple of days in New York, on a quick decision, before taking ship for England. I was then to make in Europe no such stay as she had forecast—I was away but for fifteen months; though I can well believe my appetite must have struck her as open to the boundless, and can easily be touched again by her generous thought of this as the right compensatory thing for me. That indeed is what I mainly recall of the hour I spent with her—so unforgettable none the less in its general value; our so beautifully agreeing that quite the same course would be the right thing for her and that it was wholly detestable I should be voyaging off without her. But the precious question and the bright aspect of her own still waiting chance made our talk for the time all gaiety; it was, strangely enough, a laughing hour altogether, coloured with the vision of the next winter in Rome, where we should romantically meet: the appearance then being of particular protective friends with Roman designs, under whose wing she might happily travel. She had at that moment been for many weeks as ill as will here have been shown; but such is the priceless good faith of youth that we perfectly kept at bay together the significance of this. I recall no mortal note—nothing but the bright extravagance of her envy; and see her again, in the old-time Pelham parlours, ever so erectly slight and so more than needfully, so transparently, fair (I fatuously took this for "becoming"), glide as swiftly, toss her head as characteristically, laugh to as free a disclosure of the handsome largeish teeth that made her mouth almost the main fact of her face, as if no corner of the veil of the future had been lifted. The house was quiet and spacious for the day, after the manner of all American houses of that age at those hours, and yet spoke of such a possible muster at need of generous, gregarious, neighbouring, sympathising Emmets; in spite of which, withal, the impression was to come back to me as of a child struggling with her ignorance in a sort of pathless desert of the genial and the casual. Three months before I returned to America the struggle had ended. I was, as happened, soon to see in London her admiration, and my own, the great George Eliot—a brief glimpse then, but a very impressive, and wellnigh my main satisfaction in which was that I should have my cousin to tell of it. I found the Charles Nortons settled for the time in London, with social contacts and penetrations, a give and take of hospitality, that I felt as wondrous and of some elements of which they offered me, in their great kindness, the benefit; so that I was long to value having owed them in the springtime of '69 five separate impressions of distinguished persons, then in the full flush of activity and authority, that affected my young provincialism as a positive fairytale of privilege. I had a Sunday afternoon hour with Mrs. Lewes at North Bank, no second visitor but my gentle introducer, the younger Miss Norton, sharing the revelation, which had some odd and for myself peculiarly thrilling accompaniments; and then the opportunity of dining with Mr. Ruskin at Denmark Hill, an impression of uneffaced intensity and followed by a like—and yet so unlike—evening of hospitality from William Morris in the medieval mise-en-scÈne of Queen Square. This had been preceded by a luncheon with Charles Darwin, beautifully benignant, sublimely simple, at Down; a memory to which I find attached our incidental wondrous walk—Mrs. Charles Norton, the too near term of her earthly span then smoothly out of sight, being my guide for the happy excursion—across a private park of great oaks, which I conceive to have been the admirable Holwood and where I knew my first sense of a matter afterwards, through fortunate years, to be more fully disclosed: the springtime in such places, the adored footpath, the first primroses, the stir and scent of renascence in the watered sunshine and under spreading boughs that were somehow before aught else the still reach of remembered lines of Tennyson, ached over in nostalgic years. The rarest hour of all perhaps, or at least the strangest, strange verily to the pitch of the sinister, was a vision, provided by the same care, of D. G. Rossetti in the vernal dusk of Queen's House Chelsea—among his pictures, amid his poetry itself, his whole haunting "esthetic," and yet above all bristling with his personality, with his perversity, with anything, as it rather awfully seemed to me, but his sympathy, though it at the same time left one oddly desirous of more of him. These impressions heaped up the measure, goodness knew, of what would serve for Minnie's curiosity—she was familiarly Minnie to us; the point remaining all along, however, that, impatient at having overmuch to wait, I rejoiced in possession of the exact vivid terms in which I should image George Eliot to her. I was much later on to renew acquaintance with that great lady, but I think I scarce exceed in saying that with my so interested cousin's death half the savour of my appreciation had lost itself. Just in those days, that month of April, the latter had made a weak ineffectual move to Philadelphia in quest of physical relief—which expressed at the same time even more one of those reachings out for appeasement of the soul which were never too publicly indulged in, but by which her power to interest the true subjects of her attraction was infinitely quickened. It represented wonderments, I might well indeed have said to myself, even beyond any inspired by the high muse of North Bank.

"Quaint," as we now say, it at this end of time seems to me that Phillips Brooks, the great Episcopal light of the period, first in Philadelphia and then in Boston, and superior character, excellent, even ardent, thoughtful, genial, practical man, should have appeared to play before her a light possibly of the clear strain, the rich abundance, the straight incidence, that she so desired to think attainable. A large, in fact an enormous, softly massive and sociably active presence, of capacious attention and comforting suggestion, he was a brave worker among those who didn't too passionately press their questions and claims—half the office of such a minister being, no doubt, to abate the high pitch, and the high pitch being by the same token too much Minnie's tendency. She was left with it in the smug Philadelphia visibly on her hands; she had found there after all but a closed door, to which she was blandly directed, rather than an open, and the sigh of her falling back with her disappointment seems still to reach one's ears. She found them too much all round, the stiff blank barriers that, for whatever thumping, didn't "give;" and in fine I like not too faintly to colour this image of her as failing, in her avid young sincerity, to draw from the honest pastor of more satisfied souls any assurance that she could herself honestly apply. I confess that her particular recorded case, slender enough in its lonely unrest, suggests to me a force, or at least a play, of effective criticism more vivid to-day than either of the several rich monuments, honourably as these survive, to Phillips Brooks's positive "success." She had no occasion or no chance to find the delightful harmonising friend in him—which was part of the success for so many others. But her letter goes on after a couple of days—she had apparently not sent the previous part, and it brings her back, we can rejoicingly note, to George Eliot, whose poem, alluded to, must have been The Spanish Gipsy. This work may indeed much less have counted for her than the all-engulfing Mill on the Floss, incomparably privileged production, which shone for young persons of that contemporaneity with a nobleness that nothing under our actual star begins in like case to match. These are great recognitions, but how can I slight for them a mention that has again and again all but broken through in my pages?—that of Francis Boott and his daughter (she to become later on Mrs. Frank Duveneck and to yield to the same dismal decree of death before her time that rested on so many of the friends of our youth). When I turn in thought to the happiness that our kinswoman was still to have known in her short life, for all her disaster, Elizabeth Boott, delightful, devoted and infinitely under the charm, at once hovers for me; this all the more, I hasten to add, that we too on our side, and not least Mary Temple herself, were under the charm, and that that charm, if less immediately pointed, affected all our young collective sensibility as a wondrous composite thing. There was the charm for us—if I must not again speak in assurance but for myself—that "Europe," the irrepressible even as the ewig Weibliche of literary allusion was irrepressible, had more than anything else to do with; and then there was the other that, strange to say (strange as I, once more, found myself feeling it) owed nothing of its authority to anything so markedly out of the picture. The spell to which I in any case most piously sacrificed, most cultivated the sense of, was ever of this second cast—and for the simple reason that the other, serene in its virtue, fairly insolent in its pride, needed no rites and no care. It must be allowed that there was nothing composite in any spell proceeding, whether directly or indirectly, from the great Albany connection: this form of the agreeable, through whatever appeals, could certainly not have been more of a piece, as we say—more of a single superfused complexion, an element or principle that we could in the usual case ever so easily and pleasantly account for. The case of that one in the large number of my cousins whom we have seen to be so incomparably the most interesting was of course anything but the usual; yet the Albany origin, the woodnote wild, sounded out even amid her various voices and kept her true, in her way, to something we could only have called local, or perhaps family, type. Essentially, however, she had been a free incalculable product, a vivid exception to rules and precedents; so far as she had at all the value of the "composite" it was on her own lines altogether—the composition was of things that had lain nearest to hand. It mattered enormously for such a pair as the Bootts, intimately associated father and daughter, that what had lain nearest their hand, or at least that of conspiring nature and fortune in preparing them for our consumption, had been the things of old Italy, of the inconceivable Tuscany, that of the but lately expropriated Grand Dukes in particular, and that when originally alighting among us en plein Newport they had seemed fairly to reek with a saturation, esthetic, historic, romantic, that everything roundabout made precious. I was to apprehend in due course, and not without dismay, that what they really most reeked with was the delight of finding us ourselves exactly as we were; they fell so into the wondrous class of inverted romantics, several other odd flowers of which I was later on to have anxiously to deal with: we and our large crude scene of barbaric plenty, as it might have been called, beguiled them to appreciations such as made our tribute to themselves excite at moments their impatience and strike them as almost silly. It was our conditions that were picturesque, and I had to make the best of a time when they themselves appeared to consent to remain so but by the beautiful gaiety of their preference. This, I remember well, I found disconcerting, so that my main affectionate business with them became, under amusement by the way, that of keeping them true to type. What above all contributed was that they really couldn't help their case, try as they would to shake off the old infection; they were of "old world" production through steps it was too late to retrace; and they were in the practical way and in the course of the very next years to plead as guilty to this as the highest proper standard for them could have prescribed. They "went back," and again and again, with a charming, smiling, pleading inconsequence—any pretext but the real one, the fact that the prime poison was in their veins, serving them at need; so that, as the case turned, all my own earlier sense, on the spot, of Florence and Rome was to mix itself with their delightfully rueful presence there. I could then perfectly put up with that flame of passion for Boston and Newport in them which still left so perfect their adaptability to Italian installations that would have been impossible save for subtle Italian reasons.

I speak of course but of the whole original view: time brings strange revenges and contradictions, and all the later history was to be a chapter by itself and of the fullest. We had been all alike accessible in the first instance to the call of those references which played through their walk and conversation with an effect that their qualifying ironies and amusing reactions, where such memories were concerned, couldn't in the least abate; for nothing in fact lent them a happier colour than just this ability to afford so carelessly to cheapen the certain treasure of their past. They had enough of that treasure to give it perpetually away—in our subsequently to be more determined, our present, sense; in short we had the fondest use for their leavings even when they themselves hadn't. Mary Temple, with her own fine quality so far from composite, rejoiced in the perception, however unassisted by any sort of experience, of what their background had "meant"; she would have liked to be able to know just that for herself, as I have already hinted, and I actually find her image most touching perhaps by its so speaking of what she with a peculiar naturalness dreamed of and missed. Of clear old English stock on her father's side, her sense for what was English in life—so we used to simplify—was an intimate part of her, little chance as it enjoyed for happy verifications. In the Bootts, despite their still ampler and more recently attested share in that racial strain, the foreign tradition had exceedingly damped the English, which didn't however in the least prevent her being caught up by it as it had stamped itself upon the admirable, the infinitely civilised and sympathetic, the markedly produced Lizzie. This delightful girl, educated, cultivated, accomplished, toned above all, as from steeping in a rich old medium, to a degree of the rarest among her coevals "on our side," had the further, the supreme grace that she melted into American opportunities of friendship—and small blame to her, given such as she then met—with the glee of a sudden scarce believing discoverer. Tuscany could only swoon away under comparison of its starved sociabilities and complacent puerilities, the stress of which her previous years had so known, with the multiplied welcomes and freedoms, the exquisite and easy fellowships that glorified to her the home scene. Into not the least of these quick affinities had her prompt acquaintance with Mary Temple confidently ripened; and with no one in the aftertime, so long as that too escaped the waiting shears, was I to find it more a blest and sacred rite, guarded by no stiff approaches, to celebrate my cousin's memory. That really is my apology for this evocation—which might under straighter connections have let me in still deeper; since if I have glanced on another page of the present miscellany at the traps too often successfully set for my wandering feet my reader will doubtless here recognise a perfect illustration of our danger and will accuse me of treating an inch of canvas to an acre of embroidery. Let the poor canvas figure time and the embroidery figure consciousness—the proportion will perhaps then not strike us as so wrong. Consciousness accordingly still grips me to the point of a felt pressure of interest in such a matter as the recoverable history—history in the esthetic connection at least—of its insistent dealings with a given case. How in the course of time for instance was it not insistently to deal, for a purpose of application, with the fine prime image deposited all unwittingly by the "picturesque" (as I absolutely required to feel it) Boott situation or Boott data? The direct or vital value of these last, in so many ways, was experiential, a stored and assimilated thing; but the seed of suggestion proved after long years to have kept itself apart in order that it should develop under a particular breath. A not other than lonely and bereft American, addicted to the arts and endowed for them, housed to an effect of long expatriation in a massive old Florentine villa with a treasured and tended little daughter by his side, that was the germ which for reasons beyond my sounding the case of Frank Boott had been appointed to plant deep down in my vision of things. So lodged it waited, but the special instance, as I say, had lodged it, and it lost no vitality—on the contrary it acquired every patience—by the fact that little by little each of its connections above ground, so to speak, was successively cut. Then at last after years it raised its own head into the air and found its full use for the imagination. An Italianate bereft American with a little moulded daughter in the setting of a massive old Tuscan residence was at the end of years exactly what was required by a situation of my own—conceived in the light of the Novel; and I had it there, in the authenticated way, with its essential fund of truth, at once all the more because my admirable old friend had given it to me and none the less because he had no single note of character or temper, not a grain of the non-essential, in common with my Gilbert Osmond. This combination of facts has its shy interest, I think, in the general imaginative or reproductive connection—testifying as it so happens to do on that whole question of the "putting of people into books" as to which any ineptitude of judgment appears always in order. I probably shouldn't have had the Gilbert Osmonds at all without the early "form" of the Frank Bootts, but I still more certainly shouldn't have had them with the sense of my old inspirers. The form had to be disembarrassed of that sense and to take in a thoroughly other; thanks to which account of the matter I am left feeling that I scarce know whether most to admire, for support of one's beautiful business of the picture of life, the relation of "people" to art or the relation of art to people. Adorable each time the mystery of which of these factors, as we say, has the more prevailingly conduced to a given effect—and too much adored, at any rate, I allow, when carrying me so very far away. I retrace my steps with this next.

Needless enough surely to declare that such pages were essentially not love-letters: that they could scarce have been less so seems exactly part of their noble inevitability, as well as a proof singularly interesting and charming that confident friendship may obey its force and insist on its say quite as much as the sentiment we are apt to take, as to many of its occasions, for the supremely vocal. We have so often seen this latter beat distressfully about the bush for something still deficient, something in the line of positive esteem or constructive respect, whether offered or enjoyed, that an esteem and a respect such as we here apprehend, explicit enough on either side to dispense with those superlatives in which graceless reaction has been known insidiously to lurk, peculiarly refresh and instruct us. The fine special quietude of the relation thus promoted in a general consciousness of unrest—and even if it could breed questions too, since a relation that breeds none at all is not a living one—was of the highest value to the author of my letters, who had already sufficiently "lived," in her generous way, to know well enough in how different a quarter to look for the grand inconclusive. The directness, the ease, the extent of the high consideration, the felt need of it as a support, indeed one may almost say as an inspiration, in trouble, and the free gift of it as a delightful act of intelligence and justice, render the whole exhibition, to my sense, admirable in its kind. Questions luckily could haunt it, as I say and as we shall presently see, but only to illustrate the more all the equilibrium preserved. I confess I can imagine no tribute to a manly nature from a feminine more final even than the confidence in "mere" consideration here embodied—the comfort of the consideration being in the fact that the character with which the feminine nature was dealing lent it, could it but come, such weight. We seem to see play through the whole appeal of the younger person to the somewhat older an invocation of the weight suspended, weight of judgment, weight of experience and authority, and which may ever so quietly drop. How kindly in another relation it had been in fact capable of dropping comes back to me in the mention of my brother Wilky, as to whom this aspect of his admiring friendship for our young relative's correspondent, the fruit of their common military service roundabout Charleston, again comprehensively testifies. That comradeship was a privilege that Wilky strongly cherished, as well as what one particularly liked to think for him of his having known—he was to have known nothing more fortunate. In no less a degree was our elder brother to come to prize his like share in the association—this being sufficiently indicated, for that matter, in the note I have quoted from him. That I have prized my own share in it let my use of this benefit derived strongly represent. But again for Minnie herself the sadder admonition is sharp, and I find I know not what lonely pluck in her relapses shaken off as with the jangle of silver bells, her expert little efforts to live them down, Newport and other matters aiding and the general preoccupied good will all vainly at her service. Pitiful in particular her carrying her trouble experimentally back to the Newport of the first gladness of her girlhood and of the old bright spectacle.

She mentions having seen a common friend, in great bereavement and trouble, who has charged her with a message to her correspondent "if you know of anything to comfort a person when the one they love best dies, for heaven's sake say it to her—I hadn't a word to say." And she goes on:

But she went to Newport after a few days apparently; whence comes this.

This passage more than a month later makes me ask myself of which of the correspondents it strikes me as most characteristic. The gay clearness of the one looks out—as it always looked out on the least chance given—at the several apparent screens of the other; each of which is indeed disconnectedly, independently clear, but tells too small a part (at least for her pitch of lucidity) of what they together enclose, and what was quand mÊme of so fine an implication. Delightful at the same time any page from her that is not one of the huddled milestones of her rate of decline.

It was not at any rate to be said of her that she didn't live surrounded, even though she had to go so far afield—very far it may at moments have appeared to her—for the freedom of talk that was her greatest need of all. How happily and hilariously surrounded this next, of the end of the following August, and still more its sequel of the mid-September, abundantly bring back to me; so in the habit were the numerous Emmets, it might almost be said, of marrying the numerous young women of our own then kinship: they at all events formed mainly by themselves at that time the figures and the action of her immediate scene. The marriage of her younger sister was as yet but an engagement—to the brother-in-law of the eldest, already united to Richard Emmet and with Temple kinship, into the bargain, playing between the pairs. All of which animation of prospective and past wedding-bells, with whatever consolidation of pleasant ties, couldn't quench her ceaseless instinct for the obscurer connections of things or keep passionate reflections from awaiting her at every turn. This disposition in her, and the way in which, at the least push, the gate of thought opened for her to its widest, which was to the prospect of the soul and the question of interests on its part that wouldn't be ignored, by no means fails to put to me that she might well have found the mystifications of life, had she been appointed to enjoy more of them, much in excess of its contentments. It easily comes up for us over the relics of those we have seen beaten, this sense that it was not for nothing they missed the ampler experience, but in no case that I have known has it come up for me so much. In none other have I so felt the naturalness of our asking ourselves what such spirits would have done with their extension and what would have satisfied them; since dire as their defeat may have been we don't see them, in the ambiguous light of some of their possibilities, at peace with victory. This may be perhaps an illusion of our interest in them, a mere part of its ingenuity; and I allow that if our doubt is excessive it does them a great wrong—which is another way in which they were not to have been righted. We soothe a little with it at any rate our sense of the tragic.

Such is the magic of old letters on its subtlest occasions that I reconstitute in every detail, to a vivid probability—even if I may not again proportionately project the bristling image—our scene of next mention; drawing for this upon my uneffaced impression of a like one, my cousin Katharine Temple's bright nuptials, in the same general setting, very much before, and in addition seeming to see the very muse of history take a fresh scroll in order to prepare to cover it, in her very handsomest hand, well before my eyes. Covered is it now for me with that abounding and interesting life of the generations then to come at the pair of preliminary flourishes ushering in the record of which I thus feel myself still assist.

But a line to-day to tell you that Elly was safely married on Wednesday. She looked simply beautiful in her wedding garment, and behaved herself throughout with a composure that was as delightful as it was surprising. I send you a photograph of myself that I had taken a few weeks ago. It looks perhaps a trifle melancholy, but I can't help that—I did the best I could. But I won't write more—it wouldn't be enlivening. Everything looks grey and blue in the world nowadays. It will all be bright again in time, I have no doubt; there is no special reason for it; I think I am simply tired with knocking about. Yet my week in Newport might have been pleasant enough if the dentist hadn't taken that occasion to break my bones for me in a barbarous manner. You are very kind and friendly to me—you don't know how much happiness your letters give me. You will be surprised, I dare say, but I shall not, at the last day, when the accounts are all settled, to find how much this counts in your favour. Good-bye.