AGINCOURT.

G. P. R. JAMES, ESQ.

CONTENTS

CHAPTER I. THE NIGHT RIDE.

CHAPTER II. THE HALL AND ITS DENIZENS.

CHAPTER III. THE FOREGONE EVENTS.

CHAPTER IV. THE GLUTTON MASS.

CHAPTER V. THE ASSASSINATION.

CHAPTER VI. THE SUSPICIONS.

CHAPTER VII. THE CORONATION.

CHAPTER VIII. THE DAY OF FESTIVAL.

CHAPTER IX. THE SICK MIND.

CHAPTER X. THE MINSTREL'S GIRL.

CHAPTER XI. THE DECEIVER.

CHAPTER XII. THE HOURS OF JOY.

CHAPTER XIII. THE WRONG.

CHAPTER XIV. THE REMEDY.

CHAPTER XV. THE PILGRIM.

CHAPTER XVI. THE NEW FRIENDS.

CHAPTER XVII. THE PREPARATION.

CHAPTER XVIII. THE JOURNEY AND THE VOYAGE.

CHAPTER XIX. THE FOREIGN LAND.

CHAPTER XX. THE NEW ACQUAINTANCES.

CHAPTER XXI. THE EXILE.

CHAPTER XXII. THE COUNT OF CHAROLOIS.

CHAPTER XXIII. THE DEPARTURE.

CHAPTER XXIV. THOSE WHO WERE LEFT BEHIND.

CHAPTER XXV. THE ENTERPRISE.

CHAPTER XXVI. THE ACHIEVEMENT.

CHAPTER XXVII. A SUMMARY.

CHAPTER XXVIII. THE FRIEND ESTRANGED.

CHAPTER XXIX. THE BETRAYER.

CHAPTER XXX. THE HUSSITES.

CHAPTER XXXI. THE RESULT.

CHAPTER XXXII. TRUE LOVE'S DEFENCE.

CHAPTER XXXIII. THE RESCUE.

CHAPTER XXXIV. THE RECOMPENCE.

CHAPTER XXXV. THE DISAPPOINTMENT.

CHAPTER XXXVI. THE DISASTER.

CHAPTER XXXVII. THE CAPTIVITY.

CHAPTER XXXVIII. THE FLIGHT.

CHAPTER XXXIX. THE PRISONER FREE.

CHAPTER XL. THE MYSTERY.

CHAPTER XLI. THE CAMP.

CHAPTER XLII. THE CHARGES.

CHAPTER XLIII. THE FOX IN THE SNARE.

CHAPTER XLIV. THE ORDERING OF THE BATTLE.

CHAPTER XLV. THE BATTLE.

CHAPTER XLVI. THE CONCLUSION.

Transcriber's Notes:

1. Page scan source:

http://books.google.com/books?id=jvMtAAAAYAAJ
(Harvard University)

agincourt

THE WORKS

OF

G. P. R. JAMES, ESQ.

REVISED AND CORRECTED BY THE AUTHOR.

WITH AN INTRODUCTORY PREFACE.

"D'autres auteurs l'ont encore plus avili, (le roman,) en y mÊlant les tableaux dÉgoutant du vice; et tandis que le premier avantage des fictions est de rassembler autour de l'homme tout ce qui, dans la nature, peut lui servir de leÇon ou de modÈle, on a imaginÉ qu'on tirerait une utilitÉ quelconque des peintures odieuses de mauvaises moeurs; comme si elles pouvaient jamais laisser le coeur qui les repousse, dans une situation aussi pure que le coeur qui les aurait toujours ignorÉes. Mais un roman tel qu'on peut le concevoir, tel que nous en avons quelques modÈles, est une des plus belles productions de l'esprit humain, une des plus influentes sur la morale des individus, qui doit former ensuite les moeurs publiques."--Madame De Stael. Essai sur les Fictions.

"Poca favilla gran flamma seconda:
Forse diretro a me, con miglior voci
Si pregherÀ, perchÈ Cirra risponda."

Dante. Paradiso, Canto I.

VOL. XX.