The not very glorious smoke of the Mexican War, I note for another touch, had been in the air when I was a still smaller boy, and I have an association with it that hovers between the definite and the dim, a vision of our uncle (Captain as he then was) Robert Temple, U.S.A., in regimentals, either on his way to the scene of action or on the return from it. I see him as a person half asleep sees some large object across the room and against the window-light—even if to the effect of my now asking myself why, so far from the scene of action, he was in panoply of war. I seem to see him cock-hatted and feathered too—an odd vision of dancing superior plumes which doesn't fit if he was only a captain. However, I cultivate the wavering shade merely for its value as my earliest glimpse of any circumstance of the public order—unless indeed another, the reminiscence to which I owe to-day my sharpest sense of personal antiquity, had already given me the historic thrill. The scene of this latter stir of consciousness is, for memory, an apartment in one of the three Fifth Avenue houses that were not long afterward swallowed up in the present Brevoort Hotel, and consists of the admired appearance of my uncles "Gus" and John James to announce to my father that the Revolution had triumphed in Paris and Louis Philippe had fled to England. These last words, the flight of the king, linger on my ear at this hour even as they fell there; we had somehow waked early to a perception of Paris, and a vibration of my very most infantine sensibility under its sky had by the same stroke got itself preserved for subsequent wondering reference. I had been there for a short time in the second year of my life, and I was to communicate to my parents later on that as a baby in long clothes, seated opposite to them in a carriage and on the lap of another person, I had been impressed with the view, framed by the clear window of the vehicle as we passed, of a great stately square surrounded with high-roofed houses and having in its centre a tall and glorious column. I had naturally caused them to marvel, but I had also, under cross-questioning, forced them to compare notes, as it were, and reconstitute the miracle. They knew what my observation of monumental squares had been—and alas hadn't; neither New York nor Albany could have offered me the splendid perspective, and, for that matter, neither could London, which moreover I had known at a younger age still. Conveyed along the Rue St.-HonorÉ while I waggled my small feet, as I definitely remember doing, under my flowing robe, I had crossed the Rue de Castiglione and taken in, for all my time, the admirable aspect of the Place and the Colonne VendÔme. I don't now pretend to measure the extent to which my interest in the events of 1848—I was five years old—was quickened by that souvenir, a tradition further reinforced, I should add, by the fact that some relative or other, some member of our circle, was always either "there" ("there" being of course generally Europe, but particularly and pointedly Paris) or going there or coming back from there: I at any rate revert to the sound of the rich words on my uncles' lips as to my positive initiation into History. It was as if I had been ready for them and could catch on; I had heard of kings presumably, and also of fleeing: but that kings had sometimes to flee was a new and striking image, to which the apparent consternation of my elders added dramatic force. So much, in any case, for what I may claim—perhaps too idly—on behalf of my backward reach.
It has carried me far from my rather evident proposition that if we saw the "natural" so happily embodied about us—and in female maturity, or comparative maturity, scarce less than in female adolescence—this was because the artificial, or in other words the complicated, was so little there to threaten it. The complicated, as we were later on to define it, was but another name for those more massed and violent assaults upon the social sense that we were to recognise subsequently by their effects—observing thus that a sense more subtly social had so been created, and that it quite differed from that often almost complete inward blankness, in respect to any circumjacent, any constituted, order to the exhibition of which our earlier air and our family scene had inimitably treated us. We came more or less to see that our young contemporaries of another world, the trained and admonished, the disciplined and governessed, or in a word the formed, relatively speaking, had been made aware of many things of which those at home hadn't been; yet we were also to note—so far as we may be conceived as so precociously "noting," though we were certainly incorrigible observers—that, the awareness in question remaining at the best imperfect, our little friends as distinguished from our companions of the cousinship, greater and less, advanced and presumed but to flounder and recede, elated at once and abashed and on the whole but feebly sophisticated. The cousinship, on the other hand, all unalarmed and unsuspecting and unembarrassed, lived by pure serenity, sociability and loquacity; the oddest fact about its members being withal that it didn't make them bores, I seem to feel as I look back, or at least not worse bores than sundry specimens of the other growth. There can surely never have been anything like their good faith and, generally speaking, their amiability. I should have but to let myself go a little to wish to cite examples—save that in doing so I should lose sight of my point; which is to recall again that whether we were all amiable or not (and, frankly, I claim it in a high degree for most of us) the scene on which we so freely bloomed does strike me, when I reckon up, as extraordinarily unfurnished. How came it then that for the most part so simple we yet weren't more inane? This was doubtless by reason of the quantity of our inward life—ours of our father's house in especial I mean—which made an excellent, in some cases almost an incomparable, fond for a thicker civility to mix with when growing experience should begin to take that in. It was also quaint, among us, I may be reminded, to have begun with the inward life; but we began, after the manner of all men, as we could, and I hold that if it comes to that we might have begun much worse.
I was in my seventeenth year when the raid and the capture of John Brown, of Harper's Ferry fame, enjoyed its sharp reverberation among us, though we were then on the other side of the world; and I count this as the very first reminder that reached me of our living, on our side, in a political order: I had perfectly taken in from the pages of "Punch," which contributed in the highest degree to our education, that the peoples on the other side so lived. As there was no American "Punch," and to this time has been none, to give small boys the sense and the imagination of living with their public administrators, Daniel Webster and Charles Sumner had never become, for my fancy, members of a class, a class which numbered in England, by John Leech's showing, so many other members still than Lords Brougham, Palmerston and John Russell. The war of Secession, soon arriving, was to cause the field to bristle with features and the sense of the State, in our generation, infinitely to quicken; but that alarm came upon the country like a thief at night, and we might all have been living in a land in which there seemed at least nothing save a comparatively small amount of quite private property to steal. Even private property in other than the most modest amounts scarce figured for our particular selves; which doubtless came partly from the fact that amid all the Albany issue there was ease, with the habit of ease, thanks to our grandfather's fine old ability—he had decently provided for so large a generation; but our consciousness was positively disfurnished, as that of young Americans went, of the actualities of "business" in a world of business. As to that we all formed together quite a monstrous exception; business in a world of business was the thing we most agreed (differ as we might on minor issues) in knowing nothing about. We touched it and it touched us neither directly nor otherwise, and I think our fond detachment, not to say our helpless ignorance and on occasion (since I can speak for one fine instance) our settled density of understanding, made us an unexampled and probably, for the ironic "smart" gods of the American heaven, a lamentable case. Of course even the office and the "store" leave much of the provision for an approximately complete scheme of manners to be accounted for; still there must have been vast numbers of people about us for whom, under the usages, the assault on the imagination from without was much stronger and the filling-in of the general picture much richer. It was exactly by the lack of that filling-in that we—we more especially who lived at near view of my father's admirable example—had been thrown so upon the inward life. No one could ever have taken to it, even in the face of discouragement, more kindly and naturally than he; but the situation had at least that charm that, in default of so many kinds of the outward, people had their choice of as many kinds of the inward as they would, and might practise those kinds with whatever consistency, intensity and brilliancy. Of our father's perfect gift for practising his kind I shall have more to say; but I meanwhile glance yet again at those felicities of destitution which kept us, collectively, so genially interested in almost nothing but each other and which come over me now as one of the famous blessings in disguise.
There were "artists" in the prospect—didn't Mr. Tom Hicks and Mr. Paul Duggan and Mr. C. P. Cranch and Mr. Felix Darley, this last worthy of a wider reputation, capable perhaps even of a finer development, than he attained, more or less haunt our friendly fireside, and give us also the sense of others, landscapist Cropseys and Coles and Kensetts, and bust-producing Iveses and Powerses and Moziers, hovering in an outer circle? There were authors not less, some of them vague and female and in this case, as a rule, glossily ringletted and monumentally breastpinned, but mostly frequent and familiar, after the manner of George Curtis and Parke Godwin and George Ripley and Charles Dana and N. P. Willis and, for brighter lights or those that in our then comparative obscurity almost deceived the morn, Mr. Bryant, Washington Irving and E. A. Poe—the last-named of whom I cite not so much because he was personally present (the extremity of personal absence had just overtaken him) as by reason of that predominant lustre in him which our small opening minds themselves already recognised and which makes me wonder to-day at the legend of the native neglect of him. Was he not even at that time on all lips, had not my brother, promptly master of the subject, beckoned on my lagging mind with a recital of The Gold-Bug and The Pit and the Pendulum?—both of which, however, I was soon enough to read for myself, adding to them The Murders in the Rue Morgue. Were we not also forever mounting on little platforms at our infant schools to "speak" The Raven and Lenore and the verses in which we phrased the heroine as Annabellee?—falling thus into the trap the poet had so recklessly laid for us, as he had laid one for our interminable droning, not less, in the other pieces I have named. So far from misprizing our ill-starred magician we acclaimed him surely at every turn; he lay upon our tables and resounded in our mouths, while we communed to satiety, even for boyish appetites, over the thrill of his choicest pages. Don't I just recognise the ghost of a dim memory of a children's Christmas party at the house of Fourteenth Street neighbours—they come back to me as "the Beans": who and what and whence and whither the kindly Beans?—where I admired over the chimney piece the full-length portrait of a lady seated on the ground in a Turkish dress, with hair flowing loose from a cap which was not as the caps of ladies known to me, and I think with a tambourine, who was somehow identified to my enquiring mind as the wife of the painter of the piece, Mr. Osgood, and the so ministering friend of the unhappy Mr. Poe. There she throned in honour, like Queen Constance on the "huge firm earth"—all for that and her tambourine; and surely we could none of us have done more for the connection.
Washington Irving I "met," with infant promptitude, very much as I had met General Scott; only this time it was on a steamboat that I apprehended the great man; my father, under whose ever-patient protection I then was—during the summer afternoon's sail from New York to Fort Hamilton—having named him to me, for this long preservation, before they greeted and talked, and having a fact of still more moment to mention, with the greatest concern, afterwards: Mr. Irving had given him the news of the shipwreck of Margaret Fuller in those very waters (Fire Island at least was but just without our big Bay) during the great August storm that had within the day or two passed over us. The unfortunate lady was essentially of the Boston connection; but she must have been, and probably through Emerson, a friend of my parents—mustn't she have held "conversations," in the finest exotic Bostonese, in New York, Emerson himself lecturing there to admiration?—since the more I squeeze the sponge of memory the more its stored secretions flow, to remind me here again that, being with those elders late one evening at an exhibition of pictures, possibly that of the National Academy, then confined to scant quarters, I was shown a small full-length portrait of Miss Fuller, seated as now appears to me and wrapped in a long white shawl, the failure of which to do justice to its original my companions denounced with some emphasis. Was this work from the hand of Mr. Tom Hicks aforesaid, or was that artist concerned only with the life-sized, the enormous (as I took it to be) the full-length, the violently protruded accessories in which come back to me with my infant sense of the wonder and the beauty of them, as expressed above all in the image of a very long and lovely lady, the new bride of the artist, standing at a window before a row of plants or bulbs in tall coloured glasses. The light of the window playing over the figure and the "treatment" of its glass and of the flower-pots and the other furniture, passed, by my impression, for the sign of the master hand; and was it all brave and charming, or was it only very hard and stiff, quite ugly and helpless? I put these questions as to a vanished world and by way of pressing back into it only the more clingingly and tenderly—wholly regardless in other words of whether the answers to them at all matter. They matter doubtless but for fond evocation, and if one tries to evoke one must neglect none of the arts, one must do it with all the forms. Why I should so like to do it is another matter—and what "outside interest" I may suppose myself to create perhaps still another: I fatuously proceed at any rate, I make so far as I can the small warm dusky homogeneous New York world of the mid-century close about us.
