V Delft and Her Tragedy

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Nineteen minutes in the train from Rotterdam, and you are in Delft—such are the distances between towns in South Holland.

The population of Delft amounts, numerically, to some 32,000, but this is an item that is farthest from your thoughts. It is one of the quietest, quaintest cities in the Netherlands. Up and down its narrow, lime shaded canals the boatmen of Delft pole their barges laboriously, yet noiselessly, walking along the decks from stem to stern against their padded means of propulsion and literally pushing their craft out from under them. In the spring these watery highways are covered with a fragrant layer of fallen blossoms; in the fall, with leaves of variegated colors. The houses that stand behind the trees have been well built and are well preserved, adding to the place an impression of comfortable solidity.

My first visit to Holland brought me to Delft from “The Hook” at a very early hour in the morning, when the housemaids were about to commence the first concentrated assault of the day upon their pavements, doorsteps, front doors, and the brass-work pertaining thereto in the shape of knobs and knockers. “Scrub” seemed to be the housemaids’ slogan, and they were certainly living up to it. Pail after pail of water was hoisted from the canals and splashed over everything in reach, until it flowed across the streets and pavements, and fell back whence it came originally. If I had appeared upon the scene a little later I might have concluded that a cloud-burst had struck the town. And all this brackish water, that, in the canals, comes within an ace of being absolutely stagnant, being poured so recklessly over the town, gave to it a kind of antique odor, anything but pleasant to inhale. It gave every evidence that that same water had been hoisted, put to its task, and allowed to drip back into the canals again since medieval times.

This was on a week day. A subsequent visit to Delft took me there on Sunday.

Now, for some reason, psychological or otherwise, the housemaids of Delft don’t seem to take the same interest in the scrupulousness of their doorsteps on a Sunday that they do on a week day. Sunday is the day that everybody in Delft dons his or her best bib and tucker and goes to church, or leans over the railings of the canal bridges and chats with a friend, or walks about the town under the shade of its trees, contemplating, perhaps, upon the exigencies of life. And a housemaid is but human.

The East Gate of Delft, one of the quaintest and quietest cities of the Netherlands

To come upon Delft, therefore, during this weekly interruption in the perennial polishing of the town, whatever the reason for it, offers the traveler a different and vastly more agreeable impression. He will see Delft and her people at their best, the latter more congenially courteous, the former more serenely stolid. Instead of the boatmen being continually in the act of disturbing the bottoms of the canals with their poles, so that the housemaids can skim off the most graveolent of it with which to scour and rinse their pavements, they assume for the day the rÔle of flower sellers. Boats bearing fragrant burdens of potted plants of every variety, and cut flowers as well, as if to try to make amends for the mal-odor of the previous week, will be drawn as close to the sidewalks as the banks of the canals permit, in order to tempt the frailty of the Delft housewife—if an inherent love of flowers may be termed as such—on her way home from church.

Delft is old and she show’s symptoms of the fact in spots. Down at the southern end of the city, near the Rotterdam gate, stands a venerable building, once one of the numerous warehouses scattered over the country belonging to the Dutch East India Company—that most famous and wealthiest of all Dutch trading concerns, founded in 1602, when the power and wealth of the Republic had attained their high-water marks under the stadtholdership of Maurice, one of the sons of the ill-fated Prince William of Orange. The place has long since been put to use as a military storehouse. Directly opposite is the ominous-looking city arsenal, bearing above its arched entrance a massive copy of the arms of the old Dutch Republic, carved in stone. Another of the old buildings is the Gemeelandshuis van Delftland, showing in sandstone a rich Gothic faÇade of the beginning of the sixteenth century.

With us, Delft’s principal claim to notoriety lies in the manufacture of its faience, commonly called “Delft ware,” in the seventeenth and eighteenth centuries. Its composition and design at first copied from the Chinese and Japanese porcelain, this faience became celebrated throughout the world. Dutch designs were soon substituted for the Oriental, and the industry prospered proportionately. Later it lapsed into decay and the true process has been revived in Delft only within comparatively recent years. A large plant for its manufacture now operates on the Oosteinde, not far from the New Church.

But in the heart of the Hollander, Delft will ever be revered as the scene of the tragedy that cut short the life and terminated the praiseworthy deeds of that eminent founder of Dutch liberty, “William the Silent,” Prince of Orange, the George Washington of the Netherlands.

Born of noble German parentage at Dillenburg in the Duchy of Nassau in 1533, William, curiously enough, became the favorite of Philip II of Spain, who appointed him, in 1559, when but twenty-six years of age, stadtholder or governor of the provinces of Zeeland, Holland, Friesland, and Utrecht. Two years later William found himself in bad odor with Granvella, the Bishop of Arras, whom Philip had appointed as counselor to his half-sister, Margaret of Parma, the then regent of the Netherlands. William finally effected the enforced relinquishment of this post by the Bishop in 1564.

The subsequent unrest in the Netherlands, provoked mainly by the atrocities of Spanish soldiery, led to the sanguinary assignment of Ferdinando Alvarez de Toledo, Duke of Alva, to command an army of 10,000 picked men, mustered from Lombardy, Sardinia, Sicily, and Naples, to quell the possible insurrection. This move was bitterly resented, not only by her subjects, but was opposed, although without success, by Margaret of Parma herself; for the name of Alva was as odious to her as it was to them.

A man of brilliant military attainments and the most experienced general in Europe at the time, but bubbling over with avarice and revengefulness, cruel and overbearing, Alva accepted the assignment with alacrity. “I have tamed people of iron in my day,” he was reported to have said contemptuously; “shall I not easily crush these men of butter?”

When Alva, with his army, entered the Netherlands and took it upon himself, after much intrigue and conniving, to supersede the half-sister of his sovereign as governor of the province, the Prince of Orange retired to Dillenburg. Continued oppressions by the Spaniards later called him to arms with the French Huguenots as allies, and he set out betimes upon an unsuccessful campaign to liberate the southern provinces from their yoke of Spanish tyranny. Since that time he was ever an active revolutionist. In 1571 he championed the “Water Beggars,” by which name those insurgents who assisted their compatriots by sea were known, and one year later, having been invited by the provinces of Zeeland and Holland to command their troops against the Spaniards, he captured Middelburg, and later came to the successful rescue of the besieged town of Leyden. Soon after the formation of the famous defensive league known as the “Utrecht Union,” William was condemned to exile by Philip. The fact that the States-General defied the sovereign’s authority in this matter was the percussion cap that exploded the general uprising and the throwing off of Dutch allegiance to Spain in 1581.

“Uneasy lies the head that wears”—the helmet of revolt, and from the time of his first attempt to achieve the success of his ambitious project, the life of no medieval ruler was ever more in jeopardy than was that of William of Orange. Within a period of two years five separate and distinct attempts to take his life had been perpetrated, and a sixth, albeit an abhorrently successful one, was about to follow—all of which were undoubtedly at the initial instigation of the Duke of Alva.

Just across the canal from the Old Church at Delft still stands the house of William the Silent, now known as the Prinsenhof, where the tragedy took place. It is a low, two-story building with a red-tiled roof, formerly a cloister, but fitted up in 1575 as the residence of the Princes of Orange. Here came William, in the summer of 1584, to join his fourth wife, Louisa de Coligny, at the christening of their son, born in Delft the previous winter, who later became the celebrated governor, Frederic William. The door marked Gymnasium Publicum, opposite the tower of the church, leads through a courtyard to the staircase where the murder was committed; and in a dark corner of the wall at the foot of the steps the custodian will show you a hole made by one of the bullets that killed the Prince. The dining-room beyond, from which William had come to his death, is now a museum containing reminiscences of him.

The Czolgosz of the occasion, the perpetrator of the dastardly act, was Bathazar GÉrard, alias Francis Guion, the self-alleged son of a martyred Calvinist, a religious fanatic who had long cherished an insane desire to murder Orange.

“The organization of Bathazar GÉrard,” says Motley, “would furnish a subject for profound study, both for the physiologist and the metaphysician. Neither wholly a fanatic nor entirely a ruffian, he combined the most dangerous elements of both characters. In his puny body and mean exterior were inclosed considerable mental powers and accomplishments, a daring ambition, and a courage almost superhuman. Yet those qualities led him only to form upon the threshold of life a deliberate determination to achieve greatness by the assassin’s trade.”

After long and exasperating delays, GÉrard had finally succeeded, on account of his ambitions, in nursing himself into the good graces of Alexander of Parma, the Spanish governor of the Netherlands at that time. On the other hand, “Parma had long been looking for a good man to murder Orange, feeling—as Philip, Granvelle, and all former governors of the Netherlands had felt—that this was the only means of saving the royal authority in any part of the provinces. Many unsatisfactory assassins had presented themselves from time to time, and Alexander had paid money in hand to various individuals—Italians, Spaniards, Lorrainers, Scotchmen, Englishmen, who had generally spent the sums received without attempting the job. Others were supposed to be still engaged in the enterprise, and at that moment there were four persons—each unknown to the others, and of different nations—in the city of Delft, seeking to compass the death of William the Silent.”

Upon the death, at this time, of the French Duke of Anjou, GÉrard was recommended to Parma by various parties as a capable messenger “to carry this important intelligence to the Prince of Orange.” Concerning the outcome of this mission, I can do no better than to quote John Lothrop Motley from his “The Rise of the Dutch Republic,” as I have done elsewhere in this chapter:

“The dispatches having been intrusted to him” (GÉrard), “he traveled post-haste to Delft, and to his astonishment the letters had hardly been delivered before he was summoned in person to the chamber of the Prince. Here was an opportunity such as he had never dared to hope for. The arch-enemy to the Church and to the human race” (that is, the Prince, so called), “whose death would confer upon his destroyer wealth and nobility in this world, besides a crown of glory in the next, lay unarmed, alone, in bed, before the man who had thirsted seven long years for his blood.

“Bathazar could scarcely control his emotions sufficiently to answer the questions which the Prince addressed to him concerning the death of Anjou; but Orange, deeply engaged with the dispatches, and with the reflections which their deeply important contents suggested, did not observe the countenance of the humble Calvinist exile, who had been recently recommended to his patronage by Villers. GÉrard had, moreover, made no preparation for an interview so entirely unexpected, had come unarmed, and had formed no plan for escape. He was obliged to forego his prey when most within his reach, and after communicating all the information which the Prince required, he was dismissed from the chamber.

“It was Sunday morning, and the bells were tolling for church. Upon leaving the house he loitered about the courtyard, furtively examining the premises, so that a sergeant of halberdiers asked him why he was waiting there. Bathazar meekly replied that he was desirous of attending divine worship in the church opposite, but added, pointing to his shabby and travel-stained attire, that, without at least a pair of new shoes and stockings, he was unfit to join the congregation. Insignificant as ever, the small, pious, dusty stranger excited no suspicion in the mind of the good-natured sergeant. He forthwith spoke of the wants of GÉrard to an officer, by whom they were communicated to Orange himself, and the Prince instantly ordered a sum of money to be given him. Thus Bathazar obtained from William’s charity what Parma’s thrift had denied—a fund for carrying out his purpose!

The Prinsenhof in Delft, revered by every Hollander as the scene where “William the Silent,” the George Washington of the Netherlands, was murdered

“Next morning, with the money thus procured, he purchased a pair of pistols or small carabines from a soldier, chaffering long about the price because the vender could not supply a particular kind of chopped bullets or slugs which he desired. Before the sunset of the following day that soldier had stabbed himself to the heart, and died despairing, on hearing for what purpose the pistols had been bought.

“On Tuesday, the 10th of July, 1584, at about half-past twelve, the Prince, with his wife on his arm, and followed by the ladies and gentlemen of his family, was going to the dining-room. William the Silent was dressed upon that day, according to his usual custom, in very plain fashion. He wore a wide-leaved, loosely-shaped hat of dark felt, with a silken cord round the crown—such as had been worn by the Beggars in the early days of the revolt. A high ruff encircled his neck, from which also depended one of the Beggars’ medals, with the motto, ‘Fideles au roy jusqu’ a la besace,’ while a loose surcoat of gray frieze cloth, over a tawny leather doublet, with wide, slashed underclothes, completed his costume. GÉrard presented himself at the doorway, and demanded a passport. The Princess, struck with the pale and agitated countenance of the man, anxiously questioned her husband concerning the stranger. The Prince carelessly observed that ‘it was merely a person who came for a passport,’ ordering, at the same time, a secretary forthwith to prepare one. The Princess, still not relieved, observed in an undertone that ‘she had never seen so villainous a countenance.’ Orange, however, not at all impressed with the appearance of GÉrard, conducted himself at table with his usual cheerfulness, conversing much with the burgomaster of Leeuwarden, the only guest present at the family dinner, concerning the political and religious aspects of Friesland. At two o’clock the company rose from table. The Prince led the way, intending to pass to his private apartments above. The dining-room, which was on the ground floor, opened into a little square vestibule, which communicated, through an arched passageway, with the main entrance into the courtyard. This vestibule was also directly at the foot of the wooden staircase leading to the next floor, and was scarcely six feet in width. Upon its left side, as one approached the stairway, was an obscure arch, sunk deep in the wall, and completely in the shadow of the door. Behind this arch a portal opened to the narrow lane at the side of the house. The stairs themselves were completely lighted by a large window halfway up the flight. The Prince came from the dining-room, and began leisurely to ascend. He had only reached the second stair, when a man emerged from the sunken arch, and, standing within a foot or two of him, discharged a pistol full at his heart. Three balls entered his body, one of which, passing quite through him, struck with violence against the wall beyond. The Prince is said to have exclaimed in French, as he felt the wound, ‘O my God, have mercy upon my soul! O my God, have mercy upon this poor people!’

“These were the last words he ever spoke, save that when his sister, Catherine of Schwartzburg, immediately afterwards asked him if he commended his soul to Jesus Christ, he faintly answered, ‘Yes.’ His master of the horse, Jacob van Maldere, had caught him in his arms as the fatal shot was fired. The Prince was then placed on the stairs for an instant, when he immediately began to swoon. He was afterwards laid upon a couch in the dining-room, where in a few minutes he breathed his last in the arms of his wife and sister.

“The murderer succeeded in making his escape through the side door, and sped swiftly up the narrow lane. He had almost reached the ramparts, from which he intended to spring into the moat, when he stumbled over a heap of rubbish. As he rose he was seized by several pages and halberdiers, who had pursued him from the house. He had dropped his pistols upon the spot where he had committed the crime, and upon his person were found a couple of bladders, provided with a piece of pipe, with which he had intended to assist himself across the moat, beyond which a horse was waiting for him. He made no effort to deny his identity, but boldly avowed himself and his deed. He was brought back to the house, where he immediately underwent a preliminary examination before the city magistrates. He was afterwards subjected to excruciating tortures; for the fury against the wretch who had destroyed the father of the country was uncontrollable, and William the Silent was no longer alive to intercede—as he had often done before—in behalf of those who assailed his life.”

The tortures that the man endured prior to his speedy execution are unmentionable.

“William of Orange,” continues Motley, “at the period of his death, was aged fifty-one years and sixteen days. He left twelve children. By his first wife, Anne of Egmont, he had one son, Philip, and one daughter, Mary, afterwards married to Count Hohenlo. By his second wife, Anna of Saxony, he had one son, the celebrated Maurice of Nassau, and two daughters, Anna, married afterwards to her cousin, Count William Louis, and Emilie, who espoused the pretender of Portugal, Prince Emanuel. By Charlotte of Bourbon, his third wife, he had six daughters; and by his fourth, Louisa de Coligny, one son, Frederic William, afterwards stadtholder of the Republic in her most palmy days. The Prince was entombed on the 3rd of August at Delft, amid the tears of a whole nation. Never was a more extensive, unaffected, and legitimate sorrow felt at the death of any human being.”

So passed the greatest man that little Holland ever did or ever will produce. His ashes lie in a vault in the Nieuwe Kerk of Delft, together with those of thirty-five other princes and princesses of the House of Orange, the last being King William III, father of the present Queen, who died on November 23rd, 1890. Above the vault stands the handsome and imposing marble monument to William the Silent, worked by the de Keysers, begun by the father in 1616 and finished by the son. A translation of the Latin epitaph of the Prince reads as follows:

In honor of God Almighty and for an eternal memorial of William of Nassau, Prince of Orange, father of his fatherland, who valued the welfare of the Netherlands more than his own interests or those of his family; who twice, and principally at his own expense, collected powerful armies and led them into the field under the command of the States; who averted the tyranny of Spain; called back and restored the true religion and the ancient laws; who at last left the nearly regained liberty to be confirmed by his son, Prince Maurice, heir to the virtues of his father; the truly pious, prudent and invincible hero, whom Philip II, King of Spain, that terror of Europe, feared, but could neither subdue nor intimidate, but killed with gross perfidiousness by the hand of a hired murderer, the United Provinces have ordered this to be erected as an eternal memorial of his merits.

Motley’s phraseology with regard to the Prince’s attributes and ambitions cannot be improved upon.

“His firmness was allied to his piety. His constancy in bearing the whole weight of a struggle, as unequal as men have ever undertaken, was the theme of admiration, even to his enemies. The rock in the ocean, ‘tranquil amid raging billows,’ was the favorite emblem by which his friends expressed their sense of his firmness. From the time when, as a hostage in France, he first discovered the plan of Philip to plant the Inquisition in the Netherlands, up to the last moment of his life, he never faltered in his determination to resist the iniquitous scheme. This resistance was the labor of his life. To exclude the Inquisition, to maintain the ancient liberties of his country, was the task which he appointed to himself when a youth of three-and-twenty. Never speaking a word concerning a heavenly mission, never deluding himself or others with the usual phraseology of enthusiasts, he accomplished the task through danger, amid toils, and with sacrifices such as few men have ever been able to make on their country’s altar.”

Truly, Wilhelmina has an illustrious ancestor.


                                                                                                                                                                                                                                                                                                           

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