Calm and still was the morning; the wandering air just stirred the pendulous branches of the elms and maples, and, in the clear atmosphere, the russet hills were sharply outlined. As they swung out into the road, with Hans, the musician, at the reins, the young girl removed her bonnet and leaned back in the chair of state, where kings had fretted and queens had lolled. The throne, imposing on the stage, now appeared but a flimsy article of furniture, with frayed and torn upholstering, and carving which had long since lost its gilded magnificence. Seated amid the jumble of theatrical appliances and accoutrements––scenery, rolled up rug-fashion, property trunks, stage clock, lamps and draperies––she accepted the situation gracefully, even finding nothing strange in the presence of the soldier. New faces had come and gone in the company before, and, when Barnes had complacently informed her Saint-Prosper would journey with the players to New Orleans in a semi-business capacity, As comfortably as might be, she settled back in the capacious, threadbare throne, a slender figure in its depths––more adapted to accommodate a corpulent Henry VIII!––and smiled gaily, as the wagon, in avoiding one rut, ran into another and lurched somewhat violently. Saint-Prosper, lodged on a neighboring trunk, quickly extended a steadying hand. “You see how precarious thrones are!” he said. “There isn’t room for it to more than totter,” she replied lightly, removing her bonnet and lazily swinging it from the arm of the chair. “Then it’s safer than real thrones,” he answered, watching the swaying bonnet, or perhaps, contrasting the muscular, bronzed hand he had placed on the chair with the smooth, white one which held the blue ribbons; She slowly wound the ribbons around her fingers. “Oh, you mean France,” she said, and he looked away with sudden disquietude. “Poor monarchs! Their road is rougher than this one.” “Rougher truly!” “You love France?” she asked suddenly, after studying, with secret, sidelong glances his reserved, impenetrable face. His gaze returned to her––to the bonnet now resting in her lap––to the hand beside it. “It is my native land,” he replied. “Then why did you leave it––in its trouble?” she asked impulsively. “Why?” he repeated, regarding her keenly; but in a moment he added: “For several reasons. I returned from Africa, from serving under Bugeaud, to find the red flag waving in Paris; the king fled!” “Oh,” she said, quickly, “a king should––” “What?” he asked, as she paused. “I was going to say it was better to die like a king than––” “Than live an outcast!” he concluded for her, a shadow on his brow. She nodded. “At any rate, that is the way they always do in the plays,” she added brightly. “But you were saying you found your real king fled?” His heavy brows contracted, though he answered readily enough: “Yes, the king had fled. A kinsman “And so you refused?” “We quarreled; he swore like a Gascon. His little puppet should yet sit in the chair where Louis XIV had lorded it! I, who owed my commission to his noble name, was a republican, a deserter! The best way out of the difficulty was out of the country. First it was England, then it was here. To-morrow––where?” he added, in a lower tone, half to himself. “Where?” she repeated, lightly. “That is our case, too.” He looked at her with sudden interest. “Yours is an eventful life, Miss Carew.” “I have never known any other,” she said, simply, adding after a pause: “My earliest recollections are associated with my mother and the stage. As a child I watched her from the wings. I remember a grand voice and majestic presence. When the audience broke into applause, my heart throbbed with pride.” But as her thoughts reverted to times past, the touch of melancholy, invoked by the memory of her mother, was gradually dispelled, as fancy conjured other scenes, and a flickering smile hovered over the lips whose parting displaced that graver mood. “Once or twice I played with her, too,” she added. “I thought it nice to be one of the little princes in “It’s the first time I ever heard of a great critic laden with sweetmeats!” said the soldier. “And were you not flattered by his honeyed regard?” “Oh, yes; I devoured it and wanted more,” she laughed. Hans’ flourishing whip put an end to further conversation. “Der stage goach!” he said, turning a lumpish countenance upon them and pointing down the road. Approaching at a lively gait was one of the coaches of the regular line, a vehicle of ancient type, hung on bands of leather and curtained with painted canvas, not unlike the typical French diligence, except for its absence of springs. The stage was spattered with mud from roof to wheel-tire, but as the mire was not fresh and the road fair, the presumption followed that custom and practice precluded the cleaning of the coach. The passengers, among whom were several ladies, wearing coquettish bonnets with ribbons or beau-catchers attached, were too weary even to view with wonder the odd-looking theatrical caravan. Only the driver, a diminutive person with puckered face the color of dried apples, so venerable as to be known as “Morning,” he said, briskly, drawing in his horses. “Come back, have ye, with yer troupe? What’s the neuws from Alban-y?” “Nothing, except Texas has been admitted as a State,” answered Barnes. “Sho! We air coming on!” commented the Methuselah of the road. “Coming on!” groaned a voice in the vehicle, and the florid face of an English traveler appeared at the door. “I say, do you call this ‘coming on!’ I’m nearly gone, don’t you know!” “Hi!––ge’ long!––steady there!” And Old Hundred again whipped up his team, precipitating a lady into the lap of the gentleman who was “nearly gone,” and well-nigh completing his annihilation. In less time than when a friendly sail is lost in the mist, Old Hundred’s bulky land-wherry passed from view, and the soldier again turned to his companion. But she was now intent on some part in a play which she was quietly studying and he contented himself with lighting that staple luxury of the early commonwealth, a Virginia stogie, observing her from time to time over the glowing end. With the book upon her knee, her head downcast and partly turned from him, he could, nevertheless, through the mazy convolutions and dreamy spirals of the Indian weed, detect the changing emotions which swept over her, as in fancy she assumed a rÔle in the drama. Now the Shortly before noon they approached an ancient hostelry, set well back from the road. To the manager’s dismay, however, the door was locked and boards were nailed across the windows. Even the water pail, hospitably placed for man or beast, had been removed from its customary proximity to the wooden pump. Abandoned to decay, the tenantless inn was but another evidence of traffic diverted from the old stage roads by the Erie Canal Company. Cold was the fireplace before which had once rested the sheep-skin slippers for the guests; empty was the larder where at this season was wont to be game in abundance, sweet corn, luscious melons––the trophies of the hunt, the fruits of the field; missing the neat, compact little keg whose spigot had run with consolation for the wanderer! Confronted by the deserted house, where they had expected convivial cheer, there was no alternative but to proceed, and their journey was resumed with some discomfiture to the occupants of the coach which now labored like a portly Spanish galleon, struck by a squall. They had advanced in this manner for “Any one hurt?” asked the manager from his box. “No damage done––except to the coach,” said Hawkes. By this time the horses had become quiet and Barnes, now that the passengers were rescued, like a good skipper, left the quarter deck. “We couldn’t have chosen a better place for our lunch,” he remarked philosophically. “How fortunate we should have broken down where we did!” “Very fortunate!” echoed the old lady ironically. The accident had happened upon a slight plateau, of which they accordingly took possession, tethering the horses to graze. From the branches overhead the squirrels surveyed them as if asking what manner of people were these, and the busy woodpecker ceased his drumming, cocking his head inquisitively at the intruders; then shyly drew away, mounting spirally the trunk of the tree to the hole, chiseled by his strong beak for a nest. As Barnes gazed around upon the pleasing prospect, he straightway became the duke in the comedy of the forest. “Ha, my brothers in exile,” he exclaimed, “are not these woods more free from peril than the envious court?” “All it wants,” said the tragedian, hungrily, “is mutton, greens and a foaming pot.” “I can’t promise the foaming pot,” answered the manager. “But, at least, we have a well-filled hamper.” Soon the coffee was simmering and such viands as they had brought with them––for Barnes was a far-sighted and provident manager––were spread out in tempting profusion. Near them a swift-flowing stream chattered about the stones like one of nature’s busiest gossips; it whispered to the flowers, murmured to the rushes and was voluble to the overhanging branch that dragged upon the surface of the water. The flowers on its brim nodded, the rushes waved and the branch bent as if in assent to the mad gossip of the blithesome brook. And it seemed as though all this animated conversation was caused by the encampment of the band of players by the wayside. The repast finished, they turned their attention to the injured chariot, but fortunately the damage was not beyond repair, and Barnes, actor, manager, bill-poster, license-procurer, added to his already extensive repertoire the part of joiner and wheelwright. The skilled artisans in coachmaking and coach-repairing might not have regarded the manager as a master-workman, but the fractured parts were finally set after a fashion. By that time, however, the sun had sunk to rest upon a pillow of clouds; the squirrels, law-abiding citizens, had sought their homes; the woodpecker had vanished in his snug chamber, and only “There!” exclaimed the manager, surveying his handiwork. “The ’bus is ready! But there is little use going on to-night. I am not sure of the road and here is a likely spot to pass the night.” “Likely to be devoured by wild beasts,” said Kate, with a shudder. “I am sure I see two glistening eyes!” exclaimed Susan. “Fudge!” observed the elastic old lady. “That’s the first time you have been afraid of two-glistening eyes.” “There’s a vast difference between wolves and men,” murmured Susan. “I’m not so sure of that,” returned the aged cynic. But as the light of day was withdrawn a great fire sprang up, illumining the immediate foreground. The flames were cheering, drawing the party more closely together. Even Hawkes partly discarded his tragedy face; the old lady threw a bundle of fifty odd years from her shoulders as easily as a wood-carrier would cast aside his miserable stack of fagots, while Barnes forgot his troubles in narrating the harrowing experience of a company which had penetrated the west at a period antedating the settlement of the Michigan and Ohio boundary dispute. The soldier alone was silent, curiously watching the play of light and shade on the faces of the strollers, “How do you enjoy being a stroller?” asked a voice, interrupting the soldier’s reverie. “It has its bitters and its sweets, hasn’t it? Especially its sweets!” Susan added, glancing meaningly at the young girl. “But after all, it doesn’t much matter what happens to you if you are in good company.” The semi-gloom permitted her to gaze steadfastly into his eyes. He ignored the opportunity for a compliment, and Susan stifled a little yawn, real or imaginary. “Positively one could die of ennui in this wilderness,” she continued. “Do you know you are a welcome addition to our band? But you will have to make yourself very agreeable. I suppose”––archly––“you were very agreeable in the property wagon?” “Miss Carew had a part to study,” he returned, coldly. “A part to study!” In mock consternation. “How “Sleepy!” echoed Barnes. “Take your choice! The Hotel du Omnibus”––indicating the chariot––“or the Villa Italienne?”––with a gesture toward a tent made of the drop curtain upon the walls of which was the picture of an Italian scene. “The chariot for me,” answered Susan. “It is more high and dry and does not suggest spiders and other crawling things.” “Good-night, then, and remember a good conscience makes a hard bed soft.” “Then I shall sleep on down. I haven’t had a chance”––with a sigh––“to damage my conscience lately. But when I strike civilization again”––and Susan shook her head eloquently to conclude her sentence. “Oh, yes; if beds depend on conscience, boughs would be feathers for me to-night.” With which half-laughing, half-defiant conclusion, Susan tripped to the chariot, pausing a moment, however, to cast a reproachful glance over her shoulder at Saint-Prosper before vanishing in the cavernous depths of the vehicle of the muses. Her departure was the signal for the dispersing of the party to their respective couches. Now the fire sank lower, the stars came out brighter and the moon arose and traveled majestically up the heavens, taking a brief but comprehensive survey of the habitations of mortals, and then, as if satisfied with her scrutiny, sailed back to the horizon and dropped out of sight. |