gine what's said about me in town escapes me ... I just have to notice the way the women look at me the few times I go in there. And I know also what happened to you before you left for Madrid. We find out everything here, Rafaelito. The gossip of these people carries—it reaches even this solitary spot. I know perfectly well how your mother hates me, and I've even heard about the squabbles you've had at home over coming here. Well, we must put a stop to all that! I am going to ask you not to visit me any more. I will always be your friend; but if we stop seeing each other it will be to the advantage of us both."

That was a painful thrust for Rafael. So she knew! But to escape from what he felt to be a ridiculous position, he affected an air of independence.

"Don't you believe such bosh! It's just election gossip spread by my enemies. I am of age, and I daresay I can go where I please, without asking mamma."

"Very well; keep on coming, if you really want to; but all the same, it shows how people feel toward me—a declaration of war, virtually. And if I should ever fall in love with you ... heavens! What would they say then? They'd be sure I had come here for the sole purpose of capturing their don Rafael! You can see how far such a thing is from my mind. It would be the end of the peace and quiet I came here to find. If they talk that way now, when I'm as innocent as a lamb, imagine how their tongues would wag then!... No, I'm not looking for excitement! Let them snap at me as much as they please; but I mustn't be to blame. It must be out of pure envy on their part. I wouldn't stoop to provoking them!"

And with a turn of her head in the direction of the city that was hidden from view behind the rows of orange-trees, she laughed disdainfully.

Then her gleeful frankness returned once more—a candor of which she was always ready to make herself the first victim—and in a low, confidential, affectionate tone she continued:

"Besides, Rafaelito, you haven't had a good look at me. Why, I'm almost an old woman!... Oh, I know it, I know it. You don't have to tell me. You and I are of the same age; but you are a man; and I'm a woman. And the way I've lived has added considerably to my years. You are still on the very threshold of life. I've been knocking about the world since I was sixteen, from one theatre to another. And my accursed disposition, my mania for concealing nothing, for refusing to lie, has helped make me worse than I really am. I have many enemies in this world who are just gloating, I am sure, because I have suddenly disappeared. You can't advance a step on the stage without rousing the jealousy of someone; and that kind of jealousy is the most bloodthirsty of human passions. Can you imagine what my kind colleagues say about me? That I've gotten along as a woman of the demimonde rather than as an artist—that I'm a cocotte, using my voice and the stage for soliciting, as it were."

"Damn the liars!" cried Rafael hotly. "I'd like to have someone say that in my hearing."

"Bah! Don't be a child. Liars, yes, but what they say has a grain of truth in it. I have been something of the sort, really; though the blame had not been wholly mine ... I've done crazy foolish things—giving a loose rein to my whims, for the fun of the thing. Sometimes it would be wealth, magnificence, luxury; then again bravery; then again just plain, ordinary, good looks! And I would be off the moment the excitement, the novelty, was gone, without a thought for the desperation of my lovers at finding their dreams shattered. And from all this wild career of mine—it has taken in a good part of Europe—I have come to one conclusion: either that what the poets call love is a lie, a pleasant lie, if you wish; or else that I was not born to love, that I am immune; for as I go back over my exciting and variegated past, I have to recognize that in my life love has not amounted to this!"

And she gave a sharp snap with her pink fingers.

"I am telling you everything, you see," she continued. "During your long absence I thought of you often. Somehow I want you to know me thoroughly, once and for all. In that way perhaps we can get along together better. I can understand now why it is a peasant woman will walk miles and miles, under a scorching sun or a pouring rain, to have a priest listen to her confession. I am in that mood this afternoon. I feel as though I must tell everything. Even if I tried not to, I should not succeed. There's a little demon inside me here urging me, compelling me, to unveil all my past."

"Please feel quite free to do so. To be a confessor even, to deserve your confidence, is some progress for me, at any rate."

"Progress? But why should you care to progress ... into my heart! My heart is only an empty shell! Do you think you'd be getting much if you got me? I'm absolutely, absolutely worthless! Don't laugh, please! I mean it! Absolutely worthless. Here in this solitude I have been able to study myself at leisure, see myself as I really am. I recognize it plain as day: I am nothing, nothing. Good looking?... Well, yes; I confess I am not what you'd call ugly. Even if, with a ridiculous false modesty, I were to say I was, there's my past history to prove that plenty of men have found me beautiful. But, alas, Rafaelito! That's only the outside, my facade, so to speak. A few winter rains will wash the paint off and show the mould that's underneath. Inside, believe me, Rafael, I am a ruin. The walls are crumbling, the floors are giving way. I have burned my life out in gaiety. I have singed my wings in a headlong rush into the candle-flame of life. Do you know what I am? I am one of those old hulks drawn up on the beach. From a distance their paint seems to have all the color of their first voyages; but when you get closer you see that all they ask for is to be let alone to grow old and crumble away on the sand in peace. And you, who are setting out on your life voyage, come gaily asking for a berth on a wreck that will go to the bottom as soon as it strikes deep water, and carry you down with it!... Rafael, my dear boy, don't be foolish. I am all right to have as a friend; but it's too late for me to be anything more ... even if I were to love you. We are of a different breed. I have been studying you, and I see that you are a sensible, honest, plodding sort of fellow. Whereas I—I belong to the butterflies, to the opposite of all you are. I am a conscript under the banner of Bohemia, and I cannot desert the colors. Each of us on his own road then. You'll easily find a woman to make you happy.... The sillier she is, the better.... You were born to be a family man."

It occurred to Rafael that she might be poking fun at him, as she so often did. But no; there was a ring of sincerity in her voice. The forced smile had vanished from her face. She was speaking tenderly, affectionately, as if in motherly counsel to a son in danger of going wrong.

"And don't make yourself over, Rafael. If the world were made up of people like me, life would be impossible. I too have moments when I should like to become a different person entirely—a fowl, a cow, or something, like the folks around me, thinking of money all the time, and of what I'll eat tomorrow; buying land, haggling with farmers on the market, studying fertilizers, having children who'd keep me busy with their colds and the shoes they'd tear, my widest vision limited to getting a good price for the fall crop. There are times when I envy a hen. How good it must be, to be a hen! A fence around me to mark the boundaries of my world, my meals for the trouble of pecking at them, my life-work to sit hour after hour in the sun, balanced on a roost.... You laugh? Well, I've made a good start already toward becoming a hen, and the career suits me to a 't.' Every Wednesday I go to market, to buy a pullet and some eggs; and I haggle with the vendors just for the fun of it, finally giving them the price they ask for; I invite the peasant women to have a cup of chocolate with me, and come home escorted by a whole crowd of them; and they listen in astonishment when I talk to Beppa in Italian! If you could only see how fond they are of me!... They can hardly believe their eyes when they see the siÑorita isn't half so black as the city people paint her. You remember that poor woman we saw up at the Hermitage that afternoon? Well, she's a frequent visitor, and I always give her something. She, too, is fond of me.... Now all that is agreeable, isn't it? Peace; the affection of the humble; an innocent old woman, my poor aunt, who seems to have grown younger since I came here! Nevertheless, some fine day, this shell, this rustic bark that has formed around me in the sun and the air of the orchards, will burst, and the woman of old—the Valkyrie—will step out of it again. And then, to horse, to horse! Off on another gallop around the world, in a tempest of pleasure, acclaimed by a chorus of brutal libertines!... I am sure that is bound to happen. I swore to remain here until Spring. Well, Spring is almost here! Look at those rose-bushes! Look at those orange-trees! Bursting with life! Oh, Rafael, I'm afraid of Springtime. Spring has always been a season of disaster for me."

And she was lost in thought for a moment. DoÑa Pepa and the Italian maid had gone into the house. The good old woman could never keep away from the kitchen long.

Leonora had dropped her embroidery upon the bench and was looking upward, her head thrown back, the muscles of her arching neck tense and drawn. She seemed wrapt in ecstacy, as if visions of the past were filing by in front of her. Suddenly she shuddered and sat up.

"I'm afraid I'm ill, Rafael. I don't know what's the matter with me today. Perhaps it's the surprise of seeing you; this talk of ours that has called me back to the past, after so many months of tranquillity.... Please don't speak! No, not a word, please. You have the rare skill, though you don't know it, of making me talk, of reminding me of things I was determined to forget.... Come, give me your arm; let's walk out through the garden; it will do me good."

They arose, and began to saunter along over the broad avenue that led from the gate to the little square. The house was soon behind them, lost in the thick crests of the orange-trees. Leonora smiled mischievously and lifted a forefinger in warning.

"I took it for granted you had returned from your trip a more serious, a more well-behaved person. No nonsense, no familiarities, eh? Besides, you know already that I'm strong, and can fight—if I have to."

---

II

Rafael spent a sleepless night tossing about in his bed.

Party admirers had honored him with a serenade that had lasted beyond midnight. The "prominents" among them had shown some pique at having cooled their heels all afternoon at the Club waiting for the deputy in vain. He put in an appearance well on towards evening, and after shaking hands once more all around and responding to speeches of congratulation, as he had done that morning, he went straight home.

He had not dared raise his head in DoÑa Bernarda's presence. He was afraid of those glowering eyes, where he could read, unmistakably, the detailed story of everything he had done that afternoon. At the same time he was nursing a resolve to disobey his mother, meet her domineering, over-bearing aggressiveness with glacial disregard.

The serenade over, he had hurried to his room, to avoid any chance of an accounting.

Snug in his bed, with the light out, he gave way to an intense, a rapturous recollection of all that had taken place that afternoon. For all the fatigue of the journey and the bad night spent in a sleeping-car, he lay there with his eyes open in the dark, going over and over again in his feverish mind all that Leonora told him during that final hour of their walk through the garden. Her whole, her real life's story it had been, recorded in a disordered, a disconnected way—as if she must unburden herself of the whole thing all at once—with gaps and leaps that Rafael now filled in from his own lurid imagination.

Italy, the Italy of his trip abroad, came back to him now, vivid, palpitant, vitalized, glorified by Leonora's revelations.

The shadowy majestic Gallery of Victor Emmanuel at Milan! The immense triumphal arch, a gigantic mouth protended to swallow up the Cathedral! The double arcade, cross-shaped, its walls covered with columns, set with a double row of windows under a vast crystal roof. Hardly a trace of masonry on the lower stories; nothing but plate glass—the windows of book-shops, music shops, cafÉs, restaurants, jewelry stores, haberdasheries, expensive tailoring establishments.

At one end, the Duomo, bristling with a forest of statues and perforated spires; at the other, the monument to Leonardo da Vinci, and the famous Teatro de la Scala! Within the four arms of the Gallery, a continuous bustle of people, an incessant going and coming of merging, dissolving crowds: a quadruple avalanche flowing toward the grand square at the center of the cross, where the CafÉ Biffi, known to actors and singers the world over, spreads its rows of marble tables! A hubbub of cries, greetings, conversations, footsteps, echoing in the galleries as in an immense cloister, the lofty skylight quivering with the hum of busy human ants, forever, day and night, crawling, darting this way and that, underneath it!

Such is the world's market of song-birds; the world's Rialto of Music; the world's recruiting office for its army of voices. From that center, march forth to glory or to the poorhouse, all those who one fine day have touched their throats and believed they have some talent for singing. In Milan, from every corner of the earth, all the unhappy aspirants of art, casting aside their needles, their tools or their pens, foregather to eat the macaroni of the trattoria, trusting that the world will some day do them justice by strewing their paths with millions. Beginners, in the first place, who, to make their start, will accept contracts in any obscure municipal theatre of the Milan district, in hopes of a paragraph in a musical weekly to send to the folks at home as evidence of promise and success; and with them, overwhelming them with the importance of their past, the veterans of art—the celebrities of a vanished generation: tenors with gray hair and false teeth; strong, proud, old men who cough and clear their throats to show they still preserve their sonorous baritone; retired singers who, with incredible niggardliness, lend their savings at usury or turn shopkeepers after dragging silks and velvets over world famous "boards."

Whenever the two dozen "stars," the stars of first magnitude that shine in the leading operas of the globe, pass through the Gallery, they attract as much admiring attention as monarchs appearing before their subjects. The pariahs, still waiting for a contract, bow their heads in veneration; and tell, in bated breath, of the castle on Lake Como that the great tenor has bought, of the dazzling jewels owned by the eminent soprano, of the graceful tilt at which the applauded baritone wears his hat; and in their voices there is a tingle of jealousy, of bitterness against destiny—the feeling that they are just as worthy of such splendor—the protest against "bad luck," to which they attribute failure. Hope forever flutters before these unfortunates, blinding them with the flash of its golden mail, keeping them in a wretched despondent inactivity. They wait and they trust, without any clear idea of how they are to attain glory and wealth, wasting their lives in impotence, to die ultimately "with their boots on," on some bench of the Gallery.

Then, there is another flock, a flock of girls, victims of the Chimera, walking with a nimble, a prancing step, with music scores under their arms, on the way to the maestro's; slender, light-haired English misses, who want to become prima donnas of comic opera; fair-skinned, buxom Russian parishnas who greet their acquaintances with the sweeping bow of a dramatic soprano; Spanish seÑoritas of bold faces and free manners, preparing for stage careers as Bizet's cigarette-girl—frivolous, sonorous song-birds nesting hundreds of leagues away, and who have flown hither dazzled by the tinsel of glory.

At the close of the Carnival season, singers who have been abroad for the winter season appear in the Gallery. They come from London, St. Petersburg, New York, Melbourne, Buenos Aires, looking for new contracts. They have trotted about the globe as though the whole world were home to them. They have spent a week in a train or a month on a steamer, to get back to their corner in the Gallery. Nothing has changed, for all of their distant rambles. They take their usual table. They renew their old intrigues, their old gossip, their old jealousies, as if they had been gone a day. They stand around in front of the show-windows with an air of proud disdain, like princes traveling incognito, but unable quite to conceal their exalted station. They tell about the ovations accorded them by foreign audiences. They exhibit the diamonds on their fingers and in their neckties. They hint at affairs with great ladies who offered to leave home and husband to follow them to Milan. They exaggerate the salaries they received on their trip, and frown haughtily when some unfortunate "colleague" solicits a drink at the nearby Biffi. And when the new contracts come in, the mercenary nightingales again take wing, indifferently, they care not whither. Once more, trains and steamers distribute them, with their conceits and their petulances, all over the globe, to gather them in again some months later and bring them back to the Gallery, their real home—the spot to which they are really tied, and on which they are fated to drag out their old age.

Meantime, the pariahs, those who never arrive, the "bohemians" of Milan—when they are left alone console themselves with tales of famous comrades, of contracts they themselves refused to accept, pretending uncompromising hauteur toward impresarios and composers to justify their idleness; and wrapped in fur coats that almost sweep the ground, with their "garibaldis" on the backs of their heads, they hover around Biffi's, defying the cold draughts that blow at the crossing of the Gallery, talking and talking away to quiet the hunger that is gnawing at their stomachs; despising the humble toil of those who make their living by their hands, continuing undaunted in their poverty, content with their genius as artists, facing misfortune with a candor and an endurance as heroic as it is pathetic, their dark lives illumined by Hope, who keeps them company till she closes their eyes.

Of that strange world, Rafael had caught a glimpse, barely, during the few days he had spent in Milan. His companion, the canon, had run across a former chorister from the cathedral of Valencia, who could find nothing to do but loiter night and day about the Gallery. Through him Brull had learned of the life led by these journeymen of art, always on hand in the "marketplace", waiting for the employer who never comes.

He tried to picture the early days of Leonora in that great city, as one of the girls who trot gracefully over the sidewalks with music sheets under their arms, or enliven the narrow side streets with all those trills and cadences that come streaming out through the windows.

He could see her walking through the Gallery at Doctor Moreno's side: a blonde beauty, svelte, somewhat thin, over-grown, taller than her years, gazing with astonishment through those large green eyes of hers at the cold, bustling city, so different from the warm orchards of her childhood home; the father, bearded, wrinkled, nervous, still irritated at the ruin of his Republican hopes; a veritable ogre to strangers who did not know his lamb-like gentleness. Like exiles who had found a refuge in art, they two went their way through that life of emptiness, of void, a world of greedy teachers anxious to prolong the period of study, and of singers incapable of speaking kindly even of themselves.

They lived on a fourth floor on the Via Passarella—a narrow, gloomy thoroughfare with high houses, like the streets of old Alcira, preempted by music publishers, theatrical agencies and retired artists. Their janitor was a former chorus leader; the main floor was rented by an agency exclusively engaged from sun to sun in testing voices. The others were occupied by singers who began their vocal exercises the moment they got out of bed, setting the house ringing like a huge music-box from roof to cellar. The Doctor and his daughter had two rooms in the house of Signora Isabella, a former ballet-dancer who had achieved notorious "triumphs" in the principal courts of Europe, but was now a skeleton wrapped in wrinkled skin, groping her way through the corridors, quarreling over money in foul-mouthed language with the servants, and with no other vestiges of her past than the gowns of rustling silk, and the diamonds, emeralds and pearls that took their turns in her stiff, shrivelled ears. This harpy had loved Leonora with the fondness of the veteran for the new recruit.

Every day Doctor Moreno went to a cafÉ of the Gallery, where he would meet a group of old musicians who had fought under Garibaldi, and young men who wrote libretti for the stage, and articles for Republican and Socialist newspapers. That was his world: the only thing that helped him endure his stay in Milan. After a lonely life back there in his native land, this corner of the smoke-filled cafÉ seemed like Paradise to him. There, in a labored Italian, sprinkled with Spanish interjections, he could talk of Beethoven and of the hero of Marsala; and for hour after hour he would sit wrapt in ecstasy, gazing, through the dense atmosphere, at the red shirt and the blond, grayish locks of the great Giuseppe, while his comrades told stories of this, the most romantic, of adventurers.

During such absences of her father, Leonora would remain in charge of Signora Isabella; and bashful, shrinking, half bewildered, would spend the day in the salon of the former ballet-dancer, with its coterie of the latter's friends, also ruins surviving from the past, burned-out "flames" of great personages long since dead. And these witches, smoking their cigarettes, and looking their jewels over every other moment to be sure they had not been stolen, would size up "the little girl," as they called her, to conclude that she would "go very far" if she learned how to "play the game."

"I had excellent teachers," said Leonora, in speaking of that period of her youth. "They were good souls at bottom, but they had very little still to learn about life. I don't remember just when I began to see through them. I don't believe I was ever what they call an 'innocent' child."

Some evenings the Doctor would take her to his group in the cafÉ, or to some second balcony seat under the roof of La Scala, if a couple of complimentary tickets happened to come his way. Thus she was introduced to her father's friends, bohemians with whom music went hand in hand with the ideas and the ideals of revolution, curious mixtures of artist and conspirator; aged, bald-headed, near-sighted "professors," their backs bent by a lifetime spent leaning over music stands; and swarthy youths with fiery eyes, stiff, long hair and red neckties, always talking about overthrowing the social order because their operas had not been accepted at La Scala or because no maestro could be found to take their musical dramas seriously. One of them attracted Leonora. Leaning back on a side-seat in the cafe, she would sit and watch him for hours and hours. He was a fair-haired, extremely delicate boy. His tapering goatee and his fine, silky hair, covered by a sweeping, soft felt hat, made her think of Van Dyck's portrait of Charles I of England that she had seen in print somewhere. They called him "the poet" at the cafÉ, and gossip had it that an old woman, a retired "star," was paying for his keep—and his amusements—until his verses should bring him fame. "Well," said Leonora, simply, with a smile, "he was my first love—a calf-and-puppy love, a schoolgirl's infatuation which nobody ever knew about"; for though the Doctor's daughter spent hours with her green golden eyes fixed upon the poet, the latter never suspected his good fortune; doubtless because the beauty of his patroness, the superannuated diva, had so obsessed him that the attractions of other women left him quite unmoved. How vividly Leonora remembered those days of poverty and dreams!... Little by little the modest capital the Doctor owned in Alcira vanished, what with living expenses and music lessons. DoÑa Pepa, at her brother's instance, sold one piece of land after another; but even such remittances were often long delayed; and then, instead of eating in the trattoria, near la Scala, with dancing students and the more successful of the young singers, they would stay at home; and Leonora would lay aside her scores and take a turn at cooking, learning mysterious recipes from the old danseuse. For weeks at a time they would live on nothing but macaroni and rice served al burro, a diet that her father abhorred, the Doctor, meanwhile, pretending illness to justify his absence from the cafÉ. But these periods of want and poverty were endured by father and daughter in silence. Before their friends, they still maintained the pose of well-to-do people with plenty of income from property in Spain.

Leonora underwent a rapid transformation. She had already passed her period of growth—that preadolescent "awkward age" when the features are in constant change before settling down to their definitive forms and the limbs seem to grow longer and longer and thinner and thinner. The long-legged spindling "flapper," who was never quite sure where to stow her legs, became the reserved, well-proportioned girl with the mysterious gleam of puberty in her eyes. Her clothes seemed, naturally, willingly, to curve to her fuller, rounding outlines. Her skirts went down to her feet and covered the skinny, colt-like appendages that had formerly made the denizens of the Gallery repress a smile.

Her singing master was struck with the beauty of his pupil. As a tenor, Signor Boldini had had his hour of success back in the days of the Statuto, when Victor Emmanuel was still king of Piedmont and the Austrians were in Milan. Convinced that he could rise no higher, he had come to earth, stepping aside to let those behind him pass on, turning his stage experience to the advantage of a large class of girl-students whom he fondled with an affectionate, fatherly kindliness. His white goatee would quiver with admiring enthusiasm, as, playfully, lightly, he would touch his fingers to those virgin throats, which, as he said, were his "property." "All for art, and art for all!" And this motto, the ideal of his life, he called it, had quite endeared him to Doctor Moreno.

"That fellow Boldini could not be fonder of my Leonora if she were his own daughter," the Doctor would say every time the maestro praised the beauty and the talent of his pupil and prophesied great triumphs for her.

And Leonora went on with her lessons, accepting the light, the playful, the innocent caresses of the old singer; until one afternoon, in the midst of a romanza, there was a hateful scene: the maestro, despite her horrified struggling, claimed a feudal right—the first fruits of her initiation into theatrical life.

Through fear of her father Leonora kept silent. What might he not do on finding his blind confidence in the maestro so betrayed? She sank into resigned passivity at last, and continued to visit Boldini's house daily, learning ultimately to accept, as a matter of professional course, the repulsive flattery of refined vice.

Poor Leonora entered on a life of wrong through the open door, learning, at a single stroke, all the turpitude acquired by that shrivelled maestro during his long career back-stage. Boldini would have kept her a pupil forever. He could never find her just well enough prepared to make her debut. But hardly any money was coming from Spain now. Poor doÑa Pepa had sold everything her brother owned and a good deal of her own land besides. Only at the cost of painful stinting could she send him anything at all. The Doctor, through connections with itinerant directors and impresarios À l'aventure, "launched" his daughter finally. Leonora began to sing in the small theatres of the Milan district—two or three night engagements at country fairs. Such companies were formed at random in the Gallery, on the very day of the performance sometimes,—troupes like the strolling players of old, leaving at a venture in a third-class compartment on the train with the prospect of returning on foot if the impresario made off with the money.

Leonora began to know what applause was, what it meant to give encore after encore before crowds of rustic landowners, dressed in their Sunday clothes, and ladies with false rings and plated chains; and she had her first thrills of feminine vanity on receiving bouquets and sonnets from subalterns and cadets in small garrison towns. Boldini followed her everywhere, neglecting his lessons, in pursuit of this, his last depraved infatuation. "All for art, art for all!" He must enjoy the fruits of his creation, be present at the triumphs of his star pupil! So he said to Doctor Moreno; and that unsuspecting gentleman, thankful for this added courtesy of the master, would leave her more and more to the old satyr's care.

The escape from that life came when she secured a contract for a whole winter in Padua. There she met the tenor Salvatti, a high and mighty divo, who looked down upon all his associates, though tolerated himself, by the public, only out of consideration for his past.

For years now he had been holding his own on the opera stage, less for his voice than for his dashing appearance, slightly repaired with pencil and rouge, and the legend of romantic love affairs that floated like a rainbow around his name—noble dames fighting a clandestine warfare for him; queens scandalizing their subjects by blind passions he inspired; eminent divas selling their diamonds for the money to hold him faithful by lavish gifts. The jealousy of Salvatti's comrades tended to perpetuate and exaggerate this legend; and the tenor, worn out, poor, and a wreck virtually for all of his pose of grandeur, was able to make a living still from provincial publics, who charitably applauded him with the self-conceit of climbers pampering a dethroned prince.

Leonora, playing opposite that famous man, "starring," singing duets with him, clasping hands that had been kissed by the queens of art, was deeply stirred. This, at last, was the world she had dreamed of in her dingy garret in Milan. Salvatti's presence gave her just the illusion of aristocratic grandeur she had longed for. Nor was he slow in perceiving the impression he had made upon that promising young woman. With a cold calculating selfishness, he determined to profit by her naÏve admiration. Was it love that thrust her toward him? As, so long afterwards, she analyzed her passion to Rafael, she was vehemently certain it had not been love: Salvatti could never have inspired a genuine feeling in anyone. His egotism, his moral corruptness, were too close to the surface. No, he was a philanderer simply, an exploiter of women. But for her it had been a blinding hallucination nevertheless, fraught, during the first days, at least, with the delicious exhiliration, the voluptuous abandonment of true love. She became the slave of the decrepit tenor, voluntarily, just as she had become her maestro's slave through fear. And so complete had her infatuation been, so overpowering its intoxication, that, in obedience to Salvatti, she fled with him at the end of the season, and deserted her father, who had objected to the intimacy.

Then came the black page in her life, that filled her eyes with anguished tears as she went on with her story. What folks said about her father's end was not true. Poor Doctor Moreno had not committed suicide. He was altogether too proud to confess in that way the deep grief that her ingratitude had caused him.

"Don't talk to me about that woman," he would say fiercely to his landlady at Milan whenever the old danseuse would mention Leonora. "I have no daughter: it was all a mistake."

Unbeknown to Salvatti, who became terribly grasping as he saw his power waning, Leonora would send her father a few hundred francs from London, from Naples, from Paris. The Doctor, though in direst poverty, would at once return the checks "to the sender" and, without writing a word; where-upon Leonora paid an allowance every month to the housekeeper, begging her not to abandon the old man.

The unhappy Doctor needed, indeed, all the care the landlady and her old friends could give him. The povero signor spagnuolo—the poor Spanish gentleman—spent his days locked up in his room, his violoncello between his knees, reading Beethoven, the only one "in his family"—as he said—"who had never played him false." When old Isabella, tired of his music, would literally put him out of the house to get a breath of air, he would wander like a phantom through the Gallery, distantly greeted by former friends, who avoided closer contact with that black despondency and feared the explosions of rage with which he received news of his daughter's rising fame.

A rapid rise she was making in very truth! The worldly old women who foregathered in the ballet-dancer's little parlor, could not contain their admiration for their "little girl's" success; and even grew indignant at the father for not accepting things "as things had to be." Salvatti? Just the support she needed! An expert pilot, who knew the chart of the opera world, who would steer her straight and keep her off the rocks.

The tenor had skilfully organized a world wide publicity for his young singer. Leonora's beauty and her artistic verve conquered every public. She had contracts with the leading theatres of Europe, and though critics found defects in her singing, her beauty helped them to forget these, and one and all they contributed loyally to the deification of the young goddess. Salvatti, sheltering his old age under this prestige which he so religiously fostered, was keeping in harness to the very end, and taking leave of life under the protecting shadow of that woman, the last to believe in him and tolerate his exploitation.

Applauded by select publics, courted in her dressing-room by celebrated men and women, Leonora began to find Salvatti's tyranny unbearable. She now saw him as he really was: miserly, petulant, spoiled by praise. Every bit of her money that came into his hands disappeared, she knew not where. Eager for revenge, though really answering the lure of the elegant world she glimpsed in the distance but was not yet a part of, she began to deceive Salvatti in passing adventures, taking a diabolical pleasure in the deceit. But no; as she looked back on that part of her life with the sober eye of experience, she understood that she had really been the one deceived. Salvatti, she remembered, would always retire at the opportune moment, facilitating her infidelities. She understood now that the man had carefully prepared such adventures for her with influential men whom he himself introduced to make certain profits out of the meeting—profits that he never declared.

After three years of this sort of life, when Leonora had reached the full splendor of her beauty, she chanced to become the favorite of fashion for one whole summer at Nice. Parisian newspapers, in their "society columns" referred, in veiled language, to the passion of an aged king, a democratic monarch, who had left his throne, much as a manufacturer of London or a stockbroker of Paris would leave his office, for a vacation on the Blue Coast. This tall, robust gentleman with a patriarchal beard—the very type of the good king in fairy tales—had not hesitated to be seen in public with a beautiful artiste.

That conquest, fleeting though it had been, put the finishing touch on Leonora's eminence! "Ah! La Brunna!" people would declare enthusiastically. "The favorite of king Ernesto.... Our greatest artist." And troops of adorers began to besiege her under the keen, mercenary eyes of the tenor Salvatti.

About this time her father died in a hospital at Milan—a very sad end, as Signora Isabella, the former ballet-dancer, explained in her letters. Of what had he died?... The old lady could not say, as the physicians had differed; but her own view of the matter was that the povero signor spagnuolo had simply grown tired of living—a general collapse of that wonderful constitution, so strong, so powerful, in a way, yet strangely susceptible to moral and emotional influences. He was almost blind when admitted to the hospital. He seemed quite to have lost his mind—sunk in an unbreakable silence. Isabella had not dared to keep him in her house after he had fallen into that coma. But the strange thing was, that as death drew near, his memory of the past suddenly cleared, and the nurses would hear him groan for nights at a time, murmuring in Spanish with tenacious persistency:

"Leonora! My darling! Where are you?... Little girl, where are you?"

Leonora wept and wept, and did not leave her hotel for more than a week, to the great disgust of Salvatti, who observed, in addition, that tears were not good for her complexion.

Alone in the world!... Her own wrong-doing had killed her poor father! No one was left now except her good old aunt, who was "existing" far away in Spain, like a vegetable in a garden, her stupid mind entirely on her prayer-book. Leonora vented her anguish in a burst of hatred for Salvatti. He was responsible for her abandonment of her father! She deserted him, taking up with a certain count Selivestroff, a handsome and wealthy Russian, captain in the Imperial Guard.

So she had found her destiny! Her life would always be like that! She would pass from stage to stage, from song to song, belonging to everybody—and to nobody!

That fair Russian, so strong, so manly, so thoroughly a gentleman, had loved her truly, with a passionate humble adoration.

He would kneel submissively at her feet, like Hercules in the presence of Adriadne, resting his chin on her knees, looking up into her face with his gray, kindly, caressing eyes. Timidly, doubtfully, he would approach her every day as if he were meeting her for the first time and feared a repulse. He would kiss her softly, delicately, with hushed reserve, as if she were a fragile jewel that might break beneath his tenderest caress. Poor Selivestroff! Leonora had wept at the thought of him. In Russia and with princely Russian sumptuousness, they had lived for a year in his castle, in the country, among a population of sodden moujiks who worshipped that beautiful woman in the white and blue furs as devotedly as if she had been a Virgin stepping forth from the gilded background of an ikon.

But Leonora could not live away from stageland: the ladies of the rural aristocracy avoided her, and she needed applause and admiration. She induced Selivestroff to move to St. Petersburg, and for a whole winter she sang at the Opera there, like a grand dame turned opera singer out of love for the work.

Once more she became the reigning belle. All the young Russian aristocrats who held commissions in the Imperial Guard, or high posts in the Government, spoke enthusiastically of the great Spanish beauty; and they envied Selivestroff. The count yearned moodily for the solitude of his castle, which held so many loving memories for him. In the bustling, competitive life of the capital, he grew jealous, sad, melancholy, irritable at the necessity of defending his love. He could sense the underground warfare that was being waged against him by Leonora's countless admirers.

One morning she was rudely awakened and leapt out of bed to find the count stretched out on a divan, pale, his shirt stained with blood. A number of gentlemen dressed in black were standing around him. They had just brought him in from a carriage. He had been wounded in the chest. The evening before, on leaving the theatre, the count had gone up for a moment to his Club. He had caught an allusion to Leonora and himself in some words of a friend. There had been blows—then hasty arrangements for a duel, which had been fought at sunrise, with pistols. Selivestroff died in the arms of his mistress, smiling, seeking those delicate, powerful, pearly hands for one last time with his bleeding lips. Leonora mourned him deeply, truly. The land where she had been so happy with the first man she had really loved became intolerable to her, and abandoning most of the riches that the count had given her, she went forth into the world again, storming the great theatres in a new fever of travel and adventure.

She was then just twenty-three, but already felt herself an old woman. How she had changed!... More affairs? As she went over that period of her life in her talk with Rafael, Leonora closed her eyes with a shudder of modesty and remorse. Drunk with fame and power she had rushed about the world lavishing her beauty on anyone who interested her for the moment. The property of everybody and of nobody! She could not remember the names, even, of all the men who had loved her during that era of madness, so many had been caught in the wake of her stormy flight across the world! She had returned to Russia once, and been expelled by the Czar for compromising the prestige of the Imperial Family, through an affair with a grand duke who had wanted to marry her. In Rome she had posed in the nude for a young and unknown sculptor out of pure compassion for his silent admiration; and she herself made his "Venus" public, hoping that the world-wide scandal would bring fame to the work and to its author. In Genoa she found Salvatti again, now "retired," and living on usury from his savings. She received him with an amiable smile, lunched with him, treated him as an old comrade; and at dessert, when he had become hopelessly drunk, she seized a whip and avenged the blows she had received in her time of slavery to him, beating him with a ferocity that stained the apartment with gore and brought the police to the hotel. Another scandal! And this time her name bandied about in a criminal court! But she, a fugitive from justice, and proud of her exploit, sang in the United States, wildly acclaimed by the American public, which admired the combative Amazon even more than the artist.

There she made the acquaintance of Hans Keller, the famous orchestra conductor, and a pupil and friend of Wagner. The German maestro became her second love. With stiff, reddish hair, thick-rimmed eyeglasses, an enormous mustache that drooped over either side of his mouth and framed his chin, he was certainly not so handsome as Selivestroff. But he had one irresistible charm, the charm of Art. With the tragic Russian in her mind and on her conscience, she felt the need of burning herself in the immortal flame of the ideal; and she adored the famous musician for the artistic associations that hovered about him. For the first time, the much-courted Leonora descended from her lofty heights to seek a man's attention and came with her amorous advances to disturb the placid calm of that artist so wholly engrossed in the cult of the sublime Master.

Hans Keller noticed the smile that fell like a sunbeam upon his music scrolls. He closed them and let himself be drawn off on the by-paths of love. Leonora's life with the maestro was an absolute rupture with all her past. Her one wish was to love and be loved—to throw a cloak of mystery over her real self, ashamed as she now was of her previous wild career. Her passion enthralled the musician and she in turn felt at once stirred and transfigured by the atmosphere of artistic fervor that haloed the illustrious pupil of Wagner.

The spirit of Him, the Master, as Hans Keller called Wagner with pious adoration, flashed before the singer's eyes like the revealing glory that converted Paul on the road to Damascus. Music, as she now saw clearly for the first time, was not a means of pleasing crowds, displaying physical beauty, and attracting men. It was a religion—the mysterious power that brings the infinite within us into contact with the infinite that surrounds us. She became the sinner awakening to repentance, and yearning for the atoning peace of the cloister, a Magdalen of Art, touched on the high road of worldliness and frivolity by the mystic sublimity of the Beautiful; and she cast herself at the feet of Him, the supreme Master, as the most victorious of men, lord of the mystery that moves all souls.

"Tell me more about Him," Leonora would say. "How much I would give to have known him as you did!... I did see him once in Venice: during his last days ...he was already dying."

And that meeting was, indeed, one of her most vivid and lasting memories. The declining afternoon enlivening the dark waters of the Grand Canal with its opalescent spangles; a gondola passing hers in the opposite direction; and inside, a pair of blue, imperious eyes, shining, under thick eyebrows, with the cold glint of steel—eyes that could never be mistaken for common eyes, for the divine fire of the Elect, of the demi-God, was bright within them! And they seemed to envelop her in a flash of cerulean light. It was He—ill, and about to die. His heart was wounded, bleeding, pierced, perhaps, by the shafts of mysterious melody, as hearts of the Virgin sometimes bleed on altars bristling with swords.

Leonora could still see him as if he were there in front of her. He looked smaller than he really was, dwarfed, apparently, by illness, and by the wrack of pain. His huge head, the head of a genius, was bent low over the bosom of his wife Cosima. He had removed the black felt hat so as to catch the afternoon breeze full upon his loose gray locks. His broad, high curved forehead, seemed to weigh down upon his body like an ivory chest laden full of unseen jewels. His arrogant nose, as strong as the beak of a bird of prey, seemed to be reaching across the sunken mouth toward the sensuous, powerful jaw. A gray beard ran down along the neck, that was wrinkled, wasted with age. A hasty vision it had been, to be sure; but she had seen him; and his venerable figure remained in her memory like a landscape glimpsed at the flare of a lightning-flash. She had witnessed his arrival in Venice to die in the peace of those canals, in that silence which is broken only by the stroke of the oar—where many years before he had thought himself dying as he wrote his Tristan—that hymn to the Death that is pure, to the Death that liberates! She saw him stretched out in the dark boat; and the splash of the water against the marble of the palaces echoed in her imagination like the wailing, thrilling trumpets at the burial of Siegfried—the hero of Poetry marching to the Valhalla of immortality and glory upon a shield of ebony—motionless, inert as the young hero of the Germanic legend—and followed by the lamentations of that poor prisoner of life, Humanity, that ever eagerly seeks a crack, a chink, in the wall about it, through which the inspiriting, comforting ray of beauty may penetrate.

And the singer gazed with tearful eyes at the broad boina of black velvet, the lock of gray hair, two broken, rusty steel pens—souvenirs of the Master, that Hans Keller had piously preserved in a glass case.

"You knew him—tell me how he lived. Tell me everything: talk to me about the Poet ... the Hero."

And the musician, no less moved, described the Master as he had seen him in the best of health; a small man, tightly wrapped in an overcoat—with a powerful, heavy frame, however, despite his slight stature—as restless as a nervous woman, as vibrant as a steel spring, with a smile that lightly touched with bitterness his thin, colorless lips. Then came his "genialities," as people said, the caprices of his genius, that figure so largely in the Wagner legend: his smoker, a jacket of gold satin with pearl flowers for buttons; the precious cloths that rolled about like waves of light in his study, velvets and silks, of flaming reds and greens and blues, thrown across the furniture and the tables haphazard, with no reference to usefulness—for their sheer beauty only—to stimulate the eye with the goad of color, satisfy the Master's passion for brightness; and perfumes, as well, with which his garments—always of oriental splendor—were literally saturated; phials of rose emptied at random, filling the neighborhood with the fragrance of a fabulous garden, strong enough to overcome the hardiest uninitiate, but strangely exciting to that Prodigy in his struggle with the Unknown.

And then Hans Keller described the man himself, never relaxed, always quivering with mysterious thrills, incapable of sitting still, except at the piano, or at table for his meals; receiving visitors standing, pacing back and forth in his salon, his hands twitching in nervous uncertainty; changing the position of the armchairs, rearranging the furniture, suddenly stopping to hunt about his person for a snuff-box or a pair of glasses that he never found; turning his pockets inside out, pulling his velvet house-cap now down over one eye, now back over the crown of his head, or again, throwing it into the air with a shout of joy or crumpling it in his hand, as he became excited in the course of a discussion!

And Keller would close his eyes, imagining that he could still hear in the silence, the faint but commanding voice of the Master. Oh, where was he now? On some star, doubtless, eagerly following the infinite song of the spheres, a divine music that only his ears had been attuned to hear! And to choke his emotion, the musician would sit down at the piano, while Leonora, responsive to his mood, would approach him, and standing as rigid as a statue, with her hands lost in the musician's head of rough tangled hair, sing a fragment from the immortal Tetralogy.

Worship of Wagner transformed the butterfly into a new woman. Leonora adored Keller as a ray of light gone astray from the glowing star now extinguished forever; she felt the joy of humbleness, the sweetness of sacrifice, seeing in him not the man, but the chosen representative of the Divinity. Leonora could have grovelled at Keller's feet, let him trample on her—make a carpet of her beauty. She willed to become a slave to that lover who was the repository of the Master's thoughts; and who seemed to be magnified to gigantic proportions by the custody of such a treasure.

She tended him with the exquisite watchfulness of an enamored servant, following him, on his trips in the summer, the season of the great concerts, to Leipzig, Geneva, Paris; and she, the most famous living prima donna, would stay behind the scenes, with no jealousy for the applause she heard, waiting for Hans, perspiring and tired, to drop the baton amid the acclamations of the audience and come back-stage to have her dry his forehead with an almost filial caress.

And thus they traveled about Europe, spreading the light of the Master; Leonora, voluntarily in the background, like a patrician of old, dressed as a slave and following the Apostle in the name of the New Word.

The German musician let himself be adored, receiving all her caresses of enthusiasm and love with the absent-mindedness of an artist so preoccupied with sounds that at last he comes to hate words. He taught his language to Leonora that she might some day realize a dream of hers and sing in Bayreuth; and he grounded her in the principles that had guided the Master in the creation of his great characters. And so, when Leonora made her appearance on the stage one winter with the winged helmet and the lance of the Valkyrie, she attained an eminence in Wagnerian interpretation that was to follow her for the remainder of her career. Hans himself was carried away by her power, and could never recover from his astonishment at Leonora's complete assimilation of the spirit of the Master.

"If only He could hear you!" he would say with conviction. "I am sure He would be content."

And the pair traveled about the world together. Every springtime she, as spectator, would watch him directing Wagnerian choruses in the "Mystic Abyss" at Bayreuth. Winters it was he who went into ecstasies under her tremendous "Hojotoho!"—the fierce cry of a Valkyrie afraid of the austere father Wotan; or at sight of her awakening among the flames for the spirited Siegfried, the hero who feared nothing in the world, but trembled at the first glance of love!

But artists' passions are like flowers, fragrant, but quickly languishing. The rough German musician was a simple person, unstable, fickle, ready to be amused at any new plaything. Leonora admitted to Rafael that she could have lived to old age submissively at Keller's side, pampering his whims and selfish caprices. But one day Keller deserted her, as she had deserted others, to take up with a sickly, languid contralto, whose best charms could have been hardly comparable to the morbid delicacy of a hot-house flower. Leonora, mad with love and jealousy, pursued him, knocking at his door like a servant. For the first time she felt the voluptuous bitterness of being scorned, discarded, until reaction from despair brought her back to her former pride and self-control!

Love was over. She had had enough of artists; though an interesting sort of folk they were in their way. Far preferable were the ordinary, normal men she had known before Keller's time! The foolisher—the more commonplace—the better! She would never fall in love again!

Wearied, broken in spirit, disillusioned, she went back into her old world. But now the legend of her past beset her. Again men came, passionately besieging her, offering her wealth in return for a little love. They talked of killing themselves if she resisted, as if it were her duty to surrender, as if refusal on her part were treachery. The gloomy Macchia committed suicide in Naples. Why? Because she did not capitulate to his melancholy sonnets! In Vienna there had been a duel, in which one of her admirers was slain. An eccentric Englishman followed her about, looming in her pathway everywhere like the shadow of a fatal Destiny, vowing to kill anybody she should prefer to him.... She had had enough at last! She was wearied of such a life, disgusted at the male voracity that dogged her every step. She longed to fall out of sight, disappear, find rest and quiet in a complete surrender to some boundless dream. And the thought—a comforting, soothing thought, it had been—of the distant land of her childhood came back to her, the thought of her simple, pious aunt, the sole survivor of her family, who wrote to her twice every year, urging her to reconcile her soul with God—to which end the good old DoÑa Pepa was herself aiding with prayer!

She felt, too, somehow, without knowing just why, that a visit to her native soil would soften the painful memory of the ingratitude that had cost her father's life. She would care for the poor old woman! Her presence would bring a note of cheer into that gray, monotonous existence that had gone on without the slightest change, ever. And suddenly, one night, after an "Isolde" in Florence, she ordered Beppa, the loyal and silent companion of her wandering life, to pack her things!

Home! Home! Off for her native land! And might she find there something to keep her ever from returning to the troubled stirring world she was leaving!

She was the princess of the fairy tales longing to become a shepherdess. There she meant to stay, in the shade of her orange-trees, now and then fondling a memory of her old life, perhaps, but wishing eternally to enjoy that tranquillity, fiercely repelling Rafael, therefore, because he had tried to awaken her, as Siegfried rouses Brunhilde, braving the flames to reach her side.

No; friends, friends, nothing else! She wanted no more of love. She already knew what that was. Besides, he had come too late....

And Rafael tossed sleeplessly in his bed, rehearsing in the darkness the story he had been told. He felt dwarfed, annihilated, by the grandeur of the men who had preceded him in their adoration of that woman. A king, great artists, handsome and aristocratic paladins, Russian counts, potentates with vast wealth at their command! And he, a humble country boy, an obscure junior deputy, as submissive as a child to his mother's despotic ways, forced to beg for the money for his personal expenses even—he was trying to succeed them!

He laughed with bitter irony at his own presumptuousness. Now he understood Leonora's mocking tone, and the violence she had used in repulsing all boorish liberties he had tried to take. But despite the contempt he began to feel for himself, he lacked the strength to withdraw now. He had been caught up in the wake of seduction, the maelstrom of love that followed the actress everywhere, enslaving men, casting them, broken in spirit and in will, to earth, like so many slaves of Beauty.

---

III

"Good morning, Rafaelito ... we are seeing each other betimes today.... I am up so early not to miss the marketing. I remember that Wednesday was always a great event in my life, as a child. What a crowd!..."

And Leonora, with the great swarming cities far from her mind, was really impressed at the numbers of bustling people crowding the little square, called del Prado, where every Wednesday the "grand market" of the Alcira region was held.

Their sashes bulging with money bags, peasants were coming into town to buy supplies for the whole week out in the orange country. Orchard women were going from one stall to the next, as slender of body and as neatly dressed as the peasant girls of an opera ballet, their hair in seÑorita style, their skirts of bright batiste gathered up to hold their purchases and showing fine stockings and tight-fitting shoes underneath. Tanned faces and rough hands were the only signs to betray the rustic origin of the girls; because those were prosperous days for the orange growers of the District.

Along the walls hens were clucking, ranged in piles and tied together by the feet. Here and there were pyramids of eggs, vegetables, fruit. In "shops" that were set up in the morning and taken down at night, drygoods dealers were selling colored sashes, strips of cotton cloth and calico, and black woolsey, the eternal garb of every native of the JÚcar valley. Beyond the Prado, in El AlborchÍ, was the hog market; and then came the Hostal Gran where horses were tried out. On Wednesdays all the business of the neighborhood was transacted—money borrowed or paid back, poultry stocks replenished, hogs bought to fatten on the farms, whole families anxiously following their progress; and new cart-horses, especially, the matter of greatest concern to the farmers, secured on mortgage, usually, or with cash saved up by desperate hoarding.

Though the sun had barely risen, the crowd, smelling of sweat and soil, already filled the market place with busy going and coming. The orchard-women embraced as they met, and with their heavy baskets propped on their hips, went into the chocolate shops to celebrate the encounter. The men gathered in groups; and from time to time, to "buck up" a little, would go off in parties to swallow a glass of sweet brandy. In and out among the rustics walked the city people: "petty bourgeois" of set manners, with old capes, and huge hempen baskets, where they would place the provisions they had bought after tenacious hagglings; seÑoritas, who found in these Wednesday markets a welcome relief from the monotony of their secluded life at home; idlers who spent hour after hour at the stall of some vendor friend, prying into what each marketer carried in his basket, grumbling at the stinginess of some and praising the generosity of others.

Rafael gazed at his friend in sheer astonishment. What a beauty she was! Who could ever have taken her, in that costume, for a world-famous prima donna!

Leonora looked the living picture of an orchard girl: a plain cotton dress, in anticipation of spring; a red kerchief around her neck; her blond hair uncovered, combed back with artful carelessness and hastily knotted low on the back of her head. Not a jewel, not a flower! Only her height and her striking comeliness marked her off from the other girls. Under the curious, devouring glances of the whole market throng, Rafael smilingly greeted her, feasting his eyes on her fresh, pink skin, still radiant from the morning bath, inhaling the subtle, indefinable fragrance that hovered about that strong, healthy, youthful person.

She was constantly smiling, as if bent on dazzling the bumpkins, who were gaping at her from a distance, with the pearly flash of her teeth. The market-place began to buzz with admiring curiosity, or the thrill of scandal. There, face to face, in view of the whole city, the deputy and the opera singer were talking and laughing together like the best of friends!

Rafael's supporters—the chief officials in the city government—who were loitering about the square, could not conceal their satisfaction. Even the humblest of the constables felt a certain pride. That beautiful fairy was talking with "the Chief," smiling at him, even. What an honor for "the Party!" But after all, why not? Everything considered, don Rafael Brull deserved all that, and more! And those men, who were very careful to keep silent when their wives spoke indignantly of the "stranger," admired her with the instinctive fervor that beauty inspires, and envied the deputy his good fortune. The old orchard-women wrapped the couple in caressing glances of approval. There was a handsome pair! What a fine match!

The town ladies in passing by would draw up full height and pretend not to see them. On meeting acquaintances they would make wry faces and say ironically: "Did you see?... here she is, in full sight of everybody, casting her fly for doÑa Bernarda's son!" What a disgrace! It was getting so a decent woman hardly dared go out of doors!

Leonora, quite unconscious of the interest she was arousing, chattered on about her shopping. Beppa, you see, had decided to stay at home with her aunt that morning; so she had come with her gardener's wife and another woman—there they were over there with the large baskets. She had no end of things to get—and she laughed as she read off the list. A regular housewife she had become, yes, sir! She knew the price of everything and could tell down to a centime just what it was costing her to live. It was like those hard times back in Milan, when she had gone with her music roll under her arm to get macaroni, butter or coffee at the grocer's. And what fun it all was!... However, Leonora observed that, without a doubt, her audience was interpreting her cordial offhand way with Rafael in the worst light possible. She gave him her hand and took leave. It was growing late! If she stood there much longer the best of the market would be carried off by others—if she found anything at all left! "Down to business, then! Good-bye!"

And the young man saw her make her way, followed by the two country women, through the crowds, pausing at the booths, welcomed by the vendors with their best smiles, as a customer who never haggled; interrupting her purchases to fondle the filthy, whining children the poor women were carrying in their arms, and taking the best fruits out of her basket to give to the little ones.

And everywhere general admiration! "AsÍ, siÑorita!--Here, my dear young lady!" "Vinga, doÑa Leonor!--This way, doÑa Leonora!" the huckstresses cried, calling her by name to show greater intimacy. And she would smile, with a familiar intimate word for everybody, her hand frequently visiting the purse of Russian leather that hung from her wrist. Cripples, blind beggars, men with missing arms or legs, all had learned of the generosity of that woman who scattered small change by the fistful.

Rafael gazed after her, smiling indifferently in acknowledgment of the congratulations the town notables were heaping on him. The alcalde—the most hen-pecked husband in Alcira, according to his enemies—affirmed with sparkling eyes that for a woman like that he was capable of doing almost any crazy thing. And they all joined in a chorus of invidious praise, taking it for granted that Rafael was the artiste's accepted lover; though the youth himself smiled bitterly at the thought of his real status with that wonderful woman.

And she vanished, finally, into the sea of heads at the other end of the market-place; though Rafael, from time to time, thought he could still make out a mass of golden hair rising above the chevelures of the other girls. Willingly he would have followed; but Don Matias was at his side—don Matias, the wealthy orange exporter, father of the wistful Remedios who was spending her days obediently at doÑa Bernarda's side.

That gentleman, heavy of speech and heavier still of thought, was pestering Rafael with a lot of nonsense about the orange business, giving the young man advice on a new bill he had drawn up and wanted to have introduced in Congress—a protectionist measure for Spanish oranges. "Why, it will be the making of the city, boy! Every mother's son of us swimming in money!" as he guaranteed with his hand upon his heart.

But Rafael's gaze was lost in the distant reaches of the Prado, to catch one more fleeting glimpse of a golden head of hair—proof of Leonora's presence still! He found it hard to be courteous, even, to this man who, according to authentic rumor, was destined to be his father-in-law. Of all the drawling trickling words only a few reached his ears, beating on his brain like monotonous hammer blows. "Glasgow ... Liverpool ... new markets ... lower railroad rates ... The English agents are a set of thieves ..."

"Very well, let them go hang," Rafael answered mentally. And giving a mechanical "yes, yes!" to propositions he was not even hearing, he gazed away more intently than ever, fearing lest Leonora should already have gone. He felt relieved, however, when a gap opened in the crowd and he could see the actress seated in a chair that had been offered her by a huckstress. She was holding a child upon her knees, and talking with a tiny, wretched, sickly creature who looked to Rafael like the orchard-woman they had met at the hermitage.

"Well, what do you think of my plan?" don Matias asked.

"Excellent, magnificent, and well worthy of a man like you, who knows the question from top to bottom. We'll discuss the matter thoroughly when I return to the Cortes."

And to avoid a second exposition, he patted the wealthy boor on the back, and wondered why in the world Fortune should have picked such a disgusting man to smile on.

The whole city had known don Matias when he went around in peasant's clogs and worked a tiny orchard he had secured on lease. His son, a virtual half-wit, who took advantage of every opportunity to rifle the old man's pockets and spend the money in Valencia with bull-fighters, gamblers and horse-dealers, went barefoot in those days, scampering about the roads with the children of the gipsies encamped in El Alborchi. His daughter—the now well-behaved, the now modest, Remedios, who was passing day after day at complicated needlework under the tutelage of doÑa Bernarda—had grown up like a wild rabbit of the fields, repeating with shocking fidelity all the oaths and vile language she heard from the carters her father drank with.

"But you have to be an ox to get rich these days!" the barber Cupido would say when don Matias came up for discussion.

Little by little the man had worked his way into the orange export business—to England especially. His first stock he bought on credit; and at once Fortune began to blow upon him with bloated cheeks, and she was still puffing and puffing! His wealth had been accumulated in a few years. In crises where the most powerful vessels foundered, that rude and heavy bark, sailing on without chart or compass, suffered not the slightest harm. His shipments always arrived at the psychological moment. The fancy, carefully-selected oranges of other merchants would land at Liverpool or London when the markets were glutted and prices were falling scandalously. The lucky dolt would send anything at all along, whatever was available, cheap; and circumstances always seemed to favor him with an empty market and prices sky-high regardless of quality. He realized fabulous profits. He had nothing but scorn for all the wiseacres who subscribed to the English papers, received daily bulletins and compared market quotations from year to year, getting, for all their pains, results that made them tear their hair. He was an ignoramus and he was proud of it! He trusted to his lucky star. Whenever he thought it best, he would ship his produce off from the port of Valencia, and—there you are!--it would always turn out that his oranges found no competition on arrival and brought the highest prices. More than once it had happened that rough weather held his vessel up. Well—the market would sell out, and his shipment would have a clear field just the same!

Within two years he had a place in town and had become a "personage." He would smilingly declare that he wouldn't "go to the wall for under eighty thousand duros." Later, ever on the wing, his fortune reached dizzy heights. Folks whispered in superstitious awe the figures he made in net profits at the end of every sailing. He owned warehouses as large as churches in the vicinity of Alcira, employing armies of girls to wrap the oranges and regiments of carpenters to make the crates. He would buy the crop of an entire orchard at a single glance and never be more than a few pounds off. As for the pay he gave, the city was proud of its millionaire. Not even the Bank of Spain enjoyed the respect and confidence his firm had won. No clerks and cashiers! No mahogany furniture! Everything above board! Ask for a hundred thousand; and if don MatÍas said "yes," he just went in to his bedroom and, God knows from where, he would draw out a roll of bank-notes the size of your body!

And this lucky rustic, this upstart lout, rich without deserving it for any competence he had, was giving himself the airs of an intelligent dealer, presuming to approach Rafael, "his deputy," with a proposal for a freight-rate bill to promote the shipping of oranges into the interior of Spain! As if a little thing like a bill in Congress would make any difference to his way of getting money!

Of his wretched past don MatÍas preserved but a single trait: his respect for the house of Brull. The rest of the city he treated with a certain uppishness; but he could not conceal the awe which doÑa Bernarda inspired in him—a feeling that was strengthened by gratitude for her kindness in singling him out (after he had become rich), and for the interest she showed in his "little girl." He cherished a vivid memory of Rafael's father, the "greatest man" he had known in all his life. It seemed as though he could still see don RamÓn stopping on his big horse in front of his humble farmhouse and, with the air of a grand lord, leaving orders for what don MatÍas was to do in the coming elections. He knew the bad state in which the great man had left his affairs upon his death; and more than once he had given money to doÑa Bernarda outright, proud that she should do him the honor of appealing to him in her straits. But in his eyes, the House of Brull, poor or rich, was always the House of Brull, the cradle of a dynasty whose authority no power could shake. He had money. But those others, the Brulls—ah!--they had, up there in Madrid, friends, influence! If they wanted to they could get the ear of the Throne itself. They were people with a "pull," and if anyone suggested in his presence that Rafael's mother was thinking of Remedios as a daughter-in-law, don MatÍas would redden with satisfaction and modestly reply:

"I don't know; I imagine it's all talk. My Remedios is only a town girl, you see. The seÑor deputy is probably thinking of someone from the 'upper crust' in Madrid."

Rafael had for some time been aware of his mother's plans. But he had no use for "that crowd." The old man, despite his boresome habit of suggesting "new bills," he could stand on account of his touching loyalty to the Brull family. But the girl was an utterly insignificant creature, pretty, to be sure, but only as any ordinary young girl is pretty. And underneath that servile gentleness of hers lay an intelligence even more obtuse than her father's, a mind filled with nothing but piety and the religious phrases in which she had been educated.

That morning, followed by an aged servant, and with all the gravity of an orphan who must busy herself with the affairs of her household and act as head of the home, Remedios had walked by Rafael twice. She scarcely looked at him. The submissive smile of the future slave with which she usually greeted him had disappeared. She was quite pale, and her colorless lips were pressed tight together. Without a doubt in the world she had seen him, from a distance, talking and laughing with "the chorus girl." His mother would know all about it within an hour! Really, that young female seemed to think he was her private property! And the angry expression on her face was that of a jealous wife taking notes for a curtain-lecture!

Scenting a danger Rafael took hasty leave of don Matias and his other friends, and left the market place to avoid another meeting with Remedios. Leonora was still there. He would wait for her on the road to the orchard. He must take advantage of the early hour!

The orange country seemed to be quivering under the first kisses of spring. The lithe poplars bordering the road were covered with tender leaves. In the orchards the buds on the orange-trees, filling with the new sap, were ready to burst, as in one grand explosion of perfume, into white fragrant bloom. In the matted herbage on the river-banks the first flowers were growing. Rafael felt the cool caress of the sod as he sat down on the edge of the road. How sweet everything smelled! What a beautiful day it was!

The timorous, odorous violet must be sprouting on the damp ground yonder under the alders! And he went looking along the stream for those little purple flowers that bring dreams of love with their fragrance! He would make a bouquet to offer Leonora as she came by.

He felt thrilled with a boldness he had never known before. His hands burned feverishly. Perhaps it was the emotion from his own sense of daring. He had resolved to settle things that very morning. The fatuity of the man who feels himself ridiculous and is determined to raise himself in the eyes of his admirers, excited him, filling him with a cynical rashness.

What would his friends, who envied him as Leonora's lover, say if they knew she was treating him as an insignificant friend, a good little boy who helped her while away the hours in the solitude of her voluntary exile?

A few kisses—on her hand; a few kind words; many many cruel jests, such as come from a chum conscious of superiority ... that was all he had won after months and months and months of assiduous courtship, months of disobedience to his mother, in whose house he had been living like a stranger, without affection, at daggers' points; months of exposure to the criticism of his enemies, who suspected him of a liaison with the "chorus girl" and were raising their brows, horror-stricken, in the name of morality. How they would scoff, if they knew the truth! Those addlepates down at the Club were always boasting of their amorous adventures, which began inevitably with the sudden physical attack and ended in easy triumph.

With the Spaniard's mortal dread of looking ridiculous, Rafael began to assure himself that those brutes were right—that such was the road to a woman's heart. He had been too respectful, too humble, gazing at Leonora, timidly, submissively, from afar, as an idolater might look at an ikon. Bosh! Wasn't he a man, and isn't the man the stronger? Some show of a male authority, that was what she needed! He liked her! Well, that was the end of it! His she must be! Besides, since she treated him so kindly, she surely loved him! A few scruples perhaps! But that would be nothing, before a show of real manhood!

Just as this valorous decision had emerged in the full splendor of its dignity from the mess of vacillation in his weak, irresolute character, Rafael heard voices down the road. He jumped to his feet. Leonora was approaching, followed by the two peasant women, who were bent low under their heavily laden baskets.

"Here, too!" the actress exclaimed with a laugh that rippled charmingly under the white skin of her throat. "You are getting to be my shadow. In the market place, on the road, everywhere! I find you every time I look around!"

She accepted the bouquet of violets from the young man's hand, inhaling their fragrance with evidence of keen enjoyment.

"Thanks, Rafael, they are the first I have seen this season. My beautiful, faithful old friend! Springtime! You have brought her to me this year, though I felt her coming days before! I am so happy—can't you see? I feel as though I'd been a silkworm all winter, coiled up in a cocoon, and had now suddenly grown my wings! And I'm going to fly out over this great green carpet, so sweet with its first perfumes! Don't you feel as I do, Rafael?..."

Rafael, gravely, said he did. He, too, felt a seething in his blood, the nip of life in every one of his pores! And his eyes ran over the bare neck in front of him, a neck of such tempting smoothness, its white beauty set off by the red kerchief; and over the violets resting on that strong, robust bosom. The two orchard women exchanged a shrewd smile, a meaningful wink, at sight of Rafael, and went on ahead of their mistress, with the evident design of not disturbing the couple by their presence; but Leonora caught the look on their faces.

"Yes, go right on," she said. "We'll take our time, but we'll be there soon!"

And when they were out of hearing she resumed, pointing to the women with her closed parasol:

"Did you see that? Didn't you notice their smiles and the winks they exchanged when they saw you on the road?... Oh, Rafael! You are blind as a bat! And no good is going to come of it! If I had any reputation to lose, I'd be mighty careful with a friend like you! What do you suppose they are thinking?"

And she laughed with a pout of condescension, as though for her part, she did not care what people might be saying about her friendship with Rafael.

"On the market-place all the huckstresses talk to me about you, with the idea of flattering me. They assure me we'd make a wonderful couple. My kitchen woman seizes every opportunity to tell me how handsome you are. You ought to thank her.... Even my aunt, my poor aunt, with one leg in the grave, drew it out the other day to say to me: 'Do you notice that Rafael visits us quite frequently? Do you think he wants to marry you?' Marry, you see! Ha, ha, ha! Marry! That's all poor auntie can see in the world for a woman!"

And she went on gaily chattering like a wild bird escaped from a cage and happy at its liberty, though her frank, mocking laughter was in strange contrast with the expression of sinister determination on Rafael's face.

"But how glum and queer you look today! Are you ill?... What's the matter?"

Rafael took advantage of this opening. Ill, yes! Sick with love! He knew the whole place was gossiping about them. But it wasn't his fault. He simply couldn't hide his feelings. If she only realized what that mute adoration was costing him! He had tried to root the thought of her out of his mind, but that had been impossible. He must see her, hear her! He lived for her alone. Study? Impossible! Play, with his friends? They had all become obnoxious to him! His house was a cave, a cellar, a place to eat in and sleep in. He left it the moment he got out of bed, and kept away from the city, too, which seemed stuffy, oppressive, like a jail to him. Off to the fields; to the orchards, to the Blue House where she lived! He would wait and wait for afternoon to come—the time when, by a tacit arrangement neither of them had proposed, he might enter her orchard and find her on the bench under the four dead palms!... Well, he could not go on living that way. Poor folks envied him his power, because he was a deputy, at twenty-five! And yet his one purpose in life was to be ... well, she could guess what ... that garden bench, for instance, gently, deliciously burdened with her weight for whole afternoons; or that needlework which played about in her soft fingers; or one of her servants, Beppa, perhaps, who could waken her in the morning, bend low over her sleeping head, and smooth the loose tresses spread like rivulets of gold over the white pillow. A slave, an animal, a thing even, provided it should be in continuous contact with her person—that was what he longed to be; not to find himself obliged, at nightfall, to leave her after a parting absurdly prolonged by childish pretexts, and return to his irritating, common, vulgar life at home, to the solitude of his room, where he imagined he could see a pair of green eyes staring at him from every dark corner, tempting him.

Leonora was not laughing. Her gold-spotted eyes had opened wide; her nostrils were quivering with emotion. She seemed deeply moved by the young man's eloquent sincerity.

"Poor Rafael! My poor dear boy!... And what are we going to do?"

Down at the Blue House, Rafael had never dared speak so openly. The presence of Leonora's servants; the nonchalant, mocking air with which she welcomed him at the door; the irony with which she met his every hint at a declaration had always crushed, humiliated him. But there, on the open highway, it was different somehow. He felt free. He would empty his whole heart out.

What anguish! Every day he went to the Blue House trembling with hope, enthralled in his dream of love! "Perhaps it will be today," he would say to himself each time. And his legs would give way at the knees, and he would choke as he swallowed! Then, hours later, at nightfall, he would slink home, downcast, dispirited, desperate, staggering along the road under the star-light as if he were drunk, repressing the tears burning in his eyes, longing for the peace of death, like a weary explorer who must go on and on breaking his way over one ice-field after another. She must have noticed, surely! She must have seen the untiring efforts he made to please her!... Ignorant, humble, recognizing the vast gulf that separated them because of the different lives they had led, how he had worked to raise himself to a level with the men who had loved and won her! If she spoke of the Russian count—a model of stylish elegance—the next day, to the great astonishment of his mother, Rafael would take out his best clothes and, all sweating in the hot sun and nearly strangled by a high collar, he would set out along that same road—his Road to Calvary—walking on his toes like a boarding-school girl in order not to get his shoes dirty. If Hans Keller had come to Leonora's mind, he would run through his histories of music, and dressing up like some artist he had read about in novels, would come to her house fully intending to deliver an oration on the immortal Master, Wagner, whom he knew nothing at all about, but whom he adored as a member of his family.... Good God! All that was ridiculous, he knew very well; it would have been far better to present himself just as he was, undisguised, in all his littleness. He knew that this pretending to equality with the thousand or more figures flitting in Leonora's memory, was grotesque. But there was nothing, absolutely nothing he would not do to stir her heart a little, be loved for a day, a minute, a second—and then die!...

There was a note of such real feeling in the youth's confession that Leonora, more and more deeply moved, unconsciously drew closer to him, almost grazing him as they walked along; and she smiled slightly, as she repeated her previous phrase—a blend of motherly affection and compassion:

"Poor Rafael!... My poor dear boy!"

They had reached the gate to the orchard. The walk inside was deserted. In the little square some hens were scratching about.

Overwhelmed by the strain of that confession, in which he had vented the anguish and dreams of many months, Rafael leaned against the trunk of an old orange-tree. Leonora stood in front of him, listening to his words, with head lowered, making marks on the ground with the tip of her red parasol.

Die, yes; he had often read in novels about people dying for love. And he had always laughed at the absurdity of such a thing. But he understood now. Many a night, tossing in his delirium, he had thought of ending his misery in some tragic manner. The violent, domineering blood of his father seethed in his veins. Once firmly convinced she could never be his, he would kill her, to keep her from belonging to anybody... and then stab himself! They would fall together to the blood-soaked ground, and lie there as on a bed of red damask, and he would kiss her cold lips, without fear of being disturbed; kiss her and kiss her, till the last breath of his life exhaled upon her livid mouth.

He seemed to be saying all that with deadly earnestness. The muscles of his strong face quivered, and his eyes—Moorish eyes—glowed like live coals. Leonora was looking at him passionately now, as if a man were in front of her. She shuddered with a strange fascination as she pictured his barbarous dreams, fraught with blood and death. This was something new! This boy, when he saw that his love was vain, would not gloomily and prosaically slay himself as Macchia, the Italian poet, had done. He would die, but asserting himself, killing the woman, destroying his idol when it would not harken to his entreaties!

And, pleasantly excited by Rafael's tragic demeanor, she gave way to the thrill of it, letting herself be carried along by his anguished rapture. He had taken her arm and was drawing her off the path, out among the low-hanging branches of the orange-trees.

For some time they were both silent. Leonora seemed to be drinking in the virile perfume of that savage passionate adoration.

Rafael thought he had offended her, and was sorry for his violent words.

She must pardon him; he was beside himself, exasperated beyond bounds at her strange resistance. Leonora! Leonora! Why persist in spoiling a perfectly beautiful thing? He was not wholly a matter of indifference in her eyes. She did not dislike him. Otherwise she would not have let him be a friend and have permitted his frequent visits. Love?... Of course she did not love him—poor unhappy wretch that he was, incapable of inspiring passion in a woman like her. But let her just accept him. He would teach her to love him in time, win her by the sheer beauty of his own tenderness and worship. His love alone, alas, was great enough for both of them and for all the famous lovers in history put together! He would be her slave; a carpet for her to tread underfoot; a dog, always at her feet, his eyes burning with the fire of eternal fidelity! She would finally learn to be fond of him, if not out of passion, at least out of gratitude and pity!

And as he spoke, he brought his face close to Leonora's, looking for his own image in the depths of her green eyes; and he pressed her arm in a fever of passion.

"Careful, Rafael.... That hurts! Let go, of me."

And as if suddenly sensing a danger in the full of a sweet dream, she shuddered and pulled herself free with a nervous violence.

Then, quite recovered from the intoxication into which she had been led by Rafael's passionate appeal, she began to speak calmly, composedly.

No; what he asked was impossible. Her fate was ordained; she did not want love any more.... Friendship had carried them a bit astray. It was her fault, but she would find a way to remedy that. If she had known him years before—perhaps! She might have learned to love him. He was more worthy of being loved than many of the men she had accepted. But he had come too late. Now she was content with just living. Besides, what a horror! Imagine a "grand passion" in a petty environment such as they were in, a tiny world of gossip-mongers and evil tongues! Imagine having to hide like a criminal to express a noble emotion! No, when she loved, she loved in the open, with the sublime immodesty of the masterpiece that scandalizes bumpkins with its naked beauty! How impossible it would be, finding herself nibbled at constantly by gossiping fools, quite beneath her contempt. She would feel the scorn and the indignation of a whole town about her. They would accuse her of leading an innocent boy astray, alienating him from his own mother. "No, Rafael; a thousand times no; I have a little conscience left! I'm not the irresponsible siren I used to be."

"But what about me?" cried the youth, seizing her arm again with a boyish petulance. "You think of yourself and of other people, but never of me. What am I going to do all along with my suffering?"

"Oh, you? Why ... you will forget," said Leonora gravely. "I have just realized this very moment that it is impossible for me to stay here any longer. We two must separate. I will leave before Spring is over; I'll go ... I don't know where, back to the world at any rate, take up my singing again, where I'll not find men of just your kind. Time, and my absence, will attend to the curing of you."

Leonora winced before the flash of savage desire that gleamed in Rafael's eyes. On her face she felt the ardent breath of lips that were seeking her own, and she heard him murmur with a stifled roar of passion:

"No. You shall not go; I refuse to let you go!"

And she felt his strong arms close about her, swaying her from head to foot, in a clasp to which madness added strength. Her feet left the ground, and a brutal thrust threw her to her side at the foot of an orange-tree.

But, in a flash, the Valkyrie reappeared in Leonora. With a supreme effort, she struggled free from the encircling vise, sat up, threw Rafael violently to his back, got to her feet, and stamped a foot brutally and mercilessly down upon the young man's chest, using her whole weight as though bent on crushing the very framework of his body.

Her face was an inspiring thing to look upon. She seemed to have gone mad! Her blond hair had fallen awry and was flecked with leaves and grass and bark. Her green eyes flashed with metallic glints, like daggers. Her lips were pale from emotion. And in that wild posture, whether through force of habit, or the suggestiveness of the effort she had made, she raised her warcry—a piercing, savage "Hojotoho!" that rent the calm of the orchard, frightening the hens and sending them scampering off over the paths. Her parasol she brandished as if it were the lance of Wotan's daughter, and several times she aimed it at Rafael's eyes, as if she intended to spear him blind.

The youth seemed to have collapsed less from the violence of the struggle than from an overpowering sense of shame. He lay motionless on the ground, without protesting, and as if not caring ever to rise again—longing to die under the pressure of that foot which was so heavily weighing down upon him, taking away his breath.

Leonora regained her composure, and slowly stepped back. Rafael sat up, and reached for his hat.

It was a painful moment. They stood there cold, as if the sun had gone out and a glacial wind were blowing through the orchard.

Rafael kept his eyes to the ground, afraid to look up and meet her gaze, ashamed at the thought of his disordered clothes, which were soiled with dirt; humiliated at having been beaten and pummeled like a robber caught by a victim he had expected to find powerless.

He heard Leonora's voice addressing him with the scornful "tu" a lady might use toward her lowest inferiors.

"Go!"

He raised his head and found Leonora looking at him, her eyes ablaze with anger and offended dignity.

"I'm never taken by force," she said coldly. "I give myself ... if I feel like it."

And in the gesture of scorn and rage with which she dismissed him, Rafael thought he caught a trace of loathing at some memory of Boldini—that repugnant lecher, who had been the only person in the world to win her by violence.

Rafael tried to stammer an excuse, but that hateful association of the brutal scene rendered her implacable.

"Go! Go, or I'll beat you again!... And never come back!"

And to emphasize the words, as Rafael, humiliated and covered with dirt, was leaving the garden, she shut the gate behind him with such a violent slam that the bars almost went flying.

---

IV

DoÑa Bernarda was much pleased with Rafael. The angry glances, the gestures of impatience, the wordless arguments between mother and son, which the household had formerly witnessed in such terror, had come to an end.

The boy had not been visiting the Blue House for some time. She knew that with absolute certainty, thanks to the gratuitous espionage conducted for her by persons attached to the Brull family. He scarcely ever left the house; a few moments at the Club after lunch; and the rest of the day in the dining-room, with her and family friends; or else, shut up in his room, with his books, probably, which the austere seÑora revered with the superstitious awe of ignorance.

Don AndrÉs, her advisor, commented upon the change with a gloating "I told you so." What had he always said, when doÑa Bernarda, in the confiding intimacies of that friendship which amounted almost to a senile, a tranquil, a distantly respectful passion, would complain of Rafael's contrariness? That it would all pass; that it was a young man's whim; that youth must have its fling! What was the use? Rafael hadn't studied to be a monk! Many boys his age, and even older ones, were far worse!... And the old gentleman smiled, for he was thinking of his own easy conquests with the wretched flock of dirty, unkempt peasant girls who wrapped the oranges in the shipping houses of Alcira. "You see, doÑa Bernarda, you suffered too much with don RamÓn. You are a bit too exacting with Rafael. Let him have a good time! Let him enjoy himself! He'll get tired of that chorus girl soon enough, pretty as she is. Then you can take hold and start him right!"

DoÑa Bernarda once again had reason to appreciate the talent of her counsellor. His predictions, made with a cynicism that always caused the pious lady to blush, had been fulfilled to the letter!

She, too, was sure it was all over. Her son was not so blind as his father had been. He had soon wearied of a "lost woman" like Leonora; he had decided it was not worth while to quarrel with his mamma over so trifling a matter, and have his enemies discredit him on that account. He was returning to the path of duty; and to express her unbounded joy, the good woman could not pamper him enough.

"And how about ... that?" her friends would ask her, mysteriously.

"Nothing," she would answer, with a proud smile. "Three weeks have gone by and he hasn't shown the slightest inclination to go back. No, Rafael is a good boy. All that was just a young one's notion. If you could only see him keeping me company in the parlor every afternoon! An angel! Good as pie! He spends hour after hour chatting with me and MatÍas's daughter."

And then, broadening her smile and winking cunningly, she would add:

"I think there's something doing in that direction."

And indeed something was "doing"; at least, to judge by appearances. Bored with wandering from room to room through the house, sick of his books, with which he would spend hours and hours turning pages without really seeing a word that was printed on them, Rafael had taken refuge in the sitting-room where his mother did her sewing, supervising a complicated piece of embroidery that Remedios was making.

The girl's submissive simplicity appealed to Rafael. Her ingenuousness gave him a sense of freshness and repose. She was a cosy secluded refuge where he might sleep after a tempest. His mother's satisfied smile was there to encourage him in this feeling. Never had he seen her so kind and so communicative. The pleasure of having him once more safe and obedient in her hands had mollified that disposition so stern by nature as to verge on rudeness.

Remedios, with her head bowed low over her embroidery, would blush deep red whenever Rafael praised her work or told her she was the prettiest girl in all Alcira. He would help her thread her needles, and hold his hands out to make a winding frame for the skeins; and more than once, with the familiarity of an old playmate, he would pinch her mischievously through the embroidery hoop. And she would never miss the chance to scream scandal.

"Rafael, don't be crazy," his mother would say, threatening him indulgently with her withered forefinger. "Let Remedios work; if you carry on so I won't let you come into the parlor."

And at night, alone in the dining-room with don AndrÉs, when the hour of confidences came, doÑa Bernarda would forget the affairs of "the House" and of "the Party," to say with satisfaction:

"It's going better."

"Is Rafael taking to her?"

"More and more every day. We're getting there, we're getting there! That boy is the living image of his father when it comes to matters like this. Believe me, you can't let one of that tribe out of your sight a minute. If I didn't keep my eye peeled, that young devil would be doing something that would discredit the House forever."

And the good woman was sure that Doctor Moreno's daughter—that abominable creature whose good looks had been her nightmare for some months past—no longer existed for Rafael.

She knew, from her spies, that on one market morning the two had met on the street in town. Rafael had looked the other way, as if trying to avoid her; the "comica" had turned pale and walked straight ahead pretending not to see him. What did that mean?... A break for good of course! The impudent hussy was livid with rage, you see, perhaps because she could not trap her Rafael again; for he, weary of such uncleanliness, had abandoned her forever. Ah, the lost soul, the indecent gad-about! Excuse me! Was a woman to educate a son in the soundest and most virtuous principles, make a somebody of him, and then have an adventuress come along, a thousand times worse than a common street-woman, and carry him off, as nice as you please, in her filthy hands? What had the daughter of that scamp of a doctor thought?... Let her fume! "You're sore just because you see he's dumped you for good!"

In the joy of her triumph doÑa Bernarda was thinking anxiously of her son's marriage to Remedios, and, coming down one peg on the ladder of her dignity toward don Matias, she began to treat the exporter as a member of the family, commenting contentedly upon the growing affection that united their two children.

"Well, if they're fond of each other," said the rustic magnate, "the wedding can take place tomorrow so far as I'm concerned. Remedios means a good deal to me; hard to find a girl like her for running a house; but that needn't interfere with the marriage. I'm mighty well satisfied, doÑa Bernarda, that we should be related through our children. I'm only sorry that don Ramon isn't here to see it all."

And that was true. The one thing lacking to the millionaire's perfect joy was that he would never have the chance to treat the tall, imposing Don Ramon on equal terms for once,—the crowning triumph of a self-made man.

DoÑa Bernarda, too, saw in this union the realization of her fondest dreams: money joined to power; the millions of a business, whose marvelous successes seemed like deliberate tricks of Chance, coming to revivify with their sap of gold the Brull family tree, which was showing the signs of age and long years of struggle!

Spring had come on apace. Some afternoons doÑa Bernarda would take "the children" to her own orchards or to the wealthy holdings of don MatÍas. It was a sight worth seeing—the kindly shrewdness with which she chaperoned the young couple, shouting with shocked alarm if they disappeared behind the orange-trees for a moment or two in their frolics.

"That Rafael of ours," she would say to don AndrÉs, mimicking the long face he used to put on when bringing up her troubles with her husband, "what a rascal he is! I'll bet he's got both arms around her by this time!"

"Let 'em alone, let 'em alone, doÑa Bernarda! The deeper in he gets with this one, the less likely he'll be to go back to the other."

Back to her?... There was no fear of that. It was enough to watch Rafael picking flowers and weaving them into the girl's hair while she pretended to fight him off, blushing like a rose, and quite moved at such homage.

"Now be good, Rafaelito," Remedios would murmur in a sort of entreating bleat, "don't touch me; don't be so bold."

But her emotion would so betray her that you could see the thing she most wanted in the world was for Rafael to place upon her body once again those hands that made her tingle from the tips of her toes to the roots of her hair. She resisted only because such was the duty of a well-educated Christian girl. Like a young she-goat she would dash off with graceful, tripping bounds between the rows of orange-trees, and su seÑoria, the member from Alcira, would give chase with all his might, his nostrils quivering and his eyes ablaze.

"Let's see if he can catch you!" the mother would call, with a laugh. "Run and let him try to catch you!"

Don AndrÉs would roll up his wrinkled face into the smile of an old faun. Such play made him feel young again.

"Huh, seÑora! I believe you. This is getting on—on, and then some. I'd say, marry them off pretty quick; for, if you don't, mark my word, there'll soon be something for Alcira to laugh about."

And they were both mistaken. Neither the mother nor don AndrÉs was present to note the expression of dejection and despair on Rafael's face when he was alone, shut up in his room, where, in the dark corners, he could still see a pair of green, mysterious eyes gleaming at him and tempting him.

Go back to her? Never! He still felt the shame, the humiliation of that morning. He could see himself in all his tragic ridiculousness, in a heap on the ground, trampled under foot by that Amazon, covered with dirt, as humble and abashed as a criminal caught redhanded and with no excuse. And then that word, that had cut like the lash of a whip: "Go!" As if he were a lackey who had dared approach a Duchess! And then that gate slamming behind him, falling like a slab over a tomb, setting up an eternal barrier between him and the love of his life!

No, he would never go back! He was not brave enough to face her again. That morning when he had met her by chance near the market-place, he thought he would die of shame; his legs sagged under him, and the street turned black as if night had suddenly fallen. She had disappeared; but there was a ringing in his ears; and he had had to take hold of something, as if the earth were swaying under his feet, and he would fall.

He needed to forget that unutterable disgrace—a recollection as tenacious as remorse itself. That was why he had plunged into the affair with his mother's protegÉe—as a sort of anaesthetic. She was a woman! And his hands, which seemed to have been unbound since that painful morning, went out toward her; his tongue, free after his vehement confession of love at the orchard-gate, spoke glibly now expressing an adoration that seemed to go beyond the inexpressive features of Remedios, and reach far, far away, to the Blue House, where the other woman was, offended and in hiding.

With Remedios he would feel some sign of life, only to relapse into torpid gloom the moment he was left alone. It was a foamy, frothy intoxication he felt when with the girl, an effervescence that all evaporated in solitude. He thought of Remedios as a piece of green fruit—sound, free of cut or stain, and with all the color of maturity, but lacking the taste that satisfies and the perfume that enthralls.

In his strange situation, spending days in childish games with a young girl who aroused in him nothing more than the bland sense of fraternal comradeship, and nights in sad and sleepless recollection, the one thing that pleased him was intimacy with his mother. Peace had been restored to the home. He could come and go without being conscious of a pair of eyes glaring upon him and without hearing words of indignation stifled between grating teeth.

Don AndrÉs and his friends at the Club kept asking him when the wedding would take place. In presence of "the children" doÑa Bernarda would speak of alterations that would have to be made in the house. She and the servants would occupy the ground floor. The whole first story would be for the couple, with new rooms that would be the talk of the city—they would get the best decorators in Valencia! Don Matias treated him familiarly, just as he had in the old days when he came to the patio to get his orders from don RamÓn and found Rafael, as a child, playing at his father's feet.

"Everything I have will be for you two. Remedios is an angel, and the day I die, she will get more than my rascal of a son. All I ask of you is not to take her off to Madrid. Since she is leaving my roof, at least let me be able to see her every day."

And Rafael would listen to all these things as in a dream. In reality he had not expressed the slightest desire to marry; but there was his mother, taking everything for granted, arranging everything, imposing her will, accelerating his sluggish affection, literally forcing Remedios into his arms! His wedding was a foregone conclusion, the topic of conversation for the entire city.

Sunk in this sadness, in the clutch of the tranquillity which now surrounded him and which he was afraid to break; weak, as a matter of character, and without will power, he sought consolation in the reflection that the solution his mother was preparing was perhaps for the best.

His friendship with Leonora had been broken forever. Any day she might take flight! She had said so very often. She would be going very soon—when the blossoms were off the orange-trees! What would be left for him then ... except to obey his mother? He would marry, and perhaps that would serve as a distraction. Little by little his affection for Remedios might grow. Perhaps in time he would even come to love her.

Such meditations brought him a little calm, lulling him into an attitude of agreeable irresponsibility. He would turn child again, as he once had been, have his mother take charge of everything; let himself be drawn along, passive, unresisting, by the current of destiny.

But at times this resignation boiled up into hot, seething ebullitions of angry protest, of raging passion. At night Rafael could not sleep. The orange-trees were beginning to bloom. The blossoms, like an odorous snow, covered the orchards and shed their perfume as far even as the city streets. The air was heavy with fragrance. To breathe was to scent a nosegay. Through the window-gratings under the doors, through the walls, the virginal perfume of the vast orchards filtered—an intoxicating breath, that Rafael, in his impassioned restlessness, imagined as wafted from the Blue House, caressing Leonora's lovely figure, and catching something of the divine fragrance of her redolent beauty. And he would roll furiously between the sheets, biting the pillow and moaning.

"Leonora! Leonora!"

One night, toward the end of April, Rafael drew back in front of the door to his room, with the tremor he would have felt on the threshold of a place of horror. He could not endure the thought of the night that awaited him. The whole city seemed to have sunk into languor, in that atmosphere so heavily charged with perfume. The lash of spring was stirring all the impulses of life with its exciting caress, and goading every feeling to new intensity. Not the slightest breeze was blowing. The orchards saturated the calm atmosphere with their odorous respiration. The lungs expanded as if there were no air, and all space were being inhaled in each single breath. A voluptuous shudder was stirring the countryside as it lay dozing under the light of the moon.

Hardly realizing what he was doing, Rafael went down into the street. Soon he found himself upon the bridge, where a few strollers, hat in hand, were breathing the night air eagerly, looking at the clusters of broken light that the moon was scattering over the river like fragments of a mirror.

He went on through the silent, deserted streets of the suburbs, his footsteps echoing from the sidewalks. One row of houses lay white and gleaming under the moon. The other was plunged in shadow. He was drawn on and on into the mysterious silence of the fields.

His mother was asleep, he suddenly reflected. She would know nothing. He would be free till dawn. He yielded further to the attraction of the roads that wound in and out through the orchards, where so many times he had dreamed and hoped.

The spectacle was not new to Rafael. Every year he had watched that fertile plain come to life at the touch of Springtime, cover itself with flowers, fill the air with perfumes; and yet, that night, as he beheld the vast mantle of orange-blossoms that had settled over the fields, and was gleaming in the moonlight like a fall of snow, he felt himself completely in control of an infinitely sweet emotion.

The orange-trees, covered from trunk to crown with white, ivory-smooth flowerets, seemed like webs of spun glass, the vegetation of one of those fantastic snow-mantled landscapes that quiver sometimes in the glass spheres of paper-weights. The perfume came in continuous, successive waves, rolling out upon the infinite with a mysterious palpitation, transfiguring the country, imparting to it a feeling of supernaturalness—the vision of a better world, of a distant planet where men feed on perfume and live in eternal poetry. Everything was changed in this spacious love-nest softly lighted by a great lantern of mother-of-pearl. The sharp crackling of the branches sounded in the deep silence like so many kisses; the murmur of the river became the distant echo of passionate love-making, hushed voices whispering close to the loved one's ears words tremulous with adoration. From the canebrake a nightingale was singing softly, as if the beauty of the night had subdued its plaintive song.

How good it was to be alive! The blood tingled more rapidly, more hotly, through the body! Every sense seemed sharper, more acute; though that landscape imposed silence with its pale wan beauty, just as certain emotions of intense joy are tasted with a sense of mystic shrinking!

Rafael followed the usual path. He had turned instinctively toward the Blue House.

The shame of his disgrace still smarted raw within him. Had he met Leonora now in the middle of the road he would have recoiled in childish terror; but he would not meet her at such an hour. That reflection gave him strength to walk on. Behind him, over the roofs of the city, the tolling of a clock rolled. Midnight! He would go as far as the wall of her orchard, enter if that were possible, stand there a few moments in silent humility before the house, looking up adoringly at the windows behind which Leonora lay sleeping.

It would be his farewell! The whim had occurred to him as he left the city and saw the first orange-trees laden with the blossoms whose perfume had for many months been holding the songstress there in patient expectation. Leonora would never know he had been near her in the silent orchard bathed in moonlight, taking leave of her with the unspoken anguish of an eternal farewell, as to a dream vanishing on the horizon of life!

The gate with the green wooden bars came into view among the trees—the gate that had been slammed behind him in insulting dismissal. Among the thorns of the hedge he looked for an opening he had discovered in the days when he used to hover about the house. He went through, and his feet sank into the fine, sandy soil of the orange-groves. Above the tops of the trees, the house itself could be seen, white in the moonlight. The rain-troughs of the roof and the balustrades of the balconies shone like silver. The windows were all closed. Everything was asleep.

He was about to step forward, when a dark form shot out from between two orange-trees and stopped near him with a muffled growl. It was the house dog, an ugly, ill-tempered animal trained to bite before it barked.

Rafael recoiled instinctively from the warm breath of that panting, furious muzzle which was reaching for his leg; but the dog, after a second's hesitation, began to wag its tail with pleasure; and was content merely to sniff at the boy's trousers so as to make absolutely sure of an old friend's identity. Rafael patted him on the head, as he had done so many times, distractedly, in conversations with Leonora on the bench in the plazoleta. A good omen this encounter seemed! And he walked on, while the dog resumed his watch in the darkness.

Timidly he made his way forward in the shelter of a large patch of shadow cast by the orange-trees, dragging himself along, almost, like a thief afraid of an ambuscade.

He reached the walk leading to the plazoleta and was surprised to find the gate half open. Suddenly he heard a suppressed cry near by.

He turned around, and there on the tile bench, wrapped in the shadow of the palm-trees and the rose-bushes, he saw a white form—a woman. As she rose from her seat the moonlight fell squarely on her features.

"Leonora!"

The youth would have gladly sunk into the earth. "Rafael! You here?..."

And the two stood there in silence, face to face. He kept his eyes fixed on the ground, ashamed. She looked at him with a certain indecision.

"You've given me a scare that I'll never forgive you for," she said at last. "What are you doing here?..."

Rafael was at a loss for a reply. He stammered with an embarrassment that quite impressed Leonora; but despite his agitation, he noticed a strange glitter in the girl's eyes, and a mysterious veiling of her voice that seemed to transfigure her.

"Come, now," said Leonora gently, "don't hunt up any far-fetched excuses.... You were coming to bid me good-bye—and without trying to see me! What a lot of nonsense! Why don't you say right out that you are a victim of this dangerous night—as I am, too?"

And her eyes, glittering with a tearful gleam, swept the plazoleta, which lay white in the moonlight; and the snowy orange-blossoms, the rose-bushes, the palm-trees, that stood out black against the blue sky where the stars were twinkling like grains of luminous sand. Her voice trembled with a soft huskiness, as caressing as velvet.

Rafael, quite encouraged by this unexpected reception, tried to beg forgiveness for the madness that had caused his expulsion from the place; but the actress cut him short.

"Let's not discuss that unpleasant thing! It hurts me just to think of it. You're forgiven; and since you've fallen on this spot as though heaven had dropped you here, you may stay a moment. But ... no liberties. You know me now."

And straightening up to her full height as an Amazon sure of herself, she turned to the bench, motioning to Rafael to take a seat at the other end.

"What a night!... I feel a strange intoxication without wine! The orange-trees seem to inebriate me with their very breath. An hour ago my room was whirling round and round, as though I were going to faint. My bed was like a frail bark tossing in a tempest. So I came down as I often do; and here you can have me until sleep proves more powerful than the beauty of this beautiful night."

She spoke with a languid abandonment; her voice quivering, and tremors rippling across her shoulders, as if all the perfume were hurting her, oppressing her powerful vitality. Rafael sat looking at her over the length of the bench—a white, sepulchral figure, wrapped in the hooded cape of a dressing-gown—the first thing she had laid hands upon when she had thought of going out into the garden.

"I was frightened when I saw you," she continued, in a slow, faint voice. "A little fright, nothing more! A natural surprise, I suppose; and yet, I was thinking of you that very moment. I confess it. I was saying to myself: 'What can that crazy boy be doing, at this hour, I wonder?' And suddenly you appeared, like a ghost. You couldn't sleep; you were excited by all this fragrance; and you have come to try your luck anew, with the hope that brought you here at other times."

She spoke without her usual irony, softly, simply, as if she were talking to herself. Her body was thrown limply back against the bench, one arm resting behind her head.

Rafael started to speak once more of his repentance, of his desire to kneel in front of the house there in mute entreaty for pardon, while she would be sleeping in the room above. But Leonora interrupted him again.

"Hush! Your voice is very loud. They might hear you. My aunt's room is in the other wing of the house, but she's not a heavy sleeper.... Besides, I don't care to listen to talk about remorse, pardon, and such things. It makes me think of that morning. The mere fact that I am letting you stay here ought to be enough, oughtn't it? I want to forget all that.... Hush, Rafael! Silence makes the beauty of the night more wonderful. The fields seem to be talking with the moon, and these waves of perfume that are sweeping over us are echoes of their passionate words."

And she fell silent, keeping absolutely still, her eyes turned upward, catching the moonbeams in their tear-like moisture. From time to time Rafael saw her quiver with a mysterious tremor; then extend her arms and cross them behind her head of golden hair, in a voluptuous stretch that made her white robe rustle, while her limbs grew taut in a delicious tension. She seemed upset, ill almost; at times her panting breath was like a sob. Her head drooped over a shoulder and her breast heaved with countless sighs.

The youth was obediently silent, fearing lest the remembrance of his base audacity should again come up in the conversation; and not venturing to reduce the distance that separated them on the bench. She seemed to divine what he was thinking and began to speak, slowly, of the abnormal state of mind in which she found herself.

"I don't know what's the matter with me tonight. I feel like crying, without knowing why. I am filled with a strange inexplicable happiness, and yet I could just weep and weep. Oh, I know—it's the Springtime; all this fragrance that whips my nerves like a lash. I really believe I'm crazy.... Springtime! My best friend—though she has done me only wrong! If ever I have been guilty of any foolish thing in my life, Spring was at the bottom of it.... It's youth reborn in us—madness paying us its annual visit.... And I—ever faithful to her, adoring her; waiting in this out-of-the-way spot almost a year for her to come, to see her once more in her best clothes, crowned with orange-blossoms like a virgin—a wicked virgin who pays me back for my devotion with betrayal!... Just see what I've come to! I am ill—I don't know why—with excess of life, perhaps. She drives me on I don't know where, but certainly where I ought not to go.... If it weren't for sheer will-power on my part, I'd collapse in a heap on this bench here. I'm just like a drunken man bending every effort to keep his feet and walk straight."

It was true; she was really ill. Her eyes grew more and more tearful; her body was quivering, shrinking, collapsing, as if life were overflowing within her and escaping through all her pores.

Again she was silent, for a long time, her eyes gazing vacantly into space; then, she murmured, as if in answer to a thought of her own.

"No one ever understood as well as He. He knew everything, felt as nobody ever felt the mysterious hidden workings of Nature; and He sang of Springtime as a god would sing. Hans used to remark that many a time; and it's so."

Without turning her head she added, in a dreamy musing voice.

"Rafael, you don't know Die WalkÜre, do you? You've never heard the Spring Song?"

He shook his head. And Leonora, with her eyes still gazing moonward, her head resting back against her arms, which escaped in all their round, pearly strength from her drooping sleeves, spoke slowly, collecting her memories, recreating in her mind's eye that Wagnerian scene of such intense poetry—the glorification and the triumph of Nature and Love.

Hunding's hut, a barbaric dwelling, hung with savage trophies of the chase, suggesting the brutish existence of man scarcely yet possessed of the world, in perpetual strife with the elements and with wild animals. The eternal fugitive, forgotten of his father,—Sigmund by name, though he calls himself "Despair," wandering years and years through the forests, harrassed by beasts of prey who take him for one of themselves in his covering of skins, rests at last at the foot of the giant oak that sustains the hut; and as he drinks the hidromel in the horn offered to him by the sweet Siglinda, he gazes into her pure eyes and for the first time becomes aware that Love exists.

The husband, Hunding, the wild huntsman, takes leave of him at the end of the rustic supper: "Your father was the Wolf, and I am of the race of Hunters. Until the break of day, my house protects you; you are my guest; but as soon as the sun rises in the heavens you become my enemy, and we will fight.... Woman, prepare the night's drink; and let us be off to bed."

And the exile sits alone beside the fireplace, thinking of his immense loneliness. No home, no family, not even the magic sword promised him by his father the Wolf. And at daybreak, out of the hut that shelters him the enemy will come to slay him. The thought of the woman who allayed his thirst, the sparkle of those pure eyes wrapping him in a gaze of pity and love, is the one thing that sustains him.... She comes to him when her wild consort has fallen asleep. She shows him the hilt of the sword plunged into the oak by the god Wotan; nobody can pull it out: it will obey only the hand of him to whom it has been destined by the god.

As she speaks the wandering savage gazes at her in ecstasy, as if she were a white vision revealing to him the existence of something more than might and struggle in the world. It is the voice of Love. Slowly he draws near; embraces her; clasps her to his heart, while the door is pushed open by the breeze and the green forest appears, odorous in the moonlight—nocturnal Springtime, radiant and glorious, wrapped in a mantle of music and perfume.

Siglinda shudders. "Who has come in?" No one—and yet, a Stranger has entered the hovel, opening the door with an invisible hand. And Sigmund, at the inspiration of Love, divines the identity of the visitant. "It is Springtime laughing in the air about your tresses. The storms are gone; gone is the dark solitude. The radiant month of May, a young warrior in an armor of flowers, has come to give chase to bleak Winter, and in all this festival of rejoicing Nature, seeks his sweetheart: Youth. This night, which has brought you to me, is the unending night of Spring and Youth."

And, Leonora was thrilled as she heard in her memory the murmur of the orchestra accompanying the song of tenderness inspired by Spring; the rustle of the forest branches benumbed by the winter, now swaying with the new sap that had flowed into them like a torrent of vitality; and out on the brightly lighted plazoleta she could almost see Sigmund and Siglinda clasping in an eternal unseverable embrace, as she had seen them from the wings of the opera, where she would be waiting as a Valkyrie to step out and set an audience wild with her mighty "Hojotoho!"

She was feeling the same loneliness and yearning that Sigmund felt in Hunding's hovel. Without a family, without a home, wandering over the world, she longed for someone to lean on, someone to clasp tenderly to her heart! And it was she who unconsciously, instinctively, had drawn closer to Rafael, and placed her hand in his.

She was ill. She sighed softly with the appealing entreaty of a child, as if the intense poetry of that memory of music had shattered the frail remnant of will that had kept her mistress of herself.

"I don't know what's the matter with me to-night. I feel as though I were dying.... But such a sweet death! So sweet!... What madness, Rafael! How rash it was of us to have seen each other on such a night!..."

And with supplicating eyes, as if entreating forgiveness, she gazed out into the majestic moonlight, where the silence seemed to be stirring with the palpitation of a new life. She could divine that something was dying within her, that her will lay prostrate on the ground, without strength to defend itself.

Rafael, too, was overwhelmed. He held her clasped against his breast, one of her hands in his. She was weak, languid, will-less, incapable of resistance; yet he did not feel the brutal passion of the previous meeting; he did not dare to move. A sense of infinite tenderness came over him. All he yearned for was to sit there hour after hour in contact with that beautiful form, clasping her tightly to him, making her one with him, as a jewel-case might guard a jewel.

He whispered mysteriously into her ear, hardly knowing what he was saying; tender words that seemed to be coming from someone within him, thrilling him with a tingling, suffocating passion as they left his lips.

Yes, it was true; that night was the night dreamed of by the immortal Poet; the wedding night of smiling Youth and of martial May in his armor of flowers. The fields were quivering voluptuously under the rays of the moon; and they, two young hearts, feeling the flutter of Love's wings about their hair, why should they sit unresponsive there, blind to the beauty of the night, deaf to the infinite caress that was echoing from all around?

"Leonora! Leonora!" moaned Rafael.

He had slipped down from the bench. Before he was aware of it, he found himself kneeling at her feet, clutching her hands, and thrusting his face upward without daring to reach her lips.

She drew weakly back, protesting feebly, with a girlish plaint:

"No, no; it would hurt me.... I feel that I'm dying."

"You belong to me," the youth continued with an exaltation ill-suppressed. "You belong to me forever; to gaze into your dear eyes, and to murmur in your ear, your sweet, beautiful, name, and die, if need be, here. What do we care for the world and its opinions?"

And Leonora with weakening resistance, continued to refuse:

"No, no.... I must not. It's a feeling I can't explain."

And that was so. The gentle quiver of Nature under the kiss of Springtime, the intense perfume of the flower that is the emblem of virginity, had transfigured that madcap singer, that adventuress of a career so checkered, who had been violently thrust into her first experience of passion, and now for the first time felt the blush of modesty in the arms of a man. Nature, intoxicating her, shattering her will, seemed to have created a strange virginity in that body so familiar with the call of passion.

"Oh, Rafael, what is happening to me?... What's happening to me? It must be love; a new love that I did not think I should ever know.... Rafael ... Rafael, my own boy!"

And weeping softly, she took his head in her hands, pressed her lips to his, and then fell back in her seat with eyes distended, maddened with the joy of that kiss.

"I belong to you, Rafael! Yours ... but forever. I have always loved you from the first, but now ... I adore you.... For the first time in my life I say that with all my soul."

Hardly able to realize his good fortune, Rafael was thrilled by a deeply generous sentiment. There was nothing he would not give to that woman....

"Yes; you belong to me forever.... I will marry you."

But in his dreamy, wild intoxication he saw the artiste's eyes open wide in surprise, as a sad smile flitted across her lips.

"Marry me And why?... That's well enough for other women; but me you must love, my darling child, ever so much, as much as you can.... Just love me!... I believe only in Love!"

---

V

"But my dear child, when are we getting to this island of yours?... It bores me to be here sitting on this seat, so far away from my little boy, watching his arms get tired from all that rowing. I must kiss him.. even if he says no! It will rest him, I am sure."

And rising to her feet, Leonora took two steps forward in the white boat, though threatening to upset it, and kissed Rafael several times. He lay aside the oars and laughingly defended himself.

"Madcap! We'll never get there at this rate. With rests like this we make very little progress, and I've promised to take you to my island."

Once again he bent to the oars, heading out toward midstream over the moonlit water, as if to vouchsafe the groves on either bank an equal pleasure in the romantic escapade.

It had been one of her caprices—a desire repeated during his visits to the Blue House on some afternoons, in the presence of doÑa Pepa and the maid, and on every night, as he passed through the opening in the hedge where Leonora's bare arms were waiting for him in the darkness.

For more than a week Rafael had been living in a sweet dream. Never had he imagined that life could be so beautiful. It was a mood of delicious abstraction. The city no longer existed for him. The people that moved about him seemed like so many spectres: his mother and Remedios were invisible beings. Their words he would hear and answer without taking the trouble to look up.

He spent his days in feverish impatience for night to come—that the family might finish supper and leave him free to go to his room, whence he would cautiously tip-toe, as soon as the house was silent and everybody was asleep.

Indifferent to everything foreign to his love, he did not realize the effect his conduct was having on his mother. She had noticed that his door was locked all morning while he slept off the fatigue of a sleepless night. She had already tired of asking him whether he was ill, and of getting the same reply:

"No, mama; I've been working nights; an important study I'm preparing."

It was all his mother could do on such occasions to restrain herself from shouting "Liar!" Two nights she had gone up to his room, to find the door locked and the keyhole dark. Her son was not inside. She would lie awake for him now; and every morning, somewhat before dawn, she would hear him softly open the outside door and tip-toe up the stairs, perhaps in his stocking-feet.

The female Spartan said nothing however, hoarding her indignation in silence, complaining only to don AndrÉs of the recrudescence of a madness that was upsetting all her plans. Through his numerous henchmen the counselor kept watch upon the young man. His spies followed Rafael cautiously through the night, up to the gate of the Blue House.

"What a scandal!" exclaimed doÑa Bernarda. "At night, too! He'll wind up by bringing her into this house! Can it be that that simpleton of a doÑa Pepita is blind to all this?"

And there was Rafael, unaware of the storm that was gathering about his head, no longer deigning even to speak to Remedios, or look at her, as with her head bowed like a sulky goat, she went around stifling her tears at the memory of those happy strolls in the orchard under doÑa Bernarda's surveillance.

The deputy had eyes for nothing outside of the Blue House; his happiness had blinded him. The one thing that annoyed him was the necessity of hiding his joy—his inability to make his good fortune public, so that all his admirers might learn of it.

He would willingly have gone back to the days of the Roman decadence, when the love affairs of the powerful became matters of national adoration.

"What do I care for their gossip" he once said to Leonora. "I love you so much that I'd like to see the whole city worship you in public. I'd like to snatch you up in my arms, and appear upon the bridge at high noon, before a concourse stupefied by your beauty: 'Am I or am I not your "quefe"?' I'd ask. 'Well, if I am, adore this woman, who is my very soul and without whom I could not live. The affection which you have for me you must have also for her.' And I'd do just as I say if it were possible."

"Silly boy ... adorable child," she had replied, showering him with kisses, brushing his dark beard with her soft, quivering lips.

And it was during one of their meetings—when their words were broken by sudden impulses of affection, and their lips were tightly pressed together—that Leonora had expressed her capricious desire.

"I'm stifling in this house. I hate to caress you inside four walls, as if you were only a passing whim. This is unworthy of you. You are Love, who came to seek me out on the most beautiful of nights. I like you better in the open air. You look more handsome to me then, and I feel younger."

And recalling those trips down the river about which Rafael had told her so many times when they were only friends—that islet with its curtains of reeds, the willows bending over the water and the nightingale singing from its hiding-place—she had asked him, eagerly:

"What night are you going to take me there? It's a whim of mine, a wild idea; but, what does love exist for, if not to make people do the foolish things that sweeten life?... Carry me off in your boat! The bark that bore you there will transport the two of us to your enchanted island; we will spend the whole night in the open air."

And Rafael, who was flattered by the idea of taking his love publicly down the river, through the slumbering countryside, unfastened his boat at midnight under the bridge and rowed it to a canebrake near Leonora's orchard.

An hour later they emerged through the opening in the hedge, arm in arm, laughing at the mischievous escapade, disturbing the majestic silence of the landscape with noisy, insolent kisses.

They got into the boat, and with a favoring current, began to descend the JÚcar, lulled by the murmur of the river as it glided between the high mudbanks covered with reeds that bent low over the water and formed mysterious hiding places.

Leonora clapped her hands with delight. She threw over her neck the silk shawl with which she had covered her head. She unbuttoned her light traveling coat, and inhaled with deep enjoyment the moist, somewhat muggy breeze that was curling along the surface of the river. Her hand trembled as it dipped into the water from time to time.

How beautiful it was! All by themselves, and wandering about, as if the world did not exist; as if all Nature belonged to them, to them alone! Here they were, slipping past clusters of slumbering houses, leaving the city far behind. And nobody had suspected that passion, which in its enthusiasm had broken its chains and left its mysterious lair to have the heavens and the fields for sympathetic witnesses. Leonora would have wished that the night should never end; that the waning moon, which seemed to have been slashed by a sword, should stop eternally in the sky to wrap them forever in its feeble, dying light; that the river should be endless, and the boat float on and on until, overwhelmed by so much love, they should breathe the last gasp of life away in a kiss as tenuous as a sigh.

"If you could only know how grateful I am to you for this excursion, Rafael!... I'm happy, so happy. Never have I had such a night as this. But where is the island? Have we gone astray, as you did the night of the flood?"

No! At last they reached the place. There Rafael had spent many an afternoon hidden in the bushes, cut off by the encircling waters, dreaming that he was an adventurer on the virgin prairies or the vast rivers of America, performing exploits he had read about in the novels of Fenimore Cooper and Mayne Reid.

A tributary joined the JÚcar at this point, emptying gently into the main stream from under a thicket of reeds and trees that formed a triumphal arch of foliage. At the confluence rose the island—a tiny piece of land almost level with the water, but as fresh as green and fragrant as an aquatic bouquet. The banks were lined with dense clumps of cane, and a few willows that bent their hairy foliage low over the water, forming dark vaults through which the boat could make its way.

The two lovers entered the shade. The curtain of branches concealed them from the river; a bare tear of moonlight managed to filter through the mane of willows.

Leonora felt a first sense of uneasiness in this dark, damp, cave-like haunt. Invisible animals took to the water with dull splashes as they heard the boat's bow touch the mud of the bank. The actress clutched her lover's arm with nervous pleasure.

"Here we are," murmured Rafael. "Hold on to something and get out. Careful, careful! Don't you want to hear the nightingale? Here we have him. Listen."

It was true. In one of the willows, at the other side of the island, the mysterious bird was trilling from his hiding place, a dizzying shower of notes, which broke at the crescendo of the musical whirl-pool into a plaint as soft and long-sustained as a golden thread stretched in the silence of the night across the river, that seemed to be applauding with its hushed murmur. To get nearer, the lovers went up through the rushes, stopping, bending over at each step, to keep the branches from crackling underneath their feet.

Favoring moisture had covered the islet with an exuberant undergrowth. Leonora repressed exclamations of glee as she found her feet caught in meshes of reeds or received the rude caresses of the branches that snapped back, as Rafael went ahead, and brushed against her face. She called for help in a muffled voice; and Rafael, laughing also, would hold out his hand to her, taking her finally to the very foot of the tree where the nightingale was singing.

The bird, divining the presence of intruders, ceased his song. Doubtless he had heard the rustle of their clothing as they sat down at the foot of the tree, or the tender words they were murmuring into each other's ear.

Over all, the silence of slumbering Nature reigned—that silence made up of a thousand sounds, harmonizing and blending in one majestic calm; the murmur of the water, the stirring of the foliage, the mysterious movements of unseen creatures crawling along under the leaves or patiently boring their winding galleries in the creaking trunks.

The nightingale began again to sing, timidly, like an artist afraid of an impending interruption. He uttered a few disconnected notes with anxious rests between them—love sighs they seemed, broken by sobs of passion. Then gradually he took courage, regained self-confidence, and entered on his full song, just as a soft breeze rose, swept over the island, and set all the trees and reeds rustling in mysterious accompaniment.

The bird gradually grew intoxicated with the sound of his own trilling, cadenced, voice; one could almost see him up there in the thick darkness, panting, ardent, in the spasm of his musical inspiration, utterly engrossed in his own beautiful little world of song, overwhelmed by the charm of his own artistry.

But the bird had ceased his music when the two lovers awoke in a tight embrace, still in ecstasy from the song of love to which they had fallen asleep. Leonora was resting a dishevelled head on Rafael's shoulder, caressing his neck with an eager, wearied breathing, whispering in his ear, random, incoherent words that still were vibrant with emotion.

How happy she was there! Everything comes for true love! Many a time, during the days of her unkindness to him, she had looked out from her balcony upon the river winding down through the slumbering countryside; and she had thought with rapture of a stroll some day through that immense garden on Rafael's arm—of gliding, gliding down the JÚcar, to that very island.

"My love is an ancient thing," she murmured. "Do you suppose, I have been loving you only since the other night? No, I have loved you for a long, long time.... But don't you go and get conceited on that account, su seÑoria! I don't know how it began: It must have been when you were away in Madrid. When I saw you again I knew that I was lost. If I still resisted, it was because I was a wise woman; because I saw things clearly. Now I'm mad and I've thrown my better judgment to the winds. God knows what will become of us.... But come what may, love me, Rafael, love me. Swear that you'll love me always. It would be cruel to desert me after awakening a passion like this."

And, in an impulse of dread, she nestled closer against his breast, sank her hands into his hair, lifted her head back to kiss him avidly on the face, the forehead, the eyes, the lips, nibbling playfully, tenderly at his nose and chin, yet with an affectionate vehemence that drew cries of mock protest from Rafael.

"Madcap!" he muttered, smiling. "You're hurting me."

Leonora looked steadily at him out of her two great eyes that were a-gleam with love.

"I could eat you up," she murmured. "I feel like devouring you, my heaven, my king, my god.... What have you given me, tell me, little boy? How have you been able to fascinate me, make me feel a passion that I never, never felt before?"

And again they fell asleep.

Rafael stirred in his lover's arms, and suddenly sat up.

"It must be late. How many hours have we been here, do you suppose?"

"Many, many hours," Leonora answered sadly. "Hours of happiness always go so fast."

It was still dark. The moon had set. They arose and, hand in hand, groping their way along, they reached the boat. The splash of the oars began again to sound along the dark stream.

Suddenly the nightingale again piped gloomily in the willow wood, as if in farewell to a departing dream.

"Listen, my darling," said Leonora. "The poor little fellow is bidding us good-bye. Just hear how plaintively he says farewell."

And in the strange exhiliration that comes from fatigue, Leonora felt the flames of art flaring up within her, seething through her organism from head to foot.

A melody from Die Meistersinger came to her mind, the hymn that the good people of Nuremberg sing when Hans Sachs, their favorite singer, as bounteous and gentle as the Eternal Father, steps out on the platform for the contest in poetry. It was the song that the poet-minstrel, the friend of Albrecht DÜrer, wrote in honor of Luther when the great Reformation broke; and the prima donna, rising to her feet in the stern, and returning the greeting of the nightingale began:

"Sorgiam, che spunta il dolce albor,
cantar ascolto in mezzo ai fior
voluttuoso un usignol
spiegando a noi l'amante vol!..."

Her ardent, powerful voice seemed to make the dark surface of the river tremble; it rolled in harmonious waves across the fields, and died away in the foliage of the distant island, whence the nightingale trilled an answer that was like a fainting sigh. Leonora tried to reproduce with her lips the majestic sonorousness of the Wagnerian chorus, mimicking the rumbling accompaniment of the orchestra, while Rafael beat the water with his oars in time with the pious, exalted melody with which the great Master had turned to popular poetry adequately to greet the outbreak of Reform.

They went on and on up the river against the current, Leonora singing, Rafael bending over the oars, moving his sinewy arms like steel springs. He kept the boat inshore, where the current was not so strong. At times low branches brushed the heads of the lovers, and drops of dew fell on their faces. Many a time the boat glided through one of the verdant archways of foliage, making its way slowly through the lily-pads; and the green overhead would tremble with the harmonious violence of that wonderful voice, as vibrant and as resonant as a great silver bell.

Day had not yet dawned—the dolce albor of Hans Sachs' song—but at any moment the rosy rim of sunrise would begin to climb the sky.

Rafael was hurrying to get back as soon as possible. Her sonorous voice of such tremendous range seemed to be awakening the whole countryside. In one cottage a window lighted up. Several times along the river-bank, as they rowed past the reeds, Rafael thought he heard the noise of snapping branches, the cautious footsteps of spies who were following them.

"Hush, my darling. You had better stop singing; they'll recognize you. They'll guess who you are."

They reached the bank where they had embarked. Leonora leaped ashore. They must separate there; for she insisted on going home alone. And their parting was sweet, slow, endless.

"Good-bye, my love; one kiss. Until tomorrow ... no, later—today."

She walked a few steps up the bank, and then suddenly ran back to snuggle again in her lover's arms.

"Another, my prince ... the last."

Day was breaking, announced not by the song of the lark, as in the garden of Shakespere's lovers at Verona, but by the sound of carts, creaking over country roads in the distance, and by a languid, sleepy melody of an orchard boy.

"Good-bye, Rafael.... Now I must really go. They'll discover us."

Wrapping her coat about her she hurried away, waving a final farewell to him with her handkerchief.

Rafael rowed upstream toward the city. That part of the trip—he reflected—alone, tired, and struggling against the current, was the one bad part of the wonderful night. When he moored his boat near the bridge it was already broad day. The windows of the river houses were opening. Over the bridge carts laden with produce for the market were rumbling, and orchard women were going by with huge baskets on their heads. All these people looked down with interest on their deputy. He must have spent the night fishing. And this news passed from one to the other, though not a trace of fishing tackle was visible in the boat. How they envied rich folks, who could sleep all day and spend their time just as they pleased!

Rafael jumped ashore. All that curiosity he was attracting annoyed him. His mother would know everything by the time he got home!

As he climbed slowly and wearily, his arms numb from rowing, to the bridge, he heard his name called.

Don AndrÉs was standing there, gazing at him out of those yellow eyes of his, scowling through his wrinkles with an expression of stern authority.

"You've given me a fine night, Rafael. I know where you've been. I saw you row off last night with that woman; and plenty of my friends were on hand to follow you and find out just where you went. You've been on the island all night; that woman was singing away like a lunatic.... God of Gods, boy! Aren't there any houses in the world? Do you have to play the band when you're having an affair, so that everybody in the Kingdom can come and look?"

The old man was truly riled; all the more because he was himself the secretive, the dexterous, libertine, adopting every precaution not to be discovered in his "weaknesses." Was it anger or envy that he felt on seeing a couple enough in love with each other to be fearless of gossip and indifferent to danger, to throw prudence to the winds, and flaunt their passion before the world with the reckless insolence of happiness?

"Besides, your mother knows everything. She's discovered what you've been up to, these nights past. She knows you haven't been in your room. You're going to break that woman's heart!"

And with paternal severity he went on to speak of doÑa Bernarda's despair, of the danger to the future of the House, of the obligations they were under to don MatÍas, of the solemn promise given, of that poor girl waiting to be married!

Rafael walked along in silence and like an automaton. That old man's chatter brought down around his head, like a swarm of pestering mosquitoes, all the provoking, irritating obligations of his life. He felt like a man rudely awakened by a tactless servant in the middle of a sweet dream. His lips were still tingling with Leonora's kisses! His whole body was aglow with her gentle warmth! And here was this old curmudgeon coming along with a sermon on "duty," "family," "what they would say"—as if love amounted to nothing in this life! It was a plot against his happiness, and he felt stirred to the depths with a sense of outrage and revolt.

They had reached the entrance to the Brull mansion. Rafael was fumbling about for the key-hole with his key.

"Well," growled the old man. "What have you got to say to all this? What do you propose to do? Answer me! Haven't you got a tongue in your head?"

"I," replied the young man energetically—"will do as I please."

Don AndrÉs jumped as though he had been stung. My, how this Rafael had changed!... Never before had he seen that gleam of aggressiveness, arrogance, belligerency in the eye of the boy!

"Rafael, is that the way you answer me,—a man who has known you since you were born? Is that the tone of voice you use toward one who loves you as your own father loved you?"

"I'm of age, if you don't mind my saying so!" Rafael replied. "I'm not going to put up any longer with this comedy of being a somebody on the street and a baby in my own house. Henceforth just keep your advice to yourself until I ask for it. Good day, sir!"

As he went up the stairs he saw his mother on the first landing, in the semi-darkness of the closed house, illumined only by the light that entered through the window gratings. She stood there, erect, frowning, tempestuous, like a statue of Avenging Justice.

But Rafael did not waver. He went straight on up the stairs, fearless and without a tremor, like a proprietor who had been away from home for some time and strides arrogantly back Into a house that is all his own.

---

VI

"You're right, don AndrÉs. Rafael is not my son. He has changed. That wanton woman has made another man of him. Worse, a thousand times worse, than his father! Crazy over the huzzy! Capable of trampling on me if I should step between him and her. You complain of his lack of respect to you! Well, what about me?... You wouldn't have thought it possible! The other morning, when he came into the house, he treated me just as he treated you. Only a few words, but plain enough! He'll do just as he pleases, or—what amounts to the same thing—he'll keep up his affair with that woman until he wearies of her, or else blows up in one grand debauch, like his father.... My God! And that's what I've suffered for all these years. That's what I get for sacrificing myself, day in day out, trying to make somebody out of him!"

The austere doÑa Bernarda, dethroned by her son's resolute rebelliousness, wept as she said this. In her tears of a mother's grief there was something also of the chagrin of the authoritarian on finding in her own home a will rebellious to hers and stronger than hers.

Between sobs she told don AndrÉs how her son had been carrying on since his declaration of independence. He was no longer cautious about spending the night away from home. He was coming in now in broad daylight; and, afternoons, with his meals "still in his mouth" as she said, he would take the road to the Blue House, on the run almost, as if he could not get to perdition soon enough. The dead hand of his father was upon him!

All you had to do was look at him. His face discolored, yellow, pale; his skin drawn tight over his cheekbones; and—the only sign of life—the fire that gleamed in his eyes like a spark of wild joy! Oh, a curse was on the family! They were all alike ...!

The mother did her best to conceal the truth from Remedios. Poor girl! She was going about crestfallen and in deep dejection, unable to explain Rafael's sudden withdrawal.

The matter had to be kept secret; and that was what held doÑa Bernarda's rage within bounds during her rapid, heated exchanges with her son.

Perhaps everything would come out all right in the end—something unforeseen would turn up to undo the evil spell that had been cast over Rafael. And in this hope she used every effort to keep Remedios and her father from learning what had happened. She feigned contentment in their presence, and invented a thousand pretexts—studies, work, even illness—to justify her son's neglect of his "fiancee." At the same time, the disconsolate mother feared the people around her—the gossip of a small town, bored with itself, ever on the alert, hunting for something interesting to talk about and get scandalized about.

The news of Rafael's affair spread like wildfire meanwhile, considerably magnified as it passed from mouth to mouth. People told hair-raising tales of that expedition down the river, of walks through the orange groves, of nights spent at doÑa Pepa's house, Rafael entering in the dark, in his stocking feet, like a thief; of silhouettes of the lovers outlined in suggestive poses against the bedroom curtain; of their appearing in windows their arms about each other's waists, looking at the stars—everything sworn to by voluntary spies, who could say "I saw it with my own eyes"—persons who had spent whole nights, on the river-bank, behind some fence, in some clump of bushes, to surprise the deputy on his way to or from his assignations.

In the cafÉs or at the Casino, the men openly envied Rafael, commenting with eyes a-glitter on his good fortune. That fellow had been born under a lucky star! But later at home they would add their stern voices to the chorus of indignant women. What a scandal! A deputy, a public man, a "personage" who ought to set an example for others! That was a disgrace to the constituency! And when the murmur of general protest reached the ears of doÑa Bernarda, she lifted her hands to heaven in despair. Where would it all end! Where would it all end! That son of hers was bent on ruining himself!

Don MatÍas, the rustic millionaire, said nothing; and, in the presence of doÑa Bernarda, at least, pretended to know nothing. His interest in a marriage connection with the Brull family counselled prudence. He, too, hoped that it would all blow over, prove to be the blind infatuation of a young man. Feeling himself a father, more or less, to the boy, he thought of giving Rafael just a bit of advice when he came upon him in the street one day. But he desisted after a word or two. A proud glance of the youth completely floored him, making him feel like the poor orange-grower of former days, who had cringed before the majestic, grandiose don RamÓn!

Rafael was intrenched in haughty silence. He needed no advice. But alas! When at night he reached his beloved's house—it seemed to be redolent with the very perfume of her, as if the furniture, the curtains, the very walls about her had absorbed the essence of her spirit—he felt the strain of that insistent gossip, of the persecution of an entire city that had fixed its eyes upon his love.

Two against a multitude! With the serene immodesty of the ancient idylls, they had abandoned themselves to passion in a stupid, narrow environment, where sprightly gossip was the most appreciated of the moral talents!

Leonora grew sad. She smiled as usual; she flattered him with the same worship, as if he were an idol; she was playful and gay; but in moments of distraction, when she did not notice that he was watching, Rafael would surprise a cast of bitterness about her lips—and a sinister light in her eyes, the reflection of painful thoughts.

She referred with acrid mirth one night to what people were saying about them. Everything was found out sooner or later in that city! The gossip had gotten even to the Blue House! Her kitchen woman had hinted that she had better not walk so much along the river front—she might catch malaria. On the market place the sole topic of conversation was that night trip down the JÚcar ... the deputy, sweating his life out over the oars, and she waking half the country up with her strange songs!... And she laughed, but with a hard, harsh laugh of affected gaiety that showed the nervousness underneath, though without a word of complaint.

Rafael remorsefully reflected that she had foreseen all that in first repelling his advances. He admired her resignation. She would have been justified in rebuking him for the harm he had done her. As it was, she was not even telling him all she knew! Ah, the wretches! To harass an innocent woman so! She had loved him, given herself to him, bestowed on him the royal gift of her person. And the deputy began to hate his city, for repaying in insult and scandal the wondrous happiness she had conferred on its "chief"!

On another night Leonora received him with a smile that frightened him. She was affecting a mood of hectic cheerfulness, trying to drown her worries by sheer force, overwhelming her lover with a flood of light, frivolous chatter; but suddenly, at the limit of her endurance, she gave way, and in the middle of a caress, burst into tears and sank to a divan, sobbing as if her heart would break.

"Why what's the matter? What has happened ...?"

For a time she could not answer, her voice was too choked with weeping. At last, however, between sobs, burying her tear-stained face on Rafael's shoulder, she began to speak, completely crushed, fainting from virtual prostration.

She could stand it no longer! The torture was becoming unbearable. It was useless for her to pretend. She knew as well as he what people were saying in the city. They were spied upon continuously. On the roads, in the orchard, along the river, there were people constantly on the watch for something new to report. That passion of hers, so sweet, so youthful, so sincere, was a butt of public laughter, a theme for idle tongues, who flayed her as if she were a common street-woman, because she had been good to him, because she had not been cruel enough to watch a young man writhe in the torment of passion, indifferently.... But though this persecution from a scandalized public was bad enough, she did not mind it. Why should she care what those stupid people said? But, alas, there were others—the people around Rafael, his friends, his family, ... his mother!

Leonora sat silent for a moment, as if waiting to see the effect of that last word; unless, indeed, she were hesitating, out of delicacy, to include her lover's family in her complaint. The young man shrank with a terrible presentiment. DoÑa Bernarda was not the woman to stand by idle and resigned in the face of opposition, even from him!

"I see ... mother!" he said in a stifled voice. "She has been up to something. Tell me what it is. Don't be afraid. To me you are dearer than anything else in the world."

"Well ... there is auntie ..." Leonora resumed; and Rafael remembered that doÑa Pepa, remarking his assiduous visits to the Blue House, had thought her niece might be contemplating marriage. In the afternoon, Leonora explained, she had had a scene with her aunt. DoÑa Pepa had gone into town to confession, and on coming out of church had met doÑa Bernarda. Poor old woman! Her abject terror on returning home betrayed the intense emotion Rafael's mother had succeeded in wakening in her. Leonora, her niece, her idol, lay in the dust, stripped of that blind, enthusiastic, affectionate trust her aunt had always had for her. All the gossip, all the echoes of Leonora's adventurous life, that had—heretofore but feebly—come to her ears, the old lady had never believed, regarding them as the work of envy. But now they had been repeated to her by doÑa Bernarda, by a lady "in good standing," a good Christian, a person incapable of falsehood. And then after rehearsing that scandalous biography, Rafael's mother had come to the shocking effrontery with which her niece and Rafael were rousing the whole city; flaunting their wrong-doing in the face of the public; and turning her home, the respectable, irreproachable home of doÑa Pepa, into a den of vice, a brothel!

And the poor woman had wept like a child in her niece's presence, adjuring her to "abandon the wicked path of transgression," shuddering with horror at the great responsibility she, doÑa Pepa, had unwittingly assumed before God. All her life she had labored and prayed and fasted to keep her soul clean. She had thought herself almost in a state of grace, only to awaken suddenly and find herself in the very midst of sin through no fault of her own—all on account of her niece, who had converted her holy, her pure, her pious home into an ante-chamber of hell! And it was the poor woman's superstitious terror, the conviction of damnation that had seized on doÑa Pepa's simple soul, that wounded Leonora most deeply.

"They've robbed me of all I had in the world," she murmured desperately, "of the affection of the only dear one left after my father died. I am not the child of former days to auntie; that is apparent from the way she looks at me, the way she shuns me, avoiding all contact with me.... And just because of you, because I love you, because I was not cruel to you! Oh, that night! How I shall suffer for it!... How clearly I foresaw how it would all end!"

Rafael was humiliated, crushed, filled with shame and remorse at the suffering that had fallen upon this woman, because she had given herself to him. What was he to do? The time had come to prove himself the strong, the resourceful man, able to protect the beloved woman in her moment of danger. But where should he strike first to defend her?...

Leonora lifted her head from her lover's shoulder, and withdrew from his embrace. She wiped away her tears and rose to her feet with the determination of irrevocable resolution.

"I have made up my mind. It hurts me very much to say what I am going to say; but I can't help it. It will do you no good to say 'no'—I cannot stay under this roof another day. Everything is over between my aunt and me. Poor old woman! The dream I cherished was to care for her lovingly, tenderly till she died in my arms, be to her what I failed to be to father.... But they have opened her eyes. To her I am nothing but a sinner now and my presence upsets everything for her.... I must go away. I've already told Beppa to pack my things.... Rafael, my love, this is our last night together.... To-morrow ... and you will never see me again."

The youth recoiled as if someone had struck him in the breast.

"Going? Going ...? And you can say that coolly, simply, just like that? You are leaving me ... this way ... just when we are happiest ...?"

But soon he had himself in hand again. This surely could be nothing more than a passing impulse, a notion arrived at in a flash of anger. Of course she did not really mean to go! She must think things over, see things clearly. That was a crazy idea! Desert her Rafaelito? Absurd! Impossible!

Leonora smiled sadly. She had expected him to talk that way. She, too, had suffered much, ever so much, before deciding to do it! It made her shudder to think that within two days she would be off again, alone, wandering through Europe, caught up again in that wild, tumultuous life of art and love, after tasting the full sweetness of the most powerful passion she had ever known—of what she believed was her "first love." It was like putting to sea in a tempest with destination unknown. She loved him, adored him, worshipped him, more than ever now that she was about to lose him.

"Well, why are you going?" the young man asked. "If you love me, why are you forsaking me?"

"Just because I love you, Rafael.... Because I want you to be happy."

For her to remain would mean ruin for him: a long battle with his mother, who was an implacable, a merciless foe. DoÑa Bernarda might be killed, but never conquered! Oh, no! How horrible! Leonora knew what filial cruelty was! How had she treated her father? She must not now come between a son and a mother! Was she, perhaps, a creature accursed, born forever to corrupt with her very name the sacredest, purest relations on earth?

"No, you must be good, my heart. I must go away. We can't go on loving each other here. I'll write to you, I'll let you know all I'm doing.... You'll hear from me every day, if I have to write from the North Pole! But you must stay! Don't drive your mother to despair! Shut your eyes to the poor woman's injustice! For after all, she is doing it all out of her immense love for you.... Do you imagine I am glad to be leaving you—the greatest happiness I have ever known?"

And she threw her arms about Rafael, kissing him over and over again, caressing his bowed, pensive head, within which a tempest of conflicting ideas and resolutions was boiling.

So those bonds which he had come to believe eternal were to be broken? So he was to lose so easily that beauty which the world had admired, the possession of which had made him feel himself the first among men? She talked of a love from a distance, of a love persisting through years of separation, travel, all the hazards of a wandering life; she promised to write to him every day!... Write to him ... from the arms of another man, perhaps! No! He would never give up such a treasure; never!

"You shall not go," he answered at last decisively. "A love like ours is not ended so easily. Your flight would be a disgrace to me—it would look as if I had affronted you in some way, as if you were tired of me."

Deep in his soul he felt eager to make some chivalrous gesture. She was going away because she had loved him! He should stay behind, sad and resigned like a maid abandoned by a lover, and with the sense of having harmed her on his conscience! Ira de diÓs! He, as a man, could not stand by with folded arms accepting the abnegation of a woman, to stick tied to his mother's apron-strings in boobified contentment. Even girls ran away from home and parents sometimes, in the grip of a powerful love; and he, a man, a man "in the public eye" also—was he to let a beautiful girl like Leonora go away sorrowful and in tears, so that he could keep the respect of a city that bored him and the affection of a mother who had never really loved him? Besides, what sort of a love was it that stepped aside in a cowardly, listless way like that, when a woman was at stake, a woman for whom far richer, far more powerful men than he, men bound to life by attractions that he had never dreamed of in his countrified existence, had died or gone to ruin?...

"You shall not go," he repeated, with sullen obstinacy. "I won't give up my happiness so easily. And if you insist on going, we will go together."

Leonora rose to her feet all quivering. She had been expecting that; her heart had told her it was coming. Flee together! Have her appear like an adventuress, drawing Rafael on, tearing him from his mother's arms after crazing him with love? Oh, no! Thanks! She had a conscience! She did not care to burden it with the execration of a whole city. Rafael must consider the matter calmly, face the situation bravely. She must go away alone. Afterwards, later on, she would see. They might chance to meet again; perhaps in Madrid, when the Cortes reassembled! He would be there, and alone; she could find a place at the Real, singing for nothing if that should prove necessary.

But Rafael writhed angrily at her resistance. He could not live without her! A single night without seeing her would mean despair. He would end as Macchia ended! He would shoot himself!

And he seemed to mean it. His eyes were fixed on the floor as if he were staring at his own corpse, lying there on the pavement, motionless, covered with blood, a revolver in its stiffened hand.

"Oh, no! How horrible! Rafael, my Rafael!" Leonora groaned, clasping him around the neck, hanging upon him in terror.

Her lover continued to protest. He was free. Had he been a married man; if, in his flight, he were leaving a wife behind to cry betrayal, or children calling for his help in vain, it would all be a different matter. She could properly feel the repugnance of a kind heart unwilling that love should mean a shattered home! But whom was he abandoning? A mother, who, in a short time, would find consolation in the thought that he was well and happy, a mother jealous of any rivalry in her son's affection, and to that jealousy willing to sacrifice his very happiness! Any harm an elopement would bring would by no means be irreparable. No, they must go away together, parade their love through the whole world!

But Leonora, lowering her head again, repeated feebly:

"No, my mind is made up. I must go alone. I haven't the strength to face a mother's hatred."

Rafael flushed indignantly:

"Why not say outright that you don't love me. You're tired of me, and of this environment. The hankering for your old life has come over you again; your old world is calling!"

The actress fixed her great, luminous, tear-stained eyes upon him. And they were filled with tenderness and pity.

"Tired of you!... When I have never felt such desperation as tonight! You say I want my old life back. You don't realize that to leave here seems like entering a den of torture.... Oh, dear heart, you'll never know how much I love you."

"Well, then ...?"

And to tell everything, to spare no detail of the danger he would face after separation, Rafael spoke of the life he would lead alone with his mother in that dull, unspeakable city. Leonora was assuming that affection played some part in his mother's indignant opposition. Well, doÑa Bernarda did love him—agreed: he was her only son; but ambition was the decisive thing in her schemes, her passion for the aggrandizement of the House—the controlling motive of her whole life. She was openly, frankly, using him as security in an alliance she was planning with a great fortune. She wanted to marry him to money: and if Leonora were to go, if he were left alone, forsaken, then despair—and time, which can do all things—would break his will; and eventually he would succumb, like a victim at the altar, who, in his terror and abasement, does not sense the real significance of the sacrifice forced upon him.

The words reached a jealous spot in Leonora's heart. All the scattered rumors that had come to her ears in former days now echoed in her memory. She knew that Rafael was telling the truth. The man she loved, given away by his mother—to another woman!... Lost forever if she lost him now!... And her eyes opened wide with horror and revulsion.

"And I refuse, Leonora, do you understand? I refuse!" continued her lover with unaffected resolution. "I belong to you, you are the only woman I love. I shall follow you all over the world, even against your wishes, to be your servant, see you, speak to you, and there are not millions enough in the world to stop me!"

"Oh, my darling! My darling! You love me, you love me—as I love you!"

And in a frenzy of passion she fell impetuously, madly upon him, clutching him in her arms like a fury. In her caresses Rafael felt an intensity that almost frightened him. The room seemed to be whirling about him. Trembling, limp and weak, he sank to the divan, overwhelmed, pounded to pieces, it seemed, by that vehement adoration, that caught him up and carried him away like a tumultuous avalanche. His senses left him in that trembling confusion, and he closed his eyes.

When he opened them, the room was dark. Around his neck he could feel a gentle arm that was tenderly sustaining him, and Leonora was whispering in his ear.

Agreed! They would go together: to continue their love duct in some charming place, where nobody knew them, where envy and vulgarity would not disturb. Leonora knew every nook in the world. She would have none of Nice and the other cities of the Blue Coast, pretty places, coquettish, bepowdered and rouged like women fresh from their dressing tables! Besides there would be too many people there. Venice was better. They would thread the narrow, solitary silent canals there, stretched out in a gondola, kissing each other between smiles, pitying the poor unfortunate mortals crossing the bridges over them, unaware of how great a love was gliding beneath their feet!

But no, Venice is a sad place after all: when it rains, it rains and rains! Naples rather; Naples! Viva Napoli! And Leonora clapped her hands in glee! Live in perpetual sunshine, freedom, freedom, freedom to love openly, as nakedly as the lazzaroni walk about the streets! She owned a house in Naples,—at Posilipo, that is—a villino, in pink stucco, a dainty little place with fig trees, nopals and parasol pines, that ran in a grove down a steep promontory to the sea I They would fish in the bay there—it was as smooth and blue as a looking-glass! And afternoons he would row her out to sea, and she would sing, looking at the waters ablaze with the sunset, at the plume of smoke curling up from Vesuvius, at the immense white city with its endless rows of windows flaming like plaques of gold in the afterglow. Like gipsies they would wander through the countless towns dotting the shores of the miraculous Bay; kissing on the open sea among the fisherboats, to the accompaniment of passionate Neapolitan boat-songs; spending whole nights in the open air, lying in each other's arms on the sands, hearing the pearly laughter of mandolins in the distance, just as that night on the island, they had heard the nightingale! "Oh, Rafael, my god, my king! How wonderful!"

When day dawned, they were still sitting there weaving fanciful plans for the future, arranging all the details of their elopement. She would leave Alcira as soon as possible. He would join her two days later, when all suspicion had been quieted, when everybody would imagine she was far, far away. Where would they meet? At first they thought of Marseilles, but that was a long way off! Then they thought of Barcelona. But that, too, meant hours of travel, when hours, minutes, counted for so much. It seemed utterly incredible that they could live two days without each other! No, the sooner they met again the better! And, bargaining with time like peasants in a market, at last they chose the nearest city possible, Valencia.

For love—true love—is fond of brazenness!

---

VII

They had just finished lunch among the trunks and boxes that occupied a great part of Leonora's room in the HÔtel de Roma in Valencia.

For the first time they were at a table in familiar intimacy, with no other witness than Beppa, who was quite accustomed to every sort of surprise in her mistress's adventurous career. The faithful maid was examining Rafael with a respectful kindliness, as if he were a new idol that must share the unswerving devotion she showed for Leonora.

This was the first moment of tranquillity and happiness the young man had tasted for some days. The old hotel, with its spacious rooms, its high ceilings, its darkened corridors, its monastic silence, seemed to him a veritable abode of delight, a grateful place of refuge where for once he would be free of the gossip and the strife that had been oppressing him like a belt of steel. Besides, he could already feel the exotic charm that lingers around harbors and great railroad terminals. Everything about the place, from the macaroni of the lunch, and the Chianti in its straw-covered, heavy-paunched bottle, to the musical, incorrect Spanish of the hotel-proprietors—fleshy, massive men with huge mustaches in Victor Emmanuel style—spoke of flight, of delightful seclusion in that land so glowingly described by Leonora.

She had made an appointment with him in that hotel, a favorite haunt of artists. Somewhat off the main thoroughfares, the "Roma" occupies one whole side of a sleepy, peaceful, aristocratic square with no noise save the shouting of cab-drivers and the beating of horses' hoofs.

Rafael had arrived on the first morning train—and with no baggage; like a schoolboy playing truant, running off with just the clothes he had on his back. The two days since Leonora left Alcira had been days of torture to him. The singer's flight was the talk of the town. People were scandalized at the amount of luggage she had. Counted over in the imagination of that imaginative city, it eventually came to fill all the carts in the province.

The man who knew the business to the bottom was Cupido, the barber, who had dispatched the trunks and cases for her. He knew where the dangerous woman was bound, and he kept it so secret that everybody found it out before the train started. She was going back to Italy! He himself had checked and labelled the baggage to the Customs' House at the frontier—cases as big as a house, man! Trunks he could have lain down comfortable in, with his two "Chinamen" to boot! And the women, as they listened to his tale, applauded the departure with undissimulated pleasure. They had been liberated from a great danger. Joy go with her!

Rafael kept quite to himself. He was vexed at the curiosity of people, at the scoffing sympathy of his friends who condoled with him that his happiness was ending. For two days he remained indoors, followed by his mother's inquiring glances. DoÑa Bernarda felt more at ease now that the evil influence of the "chorus girl" promised to be over; but none the less she did not lose her frown. With a woman's instinct, she still scented the presence of danger.

The young man could hardly wait for the time to come. It seemed unbearable for him to be there at home while "she" was away off somewhere, alone, shut up in a hotel, waiting just as impatiently as he was for the moment of reunion.

What a sunrise it had been that day when he set out! Rafael burned with shame as he crept like a burglar in his stockings and on tip-toe, through the room where his mother received the orchard-folk and adjusted all accounts pertaining to the tilling of the land. He groped his way along guided by the light that came in through the chinks in the closed windows. His mother was sleeping in a room close by; he could hear her breathe—the labored respiration of a deep sleep that spelled recovery from the insomnia of the days of his love trysts. He could still feel the criminal shudder that rippled through him at a slight rattle of the keys, which had been left with the confidence of unlimited authority in the lock of an old chest where doÑa Bernarda kept her savings. With tremulous hands he had collected all the money she had put away in the small boxes there. A thief, a thief! But, after all, he was taking only what belonged to him. He had never asked for his share of his father's estate. Leonora was rich. With admirable delicacy she had refused to talk of money during their preparations for the journey; but he would refuse to live on her! He did not care to be like Salvatti, who had exploited the singer in her youth! That thought it had been which gave him strength to take the money finally and steal out of the house. But even on the train he felt uneasy; and su seÑoria, the deputy, shivered with an instinctive thrill of fear, every time a tricorne of the Civil Guard appeared at a railroad station. What would his mother say when she got up and found the money gone?

As he entered the hotel his self-confidence returned and his spirits revived. He felt as if he were entering port after a storm. He found Leonora in bed, her hair spread over the pillow in waves of gold, her eyes closed, and a smile on her lips, as if he had surprised her in the middle of a dream, where she had been tasting her memories of love. They ordered lunch in the room early, intending to set out on their journey at once. Circumspection, prudence, until they should be once beyond the Spanish border! They would leave that evening on the Barcelona mail for the frontier. And calmly, tranquilly, like a married couple discussing details of house-keeping in the calm of a quiet home, they ran over the list of things they would need on the train.

Rafael had nothing. He had fled like a fugitive from a fire, with the first clothes he laid hands on as he bounded out of bed. He needed many indispensable articles, and he thought of going out to buy them—a matter of a moment.

"But are you really going out?" asked Leonora with a certain anguish, as if her feminine instinct sensed a danger. "Are you going to leave me alone?..."

"Only a moment. I won't keep you waiting long."

They took leave of each other in the corridor with the noisy, nonchalant joy of passion, indifferent to the chamber-maids who were walking to and fro at the other end of the passageway.

"Good-bye, Rafael.... Another hug; just one more."

And as, with the taste of the last kiss still fresh on his lips, he reached the square, he saw a bejewelled hand still waving to him from a balcony.

Anxious to get back as soon as possible, the young man walked hurriedly along, elbowing his way among the cab-drivers swarming in front of the great Palacio de Dos Aguas, closed, silent, slumbering, like the two giants that guarded its portals, displaying in the golden downpour of sunlight the overdecorated yet graceful sumptuousness of its roccocÒ facade.

"Rafael! Rafael!..."

The deputy turned around at the sound of his name, and blanched as if he had seen a ghost. It was don AndrÉs, calling to him.

"Rafael! Rafael!"

"You?... Here?"

"I came by the Madrid express. For two hours I've been hunting for you in all the hotels of Valencia. I knew you were here.... But come, we have a great deal to talk over. This is not just the place to do it."

And the old Mentor glowered hatefully at the HÔtel de Roma, as if he wanted to annihilate the huge edifice with everybody in it.

They walked off, slowly, without knowing just where they were going, turning corners, passing several times through the same streets, their nerves tense and quivering, ready to shout at the top of their lungs, yet using every effort to speak softly, so as not to attract attention from the passers-by who were rubbing against them on the narrow side-walks.

Don AndrÉs, naturally, was the first to speak:

"You approve of what you've done?"

And seeing that Rafael, like a coward, was trying to pretend innocent astonishment, asking "what" he had done, observing that he had come to Valencia on a matter of business, the old man broke into a rage.

"Now, see here, don't you go lying to me: either we're men or we're not men. If you think you've acted properly, you ought to stand up for it and say so. Don't imagine you're going to pull the wool over my eyes and then run off with that woman to God knows where. I've found you and I'm not going to let you go. I want you to know the truth. Your mother is sick abed; she tipped me off and I caught the first train to get here. The whole house is upside down! At first it was thought a robbery had been committed. By this time the whole city must be agog about you. Come now!... What do you say to that? Do you want to kill your mother? Well, you're going about it right! Good God! And this is what they call a 'boy of talent,' a 'young man of promise'! How much better it would have been if you were a dunce like me or your father—but a dunce at least who knows how to get a woman if he has to, without making a public ass of himself!"

Then he went into detail. Rafael's mother had gone to the old chest to get some money for one of her laborers. Her cry of horror and alarm had thrown the whole house into an uproar. Don AndrÉs had been hastily summoned. Suspicions against the servants, a "third degree" for the whole lot, all of them protesting and weeping, in outrage! Until finally doÑa Bernarda sank to a chair in a swoon, whispering into her adviser's ear:

"Rafael is not in the house. He has gone ... perhaps never to return. I am sure of it—he took the money!"

While the others were getting the sobbing mother to bed, and sending for the doctor, don AndrÉs had made for the station to catch the express. He could tell from the way people looked at him that everybody knew what had been going on. Gossip had already connected the excitement in the Brull mansion with Rafael's taking the early train! He had been seen by several persons, in spite of his precautions.

"Well, is the Hon. don Rafael Brull, member from Alcira, satisfied with his morning's work? Don't you think the laugh your enemies have raised deserves an encore!"

For all his bitter sarcasm the old man spoke in a faltering voice, and seemed on the verge of tears. The labor of his entire life, the great victories won with don RamÓn, that political power which had been so carefully built up and sustained over decades, was about to crumble to ruins; all because of a light-headed, erratic boy who had handed to the first skirt who came along everything that belonged to him and everything that belonged to his friends as well.

Rafael had gone into the interview in an aggressive mood, ready to answer with plain talk if that sodden idiot should go too far in his recriminations. But the sincere grief of the old man touched him deeply. Don AndrÉs, who resembled Rafael's father as the cat resembles the tiger, could think of nothing but Brull politics; and he was almost sobbing as he saw the danger which the prestige of the Brull House was running.

With bowed head, crushed by the realization of the scene that had followed his flight, Rafael did not notice where they were going. But soon he became conscious of the perfume of flowers. They were crossing a garden; and as he looked up he saw the figure of Valencia's conqueror on his sinewy charger glistening in the sun.

They walked on. The old man began in wailing accents to describe the situation which the Brull House was facing. That money, which perhaps Rafael still had in his pocket—more than thirty thousand pesetas—represented the final desperate efforts of his mother to rescue the family fortune, which had been endangered by don RamÓn's prodigal habits. The money was his, and don AndrÉs had nothing to say in that regard. Rafael was at liberty to squander it, scatter it to the four winds of heaven; but don AndrÉs wasn't talking to a child, he was talking to a man with a heart: so he begged him, as his childhood preceptor, as his oldest friend, to consider the sacrifices his mother had been making—the privations she had imposed upon herself, going without new clothes, quarreling with her help over a cÉntimo, despite all her airs as a grand lady, depriving herself of all the dainties and comforts that are so pleasant to old age—all that her son, her seÑor hijo, might waste it in gay living on a woman! Thirty thousand! And don AndrÉs mentioned the sum with bated breath! It had taken so much trouble to hoard it! Come, man! The sight of such things was enough to make a fellow cry like a baby!...

And suppose his father, don RamÓn, were to rise from the grave? Suppose he could see how his Rafael were destroying at a single stroke what it had cost him so many years to build up, just because of a woman!...

They were now crossing a bridge. Below, against the background of white gravel in the river-bed the red and blue uniforms of a group of soldiers could be seen; and the drums were beating, sounding in the distance like the humming of a huge bee-hive—worthy accompaniment, Rafael reflected, to the old man's evocation of the youth's father. Rafael thought he could almost see in front of him the massive body, the flourishing mustache, the proud, arrogant brow of don RamÓn, a born fighter, an adventurer destined from the cradle to lead men and impose his will upon inferiors.

What would that heroic master of men have said of this? Don RamÓn would give a lot of money to a woman—granted—but he wouldn't have swapped all the beauties on earth put together for a single vote!

But his son, the boy on whom he had grounded his fondest hopes—the redeemer destined to raise the House of Brull to its loftiest glory—the future "personage" in Madrid, the fondled heir-apparent, who had found his pathway already cleared for him at birth—was throwing all his father's labors through the window, the way you toss overboard something it has cost you nothing to earn! It was easy to see that Rafael had never known what hard times were—those days of the Revolution, when the Brulls were out of power and held their own just because don RamÓn was a bad man with a gun—desperate election campaigns, when you marched to victory over somebody's dead body, bold cross-country rides on election night, never knowing when you would meet the roder in ambush—the outlaw sharpshooter who had vowed to kill don RamÓn; then endless prosecutions for intimidation and violence, which had given doÑa Bernarda and her husband months and months of anxiety, lest a catastrophe from one moment to the next bring prison and forfeiture of all their property! All that his father had gone through, for his boy's sake; to carve out a pedestal for Rafael, pass on to him a District that would be his own, blazing a path over which he might go to no visible limit of glory! And he was just throwing it all away, relinquishing forever a position that had been built up at the cost of years and years of labor and peril! That is what he would be doing, unless that very night he returned home, refuting by his presence there the rumors his scandalized adherents were circulating.

Rafael shook his head. The mention of his father had touched him, and he was convinced by the old man's arguments; but none the less he was determined to resist. No, and again no; his die was cast: he would continue on his way.

They were now under the trees of the Alameda. The carriages were rolling by, forming an immense wheel in the center of the avenue. The harnesses of the horses and the lamps of the drivers' boxes gleamed in the sunlight. Women's hats and the white lace shawls of children could be seen through the coach windows as they passed.

Don AndrÉs became impatient with the youth's stubbornness. He pointed to all those happy, peaceful-looking families out for their afternoon drive—wealth, comfort, public esteem, abundance, freedom from struggle and toil! Cristo, boy! Was that so bad, after all? Well, that was just the life he could have if he would be good and not turn his back on his plain duty—rich, influential, respected, growing old with a circle of nice children about him. What more could a decent person ask for in this world?

All that bohemian nonsense about pure love, love free from law and restraint, love that scoffs at society and its customs, sufficient unto itself and despising public opinion, that was just bosh, the humbug of poets, musicians and dancers—a set of outcasts like that woman who was taking him away, cutting him off forever from all the ties that bound him to family and country!

The old man seemed to take courage from Rafael's silence. He judged the moment opportune for launching the final attack upon the boy's infatuation.

"And then, what a woman! I have been young, like you, Rafael. It's true I didn't know a stylish woman like this one, but, bah! they're all alike. I have had my weaknesses; but I tell you I wouldn't have lifted a finger for this actress of yours! Any one of the girls we have down home is worth two of her. Clothes, yes, talk, yes, powder and rouge inches deep!... I'm not saying she's bad to look at—not that; what I say is... well, it doesn't take much to turn your head—you're satisfied with the leavings of half the men in Europe...."

And he came to Leonora's past, the lurid, much exaggerated legend of her journey through life—lovers by the dozens; statues and paintings of her in the nude; the eyes of all Europe centered on her beauty; the public property of a continent! "That was virtue to go crazy about, come now! Quite worth leaving house and home for, no doubt of that!"

The old man winced under the flash of anger that blazed in Rafael's eyes. They had just crossed another bridge, and were entering the city again. Don AndrÉs, wretched coward that he was, sidled away to be within reach of the customs' office if the fist he could already see cleaving the air should come his way.

Rafael, in fact, stopped in his tracks, glaring. But in a second or two he went on his way again, dejected, with bowed head, ignoring the presence of the old man. Don AndrÉs resumed his place at the boy's side.

The cursed old fox! He had stuck the knife in the right place! Leonora's past! Her favors distributed with mad lavishness over the four corners of the globe! An army of men of every nation owning her for a moment with the appeal of luxury or the enchantment of art! A palace today and a hotel tomorrow! Her lips repeating in all the languages of Babel the very words of love that had fired him as if he had been the first to hear them! He was going to lose everything for that—that refuse, as don AndrÉs said—a public scandal, a ruined reputation; and a murdered mother perhaps,—for that! Oh, that devil of a don AndrÉs! How cunningly he had slashed him, and then plunged his fingers into the bleeding gash to make the wound deeper! The old man's plain common-sense had shattered his dream. That man had been the rustic, cunning Sancho at the side of the quixotic don RamÓn; and he was playing the same role with Rafael!

Leonora's story came back to the boy in one flash—the frank confession she had made during the days of their mere friendship, when she had told him everything to prevent his continuing to desire her. However much she might adore him, he would be nothing after all but a successor to a Russian count, and a German musician; the latest, simply among those countless ephemeral lovers, whom she had barely mentioned but who must none the less have left some trace in her memory. The last item in a long inventory! The most recent arrival, coming several years late, and content to nibble at the soggy over-ripe fruit which they had known when it was fresh and firm. Her kisses that so deeply disturbed him! What were they but the intoxicating, unhealthful perfume of a whole career of corruptness and licentiousness, the concentrated essence of a world madly dashing at her seductive beauty, as a bird of night breaks its head against the globe of a lighthouse? Give up everything for that! The two of them traveling about the world, free, and proud of their passion!... And out in that world he would encounter many of his predecessors; and they would look at him with curious, ironic eyes, knowing of her all that he would know, able to repeat all the panting phrases she would speak to him in the exaggerations of her insatiable passion! The strange thing about it was that all this had not occurred to him sooner. Blind with happiness, he had never thought an instant of his real place in that woman's life!

How long had they been walking through the streets of Valencia?... His legs were sagging under him! He was faint with weariness. He could hardly see. The gables of the houses were still tipped with sunlight, yet he seemed to be groping about in a deep night.

"I'm thirsty, don AndrÉs. Let's go in somewhere."

The old man headed him toward the CafÉ de EspaÑa, his favorite resort. He selected the table in the center of the big square salon under the four clocks supported by the angel of Fame. The walls were covered with great mirrors that opened up fantastic perspectives in the dingy room where the gilded ornaments were blackened by the smoke and a crepuscular light filtered in through the lofty skylight as into a sombre crypt.

Rafael drank, without realizing just what his glass contained—a poison, it felt like, that froze his heart. Don AndrÉs sat looking at the writing articles on the marble table: a letter-case of wrinkled oil-cloth, and a grimy ink-well. He began to rap upon them with the holder of the public pen—rusty and with the points bent—an instrument of torture well fitted for a hand committed to despair!

"We have just an hour to catch our train! Come, Rafael, be a man! There's still time! Come, let's get out of this mess we're in!"

And he held out the pen, though he had not said a word about writing to anybody.

"I can't, don AndrÉs. I'm a gentleman. I've given my word; and I will not go back upon it, come what may!"

The old man smiled ironically.

"Very well, be as much of a gentleman as you please. She deserves it! But when you break with her, when she leaves you, or you leave her, don't come back to Alcira. Your mother won't be there to welcome you! I shall be—I don't know where; and those who made you deputy will look upon you as a thief who robbed and killed his mother.... Oh, get mad if you want to—beat me up even; people at the other tables are already looking at us.... Why not top the whole business off with a saloon brawl? But just the same, everything I've been saying to you is gospel truth!..."

---

In the meantime Leonora was growing impatient in her hotel room. Three hours had gone by. To relieve her nervousness she sat down behind the green curtain at the window watching pedestrians crossing the square.

How like a small piazza of old Florence this place was, with its stately aristocratic residences, shrouded in imposing gloom; it's grass-grown, cobblestone pavements hot from the sun; its sleepy solitude: an occasional woman, or a priest, or a tourist,—and you could hear their footsteps even when they were far away! Here was a curious corner of the Palacio de Dos Agnas—panels of jasper stucco with a leaf design on the mouldings! That talking came from the drivers gathered in the hotel door—the innkeeper and the servants were setting the chairs out on the sidewalk as if they were back at home—in a small Italian town! Behind the roof opposite, the sunlight was gradually fading, growing paler and softer every moment.

She looked at her watch. Six o'clock! Where on earth could that Rafael have gone? They were going to lose the train. In order to waste no time, she ordered Beppa to have everything in readiness for departure. She packed her toilet articles; then closed her trunks, casting an inquiring glance over the room with the uneasiness of a hasty leave-taking. On an armchair near the window she laid her traveling coat, then her hand-bag, and her hat and veil. They would have to run the moment Rafael came in. He would probably be very tired and nervous from returning so late.

But Rafael did not come!... She felt an impulse to go out and look for him; but where? She had not been in Valencia since she was a child. She had forgotten the streets. Then she might actually pass Rafael on the way without knowing it, and wander aimlessly about while he would be waiting for her at the hotel. No. It would be better to stay there!

It was now dusk and the hotel-room was virtually dark. She went to the window again, trembling with impatience, filled with all the gloom of the violet light that was falling from the sky with a few red streaks from the sunset. They would surely lose the train now! They would have to wait until the next day. That was a disappointment! They might have trouble in getting away!

She whirled nervously about as she heard someone calling from the corridor.

"Madame, madame, a letter for you!"

A letter for her!... She snatched it feverishly from the bell-boy's hand, while Beppa, seated on a trunk, looked on vacantly, without expression.

She began to tremble violently. The thought of Hans Keller, the ungrateful artist, suddenly rose in her memory. She looked for a candle on the chiffonier. There was none. Finally she went to the balcony and tried to read the letter in the little light there was.

It was his handwriting on the envelope—but tortuous, labored, as if it were the product of a painful effort. She felt all her blood rush back upon her heart. Madly she tore the letter open, and read with the haste of a person anxious to drain the cup of bitterness at a single draught, skipping a line here and a line there, taking in only the significant words.

"My mother very ill.... I must go home for a day or two ... my duty as a son ... we'll soon meet again." And then all the cowardly, conventional excuses that chivalry has created to soften the harshness of desertion—the promise to join her again as soon as possible; passionate protestations that she was the only woman in the world he loved.

Her first thought was to go back to Alcira at once, walk there if necessary, find the scamp somewhere, throw the letter into his face, beat him, claw him to pieces!

"Ah, the wretch! The infamous, cowardly, unspeakable wretch!" she cried.

Beppa had found a candle. She lighted it. And there her mistress was—staggering, deathly pale, her eyes wide open, her lips white with anguish! Leonora began to walk up and down the apartment, taut and strained, as if her feet were not moving at all, as if she were being thrust about by an invisible hand.

"Beppa," she groaned finally, "he has gone. He is deserting me."

The maid did not care about the desertion particularly. She had been through that before. She was thinking about Leonora, waiting for the impending crisis, studying the anguished countenance of her mistress with her own placid, bovine eyes.

"The wretch!" Leonora hissed, pacing back and forth in the chamber. "What a fool, what a complete, unconscionable fool I have been! Giving myself to that man, believing in that man, trusting that man, giving up my peace of mind, the last relative I had in the world for that man!... And why would he not let me go off alone? He made me dream of an eternal springtime of love, and now he deserts me.... He has tricked me ... he is laughing at me ... and I can not hate him. Why did he insist on rousing me when I was there alone, quite peaceful, forgetting everything, sunk in a placid indulgent calm!... The cool fraud that he was!... But what do I care, after all?... It's all over. Come Beppa, cheer up! Hah-hah! Come, Beppa! We're off! We're off! We're going to sing again! Off over the whole globe. Good-bye to this rat-hole forever! I'm through educating children! Now for life again! And we'll drain them dry, the brutes! Kick them about like the selfish donkeys they are! Well, well! I can't believe I've been taken in this way! Isn't it a joke? The best joke you ever heard! Ha, ha, ha! And I thought I knew the world ...! Ha, ha! Ha, ha!..."

And her laugh was audible distinctly down in the square. It was a wild, shrill, metallic laughter, that seemed to be rending her flesh! The whole hotel was in commotion, while the actress, with foaming lips, fell to the floor and began to writhe in fury, overturning the furniture and bruising her body on the iron trimmings of her trunks.

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