AT the end of the second Carlist war a Spanish officer, Don Miguel SaldaÑa, had found himself, as a result of the defeat, banished forever from his own country and condemned to a life of poverty and obscurity. The Madrid papers, without prefixing his name with any slanderous adjectives, called him simply "the rebel chief SaldaÑa." This courtesy, doubtless, was intended to distinguish him from the other party chiefs who in Aragon, Catalonia, and Valencia, had waged a campaign of pillage and executions for five years. Among his own people he was known as General Miguel SaldaÑa, Marquis of Villablanca. The pretender, Don Carlos, had given him that title because Villablanca was the name of the town where SaldaÑa had practically annihilated a column of the Liberal army. The topographical information of SaldaÑa's Chief of Staff—a local priest who had spent his whole life in doing nothing except saying mass on Sundays and spending the rest of the week hunting in the mountains with his dog and gun—gave him an opportunity to take the enemy by surprise, and he won a notorious victory.

When he crossed the frontier as a fugitive, through refusing to recognize the Bourbons as the constitutional rulers, "the rebel chief SaldaÑa" was twenty-nine years of age. A second son in a proud and ruined family, he had been obliged to resist the traditions of his house which presented for him an ecclesiastical career. When his studies at the Military School at Toledo were just finishing, the Revolution of 1868 caused him to renounce a commission to escape being under orders from certain generals who had participated in overthrowing royalty. When Don Carlos took up arms, SaldaÑa was one of the first to volunteer his services; and having gone through a military school, and received a good education, he at once became conspicuous among the guerrillas of the so-called Army of the Center, made up, for the most part, of country squires, village clerks, and mountain priests.

Besides, SaldaÑa distinguished himself for a reckless though rather unfortunate bravery. He always led the attack at the head of his men and consequently was wounded in the majority of his fights. But his wounds were "lucky wounds" as the soldiers say. They left marks of glory on his body without destroying his vigorous health.

Finding himself alone in Paris, where his only resource was the admiration of a few elderly "legitimist" ladies of the aristocratic Faubourg Saint Germain, he left for Vienna. There his king had friends and relatives. His youth and his exploits gained him admission as a hero of the old monarchy to the circle of archdukes. The war between Russia and Turkey tore him away from his pleasant life as an interesting hanger-on. Being a fighting man and a Catholic, he felt it his duty to wage war against the Turks; and with recommendations as a protÉgÉ of some influential Austrians, he went to the Court at Saint Petersburg. General SaldaÑa became a mere Commander of a Squadron in the Russian Cavalry. The officers conversed with him in French. His horsemen understood him well enough when he placed himself in front of his division, and, unsheathing his sword, galloped ahead of them against the enemy.

Various successful charges and two more "lucky wounds" won him a certain celebrity. At the end of the war he had gained numerous friends among officers of the nobility, and was presented in the most aristocratic drawing rooms. One evening at a ball given by a Grand Duchess, he saw close at hand the most fashionable and most talked of young woman of the season: the Princess Lubimoff.

She was twenty-two, an orphan, with a fortune said to be one of the largest in Russia. The first to bear the title of Prince Lubimoff, a poor but handsome Cossack, unable to read or write, succeeded in winning the attention of the Great Catherine, who made him the favorite among her lovers of second rank. During the years that her imperial caprice lasted, the new Prince was forced to seek his fortune far from the Court, since the favorites before him had gained possession of all that was near at hand. The Czarina allowed him to make his selection on the map of her immense Empire; distant territories beyond the Urals, which the new proprietor was, like the majority of his successors, never to see. With the introduction of the railroad, enormous riches came to light in these lands chosen by the Cossack; in some, veins of platinum were discovered; in others, quarries of malachite, deposits of lapis lazuli, and rich oil wells. Besides, tens of thousands of serfs, recently freed by the Czar, continued to work the land for the Lubimoff heirs, just as they had before the emancipation. And all this immense fortune, which nearly doubled each year with new discoveries, belonged entirely to one woman, the young Princess, who considered herself as one of the Imperial family owing to the relationship of her ancestor, and had more than once given the sovereign cause for worry through the eccentricities of her character.

She was an aggressive young woman, capricious and inconsistent in both words and deeds, a puzzle to everyone through the sharp contradictions in her conduct. She mingled with the officers of the Guard, treating them as comrades, smoking and drinking with them and taking a hand in their exercises in horsemanship; and then suddenly she would shut herself up in her palace for whole weeks, on her knees most of the time, before the holy ikons, absorbed in mystic fervor, and loudly imploring the forgiveness of her sins. She looked on the Emperor with veneration, as the representative of God. At the same time she was known to sympathize with the Nihilists.

The courtiers were scandalized whenever they told how she had accompanied a girl, whom the police were watching to a wretched house on the outskirts of the capital, and had there mingled with the revolutionary rabble composed of workmen and students. With them she had entered a narrow room, and joined the line passing before a coffin that was constantly in danger of being upset by the pushing of the gloomy curious crowd. The dead man's name was Fedor Dostoiewsky. The princess had scattered a bouquet of the most costly roses on the protruding forehead and monkish beard of the novelist.

And in her moments of anger this same Nadina Lubimoff beat the servants in her Palace, as though they were still serfs, and forced her maids to grovel at her feet. Her irritability and fiery temper turned everything upside down, to such an extent that a certain elderly Prince, who by Imperial order had been chosen as her guardian, desired, in spite of the fact that it would mean to him loss of the management of an immense fortune, to see her married as soon as possible.

Nadina Lubimoff inspired a feeling of dread in her suitors. They were all afraid that she would answer their request for her hand with a cruel jest. Twice she had announced her engagement to gentlemen of the Court, and at the last moment she herself had begged the Czar to refuse his consent. By this time no one dared propose, for fear of laughter and comment. Yet in spite of the freedom and unconventionality of her conduct, no one doubted the uprightness of her character.

On seeing her, SaldaÑa thought of a naiad of the North, rising from an emerald river, in which cakes of ice were floating. She was tall and majestic, with a somewhat massive figure, like the divinities painted in frescos for ceilings. Her skin was of radiant whiteness. The pupils of her gray eyes gave out a greenish light, and her silky hair was a faded washed-out red. Owing to the marvelous whiteness of her complexion, her flesh appeared somewhat soft, but a fresh fragrance emanated from it, "the fragrance of running brooks," to use the words of her admirers. Her nostrils were rather wide, and in the stress of emotion they quivered, like those of a horse, thus recalling her glorious ancestor, the virile Cossack of the Czarina.

The ball was nearly over before she noticed the Spaniard. There were so many officers constantly at her heels, greeting her cruel jokes and vulgar expressions with a smile of gratitude!—Suddenly SaldaÑa, who was standing between two doorways, was startled by a clear but commanding female voice.

"Your arm, Marquis."

And before he could offer it to her the young Princess took it, and led him off to the buffet in the drawing room.

Nadina drank a good sized glass of vodka, preferring this liquor of the people to the champagne which the servants were pouring out in large quantities. Then smiling at her companion she drew him into the embrasure of a window where they were almost hidden by the curtains.

"Your wounds!... I want to see your wounds!"

SaldaÑa was dumfounded at the command of this great lady accustomed to carrying out her most whimsical ideas. Blushing like a soldier, who had lived all his life among men, he finally drew up the left sleeve of his uniform, revealing a brown, hairy forearm, with large tendons, and deeply furrowed by the scar of a bullet wound received back in Spain.

The Princess admired his athletic arm, with its dark skin, cut by the jagged white of the new tissue.

"The other—the others! I want to see the rest of them!" she commanded, gazing at him fiercely, as though she were ready to bite, while her lips, moist and shining, curved sharply downward.

She had seized his arm with a hand that trembled, while with the other she tried to undo the gold cords on the officer's breast.

SaldaÑa drew back, stammering. "Oh! Princess!" What she desired was impossible. It was impossible to show the other wounds to a lady....

He felt on the one visible scar the contact of two lips. Nadina, bowing her proud head, was kissing his arm.

"Hero!... Oh! my hero!"

Immediately afterward she drew herself up again, cold and distant, with no other sign of emotion than a slight quivering of her nostrils. No longer was she tormented by the desire to see immediately those frightful scars of which she had heard from some of the comrades of the brave adventurer. She was sure of being able to see them to her heart's content whenever she pleased.

In a few days the rumor began to circulate that the Princess Lubimoff was to be married to the Spaniard. She herself had started the news going, without bothering to ascertain beforehand the inclination of her future husband.

The arguments with which she justified her decision could not have been more weighty. She was blond and SaldaÑa was dark. They had both been born at outermost limits of Europe. These considerations were sufficient to make a happy marriage. Besides, the Princess was convinced that she had always been fond of Spain, although she would not have been able to place it accurately on the map. She recalled certain verses of Heine mentioning Toledo, and others by Musset addressing Andalusian Marquises of Barcelona; and she used to hum a love song about the oranges of Seville.... Her hero must surely be from Toledo, or, better yet, an Andalusian from Barcelona.

In vain certain people of the court spoke of the Czar's not allowing the match. A great heiress marrying a foreign soldier banished from his country!... But the Princess by her very conduct, gave the sovereign to understand her will.

"Either I marry him, or I start out as a dancer in a Paris theater."

It was rumored that SaldaÑa was about to be deported.

"So much the better: I will go and join him, and be his sweetheart."

The old Prince, her guardian, lamented this obstinacy on the part of the Court. If it had not been for this opposition, Nadina's caprice for SaldaÑa, like so many of her whims, would have lasted only a few days. It was said that perhaps the Emperor, in order to break her will, would dispossess her of her vast estates in Siberia. The grandchild of the Cossack shrieked in reply that she would kill herself rather than obey.

At last the ruler prudently allowed her to fulfil her desire. In getting married she would give up her eccentricities perhaps, and the Russian court, so rich in scandals, would have one less.

The wedding journey of the Princess Lubimoff lasted all her life. Only twice, for reasons relating to her great fortune, did she return to Russia. Western Europe was more favorable than the court of an autocrat to her love of freedom. In the first year of her marriage, while in London, she had a son, who was to be the only child. She allowed him to be called Michael, like his father, but insisted that he should have a second name, Fedor, perhaps in memory of Dostoiewsky, her favorite novelist, whose character inspired in her a feeling of sympathy, through a certain resemblance to herself.

No one succeeded in ascertaining with certainty whether or not Don Miguel SaldaÑa felt happy in his new position as Prince Consort, which permitted him to enjoy all the pleasure and magnificence of immense wealth. According to Spanish customs, he started out to impose his will as a husband and a man of character, to curb the eccentricities of his wife. Vain determination! The very woman who at times could be sentimental and moan at the thought of social inequalities and the suffering of the poor, could, by her fiery impetuosity, reduce the stoutest and most firmly steeled will.

In the end SaldaÑa relapsed into silence, fearing the aggressiveness of the daughter of the Cossack. To keep his prestige as a great noble, anxious for the respect of the servants and for the consideration of his guests, he feared violent scenes that filled the drawing rooms and even the stairways of his luxurious residence with feminine shrieks. He did not care more than once to see the Princess with one kick send the oaken table flying against the dining room wall, while all the porcelain and crystal service smashed into bits with one catastrophic crash.

When the Paris architects had carried out the orders of the Princess, the family left the castle they were occupying in the vicinity of London. A group of rich Parisians, Jewish bankers for the most part, were covering the level grounds around the new Park MonÇeau, with large private dwellings. The Princess Lubimoff had an enormous palace, with a garden of extraordinary size for a city, built in this quarter. She even set up a tiny dairy behind a grove of trees, and without leaving her place she could enjoy the rÔle of a country woman, whipping cream and churning butter, in imitation of Marie Antoinette, who likewise played at being a shepherdess in the Petit Trianon.

At times a wave of tenderness swept over her, and she adored and obeyed her husband, pushing her humility to extremes that were alarming. She told her visitors about the General's campaigns, and his daring exploits back in Spain, a land which inspired in her a romantic interest, and which for that very reason she did not care ever to see. Suddenly she would cut her eulogies short with a command:

"Marquis, show them your wounds."

As proof of her tenderness, she refrained from getting angry when her husband refused.

She always called him "Marquis," perhaps in order to keep the princely title for herself alone, perhaps because she felt that he should not be deprived of a rank he had gained with his blood. The Marquis never paid any attention to this breach of etiquette. His wife had already committed so many!

A year after their marriage, when the news reached London that Alexander II had been killed by the explosion of a Nihilist bomb, the Princess ran about her apartments like a mad woman, and took to her bed after an extraordinary fit of anger.

"The wretches! He was so good!... They've killed their own father."

And thereafter when SaldaÑa entered the luxurious dwelling in Paris, he often came across strange visitors, at whom the lackeys in breeches stared in amazement. They were uncouth girls with spectacles, and cropped hair, carrying portfolios under their arms; men with long hair and tangled beards, whose eyes contained the startled expression of visionaries; Russians from the Latin Quarter under police surveillance, terrorists, who appealed not in vain to the generosity of the Princess, and used her money perhaps to make infernal machines which they sent back to their country and hers.

When the Prince Michael Fedor recalled his childhood memories, he could see his father holding him on his knees and caressing him with his firm hands. The child would gaze up at the dark face and large mustache that joined SaldaÑa's closely cropped mutton chop whiskers. He could not be sure whether the moisture in those black, commanding eyes came from tears; but after he learned Spanish he was sure that the Marquis had often murmured, as he smoothed the tiny brow:

"My poor little boy!... Your mother is mad!"

When Michael reached the age of eight, the problem of his education caused the Princess to show her motherly concern for a few weeks. One of those visitors, who so greatly worried the servants, brought his books and his frayed garments from a narrow street near the Pantheon, and took up his abode in the lordly dwelling of the Lubimoffs. He was a silent young man, given to the study of chemistry, and forbidden to return to his country. The very day of his arrival, a secret service agent came and questioned the porter of the palace.

"I want my son to know Russian," said the Princess. "Besides, he will learn a great deal from Sergueff. Sergueff is a real man of learning, and worthy of a better fate."

SaldaÑa insisted that he should likewise have a Spanish teacher, and she raised no objections. All the members of her family had possessed to an unusual degree the talent of the Slavs for learning languages easily.

"Prince Michael Fedor," said his mother, "is the Marquis of Villablanca, and ought to know the language of his second country."

On this account the General once again sought out his former companions in arms who were still scattered in various parts of Paris. The fame of his enormous wealth had brought him many requests, even from persons of whom he had formerly stood in awe. But although the Princess, who was generous to a fault, allowed him the management of her fortune, SaldaÑa, with chivalrous unyielding integrity, felt that he had no right to her money, and gradually came to avoid the insistent suppliants. Besides, a great change had come over this silent man during his travels through Europe. The former soldier of the absolute monarchy was now an admirer of England and her constitutional history.

"You see things differently when you travel about," was all he said. "If all my fellow countrymen had only seen the world."

One day the new teacher presented himself at the palace. He was twelve years younger than SaldaÑa. He had been under the latter's command toward the end of the war, and instead of calling him by his title of Marquis or Prince he addressed him proudly, at every opportunity, as "my General."

The General had not the slightest recollection of him; but the fact that he could give exact details of the last campaign, and had been recommended by various friends, did not permit of any doubt as to his veracity. He must have been one of those lads who had run away from home and joined the Carlist bands, making up those forces of irregulars whom SaldaÑa, unable to tolerate their frequent atrocities, more than once threatened with execution en masse. The teacher claimed that the General himself had given him a subordinate's commission in the last months of the war, owing to his having a better education than his ragged comrades.

Thus Marcos Toledo entered the palace of the Lubimoffs.

The solemn husband of the Princess laughed with boyish glee upon hearing the story of Toledo's first experiences as an emigrÉ in Paris.

During the first few months, since he did not know French, he used to stop the priests in the street, to talk with them in Latin. He eked out a miserable existence, giving lessons on the guitar, and lecturing in a Polyglot Institute, where the auditors did not pay the slightest attention to the subjects discussed, but tried simply to accustom their ears to his Spanish pronunciation.

Seven francs and a half, for talking an hour and a half! But Toledo made up for the smallness of the compensation in the pleasure it gave him to orate about the happy days of Philip II, so much superior to "these days of liberalism."

"At present, I have only one ambition, General," he ended by saying, "and that is to dress well."

The passion for luxurious display came from his youthful days as a guerrilla, when he would steal red and yellow petticoats from peasant women in order to make uniforms for himself. In Paris, he did not feel so keenly the lack of nutritious food, as he did the fact that he was obliged to wear clothes that did not belong to any known fashion.

When he was given quarters on the top floor of the palace, like the Russian teacher, and the General had selected various garments for him from his large wardrobe, Toledo felt he had realized all the dreams that he had elaborated while running about Paris as a persistent agent for a thousand unsaleable things.

His fellow countrymen, former comrades in poverty, admired him on seeing him all dressed up like a rich man, and often riding in the carriage of a Prince. It scarcely seemed honorable that he, a former fighter, should occupy a position as a teacher, and he used to say in an apologetic manner:

"I am now General SaldaÑa's aide-de-camp. I don't think it will be long before we take to the mountains again."

Young Prince Michael admired his Russian teacher, because his mother affirmed that he was a great scholar. The boy felt a certain fear in the presence of this melancholy sage. On the other hand, Michael Fedor treated the Spaniard with an air of friendly and patronizing superiority. Toledo made his father laugh, and that was enough to cause the son to consider him an inferior being, but one worthy of esteem nevertheless, because of his docility and patience.

"Say: is it true that you were going to be a priest?" Michael Fedor used to ask Toledo. "Is it true that after you left the seminary you were a druggist's clerk?"

"Prince," the teacher replied with dignity, "I am Don Marcos de Toledo. My name tells my nobility, in spite of everything that envious people may say, and I have a right to use the 'Don' since I am an officer and your father, the Marquis, gave me my commission."

In a short time the pupil was speaking Spanish correctly. It seemed that he had learned it as rapidly as possible in order to be better able to poke fun at his hidalgo teacher.

The father also contributed to the education of the heir of the Lubimoffs the one thing he was able to teach. Every morning, after the lessons given by the Russian, which left the little fellow with a solemn face, SaldaÑa would wait for him in a large room on the ground floor.

"Prince, on guard!"

And he, who had been the best blade in the Carlist army, and had on his conscience the slashing of a skull to the jawbone in a duel during the Turkish campaign, smiled proudly when he saw how this eleven year old boy stood his ground during the fencing lesson, parrying the hard blows and returning them successfully at the least unguardedness on his father's part. Michael Fedor was going to be a splendid fighting man, a worthy descendant of the Cossack of Russia, and of the guerrilla of the Spanish mountains.

But SaldaÑa was not to enjoy this satisfaction for long. Among his various "lucky wounds," which only bothered him slightly with the changing of the seasons, there was one which from time to time inflicted periods of acute pain. For many years he had carried in his body a Spanish bullet which the sawbones of his guerrilla band had been unable to extract. When the surgeons of London and Paris attempted the operation it was too late.

One morning the General's valet, on entering the room, found him dead.

Michael Fedor never forgot the sorrow he had felt on that occasion, nor the sumptuous funeral which the Princess had ordered, equal to that of a king deceased in exile. But what he remembered most clearly was the extraordinary grief of his mother. She too wanted to die. Her Russian maids were once obliged to snatch from her hands a phial of laudanum, receiving for their pains a few more blows than usual. Then, with her hair streaming down her back, she ran about wailing like a madwoman in front of all the portraits of the General. Oh! Her hero! Now she really knew how much she loved him....

For several months she received her visitors in a drawing room with black furnishings and curtains. Wearing loose mourning garments, she half reclined on a sofa in front of a full length portrait of SaldaÑa. His swords, his uniforms, and even a Russian saddle were on exhibition in the drawing room, which had been converted into a sort of museum of the deceased.

"He died like the man he was!" moaned the widow. "He was killed by his wounds."

At this period began the ultimate stage in the rise of Don Marcos Toledo. The Russian scholar receded into the background. A part of the dead man's glory passed to his humble fellow countryman who had witnessed his great exploits. One evening, the Princess, while engaged in conversation in the drawing room museum with some noble relatives who had arrived from Russia, wept so copiously at the memory of her husband, that she decided to leave the room for a moment.

"Colonel, your arm."

Toledo was present in company with his pupil, and looked around with an expression of bewilderment. The Princess had to repeat her command in a more imperious voice. "Colonel, your arm!" She was speaking to him! For some time Don Marcos thought that the new title was a whim of the Princess and that some day when he was least expecting it his commission as "Colonel" would be withdrawn.

But when the first months of mourning had passed and the widow, tiring of solitude, started to resume her social calls, she insisted on being accompanied by Toledo, and on introducing him to her acquaintances in the aristocratic world.

"He is the aide-de-camp of the dead Marquis," she explained.

The very title he had invented to give himself an air of importance in the eyes of his half-starved companions in poverty! Toledo no longer questioned the validity of his promotion. Now that the Princess was presenting him as her husband's aide-de-camp, he might well be a Colonel. And a Colonel he was, even for the young Prince, who at first had given him the title to make fun of him, but finally came to call him "Colonel" by force of habit.

Toledo's dreams of splendid and showy toggery were now realized magnificently. With the Princess he did not need to fear the scruples sometimes shown by SaldaÑa, who hated extravagance and mismanagement. The great lady even felt disdain for those who were niggardly in availing themselves of her generosity. Don Marcos was enabled to change his attire several times a day, and held long conferences with famous tailors. He sought personal elegance. He wished to dress like a gentleman of distinction, but at the same time to wear clothes of a cut that would plainly show that he was accustomed to uniforms: He had in mind something like a Napoleonic Marshal obliged to wear a dress suit. Through his barber, likewise, he effected a great transformation. He imitated the manner in which the General had worn his hair, with a part that started at his forehead and ended at the back of his neck, and with stray locks hanging down at the temples. His mustache was taught to mingle with his side whiskers, in the Russian fashion. In accompanying the Princess, he learned to kiss ladies' hands with the grace and ease of an old courtier. He also learned to carry on long conversations without saying anything, to keep himself in the background, practically unseen, while his superiors were talking.

When the Princess, after the first year of mourning, resolutely returned to her box at the Opera, Don Marcos attended her, remaining discreetly in the rear, like the Chamberlain of a Queen. One evening, during an intermission, on passing to the front of her box, the Princess heard the Colonel telling an old French general, a friend of the house, about the battle of Villablanca.

"And the Marquis said to me: 'Now it's your chance, Toledo: Let's see how you can make out with a bayonet charge.' So I bared my sword, and at the head of my regiment...."

"He's a true soldier," interrupted the Princess, "a worthy companion of my hero.... The Marquis often talked to me about him."

And at that moment she was really sure she had heard the silent SaldaÑa relate the gallant deeds of his aide-de-camp.

The Russian teacher, regarded by Toledo as an unpleasant person who would bear watching, soon left the Lubimoff palace. Perhaps he was jealous of the Colonel's growing influence; perhaps mysterious reasons needed his attention far from Paris. The Princess did not mind in the least the disappearance of the scholar. She had forgotten her rebellious looking Russians; she stopped giving them money. At present she had other interests.

She suddenly evinced a desire to live for some time in London, and for this reason, she granted her son's request to be allowed to travel alone throughout Europe.

"You're a man now; you will soon be fourteen. Travel, and don't stop at expense; always remember that you are Prince Lubimoff.... The Colonel will go with you. He will be your aide, as he was for the heroic Marquis."

His first trip was to Spain. Michael Fedor wanted to see his father's native land. Toledo thought it in point for the young Prince to show great admiration for Spain. Michael must remember they were in the enemy's country. Toledo was a Carlist Colonel who had refused amnesty, and had declined to recognize the reigning dynasty! But they traveled for three months in Spain, without being noticed except for the largeness of their tips. It is quite true that Toledo avoided coming in contact with any of his former comrades. He felt that he now belonged to a different world. Inwardly he felt the same change the General had.

As soon as Michael Fedor had recovered from his first enthusiasm for bull fighting, they continued their travels across the continent as far as Russia, arriving considerably later than the numerous letters of introduction sent by the Princess Lubimoff to her relatives. The Prince remained there a year, visiting his less distant estates, and making the acquaintance of all the great families in his mother's circle of friends. The Colonel talked grandiloquently about everything related to war with various generals who received him as an equal. Was he not the aide and companion in heroic deeds of SaldaÑa, whom they had known in the war against Turkey, when they were mere subalterns?

The former friends of the Princess Lubimoff told her son some unexpected news. His mother had announced her forthcoming marriage to an English gentleman. She had written to the Czar asking his authorization. This news startled no one save Michael Fedor. The times of the wild Nadina had long since passed. Her actions aroused no further interest. Other young Princesses had effaced her memory with adventures that caused even greater commotion. No one save a few of the ladies of the old court, when they forgot their cares and interests as mothers, would bring to mind the Princess Lubimoff, recalling days of vanished youth, which for old people are always more interesting than the present.

When the young man returned to the Paris palace, he found his mother as much of a Princess as ever, but married to a Scotch gentleman, Sir Edwin Macdonald.

"Some day you will leave me," she said with a tragic note in her voice she used on great occasions. "A Prince Lubimoff should live at the court, serve his Emperor, be an officer in the Guard; and I need a companion, some one to lean on. Sir Edwin is the personification of distinction; but don't ever think that I shall forget your father. Never!... My hero!"

Michael Fedor saw a gentleman who, indeed, was "the personification of distinction"; attentive to everyone, very precise in his bearing, a man of few words, who shut himself up for long hours—studying, according to the Princess. English politics was his preoccupation, and his one great dream was to return to Parliament, which he had been forced to leave by defeat at election.

This cold man, with a pale smile and extreme insistence on good form even in the most trivial actions, neither displeased Michael as a step-father nor appealed to him as a friend. He was an inoffensive, somewhat stuffy person, whom Michael grew accustomed to seeing every day in his father's former place, and whom he had expected to see sooner or later anyhow.

This marriage brought other people to the Lubimoff palace, with all the intimacy inspired by relationship.

One of Sir Edwin's brothers had been obliged, like all the second sons in wealthy British families, to go out in the world and earn his living. After a life of adventure, he had finally settled down in the United States, near the Mexican border, and had soon found himself, through a marriage with an heiress of the country, much richer than his elder brother.

His wife was a Mexican. She owned famous silver mines in the interior and vast ranches on the border. She had only one daughter; and the latter was in her eighth year when Arthur Macdonald died as a result of a fall from his horse. The widow, with her little Alicia, moved to Europe. She wanted to live in London, to be near her brother-in-law, Sir Edwin, then a member of Parliament, and much admired by the Mexican woman as one of the directors of the world's affairs. Later she established herself in Paris, as the capital most to her taste, and as the place where she could meet many people from Mexico.

The Princess Lubimoff treated her relative well, although her friendship suffered sudden changes, often going from extreme affection to sudden coldness.

She and DoÑa Mercedes could talk about mines and vast estates, although neither of them had any accurate knowledge of their respective fortunes. They estimated their wealth only by the enormous quantities of money—millions of francs a year—which their distant business agents sent them, and which they spent without knowing just how. There was another thing which attracted the Princess, in her moments of good will, to DoÑa Mercedes: she herself was blond, while the Spanish Creole still kept traces of Hispanic-Aztec beauty, with a dark, somewhat olive complexion, large, wide-open, almond eyes, and hair astonishing for its blackness, brilliancy, and length.

But an instinctive rivalry frequently embittered the relations of the two multi-millionaires. The Princess was sure that her own wealth was far the greater. When DoÑa Mercedes talked about Mexican silver, she mentioned Russian platinum! "What is silver worth compared to platinum!" And in order completely to floor her opponent, the Princess would bring out her family history. Beginning with the remote Cossack ancestor, who almost became the legitimate husband of Catherine the Great, she paraded before her Mexican rival generals, marshals of the Emperor's household, hetmans, followed by their retinues of half savage horsemen, princes and ambassadors. Sir Edwin's wife talked as though she belonged to the reigning house, letting it be understood that her famous ancestor had played a part in the establishing of one of the Czars. For this reason she had always been shown special consideration at court.

DoÑa Mercedes, inwardly jealous of so much greatness, nevertheless smiled a sweet enigmatic smile, as though she were to say, "That is all very far away—and perhaps a lie."

Then immediately she would begin talking in her rapid whimsical French, a French which she had never been able to free from numerous Spanish locutions that still clung tenaciously.

"Mama was an intimate friend of Eugenie.... Don't you know who Eugenie is? The Empress, the wife of Napoleon III. When Madame Barrios—that was my mother's name—was announced at the Tuileries, the doors were opened wide. Papa was one of the men who made Maximilian emperor."

Over against the aristocratic grandeur of the Saint Petersburg court she set the image of the Mexican court, of the brief Empire which had ended in the execution of the Archduke Maximilian, and the madness of his bride, Carlotta. The Emperor endeavored to establish the musty old etiquette of the Austrian Court, but the Mexican matrons, when they called on the young Empress, said in the frank maternal fashion of the colonies: "How is everything, Carlotta?... How do you like the country, my dear?"

Moved by a similar frankness, DoÑa Mercedes would end her discourse by saying carelessly:

"Papa, seeing that the Empire was going badly, recognized Juarez as the head of the government, and joined the side of the Republic. He did it to save our mines."

Then she would talk on for a long time about the Barrios, who, according to her, were descendants of the most ancient aristocracy of Spain. All the nobles of Madrid were therefore relatives of hers. Everybody knew that! As a child she had seen at home a lot of papers which proved her right to the title of Marchioness; but owing to the revolutions in her country, and her travels, she no longer knew where to find them.

If the Princess referred to the splendor of her palace, the Creole would immediately mention her elegant private mansion in the Champs ÉlysÉes. The arrival of Colonel Toledo, as a valorous adornment giving the princely residence military prestige, did not intimidate DoÑa Mercedes. She too had a Spaniard, an Aragonese cleric, who acted as a sort of royal private chaplain, and whom she considered a man of science, because, bored by his sinecure in her employ, he had taken up elementary astronomy, and had set up a telescope on the roof of her house.

Whenever the Mexican lady dared to imitate her entertainments, her carriages or her clothes, the Princess Lubimoff would audibly lament the fact that Paris was not in Russia, where she might call on the chief of police to force this low-bred Creole to show the respect due to her superiors. But after these bursts of anger she would feel a sudden wave of tenderness for DoÑa Mercedes. "In spite of your illiteracy," she would say, "you are a woman of natural talent and the only one with whom I can talk for an hour at a stretch."

Between these two declining beauties, who had seen themselves the center of attraction and adoration in former years, there was a common bond, something which moved them both like far off lovely music, like the cherished memory of youth: It was the daughter of DoÑa Mercedes, the vivacious Alicia Macdonald.

DoÑa Mercedes seemed to see her own beauty, renewed with fresh vigor, in her child. But in this she was mistaken. Alicia added to her dark southern splendor the slenderness and slightly boyish freedom of movement of her father's race. The Princess, observing the girl's independent character, thought she saw herself back once more in the days when she was beginning to shock the Imperial Court. This too was a mistake. She herself had been able to follow all her most wilful impulses, without fear of gossip. She possessed everything. Besides her immense wealth, she had the advantages of birth, enabling her to elevate any man whatsoever to her own level, no matter how far beneath her he might be. Alicia had one ambition; to unite her fortune with a great title of the old aristocracy in order to be presented at court. Since her fifteenth year this desire had been fixed, calculating design, dissimulated under apparent recklessness. From her fairy-story days, her mother had talked to her about wonderful marriages, and of princes who in former times used to marry shepherdesses, but who were in search nowadays of millionaires' daughters.

Michael Fedor felt somewhat embarrassed at meeting this girl in his palace. She looked at him so boldly, with such a dominating expression, as though everything and everyone should bow before her!

She had beauty of a type more fascinating than conventional. Her complexion, slightly tinged with a strange golden orange color, her large eyes a trifle slanting, her luxuriant hair, which, fleeing its bondage of hairpins, seemed alive and coiling like a cluster of snakes, gave her an exotic charm. The rest of her body revealed a modern physical education. Her limbs were firm and agile from continued exercise and play.

DoÑa Mercedes seemed to urge Alicia and Michael toward each other from the first meeting.

"Don't stand on formality," she said in a motherly way. "You are cousins."

Although Michael didn't succeed in making out this relationship, he endeavored to treat the young girl in a friendly manner, while the Creole mother smiled as she already pictured Alicia with the coronet of a princess, bowing before the Czar. Princess Lubimoff was in one of her kindly moods; for the moment she did not believe in caste and privileges, to the extent that she would again have given money to the long-haired individuals who used to visit her. She accepted her friend's ambitious projects tolerantly and without comment.

The Prince, meanwhile, was telling the Colonel his impressions.

"Too much of a young lady! I like the others better."

Don Marcos, having been Michael's companion in wide and joyous travels, knew whom the boy meant by "the others"; for Prince Lubimoff had begun very young to nibble at the grapes of life.

On other occasions it irritated him that, with her unabashed demeanor of a foolish virgin, she should seem so much like "the others."

"She's worse than a boy. If you only knew, Colonel, the things she says to me!"

As for Alicia she was not wholly satisfied with the young Prince. She was accustomed to seeing other men make an effort to be gracious and show her flattering attentions, while Michael manifested a haughty character, like her own, arguing with her, and even daring to contradict her.

Occasionally, accompanied by Toledo, they went out together for a gallop in the Bois de Boulogne. All this was torture for Don Marcos, who had been a mountain warrior! But his present position called for certain duties. So he rode along as well as could be expected from a colonel of infantry.

Alicia was a tireless rider. At the residence in the Champs-ÉlysÉes, DoÑa Mercedes had frequently been obliged to look for her in the stables, where she made herself at home among the hostlers and coachmen, and talked with professional authority as she supervised the grooming of the horses. Afterwards, when she came back into the drawing room her hair would have a decidedly horsey odor. Back in her native land she had mounted a horse and clung to it before she knew how to walk. In Paris she boldly made her way among the vehicles, knocked down the passersby occasionally, and often found her mad gallops intercepted by the police.

The Colonel endeavored to keep up with her. He never said anything, but his heart was heavy. The Prince protested against her racing in this fashion, which might have been all very well on her native plains. The girl's retorts widened the breach between them, with feelings of hostility. "No one is going to talk to me like that, not even my mother," she said. "I'm old enough to know what I ought to do." She was fifteen.

One morning in the Bois, coming to a cross road that happened to catch her fancy, Alicia started her horse for the Avenue without consulting her companion.

"No, this way," Michael called in a commanding voice.

"I don't like that; this is the way!" she answered aggressively.

The Prince made an effort to cut her off by crossing ahead of her, and she spurred her horse against Michael's with a shock that brought the two animals to their knees. The Colonel, who was behind them, caught an exchange of angry glances, and harsh words. Alicia raised her whip, and struck the Prince across the shoulders.

"You do that to me!" shouted Michael furiously.

The face of this scion of the old Cossack Lubimoff underwent a rapid series of expressions, finally taking an aspect of extreme ugliness and savagery. His nostrils seemed to dilate even more than usual. He raised his whip and struck, but Toledo had put his horse between the two, receiving the tip of the lash on his cheek, which began to bleed. The sight of blood and the thought that the blow was intended for her, drove the young woman mad with rage.

"Brute! Savage!... Russian!"

This seemed too mild, and she stopped for a moment, to think up a greater insult. Her childhood memories helped her; the legend she had heard from the half-breeds back in her own land inspired her with a new affront, as if Michael Fedor were Fernan Cortes.

"Spaniard!... Murderer of Indians!"

And fearing a new lashing after that supreme insult, she fled at a mad pace without stopping until she reached the Arch of Triumph.

After this incident DoÑa Mercedes lost all hope of her daughter's becoming a Lubimoff.

"A Russian Princess!" she said scornfully. "Why, everyone is a Prince in Russia!... A mere English baron is better, or a French or Spanish count."

Michael was in a mood no more conciliatory when the Colonel lectured him.

"I don't want to hear anything more about that wench!" said he.

And the Princess, in one of her petulant moments averred that she considered this word the proper one. These relatives of Sir Edwin had always seemed to her very ordinary people. Likewise it seemed to her very natural that her son should think of going back to Russia to fill his station as a Prince. The life of caste and privilege there was more suitable to his rank than the democratic ways of Paris, where certain American Indians, because they had millions, could imagine they were the equals of the Lubimoffs.

Prince Michael remained in Russia until he was twenty-three. His military studies were passed brilliantly, according to Toledo, and the boy succeeded in distinguishing himself among the most famous cavalry officers of the Guard. He took prizes in exhibitions of horsemanship. With his revolver he could pot coins held up at fifty paces by his comrades. He wielded the sabre with a skill that his Cossack ancestor and General SaldaÑa would have admired. Every morning in the courtyard of his Petersburg palace he found awaiting him a life-sized dummy made of the firm sticky clay used by sculptors. He would stay for half an hour in front of it, going through his exercises. It was not enough to be able to strike one's enemy. The important thing was to strike well, with the greatest possible depth and force. And the head and limbs of the dummy went flying, severed by the steel blade. The study of military science was all well enough for those in the infantry or the artillery—sons of clerks and merchants!

At first the Colonel was astonished at the magnificence and extravagance of Russian life. Finally he came to take it all quite naturally, as though he had been accustomed to something similar from his earliest boyhood. "My son, remember the name you bear," the Princess used to write to the Prince. "Do not disgrace it. Spend according to what you are." And the son, without asking her for anything, followed her advice faithfully by coming to a direct understanding with the Russian administrators. Don Marcos figured that the Lieutenant in the Guard was spending something over three millions a year. His racing stables were the most celebrated in the capital. Many famous beauties of the court and the theaters were on good terms with Prince Michael Fedor. His supper parties in the Lubimoff palace or in the fashionable restaurants were sought after by all the young men of the aristocracy. To be invited to one of them was an extraordinary honor, something like being a member of an academy of supermen. It often happened that toward morning on nights of such parties celebrated women finished by dancing naked on the tables, so that the host "might not be displeased."

Sometimes these celebrations ended in drunken brawls, where wine mingled with blood. The Colonel had seen one of these suppers result in a duel between two of the guests. It took place in the palace garden, just before dawn. One of the men was killed. His best friends carried the corpse to the quay of the Neva, and placed a revolver in his hand to make it look like a case of suicide.

No: Don Marcos did not care much for those nocturnal feasts. He considered them dangerous. On one occasion, a youthful Grand Duke, absolutely drunk, amused himself by daubing the Colonel's whiskers with caviar, until, tired of such brazen familiarity, the Spaniard in turn put his hand in the dish and smeared the other man's august face with green. The duke hesitated for a moment whether or not to kill him, but finally embraced him, covering him with kisses and shouting aloud, "This is my father."

Toledo preferred his own honorable and quiet friendships with General SaldaÑa's former companions in arms; solemn personages who talked to him about world politics and future wars. Besides, the Prince's generosity permitted the Colonel secret pleasures, less noisy, and agreeably unostentatious.

One night, returning to the Lubimoff palace after two o'clock, he saw there was a supper party in the great dining hall used on gala occasions. Some fifty guests had assembled, and in the course of the night many more had arrived. It seemed that the news had spread throughout all the pleasure resorts of the capital, attracting all the youthful libertines.

Opposite the Prince was seated a Cossack officer, short, lithe as a panther, dark skinned, with Asiatic eyes. His wrinkled uniform showed signs of recent traveling. Michael Fedor showed him the greatest attention, as though he were the only guest. Toledo, being acquainted with all the friends of the house, was unable to place this uncouth Cossack, who looked as though he had come from some remote garrison in Siberia. Some one offered to relieve his uncertainty. He was startled on learning that it was the brother of a court lady who just at that moment was being much talked about on account of her extreme familiarity with Michael Fedor. The two men looked at each other with keen interest, exchanging silent toasts in huge glasses of champagne. At the other end of the hall arose the ceaseless wail of gypsy violins. Several dark skinned girls with striped aprons of many colors were dancing about the tables. But in spite of that, Don Marcos, glancing about, felt instinctively a note of gloom.

"Leon, the sabres!"

The Prince, after looking at his watch, had arisen and given this order to his body servant, who was standing behind him. All the guests rushed for the doors forming a jam, like a crowd, pushing and shoving, at the entrance to a theater. There was no reason now to conceal their real feelings. They were eager for the promised spectacle. The Colonel finally found some one who could talk intelligibly.

"He came last night, to ask the Prince to marry his sister. A thirty-eight day trip.... The Prince refuses.... It isn't often you'll see a match like this.... He's the best swordsman in Siberia."

The garden was covered with snow. It was night, and the uncertain moon illumined it with slanting rays, lengthening immeasurably the shadows of the trees. More than a hundred men formed in two black masses on the borders of the walk. The Colonel noticed the arrival of several servants. One was bringing swords; the rest were carrying large trays with bottles and glasses.

Michael Fedor bowed to his enemy, his eyes shining with kindliness and drink.

"Would you like another glass of something?"

The Cossack thanked him with a gesture, and immediately Toledo saw him remove his long coat, the breast of which was adorned with cartridge pouches. Then he took off his shirt, and finally remained in nothing save his trousers and high boots. Then he stooped, and seizing two handfuls of snow, began to rub his wiry body and muscular arms.

The Prince, like many of the spectators, shivered slightly with surprise and cold; but nevertheless that the condition of the combat might be equal, Lubimoff felt it imperative that he should follow the example of his hardy adversary. While he was removing the upper part of his uniform several torches were lighted and began to blaze like red stars in the semi-darkness of the moonlit garden.

Don Marcos could see the two men face to face. They were bare from the waist up. Their breasts shone from the moisture of the recent massage. In their hands quivered sabres as sharp as razors.

"Ready!"

Some one was directing the fight.

"Why this is barbarous!" thought the Spaniard. "These men are savages."

He did not dare say it aloud because he was a soldier, and more than that, a Colonel; but during the rest of his life he never could forget that scene.

They crossed swords, parried, attacked, the Prince with firm poise, the other with catlike agility. Toledo could see that their bodies were blood red, but at the moment he thought it an effect of the torchlight. As they drew near him, circling about in their deadly play, he realized that they were actually red with blood. Their bodies seemed covered with a purple vestment that was torn to shreds and the shreds quivered at the ends as the blood dripped off. Standing out against that warm moist garment rose their white arms. The Prince was getting the worst of it. Toledo suddenly saw a deep gash appear in his brow; a moment later he thought he saw one of his ears hang half severed from the skull. But that wild cat from the steppes always sprang free from every sabre thrust. No one dared intervene; it was a duel without quarter, without rest, with no condition save the death of one or the other combatant. At times they came together, forming a single body bristling with white flashes in the shadow of the trees; a moment later they appeared apart, seeking each other in the fiery circle of the torches.

Suddenly Toledo heard a wild cry of pain, the howl of a poor animal caught unawares. The Prince was the only one still standing. A straight thrust had slashed his adversary's jugular. Lubimoff stood there a moment motionless. Then his superhuman strength, which had sustained him until then, left him. With the loss of blood, all the weariness of the struggle came over him like a shot. He too tottered and fell, but into the arms of friends. There was not a single doctor among the spectators. No one had thought of that. They considered the presence of one unnecessary in an encounter that could end only in death.

All the curiosity seekers left the garden, following the unconscious Prince. A few servants stayed behind, gathered about the body of the Cossack. He was lying face downward. With respectful awe they watched as his legs quivered for the last time, as the blood slowly emptied itself from the neck, and spread out across the snow, in a black stain that was beginning to take on a bluish tinge in the livid light of dawn.

At the court, which had already shown frequent alarm over the Prince's notorious adventures, this event caused a great stir. Lubimoff's duels, his love affairs, his scandalous entertainments, annoyed the young Emperor, who had taken it upon himself to improve the morals of his associates.

In aristocratic gatherings, the freakish whims of the almost forgotten Nadina Lubimoff were brought to memory and discussed again. The young Cossack was related to people of influence, and his death contributed to the complete disgrace of his sister.

Michael Fedor had not yet entirely recovered from his wounds, when he received the order to leave Russia. The Czar was banishing him, and for an indefinite period. He might live in Paris with his mother.

"That's all right; so long as they respect his income," was the Colonel's only comment.

Arriving in Paris, the Prince was convinced of his mother's insanity. That was something he had suspected for some time, from her letters. Sir Edwin had died, rather suddenly, three years before, in England, following defeat in an election. The palace in the MonÇeau quarter had suffered an interior transformation that represented a cost of several millions. The Princess was devoting all her time to it. The Arabic, Persian, Greek, or Chinese drawing rooms, the construction and decoration of which had made the fortune of two architects and several dealers in doubtful antiques, had just disappeared; while furnishings acquired years before as extremely rare pieces had been scattered to the four winds as though they were mere rubbish of no value. The palace remained the same as before on the outside; but the interior, beginning with the stairway, was rebuilt in imitation of a medieval castle. Not a single window remained without its stained glass, not a room but was shrouded in the vague half light of a cellar. All the conventional Gothic known to modern contractors was employed by order of the Princess in the restoration of the house. Three stories and one entire wing had been torn down to form the nave of a cathedral.

Michael saw advancing toward him a tall austere woman, with long transparent fingers, and large, staring, uncanny eyes. She was dressed in black, with loose sleeves that almost touched the ground, and with a white bonnet fitting close to the head beneath her mourning veils. In spite of the fact that she had a rosary at her wrist and talked with the air of a martyr, her son imagined that he was looking at an opera singer.

The expulsion of the Prince from Russia had caused her neither surprise nor sorrow.

"Those Romanoffs have always disliked us. They cannot forget that your illustrious ancestor, so they say, used to beat Catherine when he caught her with anyone else."

Her thoughts rose above all such worldly considerations. She had never, as a matter of fact, taken any stock in religion; but now she declared herself a Catholic. She had made no public declaration of conversion, to be sure, but she felt she must adopt the belief. Her new and final personality demanded it.

"Your father approves of my new stand. Often in the night I have talked with my hero. He is glad to see me in the path of truth."

No sooner had Michael Fedor and the Colonel arrived, than they noticed the strange visitors who were frequenting the palace. The long haired terrorists had been succeeded by numerous fortune tellers, soothsayers, clairvoyants, and solemn professors of occult sciences. A plain old lamp-stand, which looked as though it might have walked upstairs by itself from the concierge's quarters, was jumping about and rapping, at all hours, in the bedroom of the Princess.

One day she decided to tell her son the great secret of her life. At last she knew who she was; the spirits had revealed to her the knowledge of her true personality. In one of her many previous existences she had been the most unfortunate and beautiful, the most "romantic", of queens. The soul of the Russian princess, Nadina Lubimoff, centuries ago had dwelt in the body of Mary Stuart.

"That is why I always had a special liking for the story of the unhappy queen. And now I know why, when I saw Sir Edwin in London, I fell in love with him on the spot, in the most irresistible fashion. His ancestors were Scottish."

Such reasons were to her as unanswerable as all the others which had guided her actions. And to pay homage to the queenly soul which was, according to all her mystic attendants, reincarnated in her, she was going to live like the beheaded sovereign of Scotland, copying the Queen's clothes as she had seen them in pictures, converting her palace into a mediÆval castle, and eating from antique plates nothing but Renaissance delicacies, the recipes for which she had employed a history professor to discover in ancient chronicles.

Carriages now rarely entered the Court of Honor of the palace. The grand stairway was growing mossy between its steps. Not so the delivery entrance. There, each day, the professionals of "the beyond" appeared, poorly dressed and suspicious looking men and women, who were exploiting the Princess, generous as a queen—and was she not one?—under the guise of aiding her in the manipulation of the lamp table, and conjuring up historic phantoms which, to prove their presence, moved the carpets, made the pictures fall from the walls, changed the positions of the chairs, and committed other childish deviltries.

DoÑa Mercedes avoided visiting the Princess. Her simple faith caused her to be frightened at queens that last for centuries, and at those halls with old furniture that seemed to palpitate with mysterious life. She preferred the quiet wholesome conversation of the priests whom she was supporting for herself. The Aragonese vicar had allowed himself to be snatched away in triumph by another devout millionaire. He had grown tired, no doubt, of the excessive ease and idleness afforded him by his penitent, and was bored with astronomical observations on the roof of the dwelling in the Champs-ÉlysÉes.

At present she was offering her hospitality to a Monsignor, a Bishop in partibus, who directed the widow's money into various pious charities of his own invention.

Alicia had married a French Duke, twenty years her senior, and after a few months of marriage was causing herself to be very much talked about. DoÑa Mercedes, offended, was punishing her by seeing her very seldom, in hopes that such coldness would cause the Duchess de Delille to follow the example of her mother. In the meantime, the latter was concentrating all her family affection on the Monsignor, a saint, and a man of the world, who in the evening, to avoid a discordant note, took off his cassock and sat down at table in a tuxedo, while a flock of mechanical birds sang and flapped their wings in the large gilded cage in the Creole's dining room.

Michael Fedor saw Alicia twice in the Lubimoff palace. She did not feel there the uneasiness her mother experienced, and even declared the manias of the Princess very original and interesting. Afternoons when she was bored, and paid the Princess a visit, she too seemed to believe in the lamp table and in the "Queen's" protÉgÉs with the mystic gestures.

She too consulted them to find out whether she would be happy, and especially whether she would be greatly loved, although she never told who it was that was supposed to love her. On other occasions she asked the oracle, with a note of jealous anxiety in her voice, what a certain unknown person was doing at that particular time. The name of the person was kept secret, but some months he would be dark and at other times he would be blond. She and the lamp table understood each other perfectly.

"I always said that girl was cleverer than her mother," the Princess affirmed.

When Alicia first met the Prince, on his return home, she burst out laughing, and almost embraced him.

"Do you remember how we used to hate each other? Do you remember that day in the Bois when we whipped each other?"

She looked at him with an air of interest, scrutinizing him from head to heel without detecting anything of the displeasing youth of former times. She knew of his adventures in Russia, his loves, his duels, his expulsion. An interesting man! A Byronic fellow! Besides, she had heard that he was a bit of a brute with women.

"Come and see me. We must be friends. Remember we are relatives."

Michael scrutinized her also, but with a certain seriousness. He had heard a great deal about her since arriving in Paris. During her three years of married life the Duke had tried twice to divorce her. It weighed on his mind to think that he should be enjoying immense wealth just in return for allowing her to bear his name. When he shook hands with a friend, he was never sure of the latter's relations with his wife. But Alicia had married the Duke in order to be a Duchess, and in the end the couple came to a practical agreement. Half of her income was to go to the Duke, who was to travel, or, if he wished, reside in Paris with a former mistress. Alicia might live as she pleased in her splendid white mansion in the Avenue du Bois de Boulogne, and display a ducal coronet on her underwear, on her silver, and on the doors of her motor cars.

The little horsewoman of the Mexican plains, trained to morning gallops, had been transformed into a woman of proud and arrogant beauty. To Michael she looked like a California orange, golden, gleaming, wafting a strong sweet fragrance.

Inwardly he winced at the gaze of those dark eyes, so enticing and fascinating, so provoking and commanding, in full consciousness of power.

But no. He remembered that various men whom he disliked, had, according to common gossip, already preceded him in falling under Alicia's spell. And for the time being he was interested in a French actress, whom he had met on the train returning from Russia.

Besides, he suddenly beheld her again in his imagination as she was years before. Perhaps she had not changed. She was used to managing men with a firm hand, to changing from one to another, as though they were post horses. He and Alicia would quarrel at their second meeting. They might easily end by coming to blows.

He saw no more of her. New preoccupations changed the direction of his thoughts. One day in the street he met a Russian who seemed old and ill. It was Sergueff, his former teacher. Sergueff must now have been some forty years of age. He looked as though he were in his seventies, with a dirty white beard, grayish skin, and a wrinkled almost motheaten face, with no sign of life save in the two green holes that marked his eyes. From Saint Petersburg they had sent him to a prison in Siberia. He had escaped, crossed half of Asia on foot and alone, as far as a Chinese seaport, and there he had taken ship for the United States. The story of this tour of the world was told in a few words, as though it were a single walk on the boulevards.

Michael Fedor took him to the palace. The Colonel seemed dismayed by Sergueff's presence, and drew back into his shell. He must remember his own connections with nobles of the Russian court! Some of them were former generals of police!

The son of Princess Lubimoff talked for several days with the fugitive. The memory of his own expulsion from the court caused Michael vaguely to sympathize with this man who was likewise an exile. Besides, in the depths of his mind something of his mother's character was stirring, with all its inconsistencies and hazy vague desires. The officer of the Guard listened as attentively as a scholar to the doctrines of the revolutionist.

"Why, those men are right!" he exclaimed with the passionate enthusiasm that the Princess herself expressed for every novelty.

For the first few days he felt a yearning for martyrdom, a deep desire for renunciation, the mystic abnegation of the man of his race. He thought of many princes like himself, educated at court, with high social positions, who had given away their wealth to live among the poor and dedicate their lives to the triumph of truth and justice. He would do the same. He would reawaken to true life, and he was sure that his mother would approve. General SaldaÑa had given his blood to rehabilitate the past; he would give his to overcome all obstacles in the pathway of the future. Times change. The past consists of a certain number of centuries; the future is infinite.

But Lubimoff was not a true Russian. No sooner had he decided to carry out his mystic determination, than the Latin love of pleasure reawakened in him. Life is good, and offers many pleasant things! For him the tree of life was still overflowing with sap; there still remained for him so many leafy springs, so many fruitful summers! Later, perhaps, when only the dry wood remained....

The one positive and immediate result of this resurrection was Michael's sense of his own ignorance and of the emptiness of his life. There was something in the world besides knowing languages, wielding rapiers, and riding horses. Man should seek the realization of his greatness in more serious enterprises than love making, duels and betting. Fate, in giving him wealth, had exempted him from the harsh necessity of work. But that was no reason why he should renounce making his mark in the world, as he passed through it, just as thousands of his predecessors had done, and as millions of men to come would continue to do.

For the first time in his life Michael sought the comradeship of books, and this initial reading stirred him with a new desire. He made up his mind to know the world, to see strange countries, to struggle with the blind forces, which form the pulsing of the planet, and to live the coarse rough adventures of men who go from port to port. His father had told him of remote ancestors of the SaldaÑa family, who had gained titles and fortunes by setting sail from humble Spanish harbors, swooping out like sea gulls across the gloomy Ocean, in the track of Columbus and the Pinzons, in search of new lands of mystery. An ancestor of his, disembarking with the aged Ponce de Leon in Florida, in search of the famous "Fountain of Youth," had been one of the discoverers of the present United States. The first SaldaÑa to be a noble had obtained his title of "don" by founding a city in the neighborhood of Panama. Why should he not be a navigator like his forebears, a wanderer of the seas, enjoying exotic pleasures, and perhaps succeeding in wresting some secret from the blue deep?

Life in that palace which his mother's mania had rendered ugly, was becoming uncomfortable and distasteful, and was impelling him to flee. The Princess did not make the slightest objection, when informed that her son desired to buy a yacht to navigate the seven seas. Let him do so, by all means! It was a princely pastime, quite worthy of a Prince Lubimoff. They were constantly growing richer. The oil, the platinum, all the precious ores of their properties and the products of their lands, as large as nations, made up an enormous income. The preceding year it had reached the sum of seventeen million francs: a million a month! For a single private family it meant unbelievable wealth, and the Princess Lubimoff, who had temporarily regained her sanity, modestly added:

"But for a queen it isn't much."

In England Michael purchased a sailing yacht, with a sharp bow, bold masts, and an auxiliary engine, and gave it the Spanish name for the sea gull, the "Gaviota."

His idea was to continue on the ocean the life he had led on land, selecting, however, only its most interesting phases. For that reason he decided to take Sergueff along. The teacher seemed melancholy, as though the comforts and the liberal sums of money which the Prince bestowed on him weighed on his conscience like remorse. He had something more urgent to do in the world than voyage idly hither and thither in a luxurious boat. He disappeared one day, to return to Russia, as though the gallows had a fascination for him. Or was it that he preferred, in case of better luck than that, to travel once again around the world, but in his own manner?

The Colonel, as the aide de camp of the Prince, felt obliged to embark. He had never yet left "his boy's" side! But, oh, he was not blessed with sea legs, and, much less, with a sea stomach! He was a hero of the mountains! They were obliged to send him back to Paris from a port in Brazil.

The voyage of the Gaviota lasted for five years. In the second year Michael Fedor thought his career as a navigator was about to be interrupted. The war between Russia and Japan had just broken out and he cabled from a Pacific port, asking for his former place in the Guard. The reply was a long time in coming. The Czar was still angry with him and kept him in exile.

"So much the better!" Michael finally said to himself in a voice choked with anger. He guessed what was going to happen; what was to be the final fate of those brave Russians of the sharp sabers, when they came to face the astute little yellow men who had silently gone on appropriating the most scientific occidental arts of killing.

His adventures in the various ports, his relations with women of every race and color, were sufficient to fill his life.

"I am studying geography," he wrote Don Marcos, after inquiring about his mother's health. "I am studying the geography of love."

It was not long before he was obliged to interrupt his cruise to return to the Princess. The physicians had ordered her away from the Paris palace, with its gloomy decorations so stimulating to her obsessions. They were sending her to the Riviera to drink sunlight and open air.

And poor Maria Stuart, absolutely incognito, went from one large hotel to another, occupying entire floors with her retinue of much beaten Russian servants and much adored soothsayers and witch doctors. She was the despair of the hotel keepers, who were always glad to see her depart, though she alone paid more than all the other guests put together.

Her son found her looking like a specter in her flowing mourning garb. She was weaker and thinner, and her eyes had taken on an alarming, fixed stare, which gave one the creeps. Her complexion had lost its former whiteness, gradually growing darker as though burned by an inner fire. For the moment her sole preoccupation was the construction of a palace on the Blue Coast. On French territory, in sight of Monte Carlo, she had bought a small promontory, a spur of land and rocks jutting out into the sea, a ridge covered with century-old olive trees and gnarled pines. She was kept busy quarreling with a stubborn old couple, an aged peasant and his wife, who were refusing to sell her the extreme point of the headland. She had already spent many thousands of francs on the plans of the future palace. Architects, painters, and landscape gardeners were constantly working for her, making studies of the historic past, in the endeavor to view of the Mediterranean an enormous Scottish castle express her imaginings. Her idea was to erect in full as Scotch as could possibly be imagined; in short, according to the Princess, it was to be "a novel of Walter Scott, done in stone."

Michael was frightened. The sumptuous dungeon in Paris was to be repeated in the face of that luminous sea, in one of the most smiling landscapes of the earth. Behind his mother's back he talked with all the men who were working on the future Villa Sirena, the "Villa of the Sirens." The Princess had selected this name, in the conviction that on moonlight nights the daughters of the briny deep would come and visit her, singing on the reefs beneath her window. That was the least they could do for her!

Each day the veil of mystery was opening more widely before her eyes, allowing her to see things which for others were invisible.

Don Marcos, who, deserted by his former pupil, had gone back to the Princess, likewise received instructions from Lubimoff. He was to prevent the unhappy lady from perpetrating such a sacrilege on the Mediterranean. But what could the poor Colonel do with that madwoman who spent whole weeks without speaking to him, as though she did not know who he was!

The Prince returned to his yacht, and a year later being by chance in upper Norway on his return from an expedition to the Arctic Ocean, he received the sad but expected news. His mother had died, just as she saw rising from among the olive trees and pines of the rosy promontory, the beginning of huge stone walls artificially blackened like the painted panels in the antique shops, and which looked as though they were about to fall in ruins from mere age, as soon as they had risen from the ground.