RYE AND WINCHELSEA Out of the vagueness and loneliness of the Marsh, with its strange level light and tingling silence, I climbed one spring evening at sunset into the ancient town of Rye, and at first I could not believe I was still in England. No one I think can wander for more than a few days about the Marsh, among those half deserted churches, far too big for any visible congregation, whose towers in a kind of despair still stand up before God against the sea, raging and plotting far off against the land, without wondering at last into what country he has strayed. In Rye all such doubt is resolved at once, for Rye is pure Italy, or at least it seems so in the evening dusk. When I came up into it in the spring twilight out of the Marsh, I was reminded of one of those Italian cities which stand up over the lean shore of the Adriatic to the south of Rimini, but it was not of them I thought when in the morning sunlight I saw those red roofs piled up one upon another from the plain: it was of Siena. And indeed Rye is in its smaller, less complete and of course less exquisite way very like the most beautiful city in Tuscany. Here, too, as in Siena, the red-roofed houses climb up a hill, one upon another, a hill crowned at last by a great church dedicated in honour of the Blessed Virgin. But here the likeness, too fanciful for reality, ceases altogether. It is true that Siena looks out beyond her own gardens and vineyards upon a desert, but it is a very different desolation upon which Rye gazes all day long, out of which she rises with all the confidence, grace, and gaiety of a flower, and over which she rules like a queen. From the Porta Romana of Siena or the outlook of the Servi, you gaze southward across the barren, scorched valleys to the far-away mountains, to Monte Amiata, the fairest mountain of Tuscany. From the Ypres Tower of Rye or the Gun Garden below it, you look only across the level and empty Marsh which sinks beyond Camber Castle imperceptibly into the greyness and barrenness of the sea. To the east, across the flat emptiness, the Rother crawls seaward; to the west across the Marsh, as once across the sea, Winchelsea rises against the woods, and beyond, far away, the darkness of Fairlight hangs like a cloud twixt sea and sky. Indeed, to liken Rye to any other place is to do her wrong, for both in herself and in that landscape over which she broods, there is enough beauty and enough character to give her a life and a meaning altogether her own. From afar off, from Winchelsea, for instance, in the sunlight, she seems like a town in a missal, crowned by that church which seems so much bigger than it is, gay and warm and yet with something of the greyness of the sea and the sea wind about her, a place that, as so few English places do, altogether makes a picture in the mind, and is at unity with itself. And from within she seems not less complete, a thing wholly ancient, delightful, with a picturesque and yet homely beauty that is the child of ancientness. Yet how much has Rye lost! The walls of Coeur de Lion have fallen, and only one of the gates remains; but so long as the church and the beautiful strong tower of William de Ypres stand, and the narrow cobbled streets full of old and humble houses climb up and down the steep hill, the whole place is involved in their beauty and sanctity, our hearts are satisfied and our eyes engaged on behalf of a place at once so old and picturesque and yet so neat and tidy and always ready to receive a guest. A place like Rye, naturally so strong, a steep island surrounded by sea or impassable marsh, must have been a stronghold from very early times; it is in fact obviously old when we first hear of it as a gift, with Winchelsea, of Edward the Confessor's to the Benedictine Abbey of FÉcamp just across the grey channel in Normandy. Both Rye and Winchelsea remained within the keeping of the Abbey of FÉcamp until, for reasons of State easy to be understood, Henry III. resumed the royal rights in the thirteenth century, compensating the monks of FÉcamp with manors in Gloucestershire and Lincolnshire. For before the end of the twelfth century it would seem Rye with Winchelsea had become of so much importance as a port as to have been added to the famous Cinque Ports, Sandwich, Dover, Hythe, Romney and Hastings. From this time both play a considerable part in the trade and politics of the Channel and the Straits. It was to enable her to hold herself secure in this business and especially against raids from the sea that the Ypres Tower was built in the time of King Stephen, by William of Ypres, Earl of Kent. It was a watch tower and perhaps a stronghold, but it was never sufficient. Even in 1194 Coeur de Lion permitted the town to wall itself. Nevertheless Louis the Dauphin of France took Rye, and it may well have been this which determined Henry III. to take the town out of the hands of the monks of FÉcamp and to hold it himself. Doubtless Rye's greatest moment was this thirteenth century, nor did she appear much less in the fourteenth and the first half of the fifteenth century. But often sacked and burned, the town was practically destroyed by the French in 1378 and 1448, when only the Ypres Tower, part of the church, the Landgate, the Strandgate and the so-called chapel of the Carmelite Friars escaped destruction. But from this blow Rye recovered to play a part, if a small one, in the defeat of the Armada, and though the retreat of the sea, which seems to have begun in the sixteenth century, undoubtedly damaged her, it did not kill her outright as it did Winchelsea, for she had the Rother to help her, and we find her prosperous not only in the time of the Commonwealth, but even to-day, when, with the help of a new harbour at the mouth of the river, she is still able to carry on her trade. Rye Nothing in fact strikes the visitor to Rye more than the bustle and life of a place obviously so old. All the streets are steep and narrow and the chief of them, the High Street, seems always to be gay and full of business, and is as truly characteristic of Rye as those still and grass-grown ways cobbled and half deserted, which lead up to the noble great church in its curious place. It is of course to this great sanctuary dedicated in honour of the Blessed Virgin, that everyone will go first in Rye. It has been called the largest parish church in England, and though this claim cannot be made good, it is in all probability the largest in Sussex, is in fact known as the Cathedral of East Sussex, and if a church became a cathedral by reason of its beauty and size it might rightly claim the title. It is certainly worthy of the most loving attention. The church of Our Lady at Rye is a great cruciform building with clerestory, transepts, and central tower, but without western doors, the chief entrance being in the north transept. The church is of all dates from the Norman time onward, a very English patchwork, here due to the depredations, not so much of time, as of the French who have so often raided and burnt the town. The oldest part is the tower, which is Norman, as are, though somewhat later, the transepts, where certain details show the Transitional style. In this style again, but somewhat later, is the nave. The chancel and its two chapels are Early English, but with many important Decorated, Perpendicular and modern details, such as the arcade and the windows. The Early English chapel upon the north is that of St Clare, that upon the south is dedicated in honour of St Nicholas. In the south aisle of the nave is an Early English chantry, now used as a vestry. The communion table of carved mahogany is said to have been taken from a Spanish ship at the time of the Armada, but it would seem certainly not to be older than the end of the seventeenth century. The curious clock whose bells are struck by golden cherubs on the north side of the tower, is said to have been a gift of Queen Elizabeth and to be the oldest clock in England still in good order. It is probably of late Caroline construction, but even though it were of the sixteenth century its claim to be the oldest clock now at work in England could not be upheld for a moment, that in Wells Cathedral being far older. The pulpit is of the sixteenth century. In the north aisle is a curious collection of Bibles and cannon balls, and here, too, is a small window with glass by Burne Jones. To the south-west of the church is the so-called Carmelite Chapel, a late Decorated building. What exactly this was and to whom it belonged, is uncertain; it was not a chapel of Carmelite Friars. The only establishment belonging to that Order within the county of Susses was at Shoreham, founded in honour of the Blessed Virgin, by Sir John de Mowbray in 1316. So far as we know the only religious to be found in Rye at the time of the spoliation were the Austin Friars. Their house still stands—a building of the late fourteenth or early fifteenth century—on the Conduit Hill. It has passed through many strange uses, among others that of a Salvation Army barracks. It is now the Anglican Church House. This was the only settlement of the Austin Friars in Sussex, and of its origin nothing is known. In 1368 we hear that the prior and convent of the Friars Eremites of St Austin in Rye permitted one of their brethren, a priest, to say Mass daily, at the altar of St Nicholas, in the parish church for the welfare of William Taylour of Rye, and of Agnes his wife. In 1378 the town granted them a place called "le Haltone" near the town ditch. But apart from these two facts their history is altogether wanting. From the parish church one descends south-east to the Ypres Tower. This watch tower and stronghold was built in the time of King Stephen by William of Ypres, Earl of Kent, and is in many ways the most impressive building left to us in Rye. It is undoubtedly best seen from the river, but it and the garden below it afford a great view over the marshes on a clear day, eastward to the cliffs of Folkestone and westward to Fairlight. In itself it is a plain rectangular building with round towers at the angles, but with nothing of interest within. Yet what would Rye be without it. For many years it was the sole defence of the town. Most of those who come to Rye enter the town, and with a sudden surprise not to be found elsewhere, by the Landgate upon the north. There were, it is said of old, five gates about the town, but this is the only one left to us. Nothing, or almost nothing, of the walls remain. Doubtless the French destroyed anything in the nature of fortification so far as they could, only the Ypres Tower they failed to pull down or to burn, and this great round towered gateway upon the north—why we do not know? It is the Landgate which gives to Rye its power of surprise, so that a man coming up from the railway, at sight of it, is suddenly transported into the Middle Age, and in that dream enters and enjoys Rye town, which has never disappointed those who have come in the right spirit. For besides the monuments of which I have spoken there are others of lesser interest, it is true, but that altogether go to make up the charm and delight of this unique place. Among these I will name Mermaid Street where the grass grows among the cobbles and where stands the Mermaid Inn and the half timber house called the Hospital, Pocock's School and Queen Elizabeth's Well. Better still, for me at least, is the life of the river and the shipyards, where, though Rye is now two miles from the sea, ships are still built and the life of the place and its heart are adventured and set upon the great waters. So alluring indeed is this little town that one is always loath to leave it, one continually excuses oneself from departure. One day I delayed in order to see the famous poem in the old book in the town archives which I already knew from Mr Lucas's book. It is certainly of Henry VIII.'s time, and who could have written it but that unhappy Sir Thomas Wyatt who loved Anne Boleyn—
Then one sunny afternoon I went out by the road past Camber Castle across Rye Foreign for Winchelsea on its hill some two miles from Rye to the west. There is surely nothing in the world quite like Winchelsea. Lovelier by far than Rye, not only in itself, but because of what it offers you, those views of hill and marsh and sea with Rye itself, like I know not what little masterpiece of Flemish art, in the middle distance eastward, Winchelsea is a place never to be left or at worst never to be forgotten. One comes to it from Rye on a still afternoon of spring when the faint shadows are beginning to lengthen, expecting little. In fact, if the traveller be acceptable, capable of appreciating anything so still and exquisite, Winchelsea will appear to him to be, as it is one of the loveliest things left to us in England, place, as Coventry Patmore so well said, in a trance, La Belle an Bois dormant. Nowhere else in England certainly have I found just that exquisite stillness, that air of enchantment, as of something not real, something in a picture or a poem, inexplicable and inexpressible. How spacious it is, and how quiet, full of the sweetness and the beauty of some motet by Byrd. History is little to us in such a place, which is to be enjoyed for its own sake, for its own unique beauty and delight. And yet the history of Winchelsea is almost as unique as is the place itself. Winchelsea when we first hear of it as given by King Edward Confessor to the monks of FÉcamp, was not set upon this hill-top as we see it to-day, but upon an island, low and flat, now submerged some three miles south and east of the present town. Here William the Conqueror landed upon his return from Normandy when he set out to take Exeter and subdue the West; here again two of those knights who murdered St Thomas landed in their pride, hot from the court of Henry their master. Like Rye, its sister, to whom it looked across the sea, Winchelsea was added to the Cinque Ports and was presently taken from the monks of FÉcamp by Henry III. It was now its disasters began. In 1236 it was inundated by the sea as again in 1250, when it was half destroyed. Eagerly upon the side of Montfort it was taken after Evesham by Prince Edward, and its inhabitants slain, so that when in 1288 it was again drowned by the sea it was decided to refound the town upon the hill above, then in the possession of Battle Abbey, which the King purchased for this purpose. At that time the hill upon which Winchelsea was built, and still stands, was washed by the sea, and the harbour soon became of very great importance, indeed until the sixteenth century, when the sea began to retire, Winchelsea was of much greater importance than Rye. The retreat of the sea, however, completely ruined it, for it was served by no river as Rye was by the Rother. The town of Edward I., as we may see to-day, by what time has left us of it, was built in squares, a truly Latin arrangement, the streets all remaining at right angles the one to the other. It had three gates and was defended upon the west, where it was not naturally strong, by a great ditch. It was attacked and sacked by the French as often as Rye, though not always at the same time. Thus in 1377, when Rye was half destroyed, Winchelsea was saved by the Abbot of Battle, only to be taken three years later by John de Vienne, when the town was burnt. No doubt these constant and mostly successful attacks deeply injured the place which, after the sea had begun to retreat in the sixteenth century, at the time of Elizabeth's visit in 1573, only mustered some sixty families. From that time Winchelsea slowly declined till there remains only the exquisite ghost we see to-day. One comes up out of the Marsh into Winchelsea to-day through the Strand Gate of the time of Edward I., and presently finds oneself in the beautiful and spacious square in which stands the lovely fragment of the church of St Thomas of Canterbury. This extraordinarily lovely building dates from the fourteenth century. As we see it, it is but a fragment, consisting of the chancel and two side chapels, but as originally planned it would seem to have been a cruciform building of chancel, choir with side chapels, a central tower, transept and nave. It is doubtful, however, whether the nave was ever built, the ruins of the transepts and of two piers of the tower only remain. I say it was doubtful whether this nave was ever built. It has been asserted, it is true, that it was burnt by the French either in 1380 or in 1449, but it seems more probable that it was never completed owing to the devastation of the Black Death of 1348-9, though certain discoveries made of late would seem to endorse the older theory. Certain it is that until the end of the eighteenth century, there stood to the south-west of the church a great bell tower, a detached campanile, now dismantled, whose stones are said to have been used to build Rye Harbour. The church, as we have it, is one of the loveliest Decorated buildings in the county; the Perpendicular porch, however, by which we enter does not belong to the church but possibly came here from one of the destroyed churches of Winchelsea, St Giles's or St Leonard's. Within we find ourselves in a great choir or chancel, with a chapel on either hand, that on the right dedicated in honour of St Nicholas and known as the Alard Chantry, that on the left the Lady Chapel known as the Farncombe Chantry. The arcades which divide these chapels from the choir are extraordinarily beautiful, as are the restored sedilia and piscina with their gables and pinnacles and lovely diaper work. The windows, too, are very noble and fine, and rich in their tracery, which might seem to be scarcely English. In the Chapel of St Nicholas, the Alard Chantry, on the south, are the glorious canopied tombs of Gervase Alard (1300) and Stephen Alard. The first is the finer; it is the tomb of the first Lord High Admiral of England. The sepulchral effigy lies cross-legged with a heart in its hands and a lion at its feet; and about its head two angels once knelt. The whole was doubtless once glorious with colour, traces of which still remain on the beautiful diaper work of the recess. The tomb of Stephen Alard is later, but similar though less rich. Stephen was Admiral of the Cinque Ports in the time of Edward II. Another of the family, Reginald, lies beneath the floor where of old a brass marked his tomb (1354). In the Chapel of the Blessed Virgin, the Farncombe Chantry, are three tombs all canopied with a Knight in chain armour, a Lady, and a young Squire. We are ignorant whose they may be. It is certain that these tombs are older than the church, and they are said to have been brought here from old Winchelsea. But Winchelsea has other ruins and other memories besides those to be found in the parish church. The Franciscans, the Grey Friars, were established in Winchelsea very early, certainly before 1253; and when old Winchelsea was destroyed and the new town built on the hill by the King it was agreed that no monastery or friary should be built there save only a house for the Friars Minor. This was erected where now the modern mansion called 'The Friars' stands, the old convent having been pulled down so lately as 1819. A part of the ruined Chapel of the Blessed Virgin remains, however, the choir and apse. Decorated work not much later than the parish church, and of great beauty. Unhappily we know absolutely nothing of the Friars in Winchelsea, except that when the house was suppressed in 1538 it was exceedingly poor. The Franciscans, however, were not the only Friars in Winchelsea in spite of the agreement made at the foundation of the new town. In 1318 Edward II. granted the Black Friars, the Dominicans, twelve acres on the southern side of the hill. This situation was found inconvenient, and in 1357 the Dominicans obtained six acres "near the town." Nothing, or almost nothing, remains of their house. Besides these two religious houses, Winchelsea possessed three hospitals, those of St John, St Bartholomew and Holy Cross. The Hospital of St Bartholomew was near the New Gate on the south-west of the town, and dated from the refounding of Edward. Nothing remains of it, or of the Hospital of Holy Cross, which had existed in old Winchelsea and was set up in the new town also near the New Gate. But the oldest and the most important of the three hospitals was that of St John. A fragment of this remains where the road turns towards Hastings to the north of the churchyard. Close by is the thirteenth- century Court House. It is always with regret I leave Winchelsea when I must, and even the beautiful road through Icklesham into Hastings will not reconcile one who has known how to love this place, to departure. And yet how fair that road is and how fair is the Norman church of St Nicholas at Icklesham upon the way! The road winds up over the low shore towards Fairlight, ever before one, and at last as one goes up Guestling Hill through a whole long afternoon and reaches the King's Head Inn at sunset, suddenly across the smoke of Hastings one sees Pevensey Level, and beyond, the hills where fell the great fight in which William Duke of Normandy disputed for England with Harold the King. At sunset, when all that country is half lost in the approaching darkness, one seems to feel again the tragedy of that day so fortunate after all, in which once more we were brought back into the full life of Europe and renewed with the energy Rome had stored in Gaul. |