CHAPTER I

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THE PILGRIMS' ROAD TO CANTERBURY FROM THE TABARD INN TO DARTFORD

When I determined to set out once more to traverse and to possess England of my heart, it was part of my desire first of all to follow, as far as might be, in the footsteps of Chaucer's pilgrims. Therefore I sought the Tabard Inn in Southwark.

For true delight, it seems to me, a journey, especially if it be for love or pleasure, should always have about it something of devotion, something a little rigid too, and dutiful, at least in its opening stages; and in thus determining my way I secured this. For I promised myself that I would start from the place whence they set out so long ago to visit and to pray at the tomb of the greatest of English saints, that I would sleep where they slept, find pleasure in the villages they enjoyed, climb the hills and look on the horizons that greeted them also so many hundred years ago, till at last I stood by the "blissful martyr's tomb," that had once made so great a rumour in the world and now was nothing.

In many ways I came short of all this, as will be seen; but especially in one thing—the matter of time. Chaucer and his pilgrims are generally thought to have spent three and a half or four days and three nights upon the road. It is true they went ahorseback and I afoot, but nevertheless a man may easily walk the fifty-six miles from London to Canterbury in four days. I failed because I found so much to see by the wayside. And to begin with there was London itself, which I was about to leave.

It was very early on an April morning when I set out from my home, coming through London on foot and crossing the river by London Bridge. It was there I lingered first, in the half light, as it were to say good-bye.

I do not know what it is in London that at long last and in some quite impersonal way clutches at the heart and receives one's eager affection. At first, even though you be one of her children, she seems and for how long like something fallen, calling you with the monotonous, mighty, complaining voice of a fallen archangel, ceaselessly through the days, the years, the centuries and the ages. She is one of the oldest of European cities, she is one of the most beautiful, of all capitals she is by far the most full of character: and yet she is not easy to know or to love. Perhaps she does not belong to us, but is something apart, something in and for herself, a mighty and a living thing, owing us nothing and regarding us, whom she tortures, with a sort of indifference, if not contempt.

And yet she is ours after all; she belongs to us, is more perhaps our very likeness and self than the capital of any other people. What is Berlin but a brutalised village, or Paris now but cosmopolis, or Rome but a universe? She is ours, the very gate of England of my heart. For she stands there striding the boundary of my country, the greatest of our cities, the greatest even of our industrial cities—a negative to all the rest. To the North she says Nay continually, for she is English, the greater successor of Winchester, and in her voice is the soul of the South, the real England, the England of my heart.

Ah, we have never known her or loved her enough or understood that she is a universe, without the self-consciousness of lesser things or the prepared beauty of mortal places. Indeed, she has something of the character of the sea which is our home, its changefulness, its infinity, its pathos in the toiling human life that traverses it. Almost featureless if you will, she is always under the guidance of her ample sky, responding immediately to every mood of the clouds; and in her, beauty grows up suddenly out of life and is gone e'er we can apprehend it....

But to come into Southwark on a Spring morning in search of Chaucer and the Tabard Inn is to ask of London more than she will give you. It is strange, seeing that she is so English, that for her the living are more than the dead. Consider England, southern England, if you know her well enough, and remember what in the face of every other country of Europe she has conserved of the past in material and tangible things—roads, boundaries, churches, houses, and indeed whole towns and villages. Yet London has so little of her glory and her past about her in material things, that it is often only by her attitude to life you might know she is not a creation of yesterday. It is true the fire of 1666 destroyed almost all, but apparently it did not destroy the Tabard Inn, which nevertheless is gone—it and its successors.

Something remained that should have been sacred, not indeed from Chaucer's day but at least from that of the Restoration, something that was beautiful, till some forty years ago. All is gone now; of the old Inn as we may see it in a drawing of 1810, a two-storied building with steepish roofs of tiles, dormer windows and railed balconies supported below by pillars of stone, above by pillars of wood, standing about two sides of a courtyard in which the carrier's long covered carts from Horsham or Rochester are waiting, nothing at all remains. The last of it was finally destroyed in 1875, and the Tabard Inn of the new fashion was built at the corner as we see.

The old hostelry, which besides its own beauty had this claim also upon our reverence, that it represented in no unworthy fashion the birthplace as it were of English poetry, owes of course all its fame to Chaucer, who lay there on the night before he set out for Canterbury as he tells us:

When that Aprille with his shoures sote
The droghte of Marche hath perced to the rote....
Bifel that, in that season on a day
In Southwerk at the Tabard as I lay
Redy to wenden on my pilgrimage
To Caunterbury with ful devout corage,
At night was come into that hostelrye
Wel nyne and twenty in a companye
Of sondry folk, by aventure yfalle
In felawshipe, and pilgrims were they alle,
That toward Caunterbury wolden ryde;
The chambres and the shelter weren wyde,
And wel we weren esed atte beste
And shortly, whan the sonne was to reste,
So hadde I spoken with hem everichon,
That I was of hir felawshipe anon
And made forward erly for to ryse,
To take our wey, there as I yow devyse.

It is in these verses lies all the fame of the Tabard, which it might seem was not a century old when Chaucer lay there. In the year 1304 the Abbot of Hyde, near Winchester, bought two houses here held of the Archbishop of Canterbury by William de Lategareshall. The abbot bought these houses in order to have room to build himself a town house, and it is said that at the same time he built a hostelry for travellers; at any rate three years later we find him applying to the Bishop of Winchester for leave to build a chapel "near the inn." In a later deed we are told that "the abbots lodgeinge was wyninge to the backside of the inn called the Tabarde and had a garden attached." Stow, however, tells us: "Within this inn was also the lodging of the Abbot of Hide (by the city of Winchester), a fair house for him and his train when he came from that city to Parliament."

Here then from the Inn of the Abbot of Hyde Chaucer set out for Canterbury with those pilgrims, many of whose portraits he has given us with so matchless a power. The host of the inn at that time was Harry Bailey, member of Parliament for Southwark in 1376 and 1379. He was the wise and jocund leader of the pilgrimage as we know, and though Chaucer speaks of him last, not one of the pilgrims is drawn with a livelier touch than he:

Greet chere made our hoste us everichon
And to the soper sette us anon;
And served us with vitaille at the beste,
Strong was the wyn, and wel to drinke us leste.
A semely man our hoste was with alle
For to han ben a marshal in an halle;
A large man he was eyen stepe,
A fairer burgeys is ther noon in Chepe;
Bold of his speche and wys, and wel y-taught,
And of manhod him lakkede right naught.
Eek therto he was right a mery man,
And after soper pleyen he bigan,
And spak of mirthe amonges others thinges,
Whan that we hadde maad our rekeninges....

A noble portrait in the English manner; there is but one, and that is wanting, we should have preferred. I mean the portrait of Chaucer himself—that "wittie" Chaucer who "sate in a Chaire of Gold covered with Roses writing prose and risme, accompanied with the Spirites of many Kyngs, Knightes and Faire Ladies." For that we must go to a lesser pen, to Greene, who thus describes him in his vision:

His stature was not very tall,
Lean he was; his legs were small
Hos'd within a stock of red
A button'd bonnet on his head
From under which did hang I ween
Silver hairs both bright and sheen;
His beard was white, trimmÈd round;
His countenance blithe and merry found;
A sleeveless jacket, large and wide
With many plaits and skirts side
Of water-camlet did he wear;
A whittle by his belt he bear;
His shoes were cornÈd broad before;
His ink-horn at his side he wore,
And in his hand he bore a book;—
Thus did this ancient poet look.

There is one other personage upon whom indeed the whole pilgrimage depended of whom Chaucer says next to nothing, but we should do wrong to forget him: I mean the "blissful martyr" himself—St Thomas of Canterbury. In old days, certainly in Chaucer's, we should have been reminded of him more than once on our way e'er we gained the Tabard. For upon old London Bridge, the first stone bridge, built in the end of the twelfth century, there stood in the very midst of it a chapel of marvellous beauty with a crypt, from which by a flight of steps one might reach the river, dedicated in honour of St Thomas Becket. This chapel was built in memory of St Thomas by one Peter, priest of St Mary Colechurch, where the martyr had been christened. It was this same Peter who began to build the great bridge of stone, and when he died he was buried in the chapel he had erected in the midst of it.

Such a wonder was, however, by no means the only memorial here, at the very opening of the way, of the great and holy end and purpose of it.

Every schoolboy knows St Thomas's Hospital in Lambeth, but not all know that the saint whose name that hospital bears is not the Apostle, but England's Martyr. Now, until 1868 St Thomas's Hospital stood not in Lambeth but in Southwark, upon the site of London Bridge Station. [Footnote: The fact is still remembered in the name of St Thomas Street, leading out of the Borough High Street on the east.] It seems that within the precincts of St Mary Overy a house of Austin Canons, now the Anglican Cathedral of St Saviour, Southwark, was a hospital for the sick and poor founded by St Thomas, which after his beatification was dedicated in his honour. But in the first years of the thirteenth century, Peter des Roches, Bishop of Winchester, rebuilt the little house in a healthier situation—ubi aqua est uberior et aer est melior—where the water was purer and the air better, and this new house, finished in 1215, of course also bore the name of St Thomas of Canterbury. That the hospital fulfilled its useful purpose we know from a petition which it presented to Pope Innocent VI., in 1357, wherein it was stated that so many sick and poor resorted to it that it could not support its charges. Not quite two hundred years later, in 1539, a few days before the feast of St Thomas upon December 29, it was surrendered to King Henry VIII., the infamous Layton having been its visitor. From the king it was bought by the City of London, a rare comment upon its suppression, and so notoriously useful was it that Edward VI. was compelled to refound it, and therefore in some sort it still remains to us. It is curious to note that, ages before the hospital came to Lambeth, St Thomas was at home there, for he had a statue upon the Lollards' Tower, and it was the custom of the watermen to doff their caps to it as they rowed by.

It is meet and right that this pilgrimage should be begun with thoughts of St Thomas, and especially of what we owe to him, for the first few miles of the way upon what we need not doubt was of old the Pilgrims' road, is anything but uplifting, crowded though it be with memories, most of them of course far later than the Canterbury pilgrimage. As you go down the Borough High Street, for Southwark is of course the old borgo of London, and all the depressing ugliness of modern life, it is not of anything so serene as that great poet of the fourteenth century, the father of English poetry, that you think, but of one who nevertheless, in the characteristic nationalism of his art, in his humanity and love of his fellow-men, was only second to Chaucer, and in his compassion for the poor and lowly only second to St Thomas: I mean Charles Dickens. No one certainly can pass the site of the Marshalsea Prison without recalling that solemn and haunting description in the preface to "Little Dorrit": "Whosoever goes into Marshalsea Place, turning out of Angel Court leading to Bermondsey, will find his feet on the very paving stones of the extinct Marshalsea jail; will see its narrow yard to the right and to the left, very little altered if at all, except that the walls were lowered when the place got free; will look upon the rooms in which the debtors lived; will stand among the crowding ghosts of many miserable years."

It is still of Dickens most of us will think in passing St George's Church, for was it not there that Little Dorrit was christened and married, and was it not in the vestry there she slept with the burial- book for a pillow? But St George's has other memories too, for it was there that Edmund Bonner, Bishop of London, who staunchly refused the oath of supremacy to Elizabeth, was buried at midnight after his death in the Marshalsea, on September 5th, 1569. There too General Monk was married to Anne Clarges.

These memories, for the most part so unhappy, have, however, nothing to do with the Pilgrims' Way. No memory of that remains at all amid all the dismal wretchedness of to-day, until one comes to the "Thomas À Becket" public-house at the corner of Albany Road. This was the site of the "watering of Saint Thomas":

A-morwe, whan that day bigan to springe,
Up roes our host, and was our aller cok,
And gadrede us togirde, alle in a flok,
And forth we riden, a litel more than pas
Unto the watering of seint Thomas.

The "watering of St Thomas" was a spring dedicated to St Thomas, and it came to be the first halting-place of the pilgrims. It is still remembered in the name of St Thomas's Road close by, and not inappropriately in the tavern which bears St Thomas's name. It was here that the immortal tales were begun:

And there our host bigan his hors areste,
And seyde; Lordinges, herkneth, if yow leste.
Ye woot your forward, and it yow recorde
If even-song and morwe-song acorde,
Lat see now who shal telle the firste tale....

No memory of the pilgrims would seem to remain at all in the road after St Thomas's watering until we come to Deptford. The "Knight's Tale" and the "Miller's Tale" have filled, and one would think more than filled that short three miles of road, till in the Reve's Prologue the host began "to spake as loudly as a king...."

Sey forth thy tale and tarie nat the tyme,
Lo, Depeford! and it is half-way pryme.

Nothing more lugubrious is to be found to-day in the whole length of the old road than Deptford; but it is there that we begin to be free of the mean streets. For Deptford, which the pilgrims reached, after their early start, at "half-way pryme"—any hour, I suppose, between six and nine—lies at the foot of Blackheath Hill above Greenwich:

Lo, Greenwich, ther many a shrewe is inne.

Deptford Bridge, the only remaining landmark of old time, by which we cross Deptford Creek, had in the fourteenth century a hermitage at its eastern end dedicated in honour of St Catherine of Alexandria, and Mass was said there continually from Chaucer's day down to the suppression in 1531, the king, Henry VIII., having previously helped to repair the chapel.

It is at Deptford, as I say, that we begin to leave the mean streets, for at the cross-roads we turn up Blackheath Hill, and though this is not in all probability the ancient way, it is as near it as modern conditions have allowed us. The old road, as far as can be made out, ran farther to the east, quite alongside Greenwich Park, and not over the middle of the Heath, as the modern road does. Blackheath is not alluded to in Chaucer's poem, though it must have been famous at the time he was writing, for in 1381 Jack Straw, Wat Tyler, and their company were there gathered. Perhaps the most famous spectacle, however, that Blackheath has witnessed was not this abortive revolt of the peasants nor the rising of Jack Cade in 1450, but the meeting here in 1400 of King Henry IV. and the Emperor of Constantinople, who came to England to ask for assistance against the ever-encroaching Turk, then at the gates of Constantinople, which some fifty years later was to fall into his hands. Blackheath, indeed, has always played a considerable part in the history of southern England, partly because it was the last great open space on the southern confines of London, and partly because of the royal residence at Greenwich. Fifteen years after it had seen a guest so strange as the Emperor of the East, it saw Henry V. return from Agincourt, and the Mayor of London with the aldermen and four hundred citizens, "all in scarlet with hoods of red and white," greet the hero king.

... London doth pour out her citizens
The mayor and all his brethren in best sort
Like to the senators of the antique Rome
With the plebeians swarming at their heels,
Go forth and fetch their conquering Caesar in!

Across the Heath we go, taking the road on the right at the triangle, before long to find ourselves perhaps for the first time on the very road the pilgrims followed—the great Roman highway of the Watling Street.

I call the Watling Street a great Roman highway, for that, as we know it, is what it is, but in its origin it is far older than the Roman occupation. It ran right across England from the continental gate at Dover, through Canterbury to Chester, fording the Thames at Lambeth, and it was the first of the British trackways which the Romans straightened, built up, and paved. It has been in continuous use for more than three thousand years, and may therefore be said to be the oldest road in England. It is older than the greatness of London, for in its arrow flight across England it ignores the City. After the ford at Lambeth, to-day represented by Lambeth Bridge, an older crossing of the Thames than that at London Bridge, it mounted the northern slope, passing perhaps across the present gardens of Buckingham Palace and the eastern end of Hyde Park, where to-day it is lost or merely represented by Grosvenor Place and Park Lane, to cross the great western road out of London at Tyburn, the original "Cross Roads," the ancient place of execution close by the present Marble Arch, and to pursue its way, as we may see it still, directly and in true Roman fashion down what we know as Edgware Road. That great north-western highway lies over the very pavement of the Romans, which lies only a few feet below the surface of the modern road.

It is then upon this most ancient highway that in the footsteps of the Britons, the Romans their beneficent conquerors, and the English pilgrims our forefathers, we shall march on to Canterbury. The road of course is broken here and there, indeed in many places, and notably between Dartford and Rochester, but for the most part it remains after three thousand years the ordinary highway between the capital and the archi-episcopal city.

The Watling Street takes Shooters' Hill, so called, I suppose, from the highwaymen that infested the woods thereabouts, in true Roman fashion, and it is from its summit that we get the first really great view on our way, for that so famous from Greenwich Park does not properly belong to our journey. We must, however, turn to another and a later poet than Chaucer for any description of that tremendous spectacle. Here indeed, more than in any other prospect the road affords, the horizon is changed from that Chaucer looked upon.

Shooters' Hill

For we turn to gaze on London, the Protestant, not the Catholic, city:
A mighty mass of brick and smoke and shipping,
Dirty and dusky, but as wide as eye
Could reach, with here and there a sail just skipping
In sight, then lost amid the forestry
Of masts; a wilderness of steeples peeping
On tiptoe through their sea-coal canopy;
A huge dun cupola like a foolscap crown
On a fool's head—and there is London town!

Don Juan had got out on Shooters' Hill
Sunset the time, the place the same declivity
Which looks along that vale of good and ill
Where London streets ferment in full activity;
While everything around was calm and still
Except the creak of wheels which on their pivot he
Heard—and that bee-like, babbling, busy hum
Of cities, that boil over with their scum.

The prospect eastward across the broad valley of the Darent, if less wonderful, is assuredly far lovelier than that north-westward over London; but from the top of Shooters' Hill we probably do not follow the actual route of the ancient way until we come to Welling. The present road down the hill eastward is said to date from 1739 only. [Footnote: See H. Littlehales, "Some Notes on the Road from Canterbury in the Middle Ages" (Chaucer Society, 1898).]

There is nothing to keep us in Welling, nor indeed in Bexley Heath, except to note that they are the first two Kentish villages upon our route, now little more than suburban places spoiled of any virtue they may have possessed. It is said that at Clapton Villa in the latter place there is preserved "an ancient and perfect sacramental wafer"— perhaps an unique treasure.

The road runs straight on through a rather sophisticated countryside, almost into Crayford, but in preparing to cross the Cray the old road has apparently been lost. We may be sure, however, of not straying more than a few yards out of the way, if we keep as straight on as maybe, that is to say, if we take the road to the right at the fork, which later passes Crayford church on the south.

Crayford, though it be anything but picturesque, is nevertheless not without interest. It is the Creccanford of the "Saxon Chronicle," and was the scene of the half-legendary final battle between the Britons here and Hengist, who utterly discomfited them, so that we read they forsook all this valley, even, so we are asked to believe, those strange caves which they are said to have burrowed in the chalk for their retreat, and which are so plentiful hereabouts, but which assuredly are infinitely older than the advent of the Saxon pirates.

The real interest of Crayford, however, as of more than one place in this valley, lies in its church. This is dedicated in honour of the companion of St Augustine, St Paulinus, who became the third Bishop of Rochester. The form of the church is curious, the arcade of the nave being in the midst of it, while the chancel, of about the same width as the nave, is possessed of two arcades and divided into three aisles; thus the arcade of the nave abuts upon the centre of the chancel arch. Parts of the church certainly date from Chaucer's day, but most of it is Perpendicular in style.

More interesting than Crayford itself are North Cray and Foot's Cray in the upper valley beyond Bexley. At North Cray there is one of the best pictures Sassoferrato ever painted, a Crucifixion, over the altar. At Foot's Cray, the church, besides being beautiful in its situation, possesses a great square Norman font.

These places are, however, off the Pilgrims' Road, which climbs up through Crayford High Street, and then in about two miles begins to descend into the very ancient town of Dartford, where it is said Chaucer's pilgrims slept, their first night on the road.

                                                                                                                                                                                                                                                                                                           

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