| THACKERAY AND THE BOY | Frontispiece | | THE BOY’S MOTHER | Facing p. | 4 | | ST. JOHN’S CHAPEL AND PARK | " | 6 | | THE BOY’S UNCLE JOHN | " | 8 | | THE BOY IN KILTS | " | 10 | | THE BOY PROMOTED TO TROUSERS | " | 12 | | “CRIED, BECAUSE HE HAD BEEN KISSED” | " | 14 | | “GOOD-MORNING, BOYS” | " | 16 | | PLAYING “SCHOOL” | " | 18 | | THE BOY’S SCOTCH GRANDFATHER | " | 20 | | THE HOUSE OF THE BOY’S GRANDFATHER—CORNER OF HUDSON AND NORTH MOORE STREETS | " | 22 | | “ALWAYS IN THE WAY” | " | 24 | | READY FOR A NEW-YEAR’S CALL | " | 26 | | A NEW-YEAR’S CALL | " | 28 | | TOM RILEY’S LIBERTY-POLE | " | 30 | | THE BOY ALWAYS CLIMBED OVER | " | 32 | | THE CHIEF ENGINEER | " | 34 | | “MRS. ROBERTSON DESCENDED IN FORCE UPON THE DEVOTED BAND” | " | 36 | | THE BOY AS VIRGINIUS | " | 38 | | JOHNNY ROBERTSON | " | 40 | | JANE PURDY | " | 42 | | JOE STUART | " | 44 | [p viii]
BOB HENDRICKS | " | 46 | | MUSIC LESSONS | " | 48 | | THE BOY’S FATHER | " | 56 | | WHISKIE | " | 62 | | PUNCH | " | 64 | | MOP AND HIS MASTER | " | 68 | | ROY AND HIS MASTER | " | 74 | | ROY | " | 76 | | “HE TRIES VERY HARD TO LOOK PLEASANT” | " | 80 | | ROY | " | 82 | | THE WAITING THREE | " | 84 | | MOP | 87 |
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