One wall of the Becker back parlor was darkly composed of walnut folding
doors dividing it from the front-parlor bachelor apartment of Mr.
Hazzard, city salesman for the J.D. Nichols Fancy Grocery Supply
Company, his own horse and buggy furnished by the firm.

It was Mrs. Becker's habit during his day-long absence, in fact just as soon as her acute ear detected the scraping departure of his tin-tired wheels from the curb, to fling back these folding doors for the rush of daylight and sense of space, often venturing in beside the front window with a bit of sewing and pottering ever so discreetly at the sample packages of fine teas, jars of perfectly conserved asparagus, peas, and olives spread out on his mantelpiece and fingering, again ever so discreetly, the neatly ripped stack of letters on the dresser. Once, and despite Mrs. Becker's frantic swoop to save it, a piece of pressed flower fell out from one of these envelopes in the handling, crumbling to bits as it fluttered to the floor.

Next morning the folding doors refused to part to touch, an eye to the keyhole discovering it clogged with key. Then Lilly began music lessons and the newly rented upright piano was drawn up against these doors.

Never were fingers more recalcitrant at musical chores. The Bach "Inventions" were weary digital gyrations against the slow-moving hands of the alarm clock perched directly in her line of vision. Czerny, too, was punctuated with quick little forays between notes, into a paper bag of "baby pretzels" at the treble end of the piano, often as not lopping over on the keyboard.

But with the plunge into brilliant but faulty execution of one of her "pieces," her little face would flood over and tighten up into the glyptic immobility of a cameo and her toes curl as they pressed the pedals.

"The Storm King" of the Parlor Pianoforte Series was a favorite. Dashing her quickly memorized way through it, she would follow closely the brief printed synopsis on the cover page … suddenly the clouds gather, a bird carols, a faint rumble is heard in the distance (it is important that the student practice this base tremolo with left hand only), the rush of approaching wind mingles with the nearing roll of thunder, accompanied by occasional flashes of lightning….

The red would run up into Lilly's face and her hands churn the white keys into a curdled froth of dissonance.

"Lil-ly, not so fast. Play 'Selections from Faust' now, slowly, and count, the way Miss Lee said you should."

Another favorite was the just published "Narcissus" of Nevin. Its cross-hand movement was a phillipic to her ever-ready-to-ferment fancy. Head back and gaze into the scroll-and-silk front of the piano, the melody would again, like a curve of gold, shape itself into the lovely form of a proscenium arch.

"Lilly, that is beautiful. Play the tune part over again."

The tingling that would actually gooseflesh her would die down as surely as a ringing crystal tumbler, had she closed her warm little hand over it.

"Mamma," her voice directed upward toward the open register, "can I—may
I go out on my tricycle?"

"No."

"I've only ten minutes yet, mamma. I'll make them up to-morrow."

"No, I don't intend to pay Miss Lee fifty cents a lesson so you can go out and ride on your tricycle. You bothered me for the lessons, so now you practice. Work on 'Narcissus' so you can play it for your father to-night."

"Oh, mom, please."

"I don't care. Go! Only put on your hat and don't let me see you riding around on Taylor Avenue."

"No'm."