To the general public the works of Correggio are much less familiar than those of other Italian painters. Parma lies outside the route of the ordinary tourist, and the treasures of its gallery and churches are still unsuspected by many. It is hoped that this little collection of pictures may arouse a new interest in the great Emilian. The selections are about equally divided between the frescoes of Parma and the easel paintings scattered through the various European galleries.

ESTELLE M. HURLL.

New Bedford, Mass.

December, 1901.