II THE MAIN APOCALYPSE, Ch. 4:1-22:5

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Stephen Alexander Hunter

The Revelation Proper, which occupies the chief portion of the book, is a symbolic view of the great spiritual conflict of the ages, reviewing the whole course and outcome of the far-reaching struggle between the church and the world, with the multiple and diverse forces that are engaged in it, and setting forth the absolute decisiveness of the final issue. It consists of a series of seven visions which undertake to solve the apparent anomalies of God's present rule among men by affording recurrent glimpses of the working out of a great, comprehensive, underlying plan,—a providential and moral order in the world that is divine and sovereign, interpenetrated with a concurrent redemptive purpose that is gracious and elective,—which leads on through progressive stages of trial and warfare, of threatening and judgment, to the complete and final overthrow and punishment of all the wicked and to the full and glorious vindication and triumph of all the holy. The seven visions, when carefully examined, will be seen to be progressive in their revelation; for while they do not follow any line of temporal succession, they yet show a progress of thought and movement throughout. Beginning with the vision of God on the throne, a vision of sovereignty, they advance in manifest order through the vision of the seven seals, a vision of trial, and the vision of the seven trumpets, a vision of threatening, to the vision of conflict, a vision of warfare, which is central to all and furnishes a key to the general interpretation of the book. Then by a scale of descending climax they pass on to the vision of the seven vials, a vision of judgment, followed by the vision of victory, a vision of vindication, and this again by the vision of the New Jerusalem, a vision of triumph, which reveals the final goal of Christian hope in the immediate presence of God.365 The purpose of the Apocalypse is thus disclosed to be interpretative of God's plan of the ages, an unfolding of the drama of destiny, in which, notwithstanding all apparent contradictions and present reverses, he is yet ever leading on to full and final victory in the end—through all the conflict he is winning, even against appearances, and will triumph at last,—a view full of encouragement for tried and disheartened Christians of the first and each succeeding century. Why God permitted [pg 113] this struggle to be begun and then let it continue throughout the centuries, why he ever allowed sin to find a place among his moral creatures, is a topic nowhere entered upon or discussed throughout the book. It is evidently recognized as belonging to the unrevealed mysteries of God which lie outside the sphere of the present Revelation. But that he overrules all the apparently inapt and sinful conditions of this world for the ultimate good of his kingdom, and that he will victoriously triumph at last, is the assuring witness of the whole series of visions. The Apocalyptic form, we find, becomes more marked and definite in this main portion of the book, and the difficulties of interpretation are correspondingly increased; for they are no longer chiefly those of grammatical exegesis and historical allusion, but rather the elucidation of a body of mysterious symbols. The purpose and limits of the present volume forbid the discussion of many of the exegetical difficulties, and serve to confine attention mainly to the meaning of the symbolism as the chief subject concerning which there is wide difference of opinion. Questions of grammatical, or grammatico-historical, exegesis will be found more fully considered in the various commentaries to which the reader is referred in the footnotes. The visions and episodes into which the main part of the book is properly divisible, are given separately in the following analysis, i. e. the seven seals, trumpets, and vials are each considered in order consecutively, and the episodes which intervene are taken up after each sevenfold vision is complete, in order that they may be better understood. This preserves the connection of the seven in the series, and emphasizes by itself the lesson of the episodes which are interjected into the natural order.

I The Vision of God on the Throne (A Vision of Sovereignty). Ch. 4:1-5:14

The opening vision of the seven chief visions in the Revelation is a Theophany, revealing the majesty of the divine glory and the might of the sovereign rule of God as the abiding source of the church's confidence in the midst of trial and distress, and as the unfailing ground of faith in the fulfilment of the revelation that follows. This vision of the fifth and sixth chapters is preparatory to those that deal with the present and future prospects of the church upon earth, and with this in view it sets forth [pg 114] the causal and higher relations upon which the history of the church depends, viz. God's sovereignty in creation and in redemption; for it is only in relation to these two great abiding facts of the divine activity that the passing events of time have their true meaning. We look first upon the stability of the eternal throne, and upon the person of the divine atoning Lamb, and then we are better prepared to understand the drama of history, and to view with equanimity the dread scenes of crisis and conflict which belong to the lot of the church upon earth. The scene described in the fourth and fifth chapters, of the eternal throne with those who are attendant upon it, and of the Lamb in the midst of it, constitutes a proem to the succeeding visions, and may be thought of as continuing throughout and forming the background for all that follows, in the light of which it must be viewed and its meaning interpreted. In the fifth chapter the action proper to the Revelation begins with the taking of the sealed book, though some regard the action as beginning with the sixth chapter in the opening of the seals. The present vision is introduced with the phrase “after these things” (v. 1), which does not indicate an interval of time but rather a succession of events, and always marks a break in the connection and a new phase of the revelation.

1 The Throne and the King, Ch. 4:1-3, 5a, and 6a

A door is opened in heaven that the seer may look in, and the trumpet voice of ch. 1:10 is heard again, saying, “Come up hither, and I will show thee the things which must come to pass hereafter”, the further announcement of a prophetic vision, the sign not only that eternal verities are to be revealed, but that earthly things are to be seen from the heavenly point of view. And we are told that straightway John “was in the Spirit”, i. e. he became conscious of an additional impulse of divine rapture, for he was already in the Spirit (ch. 1:10); and then the throne of God, the seat of the divine government, is seen in the eternal splendor of repose, the reflection of the divine sovereignty, surrounded by a rainbow of emerald green arching above it, the emblem of God's covenant mercy (Gen. 9:13), and sending forth lightnings, thunders, and voices, the tokens of divine power, majesty, and judgment. The divine Person is presented as enthroned, but is not named, and is described only by comparison, [pg 115] a touch of reverent reserve as consonant with religion as it is true to art. His appearance is glorious like jasper and sardius, the last and first of the precious stones on the breastplate of the highpriest, and part of the foundation stones of the heavenly city.366 The pure jasper and the red sardius are the apparent symbols of purity and justice (cf. Ezek. 1:26, and 10:1; Dan. 7:9; Bk of Enoch 14:18f.). Before the throne, we are told, there is “as it were, a sea of glass367 like unto crystal”, the symbol of the calm and fulness of life in God's completed kingdom in contrast with the stormy sea of earthly nations, the calm of the heavenly life in antithesis with the turmoil of the earthly. This seems to be the more natural interpretation of the passage, yet the symbolism of the sea in the Revelation has been interpreted with a good deal of freedom, and there is wide difference of opinion concerning its meaning. It is regarded by many as the symbol of purification the antitype of the laver before the tabernacle, while others find in it a type of the eternal fulness of joy in the presence of God. Some think the sea is placed before the throne as a symbol of the former trial and conflict of the earthly life through which the saints have passed to reach the presence of God, and that it has now become a perpetual memorial of victory, for the sea is glassy and quiet as the sign that the conflict is over.368 Other late writers connect the sea with early Hebrew ideas of the waters before the firmament (Gen. 1:7), traces of which continue to appear in Apocalyptic literature, and hold that this conception underlies the symbolism of the molten sea in Solomon's temple and forms the basis of the present description.369 With figures so flexible as these it is quite possible that different thoughts have been included, for the sea was closely interwoven with the early stage of Israel's history, and may have become a symbol covering a wide range of correlative ideas. But however we may interpret the meaning of the symbolism, the presence of the sea in the vision undoubtedly serves to enhance the [pg 116] majesty and splendor of the scene, and may have been introduced partly for that purpose, though the sea undoubtedly had a permanent place in Hebrew thought.

2 The Four and Twenty Elders, Ch. 4:4, 10 and 11

The vision presents the worship of heaven in the forms of earth for our apprehension. The elders (Gr. “presbyters”) are the ideal representatives of the redeemed church,370 who are clothed in white raiment and placed round about the throne wearing golden crowns and sitting on lesser thrones reigning with Christ, the fitting tokens of royal dignity and authority, and of their triumphant victory through him who is their Saviour. They are ever active in service, casting their crowns before the throne and him that sitteth thereon as they worship, and joining in every chorus of adoration.371 Their number is that of the twelve patriarchs and apostles combined, indicating that they represent the church of both dispensations, the saints of the Old and New Testaments. They are not, however, the twelve patriarchs and apostles themselves enthroned, as suggested by some, but ideal beings who have a representative character. Their number, twice twelve, i. e. twice the national number of Israel, aptly symbolizes the glorified church of all the ages.372 Some find in these elders a group of angelic beings who are attendants of the divine glory and whose presence in the heavenly temple was a part of ancient Jewish tradition, as in the Judgment of Peter, where it is said, “For there are four and twenty elders, twelve upon the right hand and twelve upon the left.”373 There is no reason to infer, however, that the Greek term “presbyters”, or “elders”, with its definite meaning in the New Testament church, is otherwise used in the Apocalypse, even though the elders are here the representatives of a class. It is quite possible that the earlier use of the four and twenty elders in Apocalyptic literature may have been the occasion of their introduction here, but there was nothing in the usage of the past to prevent its modified application in a Christian sense so natural as this in the first century; on the contrary it is quite in accord with the [pg 117] gradually progressive method of Apocalyptic thought that they should be introduced here to represent the church enlarged by New Testament accessions. It is certainly quite beside the mark to affirm that this idea of the church as a combination of the Old and New Testament saints is “medieval”;374 when it is found so clearly in the Epistles of Paul.

3 The Seven Lamps of Fire (or Torches), Ch. 4:5b

These lamps are seen burning before the throne which they serve to illumine, recalling the seven-branched candlestick in the tabernacle, and they are seven in number, doubtless, to indicate their fulness or completeness. We are told that the lamps “are [i. e. are the symbol of] the seven Spirits of God”; they are, therefore, evidently designed to represent the Holy Spirit throughout the Revelation, the seven Spirits that are before the throne (ch. 1:4) and that serve to denote the fulness of the Spirit's operation, his manifold energy in contradistinction to the unity of his person. The fitness of fire, or a flaming torch, to symbolize the illuminative influence of the Spirit is quite evident, throwing light upon the throne and revealing God to men, but the use of seven torches, like that of seven Spirits, is peculiar to the Revelation, and is introduced, one is constrained to think, for a special purpose. That the Holy Spirit is indicated by this symbol throughout is shown by the context (cf. chs. 1:4 and 3:1), but it is evidently used here to set forth the Spirit from a particular point of view, i. e. to represent in a concrete form the divine perfection of the Spirit as displayed in his multiple activities. It seems to be an echo from the vision of Zechariah (ch. 3:9, and 4:10) where the divine pervasive insight is represented by the “seven eyes of the Lord”, (cf. also Rev. 5:6, “the seven eyes of the Lamb”).

4 The Four Living Creatures, Ch. 4. 6b-9

The four living creatures (cf. Ezek. 1:5f.),—which are not to be thought of as “beasts” even in a good sense, as in the Authorized Version, but rather as in the Greek, “the living ones”, which gives a better idea,—are seen “in the midst of the throne and round about the throne”, evidently indicating their function in the heavenly court, to wait upon the divine Person, though their exact arrangement [pg 118] in the vision is not so clear.375 These are composite creature-forms that are manifestly to be identified with the cherubim of the Old Testament. Each creature consists of four representative forms of animal life combined in one, viz. that of the lion, the ox, the eagle, and man, together producing a strange, anomalous figure which is generally thought to personify wild animals, domestic animals, birds, and man, as possessing a common physical life, or created life in its entirety represented by its higher and more notable forms. In the Revelation each has a different face, according to the animal form which is made prominent, and not four faces as in Ezekiel (Ezek. 1:5-14), the individual life being thereby made more manifest. These living ones are ideal symbols of the physical creation, especially of all created life, and represent in the vision the entire earthly creation as sharing in the benefits of redemption,376 manifesting the divine glory, and waiting upon God. They are used in the Old Testament as impressive symbols of the divine presence, and Jehovah is known as “he that dwelleth between the cherubim”, (Am. R. V. “sitteth above”—marg. “is enthroned”, i. e. upon the cherubim),377 a reflection of the thought embodied in the arrangement of the ark of the covenant, where the mercy seat with the shekinah flame was placed between the cherubim. In John's vision the living creatures are seen in closest proximity to the throne, and they lead the heavenly choir in an unceasing song of praise (the Creation Chorus, v. 8-11), the closing verse of the song indicating their function in the heavenly court to glorify God, as also the part they subsequently have in the song of the redeemed (the Redemption Chorus, ch. 5:13) reflects the nature of their worship. They are full of eyes, the sign of their all-seeing watchfulness; they have three pairs of wings, the symbol of their spiritual ministry, for three is the sign of the spiritual as the wings are of activity; and they are four in number while each is fourfold to indicate their relation to the organic world, for four is always the earth number. Also, they rest not day and night, showing the characteristic of life in its fullest energy and ceaseless activity, [pg 119] saying “Holy, holy, holy,” i. e. “holy” thrice repeated,—three a symbol of the divine,—corresponding to the Trisagion of Isaiah's prophecy (ch. 6:3), declaring the holiness of God, the All-Ruler, as especially revealed in creation, all created beings ministering to the manifestation of the divine glory. The identity of the living creatures with the cherubim of the Old Testament is generally recognized, but the origin of the idea of the cherubim in connection with the worship of Jehovah is as obscure as the actual form is indefinite, though probably derived from a primitive stage of religious thought among the Semitic people, and early incorporated as a symbol in the religion of Israel. Apparently the form and conception varied somewhat through time, as will be seen by comparing Ezekiel's description with that which is given here, though the general idea remained the same. Some think the cherubim to have been originally the storm-clouds personified, regarded as supporting the divine throne and surrounding the divine Person, while the seraphim represented the lightning-flash revealing God to men. Others regard them as unidentified nature-forces idealized in forms of life, and traditionally associated with the throne of God. But whatever their origin, their meaning in Scripture is plain, viz. the physical creation waiting upon God.378

5 The Sealed Book (or Scroll), Ch. 5:1-5

A new phase of the vision now begins with chapter five, indicated by the words “And I saw”, setting forth the glory and honor of the exalted Redeemer, and indicating the divine purpose through him to throw light upon the plan of God for the ages. A sealed book or scroll, the sign that its contents are hidden, and written within and without, i. e. upon both sides, or within and also on the back,—filled to its very margins like the roll in Ezekiel (ch. 2:9-10),—indicating the exceeding fulness of its contents and the completeness of the divine plan, is seen lying “in [or upon] the right hand of him that sat on the throne”. This book, which at first no one can be found to [pg 120] open, apparently contains God's multitudinous and unrevealed purposes concerning the future course of the church in the world,—as is afterward more fully indicated by the nature of the things portrayed when the seals are broken,—for it evidently pertains to the mysteries of the kingdom of God on earth, part of which are about to be disclosed to John.379 The book is closed by seven seals, a perfect number, the symbol implying that it is perfectly sealed or fully closed,380 a roll apparently sealed in sections, perhaps with the end of the parchment fastened down by the seals to its staff so that it cannot be opened except by one having authority to break the seals.381 The book itself, it should be noted, is never read at any period of the vision, showing that what it contains is not fully disclosed, but as the seals are broken the general nature of the contents of each section is symbolically portrayed in the form set forth in the succeeding vision of the seals.

6 The Lamb, Ch. 5:6-8a

At this point in the vision the divine Redeemer, Jesus Christ, appears in order to open the seals, portrayed as the Lamb of God, the recognized atoner for sin, a symbol of striking power to every one familiar with the Old Testament system of sacrifices. The importance of opening the seals had been already indicated in the vision (ch. 5:2f.) by the appearance of a strong or mighty angel, the sign of high rank and great power, proclaiming with a great voice, “Who is worthy to open the book and to loose the seals thereof?” And when no one was found “in the heaven, or on the earth, or under the earth”, i. e. in the place of the spirits of the dead—a phrase equivalent to saying that no one could be found in all the universe—the prophet wept much, showing his deep interest and bitter disappointment when his expectation seemed [pg 121] about to fail. But one of the elders, a representative of the redeemed church, points out to John him who is able to open the book because he “hath overcome”, indicating the glorified Redeemer as the source of help.382 He is described by the elder as “the Lion that is of the tribe of Judah” (Gen. 49:9), and “the Root of David” (Isa. 11:1), indicating his kingly383 and prophetic relations to Israel; but when he appears to John's wondering view it is in sacrificial form as the Lamb of God,384 the sign of his priestly relation to his people, bearing marks as though he had been slain, but now standing in living power in the midst of the throne, the center of all attention and the glorified object of all worship, alike the agent of redemption and the consummation of sacrifice. The words “in the midst of the throne” may mean in the center of the throne and encircled by it, or between the throne and those surrounding it. Some regard the throne as a semi-circle in the open side of which the Lamb stands, and within which are placed two of the living creatures, with the other two at the back, while the elders surround the throne, and the many angels form the outer circle,385 a view that is helpful to those who wish detail in such matters, for the chief thought in the symbolism is sufficiently plain. It may also be worth while to note how clearly this symbolism implies that the redeemed church, represented by the elders, stands nearer to the throne of God than even the angels.386 The seven horns of the Lamb symbolize the fulness of his power, for the horn is the Hebrew emblem of power as seven is of fulness or completeness of quality; and his seven eyes represent the perfection of his vision and knowledge, seeing with the omniscient eyes of the Holy Spirit (Zech. 4:10) who proceedeth alike from the Father [pg 122] and the Son.387 He takes the book out of the right hand of God as a token of his rightful authority, an act full of meaning, for he alone has prevailed and has power to open the book and to reveal God's purposes because he has redeemed the church and himself directs the path of her history. In this sublime vision of the Lamb in the midst of the throne we may be truly said to have reached “the point of highest dramatic interest in the whole book”.

7 The Heavenly Worship, Ch. 5:8b-14

The taking of the book is followed by an act of profound worship; the four living creatures and the four and twenty elders fall down before the Lamb, having each one a harp, the instrument of praise, and a golden bowl full of incense, representing the prayers of the saints, which they offer before God. Then they voice their thought in a new song, the song of the redeemed (the Redemption Chorus), which is rendered unto him that sitteth upon the throne, and unto the Lamb, declaring him worthy that hath been slain to take the book and to open the seals, and “to receive the power, and riches, and wisdom, and might, and honor, and glory, and blessing”,—a sevenfold or complete ascription of praise—who hath redeemed his people with his blood out “of every tribe, and tongue, and people, and nation”,—a fourfold or world-wide redemption for all peoples388—“and madest them to be unto our God a kingdom and priests; and they reign upon the earth”, even now in the midst of trials, in a spiritual sense which though imperfect foreshadows and assures their complete spiritual reign in the new world wherein dwelleth righteousness. This song is sung by the four living creatures as the representatives of the whole creation who unitedly rejoice in the work of redemption together with man, and by the four and twenty elders who represent [pg 123] the church of all time, the personal subjects of redemption; and it is chorused by an innumerable company of angels, God's sinless creation, who are described as consisting of “ten thousand times ten thousand”, i. e. the square of a myriad, a hundred millions in number (or, as the words may mean, “myriads of myriads” i. e. hundreds of millions), and in addition “thousand of thousands”, i. e. millions more,—a symbolical expression for a numberless host; and it is echoed by “every created thing which is in the heaven and on the earth and under the earth and on the sea”, i. e. it is re-echoed from every created being throughout the universe. Thus the Chorus of Creation, wonderful as it was, is surpassed by the Chorus of Redemption: and the four living creatures who represent creation said in full accord, “Amen”, while the four and twenty elders “fell down and worshipped” him that liveth forever and ever. The opening of the seals then follows, and because of its widely different bearing from that which precedes, is usually considered as forming a separate vision, though the transition is not otherwise marked than by a change of action and progress of thought.

II The Vision of the Seven Seals (A Vision of Trial). Ch. 6:1-17, and 8:1

The vision of the seven seals is a prophetic delineation of the trials and triumphs of the church of Christ throughout all her history, especially from the days of John to the end of the world, depicted in the symbols of Apocalyptic. These trials fall upon all men in common, and from another point of view are also judgments upon the sinful world, but they are regarded here chiefly as involving the church in suffering, and as preparing the way for the triumph of the kingdom of God, the coming of our Lord, and the final consummation of all things. The opening of the seals by Christ indicates his purpose of revealing the hidden contents of the book which he had taken from the right hand of God (ch. 5:7), and the number of the seals (seven) shows the completeness of the series. The order of the seals is progressive, but they have no definite or categorical time-relation; they regard only the ceaseless swing of the ages ever sweeping on toward the final consummation. The underlying divine purpose of testing men by moral struggle is apparent [pg 124] throughout; the trials set forth are disciplinary to those who believe, but punitive to those who resist. The form of trials in the vision is that of an illustrative symbolism which should not be limited in interpretation to the few particular kinds of trouble that are described, but should be taken as representative of the whole round of sorrows endured by God's people throughout all time, a prophetic forecast which, though receiving an immediate fulfilment in the experience of the early church, has yet had and will have a further and wider fulfilment throughout the course of the ages. The subordinate element of judgment upon the wicked in the vision is implied rather than stated, except under the sixth seal; nevertheless upon further reflection it may be clearly seen, for the advancing conquest of Christ includes the overthrow of the wicked, while the sorrows of war, famine, and death fall upon them without any consolation like the recompense of the righteous, the avenging of the martyrs is foretold as eventually to be visited upon them, and amidst the terrors of the final judgment they find no availing refuge, but cry to the mountains and to the rocks to fall upon them to hide them from the face of him that sitteth on the throne, and from the wrath of the Lamb. This bearing of the trials of the seals, revealing judgment upon the world, should not be overlooked in our interpretation, though we should not lay special stress upon it, for it is not the foremost thought in mind.

In entering upon the more obscure portions of the book it may be well to remind the reader that the interpretation will be much simplified, and many of the difficulties will disappear, if we regard all the mysterious action in these visions as in the broadest sense symbolical, and not requiring detailed application. And although an effort may well be made to recover what has been called the “ground-view” of the Apostle, i. e. the natural application of the prophecy that lay in the immediate horizon of history and belonged to the conditions of his time, yet this cannot be regarded as absolutely essential to the correct interpretation for us and for all ages. We should not forget that we are dealing with what is really a great creative poem in prose, containing idealized conceptions of widely pervasive principles, and therefore its true interpretation lies in facts of universal experience rather than in the special circumstances which helped [pg 125] to give it form in the mind of the writer, but beyond which he passed with poetic freedom to grasp the larger ideal—for to deny that John had any such ideal in mind is to do injustice both to his prophetic and poetic insight. And if in our anxiety to reproduce the author's native horizon, we allow the basis of historical fact to become the chief matter of concern, we are sure to lose in literary insight in the interpretation of the book far more than we gain through clearness of local perspective. For it is always to be reckoned “amongst the impediments to the study of literature ... that the personality of the author, and the circumstances of actual life, are forever being allowed to interpose between a creative poem and the mind of the reader”,389 to the constant hindrance of any free following of the author's constructive idealization. And it is only by avoiding this narrowing influence of realism that we are at all likely to reach the heart of the Apocalypse.

1 The Opening of the First Seal, Ch. 6:1, 2

The Lamb as the ruler and revealer of destiny opens the seals. At the call of one of the four living creatures, “come”,390 a white horse and his rider, who bears a bow, the sign of warfare, and receives a crown, the token of victory, appear in view, representing Christ going forth conquering and to conquer,391 a vision depicting the beginning and trend of the gospel age: the symbol of the victory of Christ's cause attained through conflict, Christianity triumphing in the earth,—for the progress of the life of the church is viewed like that of the national life of Israel as marked by constant conflict. The assurance of victory is made to precede the revelation of trial as a ground of comfort and confidence throughout the succeeding seals. We may properly regard the contents of this seal as a present view of the onward course of the [pg 126] church, the details of which are to be imagined rather than described, a suggestive picture which stamps itself upon the mind, for the figure of the crowned and conquering Christ once distinctly seen can never be effaced but marks all our after-thought of him. This vision was realized in some measure in the splendid growth of the church in the first and following centuries, but the full realization of its promise lies in the fulness of the ages (ch. 19:11-21)—Christ is ever moving on through the years to final victory.

Many historical interpreters find in this rider the symbol of conquest, especially of judgment on the Roman Empire by the Parthians, indicated by the bow, their usual weapon, and premonitory of the end.392 In that case the first seal, like the succeeding ones, would indicate a form of trial to the church. Others see in the rider the sign of Roman conquest, and in the subsequent seals precursors of the destruction of Jerusalem, assuming the earlier date of the book. These views, however, fail to recognize the close similarity and apparent identity of the rider in this vision with the one on the white horse in chapter nineteen (v. 11) who is evidently divine;393 nor do they agree with the above view as to the scope of the seals, but limit them to the first century, while in the interpretation given in this work they reach forward throughout the history of the church to the end of time. We must be duly careful, according to the symbolic view, not to limit the prophecy to too narrow a scope in its complete fulfilment, and especially not to exclude the world-wide and universal reference, even though it be regarded as the secondary meaning, since to many minds this is the essential and larger thought in the vision. For we should not forget that while the visions of the Apocalypse, like the voices of prophecy and the parables and teachings of our Lord, had their immediate occasion and purpose, yet this becomes in turn the ground and instrument of a wider and permanent divine message to all mankind, and that this is the message which is our chief concern.

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2 The Opening of the Second Seal, Ch. 6:3, 4

At the call of the second living creature, “Come”, a red horse and his rider appear, to whom is given a great sword, and power to take peace from the earth: the symbol of war, and of consequent trial to the church. The blood-red horse with his armed rider betokens the carnage of battle, and suggests all the horrors of bloodshed with its accompanying train of suffering. It is a prediction not of any particular war or wars, but of war in general, as the “wars and rumors of wars” in our Saviour's discourse (Mt. 24:6). And it was only as it was “given unto him” (v. 4), we are told, that the rider could accomplish his mission, thereby indicating the divine authority, limitation, and restraint. The sword is the same as the sacrificial knife, and the term used for slaying in the passage is the Greek term for killing the sacrificial victim, which may be intended to imply that the slaughter of the saints is to be included with others.394 The contents of this seal were realized to some extent in the Jewish war connected with the fall of Jerusalem, and in the subsequent wars of the Roman Empire which entailed great suffering upon the church as well as upon the world. The form of the prophecy, however, does not preclude reference to the then past as well as to present and to future events; it points to the experience of God's children in every age, to the Jewish as well as the Christian church, though doubtless with the future specially in view. These sorrows have been repeated again and again in the numberless wars of history, and may be repeated afresh in the future, for war is a constant trial of the church throughout the centuries. The symbol of the armed rider on the blood-red horse presents a vivid picture of the horrors of war. It was a figure which spoke to the imaginative Eastern mind with a power superior to words, especially to those who had known in their own experience the destructive ravages of war; but the details were left to be supplied by individual thought.

3 The Opening of the Third Seal, Ch. 6:5, 6

At the call of the third living creature, “Come”, a black horse and his rider appear, weighing out grain with a balance: the symbol of famine, want, and consequent [pg 128] suffering by the church. This expressive figure of the black horse and his rider with a balance foretold in a form that surpassed the power of language to describe, the prevailing gloom and distress of famine. Grain is sold by weight instead of measure, thereby indicating its scarcity (Ezek. 4:16), and the price is from eight to twelve times its usual cost, the food of a working man requiring his entire wages, and leaving those dependent on him without support.395 The famine indicated is not, however, any special season of want, but recurrent famine as a condition of trial, and is limited in its extent, as indicated by preserving the oil and the wine which may be regarded as typical articles of food, or the best of the things of common life396—a famine affecting the poor rather than the rich, the multitude rather than the few. The contents of this seal were realized in prevailing famines such as that under Claudius, that at the siege of Jerusalem, and many other seasons of want which have occurred at different times throughout the ages, but especially in the ancient world and in the Far East. The emaciation and terror produced by hunger and want was a form of suffering too well known among the inhabitants of those lands to need any further emphasis—it spoke a language of its own to all those who had felt its power.

4 The Opening of the Fourth Seal, Ch. 6:7, 8

At the call of the fourth living creature, “Come”, a pale, ashen colored, or green horse, and his rider Death appear, with Hades following after, i. e. the world of departed spirits accompanying death as his after-part to swallow up his victims, both personified, and with power given them to kill with the sword and with famine and with death in all its forms: the symbol of mortality in the church, destroying the forces of the kingdom. The pale green or livid horse, the color of a corpse, reflects the ghastliness of a dead body bordering on dissolution, and points to the ruin wrought by death. Death is here considered as in itself a trial, and some of the more terrible [pg 129] and widespread agencies by which it is brought about are mentioned in order to make its ravages more impressive. Among other forms death by sword and famine are included, evils already introduced under the two former seals as the occasion of suffering, but here regarded as leading to death and constituting a separate trial. The trial of this seal is also limited, and affects only one fourth of men, i. e. a fractional part, not an actual fourth, the fourth being perhaps suggested by the four horsemen. The contents of this seal were realized in the fearful mortality of Roman times by means of the fourfold scourge of sword, famine, pestilence, and wild beasts, the crown of all sorrows to the Jewish mind; but they have also been realized in a similar way, though different form, through the many dread visitations of death in later days.

It will be noticed that almost every part of the symbolism in these visions has a meaning of its own. The horse in motion seems to indicate the swift progress and triumphal march through the earth of the things represented in the first four seals, viz. of Christianity the conquering religion, and also of war, famine, and death, the widespread terrors which are impersonated by the riders as treading the path of the centuries. The color of the different horses, too, is not without significance; white is the sign of victory (white horses were not uncommonly ridden by Roman conquerors)397 and it is also the symbol of purity, while red is the symbol of bloodshed, black of want, and pale or ashen green of death, each of the latter betokening something of the nature of the scourge which they bring to men. The whole content of the seals presents a bare outline of various forms of suffering, and is intended to typify a multitude of sorrows that are unnamed. It should be noted, too, that at the close of the fourth seal a division of the seals is apparent into two groups with four and three in each. The first four relate to the sphere of the natural world, as the number four indicates, and the fact also that they are ushered in by the four living creatures who represent creation. These seals are chiefly designed to show that during the period in which Christ is carrying forward his conquest unto [pg 130] victory, both trial and suffering in this world form part of the divine purpose of discipline for his people which cannot be escaped from but should be endured with patience and hope. The last three seals relate to the things of the spiritual life, of which three is the symbol, and point forward to the future and great reward in the world to come which is about to be realized by those who are faithful. The same division into four and three, pertaining to the natural and the spiritual, though with a distinctive application, is found in the visions of the trumpets and vials (see App'x. D).

5 The Opening of the Fifth Seal, Ch. 6:9-11

At the opening of the fifth seal a vision of the souls of the martyrs appears, viz. of those “that had been slain for the word of God, and for the testimony which they held” (cf. ch. 19:10), who are now seen underneath the altar (i. e. the equivalent of the great brazen altar of sacrifice in the Jewish service, at the foot of which the blood of the sacrificial victims was poured) as the sign of their having sacrificed their lives for the truth. The altar is in the heavenly temple, which to the Jewish mind was the archetype of the earthly, where they are found crying to God as their master398 to judge and avenge them, i. e. calling for vindication, not for vengeance in the earthly sense; and they receive each a white robe, the recognized symbol of purity and victory, and are bidden to rest until the roll of martyrs is complete:399 the symbol of martyrdom so often experienced by the church throughout the ages. These saints of God have not been delivered from death, but they have been delivered through death. The limit of this trial is the “little time” of the church's further conflict, a period looked upon as relatively short in the whole course of the centuries, though not in itself necessarily short or definitely limited, for the “little time” is practically the whole period of this and the preceding seals. The contents of this seal [pg 131] were partly realized in the ten persecutions of the early church, especially those under Nero, and under Domitian, belonging to the period of the Apocalypse; but they have also been realized in every subsequent persecution that has followed the planting of the gospel in heathen lands. The martyrs belong to all ages and all nations, and include every man who has given his life as a testimony for the truth; and this seal looks along the whole line and comprehends every martyr of every age.

6 The Opening of the Sixth Seal, Ch. 6:12-17

At the opening of the sixth seal a vision of an earthquake appears, in which the sun became black as sackcloth of hair, the whole moon as blood, and the stars of heaven fell, while even the heaven itself was removed as a scroll when it is rolled up, and every mountain and island were moved out of their places, for we are told that the day, the great day, of divine wrath is come: the symbol of judgment and retribution, especially of the last judgment, and of the destruction of the world. The terrors of the judgment thus described are sevenfold, affecting the earth, the sun, the moon, the stars, the heavens, the mountains, and the islands; and seven classes of men are mentioned, who call to the rocks and the mountains to fall upon them and to hide them from the wrath of the Lamb, viz. the kings of the earth, the princes, the chief captains, the rich, the strong, and every bondman, and every freeman,—additional signs of universality and completeness. The contents of this seal have been realized in one way in the crises of history and the fall of empires, which we may regard as described here after the analogy of Jewish Apocalyptic, under the form of a great catastrophe of nature bringing to an end the existing order of things—the fortunes of the people of God, though not their fate, being conceived of as inseparably interwoven with the world of nature; but this is only a temporary and passing fulfilment which foreshadows and points to the final day of wrath (called in Greek (v. 17), “the day, the great [day] of their wrath”, i. e. of the wrath of God and of the Lamb), or the day of the Lord,400 [pg 132] and the end of the world. The End is a constant element in all Apocalyptic writings, as it is the recurrent point of interest with John in the Apocalypse; and it was undoubtedly due to the influence of Jewish Apocalyptic conceptions that an expectation commonly prevailed in the primitive church that the End was close at hand, and that it would come not through development but through crises of judgment.401 The important part which the End has in the Apocalypse may be regarded as owing in some degree to the place it must necessarily occupy in any exhaustive scheme of the course of the world; but it is perhaps more largely due to the peculiar view-point of Apocalyptic, which exalted the End out of proportion to the present in order to impress more deeply its lessons.402

All the visions of the six seals had a particular application and an undoubted though partial fulfilment in the first age in which they were given; but they have a wider and more perfect fulfilment in all subsequent time, and perhaps will have an especially complete fulfilment in the last time, such as we know that the sixth seal will surely have. To seek constantly, however, for a merely literal fulfilment is surely to emphasize the least important part of their meaning, and to limit them narrowly to a definite historical event is to rob them of their larger purpose, for they are wide-flung types that speak as with a thousand tongues to the open ear and ready mind.

[In the order of the Revelation the connection is at this point interrupted and the climax suspended by introducing the Episode of the Sealed Ones (ch. 7:1-17), which will be found under IIb. The episodes are given separately in this outline, and outside of their proper position in the text, for the sake of clearness and emphasis].

7 The Opening of the Seventh Seal, Ch. 8:1

At the opening of the seventh seal a vision of heaven wrapped in perfect silence appears: the symbol of mystery, the unrevealed, the unspoken, the ineffable bliss of heaven which cannot be told in human words or portrayed in physical form, the great sabbath of the church's history,—a significant sign of the deep, unbroken rest [pg 133] from conflict and toil into which the people of God shall enter at the end of the earthly trial, and of the fulness of joy to be realized in the future life of the redeemed when the conflict and judgment of this world are over, all of which now lies beyond the power of words or vision to describe or display. The form of the vision is remarkably suggestive; the silence indicates that which cannot be spoken; it gives time for thought that is beyond expression, deepens “the sense of trembling suspense”, and serves to quicken anticipation of the revelation to follow.403 The contents of this seal are to be realized in the future life of the redeemed after the conflict and judgment of this world are over, and they cannot now be revealed except in symbol; they lie beyond the sphere of earthly thought. The half-hour is a broken, fractional number, implying a limited period, and is here the sign of the relatively brief time during which John beheld the vision,—for the period covered by the thought of the vision is the whole period of eternity, the future endless life with God, and only a glimpse of it is given at this point in order to reassure the hearts of God's children in the midst of conflict,—thus affording an impressive break between the seals and the trumpets, which, though short in itself, must have seemed relatively long to the beholder in the midst of such stirring scenes. The silence may have been suggested to John's mind by that which the people kept during the time when the priest offered incense in the temple, for we find that the offering of incense by an angel immediately follows (v. 2-5),404 and the solemnity of that time in John's own experience of the ritual worship may well have left its impress upon his mind. In closing the series it remains to be said that the last seal, notwithstanding that its contents are incompletely developed, yet joins with the first, and serves to mark out the whole course of the church's history through all the dread and storm of the other seals, as ever advancing from opening conquest to final peace, all the trials of the seals leading on to deep quiet in the end, the symbol of the great and enduring peace of God.

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It may be well for us before entering upon the episode of consolation in the seventh chapter, to review rapidly the steps by which the prime purpose of the Apocalypse has been thus far wrought out in the vision of the seven seals, viz. to encourage the hearts of weak and suffering Christians and to fortify their patience on the upward way in the midst of trial and distress by pointing out the path of faith and hope alike to the certainty of victory in the future days of the church upon earth, and to the fulness of joy reserved for the redeemed in the far and fadeless glory beyond. The deeper lesson of the first four seals is one of absolute trust in God when the way, as then, was dark and the hearts of men terror-stricken. God has not in any sense forsaken his people, the vision proclaims, though his path and purpose lie hidden in the night. Amid all the trials of the earthly life his plan is working out unseen through the way to final victory. His people must learn the lesson of discipline in the path by which he leads, and strive to trust and be patient and obey, while he with unerring wisdom rules and works and wins. The closing three seals contain a more direct revelation of hope and comfort. Under the fifth seal the peace of the future life and the guarantee of recompense to the saints is reassured; the vision of the sixth leads to the episode of consolation which portrays the safe gathering of the redeemed on God's right hand at last, while the contents of the seal itself point to the surety and justice of divine judgment that shall inevitably fall upon sin and sinners; and the seventh reveals the endless and unbroken peace and glory of the future life with God. Thus, contrary to all appearances in the world of men, the perplexing trials of the Christian life are seen in the apocalyptic vision to be not in vain; the painful discipleship of Jesus has its abundant reward hereafter; the certain and unfailing victory of the righteous lies at the very heart of the eternal purpose of God; and this triumphant hope is presented as an abiding consolation for the Christian mind in the midst of prevailing trial and distress.

The episode of the sealed ones is a vision of consolation, that is introduced as a digression between the sixth [pg 135] and seventh seals, elaborating the idea of redemption inwrought with judgment, and showing the safety, even in the midst of tribulation, of God's people who are divinely sealed, as also the certainty of their final reward. It is given for the encouragement of tried and suffering Christians who cannot understand why they suffer, and as an answer to the question in ch. 6:17, “who shall be able to stand?” i. e. in the midst of such judgment as is depicted under the sixth seal. There is, of course, a manifest element of consolation for the saints in the contents of the seals themselves, as indicated above, viz. the certainty of victory under the first, the divine limitation and control signified in the second, third, and fourth, the promise of peace and reward in the fifth, of vindication and judgment in the sixth, and of the heavenly rest in the seventh; but this word of comfort receives such a distinct reinforcement and emphasis in the episode interposed as to indicate clearly its purpose. The blessed consolation for God's people in all ages given in the book of Revelation has not, perhaps, been sufficiently emphasized in the past,405 yet this has always made it a cherished message for those in affliction. The episode is found to consist of two parts, corresponding in some degree to the two dispensations, the Old and the New, the first setting forth the surety of salvation in the divine choice out of Israel (v. 1-8), and the second the fulness of salvation in the restoration to the divine presence of the entire body of the redeemed out of all nations (v. 9-17), the two together manifesting the consoling thought that redemption triumphs in the midst of judgment.

A The Sealed of Israel, Ch. 7:1-8

The first part of the episode shows Israel's share in the sure and unfailing results of God's elective and redemptive purpose, and through this the wider truth that God seals and keeps all his own (cf. Ezek. 9:1-6).406

1 The Angels Holding the Winds, Ch. 7:1-3

At the bidding of another angel who ascends from the sunrising as the sign that he brings light and hope, [pg 136] and who bears the seal of the living God as the token of his authority, “the four angels to whom it was given to hurt the earth and the sea” restrain the winds, which are apparently those of destruction and judgment, until the act of sealing has been accomplished: the symbol of the delay of God's final judgment upon the world until all his chosen ones are sealed, i. e. are marked as the subjects of redemption, or until his redemptive purpose is complete—the choice beginning with Israel. Four, the earth number, is the number of the angels, corners, and winds in the vision, indicating the world-wide character of the judgment; and the sealing is upon earth, though apparently not to be thought of as occurring in any particular point of time, and not therefore to be placed, as by some, just preceding the final judgment, for in a wider sense the sealing stands as a symbol of redemption as a whole, viewed in effect as a process concurrent with the trials of the seals, and illustrated by its operation in Israel.407 The time of holding back the winds is the entire period of divine grace, and the sealing shows the brighter side of the former picture of trial and suffering—God is ever doing what he did in Israel.

2 The Number of the Sealed, Ch. 7:4-8

The redeemed are sealed upon the forehead, the sign of the visible and personal ownership of Christ, but the act of sealing is not revealed; as the act of God it is hidden, and only the number of the sealed is given, a hundred and forty-four thousand, i. e. the square of twelve, the national number, multiplied by a thousand, the cube of ten, the number of completeness,—twelve thousand from each tribe, or twelve, the number of the tribes of Israel, multiplied by a thousand, the number of heavenly completeness: the symbol of a vast, complete, but indefinite number chosen from the people of Israel and kept unto eternal life as the first-fruits unto God and the Lamb, the true or ideal people of Israel, who are in a sense representative of all the redeemed. Other interpreters, accepting the apocalyptic-traditional view of late writers, regard the first section of the episode (v. [pg 137] 1-8) as a reproduction in form or substance from a Jewish apocalypse, while the second section (v. 9-17), where there is so manifest an expansion of the horizon, is the Christian development of the same idea, showing how the older vision may be understood in our time.408 Such views evidently have strong attraction for the modern mind, but it may well be doubted whether such a view solves as many difficulties as it creates, for it assumes the existence of documents that have no evidence on which to rest except the theory which assumes them.

B The Redeemed Out of All Nations, Ch. 7:9-17

In this section is presented a view of all the glorified in heaven, showing the world-wide results of redemption, and the ultimate felicity of the redeemed, a scene of triumph in vivid contrast with the trials and sufferings of the church upon earth, and a striking illustration of the difference which Christ has brought about through his atoning work.409

1 The Innumerable Multitude, Ch. 7:9

With the opening of the second part of the episode there is a sudden expansion of the horizon; every barrier of race and nation has disappeared, and a triumphant multitude of the saved from all peoples, a company which no man could number, far surpassing that of Israel, is seen standing before the throne and before the Lamb, arrayed in white robes, the symbol of purity,410 and having palms in their hands, the token of joy as well as victory (cf. I Macc. 13.51), and perhaps, also, as a sign of triumphant homage to the Lamb. The use of palms in the Feast of Tabernacles may have been foremost in thought here, but we need not confine the significance of the figure to the Jewish symbolism of joy. It probably includes all the ideas connected with palms that were familiar to the thought of the time, without regard to their origin; for it is not justifiable to assume that the Apocalypse contains no ideas borrowed from heathen antiquity, but moves exclusively within the circle of sacred, that is, Jewish imagery and symbols.411 This represents an opinion [pg 138] which in the light of later studies in Apocalyptic cannot be maintained, though manifestly everything has been assimilated by the Jewish conception, from whatever source it may have been derived. The phase of the vision presented in the ninth verse, affords a view of the redeemed church in its fulness, the multitude of the saved from both covenants now joined in one body in which no distinction of race or nation exists, a view much wider in its scope than the former one of the sealing.412

Many commentators, it must be recognized, view this passage differently (v. 4-9), and maintain the full identity of the hundred and forty-four thousand and the great multitude by a somewhat strained exegesis, making the hundred and forty-four thousand the symbol of the Christian church.413 In the interpretation of such symbols, however, we must always allow a latitude of view, for different interpretations appeal with varying force to different minds; and it should be remembered in holding the view accepted in this work, that while the symbol is taken from the case of Israel, and is therefore correctly interpreted as applying primarily to the people of Israel, yet it is not Jews as distinguished from Gentiles that are meant, but the saints of the Old Testament as distinguished from those of the New, the few in contrast with the many; and that in a wider sense the figure symbolizes salvation as a whole, represented here by a part in which it is shown to be effective, the main idea being salvation made certain and efficient by the divine act of sealing, while in the great multitude the symbol is that of salvation become world-wide in its results. The question of the identity of the two groups is therefore subordinate, and cannot be regarded as of any special importance.

It may be well at this point, in view of the great and radiant multitude of the redeemed, the innumerable company out of all nations and tribes and peoples and tongues, who stand before the throne and join in the cry of “Salvation unto our God ... and unto the Lamb” (v. 10), for us to emphasize the wide-spread and triumphant effect of the gospel in the world of men which is here [pg 139] foreshown. It has been too often asserted by modern critics that the outlook of the Revelation is narrow and Jewish, and its view limited and discouraging. As against this it is well to remember the lesson of these verses, as well as that of many other similar passages throughout the book (cf. chs. 5:9; 21:24; 22:7, et al.). We should also clearly see that the Revelation from its nature and purpose deals chiefly with the plan of God for the ages, and with the causes and events which lead on to the end of the world, and that therefore its essential message is not addressed to evangelistic effort or to missionary enterprise, but to faith in God when days are dark and storms fill the sky, and to preparation for meeting him in a fairer world when earthly days are done. Yet the book just as clearly shows that the divine plan both includes and prepares for the essentially world-wide and universal mission of Christianity; and the message of the gospel to every creature is repeated and emphasized throughout in such a way as to make plain that the great work and chief purpose of the Kingdom of God in the earth is to redeem and to save the lost. And surely this important truth should never be left out of view in our perusal of the book.

2 The Cry of the Church Triumphant, Ch. 7:10-12

The whole body of the redeemed, the saved out of both covenants, the united company which no man could number, that includes both Jews and Gentiles, is heard unitedly to cry with a loud voice, “Salvation unto our God ... and unto the Lamb”, i. e. salvation is attributed unto God and the Lamb414 (the Salvation Chorus), while all the heavenly court join them in a seven-fold symphony of praise. This is the last in a series of growing doxologies. In ch. 1:6 the praise ascribed is twofold, in ch. 4:11 it is threefold, in ch. 5:13 it is fourfold, and now in ch. 7:12 it is sevenfold—“Blessing, and glory, and wisdom, and thanksgiving, and honor, and power, and might, be unto our God forever and ever”. It should also be noted that in the Salvation Chorus, for the first of three times in the book, salvation is ascribed by a voice from heaven to God, or to God and to Christ, viz. in chs. 7:10; 12:10; and 19:1.

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3 The Redeemed Before the Throne, Ch. 7:13-17

John's attention is at this point specially directed to the triumphant company that is before the throne of God by one of the elders (v. 13f.)415 in order to emphasize that they of that company have come victorious out of the great tribulation of the earthly life, and therefore they are ever before the throne serving God day and night in his temple, i. e. in the ?a??, the shrine of the temple in heaven, and sharing in the exceeding blessedness of the divine presence as their great reward. “And he that sitteth on the throne shall spread his tabernacle over them ... and God shall wipe away every tear from their eyes.”416 It is not likely that by the great tribulation in v. 14 is meant a special period of trial such as is implied in ch. 3:10, and by the words of our Lord in Mat. 24:21, but rather the world-tribulation that belongs to the earthly life of the Christian throughout all time, “the tribulation of Jesus” (ch. 1:9) in which John felt that he had a share. Some, however, think that it is the same period of trial referred to before as preceding the end of the world.417 Thus with a prophetic view of the redeemed before the throne the episode closes, and the seventh seal is opened (ch. 8:1).

III The Vision of the Seven Trumpets (A Vision of Threatening). Ch. 8:2-9:21, and 11:14-19

The vision of the seven trumpets sets forth in pictorial form a divine proclamation of the judgments of God upon the sinful world, especially those to be experienced throughout the prospective history of mankind until the final consummation of all things. It consists of another group of seven that are parallel in a certain sense to the vision of the seals, covering like them the path of the ages, but that form a separate series complete in themselves and that are issued for a different purpose, the seals specially manifesting God's care of his people in the midst of trial, while the trumpets reveal the divine punishment visited upon the sinful. These two lines of judgment are conceived of as occurring mainly [pg 141] in the same period, but looked at from another point of view: or, perhaps, it might better be said, that we have here another group of seven which follow the whole course of history and develop a new line of divinely ordered occurrences that neither follow nor precede, but are quite independent of any time-relation to the preceding series of the seals. The number of the trumpets, like that of the seals, is intended to indicate the completeness of the series, for seven is the number of completeness. They are general indications of God's judgments, and though particular events may be partial fulfilments, the complete fulfilment is in all time.418

A The Preparation for the Trumpets, Ch. 8:2-6

In a short intervening section preparatory to the trumpets, we are shown that the prayers of the saints lead to the manifestation of divine wrath against sin. These verses, it may be said, form a transition from the vision of the seals to that of the trumpets, and are in fact included by some under the seventh seal, though not properly belonging to it. The former vision reaches a fitting close in the period of eternal rest which is looked upon under the seventh seal, and we wait in the quiet that it brings, expecting the end to be announced at once. But instead of that a further vision is revealed to the seer, and we again traverse the course of history by a different path to its ending. In another series of seven under the trumpets the punishment of the ungodly is reviewed, and divine wrath is seen to fall upon the heads of the sinful. This succeeding series of trumpet visions is introduced by verses two to six in the eighth chapter.

1 An Angel Offers Incense upon the Golden Altar, Ch. 8:3-5

The incense is added unto the prayers of all the saints which are thus typically purified, and they are straightway presented before the throne of God in heaven. Incense was the symbol of prayer under the Old Testament, but it becomes here, by a further development of the symbol, the vehicle for bearing the prayers to the throne, and the action apparently follows the form of the Jewish ritual worship. An angel standing over the brazen altar of sacrifice, takes fire from it in [pg 142] a golden censer or fire-pan, and much incense is then given him to add unto the prayers of all the saints, evidently for their purification and that he may offer them at the golden altar of incense which is before the throne of God. Completing this action, the angel returns again to the brazen altar to take fire from it that he may cast it as the symbol of judgment upon the earth (cf. Ezek. 10:2f). Others, however, think that only one altar, that of incense, is referred to in the action.419 In either case the worship of the Old Testament is the basis of the figure, though the scene is laid in heaven. “And there followed thunders, and voices, and lightnings, and an earthquake”, the tokens of God's presence and of the approaching divine judgment.

2 The Seven Angels Prepare to Sound, Ch. 8:2, 6

To the seven angels are given seven trumpets with charge of the series of impending woes; and the angels put the trumpets to their lips ready to sound, mention of which is made in order to emphasize the importance to be attached to their action as angels who stand before God. Their position implies special service, and their number doubtless indicates the perfection of their ministry.420 The trumpet, which was the common instrument for public announcement, and often connected with the idea of judgment,421 may be here intended to recall its use at the fall of Jericho (Josh. 6:4f). The seven angels may also be taken to represent the whole body of angel ministrants who serve before God, just as the seven churches symbolize the whole church.

B The Trumpets Sounded, Ch. 8:7-9:21; and 11:14-19

The sounding of the trumpets represents the proclamation of signal and destructive judgments upon the ungodly world. The form of these judgments in the vision was adapted to current conceptions of great calamities, and may be regarded as symbolizing all the [pg 143] terrible woes in store for all the wicked in all the ages—wide world-pictures of the divine purpose of punishment. The latter half of the first century was marked by many terrible visitations, such as earthquakes, famines, and plagues, and it should not be thought strange to find these events reflected in such a book as the Apocalypse at a time when they were fresh in the public mind. That they had some such source is evident, for the graphic descriptions of appalling disaster by earthquake in Martinique (1901), and in Messina (1908), have served to illumine many passages in the Revelation, as have also other similar occurrences previously known. These judgments in the visions constitute not only the divine means of punishment, but become the divine test of character, revealing the essential nature of evil men; for the effect of the judgments, unlike that of the seals, falls mainly upon the evil.

1 The Sounding of the First Trumpet, Ch. 8:7

The sounding of the first trumpet is followed by hail and fire mingled in blood cast upon the earth: the symbol of disaster visited upon the land, and men punished by such means as in the days of Pharaoh,—for fire is a symbol of the divine presence and wrath, and the blood indicates the destructive effects about to be wrought upon both the animate and inanimate creation for the chastisement of man. The resemblance of the first four judgments of the trumpets and also of the vials to the plagues of Egypt, is too manifest to escape the attention of any careful reader of Scripture, and affords a ready proof of their representative character. These well-known historic incidents of judgment, belonging to the birth-period of the Hebrew nation, which are so deeply inwrought in the Old Testament story, and whose significance was so well understood, become the ready types of other judgments that are sent with a similar purpose and that belong to the divine order, but the intimate nature of which it was not the divine purpose to disclose. They are widely suggestive of God's power over things the most permanent and stable. The destruction of but a third part of the objects affected as the result of the trumpet series, represents a limited judgment, not an actual third but a fractional portion destroyed, a great but not the greater part. The earth, the sea, the rivers, and the heavenly bodies, on which the [pg 144] first four judgments fall, are parts of a fourfold division of the universe which is common in this book, and are intended to designate the entire created world, both here and in the vision of the vials.422 In this comprehensive designation the earth, or the land, was thought of as the nourishing mother and the dwelling-place of man; the sea as the agent and arena of commerce; the rivers as the seat of cities, the centres of population, the arteries of trade, and the source of water supply; and the heavenly bodies as the source of light, and as the rulers of destiny—together representing in common thought the great things of life to the world of men. Disaster to these, the sources of wealth and well-being, has always been among Oriental nations the type of all that is most terrible.

2 The Sounding of the Second Trumpet, Ch. 8:8-9

The sounding of the second trumpet is followed by, as it were, a great mountain burning with fire cast into the sea, thereby working widespread ruin: the symbol of disaster visited upon the sea, one part of creation which is used as God's agent for punishing mankind. To move a mountain was a token of divine power, and it was blazing with fire as a sign of the divine presence and wrath—another Sinai in effect flung into the sea. This striking figure of a mountain of fire was perhaps suggested to John's mind by a volcano, with which he must have become familiar while resident in Asia; but attention is directed more particularly in these visions, especially the first four, to the effect produced rather than to the means used, whether hail and fire, or a mountain, or a star, or the smiting of the planets.423 The effect produced is one of great terror, though the way in which it applies to men is left to be inferred, and is not attempted to be described. Such an incident was well adapted to the thought of the first century, and could not but strike terror in the mind of the beholder because of the complete helplessness of men in the presence of such a disaster. It presents a wide field for thought, the limits of which are not defined. It is in fact one way of saying that God will make all nature to strive against man because of sin.

[pg 145]

3 The Sounding of the Third Trumpet, Ch. 8:10-11

The sounding of the third trumpet is followed by the falling of a great star from heaven, called Wormwood, upon the waters, burning as a torch and making them bitter: the symbol of disaster visited upon the rivers and fountains of waters, still another part of creation, as an act of divine judgment upon sinful men who dwell by the waters. As under the former trumpets only a third part was affected: “And many men died of the waters, because they were made bitter.” The falling of a star was regarded as a sign of some great disaster about to happen, and is here apparently intended to be typical of judgment sent from heaven, while the name Wormwood signifies the bitterness of the trouble which it entails upon men. But beyond this all is indefinite, a quality characteristic of Apocalyptic which often heightens rather than lessens the general effect. The bitter waters expressed the moral bitterness that men must taste because of their sin: the wide result is thus covered by an unspoken appeal to thought through a significant symbol.

4 The Sounding of the Fourth Trumpet, Ch. 8:12

The sounding of the fourth trumpet is followed by the smiting of the sun, moon, and stars: the symbol of disaster visited upon the heavenly bodies, not only destroying their light but inflicting a punishment peculiarly terrifying to the Oriental mind because of the occult influence which these bodies were supposed to exert upon the future destinies of men. We need not necessarily regard John as personally sharing in this opinion, but only as using the language and appealing to the thought of his time, as in the preceding reference to the falling star. He seems to look upon these strange occurrences mainly as signs of the divine purpose, as “wonders in the heavens and in the earth” (Joel 2:30) through which God wrought in manifesting his will. The evils resulting from this visitation in the vision, as in the former judgments, are suggested rather than named; but they lie before the mind in a haunting way to be filled in by a vivid imagination with scenes of terror and wrath.

(1) The Eagle and Its Message, Ch. 8:13

At this point an eagle (not an angel, as in the Authorized Version), the symbol of carnage, appears flying [pg 146] high in mid-heaven, crying, “Woe! Woe! Woe!” and indicating by its rapid flight and thrice repeated call of terror the swiftness of the three coming woes of the remaining trumpets.424 Also three, the number of the spiritual in contrast with the material, serves to indicate the sphere to which these judgments belong. These three, the fifth, sixth, and seventh, are often called the “woe-trumpets”, and their effects are visited directly upon men, not indirectly through natural objects as under the preceding four of the series.

5 The Sounding of the Fifth Trumpet, Ch. 9:1-12

The sounding of the fifth trumpet is followed by a vision of a star from heaven, fallen unto earth, the symbolic representation of Satan cast out of heaven for his sin, and by smoke as of a great furnace enveloping a swarm of locusts that ascend from the pit of the abyss, the present dwelling-place of Satan and the familiar haunt of demons: the symbol of disaster to men through Satan and his multitudinous host, “the spiritual hosts of wickedness” (Eph. 6:12), the demons from the pit. These are permitted to torment men, producing bitter anguish for five months, the usual life of the locust, and the symbol of an incomplete or limited period of time, which may here refer to the time of man's existence upon the earth. Five, the half of ten the complete number, is a symbol of incompleteness or indefiniteness. The invading army of locusts is a well-known figure of widespread disaster, as in the prophecy of Joel (ch. 2:1-11). In accordance with general apocalyptic usage the pit of the abyss is regarded as the present abode of the Devil and his angels, and is conceived of as a vast subterranean depth connecting with the surface of the earth by a great shaft or well which can be opened or closed from above, and the entrance to which may be locked or unlocked by a key.425 That which at first seems to be a cloud of smoke proves to be teeming with forms of life, an evident token of the hidden nature of the source of evil. The power of the locusts is directed immediately against the wicked, such men as have not the seal of God on their foreheads, while their sting seems to be the type of the poison of sin which they infuse into [pg 147] the veins of men, and the torment which they inflict to refer to the visitation of sins that bring terrible punishment upon the offenders so that men prefer death rather than life. The description of the locusts as “like unto horses prepared for war etc.”, is a realistic touch intended to heighten the sense of terror, but not to identify them with any objects in human experience. Also the statement that “their faces were as men's faces”, implies only that they were like men in appearance, though some think this points to human agents. The star is here used in a quite different sense from that under the third trumpet,—for to insist that all objects must have a single symbolism, and that the star must mean the same in every case, i. e. a person, there as well as here, is to neglect one of the clearest lessons of Apocalyptic. Here it is a personification or symbol of Satan (Isa. 14:12), the angel of the abyss, who is named Apollyon,426 i. e. one who causes perdition to mankind, or in Hebrew, Abaddon, i. e. the destroyer, a sufficient identification for the reader of the Old Testament. The awful woe that the world of evil men suffers at the hands of Satan and his legions is the ideal content of this trumpet; and we notice that the severity of the judgments seems to increase as they progress toward the end. The first woe is now declared to be past (v. 12), but two others are foretold as yet to come.

6 The Sounding of the Sixth Trumpet, Ch. 9:13-21, and 11:14

The sounding of the sixth trumpet is followed by the loosing of four angels from the bed of the Euphrates (which is done at the bidding of a voice from the four horns427 of the golden altar of incense that is before God, and underneath which are the souls of them that had been slain for the Word of God—evidently a divine command) who had been prepared for an appointed time, even “for the hour and day and month and year, that they should kill the third part of men” from the earth, and by the coming of a vast invading army of horsemen, the double square of a myriad, or two hundred millions [pg 148] in all, the largest number used in the Apocalypse, the type of an innumerable multitude, which apparently act under direction of the four angels, and destroy a third part of men from the earth:428 the symbol of disaster to men through the world-forces of heathenism, which are under direction of the world-rulers of the darkness (Eph. 6:12). The unbinding of the angels is the symbol of evil let loose among men, for the angels are evil as is indicated by their being bound, by their number, and by the place of their imprisonment, i. e. the binding is the symbol of divine restraint until the appointed time; their number is four, the earth number, indicating that they belong to this world which is usually thought of as evil; and the Euphrates, the place where they are bound, is the old seat of the world-power, and the representative of heathenism with its multitudinous host. The evils inflicted by the heathen nations upon mankind, especially the evils of war with their concomitant results, are here indicated by this forceful figure; yet these, though deep and terrible, entirely fail to turn the rest of men, who escape death, from idol worship and its attendant impurities—a marvelous forecast of the path of history, for the heathen powers have time and again become the agents of woe to mankind, yet the people have not awakened to the true source of their sorrow in idolatry. The description of the horses and of their riders in the vision is purely an ideal one, intended to make them the objects of greatest terror, a true Oriental touch, appealing to the vivid Eastern imagination as such figures do with us to the minds of children. The woes of men at the hands of heathen nations is the evident content of this trumpet, as is clearly indicated in the twentieth verse of the chapter. At this point the second woe is declared to be past, and the third to be about to come quickly (ch. 11:14); but between them intervenes a vision of divine help, and of the value of the church's witness (ch. 10:1-11:13).

This view of the fifth and sixth trumpets seems to meet more fully the statements of the text than other views, and to conform best to the general character of the [pg 149] whole series; for notwithstanding the recognized obscurity of the trumpet visions, we can surely discern divine judgments for wrongdoing in the first four, under forms of physical evil visited upon the natural creation, and in the remaining three, manifestations of moral evil visited upon men for their sin. That the pit or abyss points to demoniacal forces, and the Euphrates to human agencies, is sufficiently evident without discussion.429 The application of the incidents of the fifth and sixth trumpets to Mohammedans and Turks by some of the historical school, who have even interpreted the tails of the horses as a prophetic reference to these well-known symbols of authority used by Turkish Pashas, is a curious example of capricious fancy. The fact that the events predicted under the sixth trumpet find a wide exemplification in the incursions of Turk and Mohammedan, Goth and Vandal, is only a clearer proof of their ideal character. And it is surely better to leave these highly wrought imaginative symbols of the trumpets, with their deep suggestiveness of appalling forms of coming evil, in the vague indefiniteness in which we find them, rather than to mar their beauty by weak and narrow interpretations.

[The Episode IIIb, which in this work is given after the seventh trumpet, occurs at the present point in the vision covering chs. 10:1 to 11:13. The connection is resumed in ch. 11:14, for the second woe found in that verse belongs in order of thought at the close of the sixth trumpet, the intervening part being parenthetical—see the Scripture text as paragraphed in this volume].

7 The Sounding of the Seventh Trumpet, Ch. 11:15-19

The sounding of the seventh trumpet is followed by great voices in heaven, declaring that the kingdom of the world is now become the kingdom of our Lord and of his Christ;430 by the elders praising God that the time of judgment and reward has come (the Victory Chorus); by the ark of the covenant, the token of God's abiding presence, being revealed in the opened temple in heaven—a traditional sign in the later Judaism of [pg 150] the coming of the Messiah;431 and by lightnings, voices, thunders, and an earthquake with great hail, the necessary accompaniments in Jewish thought of the great and final day of wrath: the multiple symbol of the final judgment, and of the glorious triumph of God's kingdom. The contents of the seventh trumpet are not fully developed, perhaps because they are too great for description, but in it we reach the climax and issue of the whole process of judgment that is exhibited in the series, the full and final establishment of the kingdom. The result is viewed in its entirety, and the millennial period of victory is not brought separately into view. The unveiling of the ark of covenant mercy and the ushering in of the kingdom close the vision, and constitute an informal transition to the vision of conflict through which the triumph has been effected.

If we now rapidly recall the whole course of the seven trumpets, we can see how with progressive movement they increase in severity as they go forward; the judgments they prefigure fall first upon the land, and then consecutively upon the sea, upon the fountains of water, and upon the heavenly bodies, as signs of God's judgment upon the physical universe, and thus upon men who in their earthly lives form part of the natural world; then with the fifth trumpet the judgments take a wider trend, and point to and include the setting free of numberless demonic forces of evil from the pit of the abyss to prey upon men, and under the sixth trumpet the loosing of the multitudinous world-forces of heathenism from the banks of the Euphrates to bring world-wide judgments upon the race, thus preparing the way for the blowing of the seventh trumpet which ushers in the day of cumulative wrath upon sin, and the final triumph of God's kingdom. This onward progress of the plan of the ages is only broken by a passing view of the possibility of recovery for men in the episode of the angel and the book, and of the two witnesses, which follows. The whole sweep of the judgments of the trumpets, in the view of Apocalyptic perspective, is toward the end of the present world and the triumph of righteousness in the final judgment. There the redeemed are left with God in his glorious kingdom; the after life is not attempted to be described; its blessings are evidently [pg 151] too great for our present comprehension. But the triumph would not be so definite, without the vision of conflict which follows, for it presents the path to victory through prevailing trial and opposition as ever leading on to complete and final triumph in the end, that is to be realized in the glorious presence of the Lamb who is revealed as standing upon Mount Zion in the midst of the redeemed.

IIIb The Episode of the Angel with the Book; and of the Two Witnesses (A Vision of Divine Help). Ch. 10:1-11:13

This twofold vision forms a digression between the sixth and seventh trumpets, similar to the episode between the sixth and seventh seals, setting forth the opportunities which God has afforded men of escaping his wrath, showing the divine method of help through the institutions of religion, and affirming the permanent value of the church's witness,—a paragraph that notwithstanding its acknowledged difficulty, is manifestly interposed for the comfort of the church as well as to prepare the way for the last woe of the remaining trumpet.432 The restraint of wrath indicated by the destruction of only the third part under the trumpets, is now further developed by showing the divine offer of escape; and also man's common neglect of that offer, which leads at length to final doom under the seventh trumpet. The episode, it will be seen, differs in theme from the one under the seals, the former setting forth the divine side of redemption, and the surety of its accomplishment through the act of sealing, the latter showing the human side of redemption as it is made known to men through the institutions of religion, and the failure of its universal operation through unbelief, leaving the world without excuse to bear the weight of judgment—the one throwing light upon God's relation to the church, and the other upon his relation to the world, in accordance with the general theme of the seals and the trumpets. Though many are unable to agree that John had such a comprehensive view in mind, or that it is to be looked for in a writing of this class, yet when we consider the various marks of elaborate structure in [pg 152] the book, exhibited in the relation of its different parts, and the deep prophetic insight and poetic intuition manifested by the author in his idealization of the course of the church, we need not be surprised to find a broad and perspicuous view of redemption such as this, especially since the plan of salvation had already been so fully elaborated in an earlier period by the great Apostle to the Gentiles.

A The Angel with the Little Open Book, Ch. 10:1-11

The first part of the episode exhibits the revelation of God's will and purpose as a source of help. The little book in the vision is evidently the Apocalypse, though in a broader sense it doubtless represents as well the general purpose and beneficent effects of all God's revelations to men; and the book is found open to indicate that its contents are made known to the world. Some regard the little book to be the remaining part of the Apocalypse, beginning with the succeeding chapter;433 by others its contents are considered to begin with chapter twelve, the first break in continuity after the episode; but it seems more likely that the whole book is intended. In any case it is clear that the prophetic form in which the writer's ministry is to be realized (viz. “thou must prophesy again over many peoples and nations and tongues and kings”, v. 11) serves to link the center of the book (ch. 10:11) with both the beginning (ch. 1:3) and the end (ch. 22:19),434 and thereby furnishes an incidental proof of its unity of design.

1 The Angel Foretells the End, Ch. 10:1-7

A mighty angel, the representative of Christ and bearing his insignia,435 having a book in his hand, and standing both upon sea and land as a sign of his world-wide mission, declares the coming end under the seventh trumpet, when the mystery of God's method and purpose in human life and redemption shall be fully revealed and finally manifested in the establishment of his universal kingdom. The manner of the angel is scenic and impressive, and the message is one of undoubted power.

[pg 153]
(1) The Thunder Voices, Ch. 10:3b and 4

Seven thunders utter their voices436 in token of the approaching judgment, but John is directed by a voice from heaven to seal them up and is forbidden to record them, probably indicating that the terrors of God's voice in judgment are for the present hidden from men; though some regard the voices as introduced only to emphasize the element of mystery with which the Apocalyptic form always delighted to clothe its thought. The voice, declared to be from heaven in verse four, is apparently not intended to indicate by whom the words were spoken, but only the source from which they came; some, however, attribute them to Christ.

2 The Book Delivered to John, Ch. 10:8-11

The book is Christ's revelation to John in the Apocalypse, a little open book or scroll (v. 2), evidently set in contrast with the great sealed book of God's purposes in chapter five; and it is taken by the Apostle, in obedience to a voice out of heaven, from the hand of the angel, who commands him to eat it, thereby indicating that John should digest the prophecy therein contained (Ezek. 3:1-3).437 Though it was sweet to his taste at first as a message from Christ, it became bitter afterward when its deeper meaning was understood, for it told of long continued trial and conflict instead of speedy triumph and victory. The prophecy is declared to be “over [i. e. concerning] many peoples and nations and tongues and kings”, a fourfold prediction, showing its world-wide application and indicating its ideal content.

It was the common thought of the early church that the period of the Christian dispensation would be very brief; and it may have been in order to dispel in some measure this illusion, and at the same time to inculcate patience and hope by showing the ideal shortness of the Christian age in God's eternal plan, that we are to find one of the many purposes of the Apocalypse. For it should be noted that by the end of the first century the view-point on this subject shows a material [pg 154] change. The attitude of John's Gospel toward the second coming of Christ is manifestly different from that of the Synoptists;438 the significant predictions of Christ concerning his own return are omitted, notably the discourse on the last things (Mt. 24; Mk. 13; Lk. 21); and the only references to his coming again are indirect (Jn. 14:3, 18, 28; 16:22; and 22:22-3), though from these it is evident that it is subsumed throughout, a view that is confirmed by the Epistles (I Jn. 2:28; and 3:2). This is far from showing, as some hold, that the coming predicted was only figurative, and was fulfilled at the destruction of Jerusalem, an event already past when John's Gospel was written; but seems rather to indicate that the earlier stage of thought, shared in by all the apostles, which expected the Lord's return within the first generation, had given way to a new and wider outlook which emphasized the continuous coming that is present and spiritual more than the personal coming that is future and outward, though without losing faith in the surety of that coming. And even if the later date of the Apocalypse be not conceded, yet coming from the same source as the Fourth Gospel, we might not unnaturally expect to find in it some anticipation of this view involving delay, for the coming thought of in the visions is undoubtedly personal and future.

B The Two Witnesses, Ch. 11:1-13

The second part of the episode sets forth the indestructibility and permanent value of the two special divine institutions for human help, viz. revealed religion and the church; and shows the triumph of enduring witness for the truth.

1 The Measurement of the Temple, Ch. 11:1-2

The ?a??, or inner sanctuary of the temple of God, is at this point introduced in the vision, a term which applied to the apartments of the temple building proper, including the holy of holies, the holy place, and in this case by implication the inner court, as distinguished from the ?e??? which applied to the whole temple and included all the buildings with the outer courts. The ?a?? in classical Greek is the sanctuary or cell of a temple where the image of the god was placed. In [pg 155] Hebrew usage, as applied to the temple at Jerusalem, it signifies the sacred edifice so called, including the holy and most holy place.439 Thus it is the true temple with the altar and them that worship therein, i. e. the entire contents of the inner court, the combined symbol of revealed religion and of those who accept its truths, especially the revelation and worshippers according to the Old Testament, which is here introduced in the vision. This is directed to be measured, i. e. it is to be subjected to careful scrutiny, and its proportions are to be observed, the sign as in Zechariah (ch. 2:1f.) of preservation and renewal, and not of destruction. The measurement apparently applies to the heavenly temple, though it may be interpreted either of the temple at Jerusalem or its counterpart in heaven, for to the Jewish mind the earthly temple was the type and shadow of the heavenly (Heb. 9:5).440 In either case the meaning is the same, viz. only that which corresponds to the outer court of the earthly,441 the unessential portion, is given up by the fall of Jerusalem to be trodden underfoot of the nations (Lk. 21:24) during forty-two months (v. 2), the indefinite period of the world's conflict with the church (see App'x. E). The true temple with its worshippers, the heart and center of the religious life of Israel, is indestructible and reappears in heaven with the ark of the covenant restored (v. 19). This is a symbolic expression of the important truth that the revealed religion of Israel is to endure, the best in Judaism is imperishable, all that is fundamental and essential is preserved though the outer form be destroyed;442 and it was designed to be [pg 156] a vision of comfort for the Jewish Christians, who naturally regarded the ruin of the temple as a profound calamity. The vision has been regarded by many interpreters as indicating that the temple and the city of Jerusalem were still standing when this was written, thus confirming the earlier date of the Revelation (circ. A. D. 69); but the weight of evidence to be attached to an Apocalyptic vision as testimony in such a case is very small, and is quite insufficient when compared with other evidences of the historical situation found in the book.443 It is evident, also, that there is a reference in the symbolism here used, i. e. in the preservation not only of the altar, but “of them that worship therein”, to the preservation of the Jews as a people, and their future restoration when the times of the Gentiles shall be fulfilled (Lu. 21:24), though not necessarily to Palestine,444 and surely not to a rebuilded temple, which in any case would be mere incidents, but to the richer blessings of renewed fellowship with God, of which the temple and its service were to the Jewish mind the truest type (cf. Rom. 11:1f.). The late Apocalyptic-Traditional view, it may be mentioned, attributes verses one and two to a former Jewish apocalypse that has been lost, which is here quoted as an introduction to the prophecy of the two witnesses that follows. It may well be doubted, however, whether this theory of the origin of the passage adds anything effective to its interpretation.

2 The Two Witnesses and their Martyrdom, Ch. 11:3-13

The two witnesses who prophesy, i. e. bear witness for God, and whom God ever preserves throughout all vicissitudes, and delivers even out of seeming destruction, are the churches of the Old and New Dispensations which have been divinely called to witness for the truth.445 The two olive trees represent the Old and New Testament revelations which supply oil, the symbol of grace, to the two candlesticks, i. e. to the two churches,446 the Jewish and Christian, that have been and are God's special witnesses throughout the ages (cf. Zech. 4:2f.). [pg 157] The identity of the candlesticks and witnesses is shown both by the connection, and by the explicit statement of verse four: “These [two witnesses] are the two olive trees and the two candlesticks, standing before the Lord of the earth,” i. e. the witnesses are, in a sense, both the Old and New Testament revelations and the churches of the Old and New Dispensations, which alike witness for the truth of God, though the connection shows that the churches are specially intended.447 Two is the number of confirmation in witness-bearing (Jn. 8:17); hence the two witnesses may also be considered to symbolize the sufficiency of the testimony of the Old and New Testament churches, as also a sufficient number in the church in every age who witness for God and truth. These have power that is not of man but divinely given, as is indicated in symbolic language (v. 5-6), yet when their testimony is finished, the Beast out of the abyss, the world-power of chapter thirteen, introduced here by anticipation, accomplishes their apparent overthrow. Out of this deadly conflict with the world, and the apparent defeat and eventually the death of the witnesses, with the exposure of their dead bodies and contemptuous refusal of burial, a personal indignity and sign of hatred and contempt, the fitting type of the world's treatment of the church in all ages and times, which in the vision occurs in Babylon, “the great city”, the type of the godless world,—out of all this seeming defeat comes ultimate victory. After three and a half days the breath of life from God enters into them, and they live again, and go up to heaven in a cloud. This points to the experience of grave peril by the church preceding her triumph, including temporary and seeming extinction at the hands of her enemies, and forming the occasion for an expression of their supreme contempt, an experience such as has occurred at different periods in her history, and which may, indeed, occur again in the future—the church persecuted, scattered, peeled, seemingly destroyed, but revived and restored by the power of God. Three and a half days of defeat,—a broken number, indicating a short but indefinite period in contrast with the three and a half years, or forty-two months, or a thousand two hundred and three score days, (v. 3), the length of the entire world-conflict,—a time of rejoicing by [pg 158] them that dwell upon the earth, is followed, as in the case of our Lord, by resurrection, ascension, and triumph, a parallel that is apparently suggested by the similarity and was doubtless intended. This is true not only of individual saints who have borne witness and suffered death only to rise again in the witness of others and in their own personal resurrection, but is especially true of the church in a collective sense, both under the Old Testament and the New, which always rises triumphant after every great disaster in her history, and shall rise again in all her members at the resurrection of the last day after her witness is complete.448 God avenges his own, as is indicated in the vision by the fall of the tenth part of the city, which is the share of the tithe under the Mosaic law, and by the death of seven thousand men, a great and complete number, seven multiplied by a thousand, who bear the punishment of their sin. As the result of the martyrdom and avengement the rest of men, give glory to God, a manifest attestation of the value of the church's witness. The world's persecution, though bitter and continued, fails to accomplish its end; the church of Christ survives, and rises again in power, and its witness becomes effective. Historical interpreters, however, generally regard the two witnesses as persons, futurists identifying them as Moses (or Enoch) and Elijah, whom they regard as yet to come, and preterists finding in them two leading characters during the siege of Jerusalem by Titus, a view that restricts the vision to very narrow limits. Others, catching the larger view, interpret as “The Christian church and the Christian state”, and still others as “The law and the prophets”, or “The prophets and the priesthood”,—i. e. the whole spiritual authority of the old dispensation which, “though perverted and destroyed by the Jews (some of the best representatives of each being put to death), yet rose to new life and enthronement in Christianity”. In any case the obvious teaching is the triumph of faithful testimony for God, a principle of inestimable value for the church when in the throes of persecution. And now, having looked on the vision of the angel and the book, and of the two witnesses, the way is open for the sounding of the seventh trumpet.

[pg 159]

It may be noted in closing our study of this episode that many commentators interpret “the great city”, in verse eight of this chapter, as referring to Jerusalem, because of the designation “where also their Lord was crucified”—Jerusalem being regarded as a world-city. The decisive reason against this, however, is the uniform usage of the book,449 for the interpretation is not otherwise materially affected. Jerusalem is everywhere else in the Revelation the type of that which is holy, and is nowhere else called “the great city”, while this name is applied seven times elsewhere to Babylon (or Rome), the type of the ungodly world, in which and by which our Lord may be truly said to have been crucified; and there seems to be no adequate reason for regarding this passage as containing an exceptional use of the phrase. Whether, however, we interpret of Jerusalem or of Babylon the general sense remains the same. In the one case the apparent defeat and contempt for the church of God, or its witness and witnesses, occurs in Babylon, the type of the godless world, while in the other it happens in Jerusalem, in that case the type of unbelieving Judaism. Either symbolism, it will be seen, is suitable to the context.

A discursive view of moral and spiritual conflict as the key to man's redemptive history, the prime thought which underlies the whole book, and which is portrayed in this central fourfold vision as a pervasive church-historic world-conflict of the evil against the just, now forms the essential climax of the Revelation, disclosing a divine panorama of the world in process of redemption with the great opposing forces which contend against Christ and his kingdom; a discriminating outlook upon the significant world-movements of all time from the spiritual point of view, for it is everywhere assumed that the forces which mould history are spiritual, and that the master key to life is found in the supernatural. And, whatever the form in which these movements became apparent to John in his time, we may rest assured that the divinely inspired prophetic insight led him to perceive, at least in some measure, [pg 160] that in their essence they were timeless and repeated themselves in every age. This central vision is in part the most difficult portion of the Revelation, containing seven mystic figures, viz. the Sun-Clothed Woman, the Great Red Dragon, the All-Ruling Man-Child, the First Beast (the Beast from the Sea), the Second Beast (the Beast from the Land), the Lamb on Mount Zion, and the Son of Man on the Cloud, each one of whom is invested with a special symbolism. The difficulties of interpretation belonging to this part of the Revelation, it will be seen, are scarcely lessened in any degree by referring different parts of the section to various Jewish apocalypses which are supposed to have contained the gist of the thought in this portion, according to the Apocalyptic-Traditional view;450 for, apart from the fact that no such apocalypses are now extant, these sections, even if they were originally derived from such a source, have an application here that is distinctively new and specifically Christian. The vision itself is properly divisible into four parts or sections, as indicated in the arrangement that follows.

A The Woman and the Dragon, Ch. 12:1-6, and 13-17

This is a vision of Satan persecuting the church and the Messiah, and of the effective divine deliverance, which although permitting a continuance of the conflict yet provides help for overcoming and anticipates final victory. The scene opens in heaven, but is afterward transferred to the earth—see verse six.

1 The Sun-Clothed Woman, Ch. 12:1-2, 5-6, and 13f.

A great sign is seen in heaven, a Woman glorious and crowned, arrayed with the sun, the bearer of light, and having the moon under her feet, i. e. triumphing over time and change, who evidently represents the church of God on earth which was first Jewish and then Christian—“the ideal community of God's people”. The moon was the Jewish divider of time, and the phases of it being marked by recurrent changes, it naturally formed a ready type of both these ideas; and it may here also include the thought of stability of existence in the midst of change of outward appearance.451 The sun and [pg 161] moon have been thought by some to indicate the relative light of the New and Old Dispensations, though it is more probable that both have been introduced mainly to enhance the conception of the church's ideal glory. The crown of twelve stars is the sign of the covenant people,—the crown is st?fa???, the crown of victory, which God designs to give the church, and the number, twelve, is the number of the tribes of Israel—while the woman's travail anguish is the figure of Jewish affliction, and of deep longing for the Messiah. Some interpret the figure of the woman as representing the Virgin Mary;452 but the symbol is clearly wider than a person, as is shown by the whole course of the persecution with its transference to the rest of her seed when the Man-Child has escaped, and evidently applies to “the mystical mother of Christ”, the church whose seed are many, though the source and appropriateness of the figure is doubtless found in the fact that Christ was born of a woman.

2 The Great Red Dragon, Ch. 12:3-4, and 13f.

The Dragon, a mythical animal of traditionary terror, the symbol to the Jewish world of all that which was hideous and harmful, and described as red in color to indicate his sanguinary and destructive character, is introduced in order to represent the Old Serpent, the Devil, and Satan (v. 9),453 the lord of the present world and the adversary of Christ. His seven heads with diadems, and the ten horns, are symbols of his full dominion and absolute power over evil in the world during the period of conflict. The head with a crown or diadem is the natural symbol of dominion, which in the Apocalyptic literature usually signifies kings or empires (cf. Dan. 2:32; and 7:6), and the horn is a recognized Jewish emblem of power. The crown is the d??d?a, the sign of royalty, not the st?fa???, or garland crown of victory—a distinction that is carefully observed in the Revelation, as is indicated in the Revised Versions by the translation “diadem”.454 This symbolism of the seven heads and ten horns was evidently [pg 162] chosen to indicate the manifestation of Satan's power in the kings and kingdoms of this world which are adverse to the kingdom of God, as is clearly shown by their use in chapter thirteen,—that through which Satan operates and makes his power felt being attributed to him as an essential part of his being. The use of seven and ten together implies a twofold completeness, i. e. completeness of kind and completeness of parts (see App'x. E). This combination of seven, the symbol of perfection of quality which is usually moral, with ten the symbol of completeness which is usually earthly, though without necessarily implying any moral element, is used with an evil significance throughout in the Revelation, and creates some difficulty of interpretation; but it is doubtless best explained as indicating that that which was originally designed for moral perfection, signified by seven, has been combined with and prostituted to purely earthly ends, as signified by ten, which ends are in this case notably sinful. The suitability of the seven heads and ten horns belonging alike to the Dragon, who represents Satan, and to the Beast (ch. 13:1), who represents anti-Christian national government, is thus quite manifest, for both are evil. If we compare this with the combination of seven with seven in the horns and eyes of the Lamb, where the idea of a twofold spiritual perfection is indicated, something of the peculiar combination and significance of numbers in the Revelation will become apparent. The Dragon's casting down the third part of the stars from heaven (v. 4), i. e. a considerable number but not the larger part, is another sign of his power (Dan. 8:10), and may allude to the angels who lost their first estate and fell with him. He stands waiting in the vision before the Woman, the church, in order to destroy her child, the Messiah, as soon as the child is born, a purpose that he does not prove able to carry out.

3 The All-Ruling Man-Child, Ch. 12:5

The Man-Child is Jesus Christ, who was born of a woman, and whom Satan endeavors to destroy, but who was brought forth to rule or to shepherd all the nations with a rod of iron (Ps. 2:9), i. e. with irresistible power, and who was caught up to heaven by his resurrection and ascension. In this symbolic action the sufferings and death of Christ are passed over in silence [pg 163] in order to set forth at once the triumphant escape as the chief thought in mind, and the futility of the Dragon's effort.

4 The Wilderness Refuge, Ch. 12:6a, and 14a

The wilderness represents the present evil world as the place of trial during the period in which the church, like Israel, continues her pilgrimage toward the promised fulness of the messianic kingdom. There may also be a reference in this to the lands of the Gentiles, called a wilderness in contrast with Canaan the glorious land to the Jewish patriot, where the church “hath a place prepared of God”, and is now nourished like Israel of old in the wilderness; or, by a change of figure, like the prophet Elijah was fed for twelve hundred and sixty days, the equivalent of forty-two months, or three and a half years,—the time, [two] times, and half a time, i. e. three and a half times, of verse fourteen,—the symbol of the indefinite period of the church's conflict with the world, or of the world-triumph, which is a shortened time, a term that will end (see App'x E). It may be mentioned here that the preterist interpreters usually regard the wilderness refuge as a reference to the flight of the Christians to Pella before Jerusalem was destroyed, by which they escaped the three and a half years of the siege455—certainly a remarkable coincidence, though not serving to establish that interpretation—a meaning that is narrow and local instead of broad and universal.

5 The Persecution of the Woman and her Seed, Ch. 12:4-6, and 13-17

The persecution of the Woman with her seed represents Satan's malign but fruitless attempts to destroy the church. The two wings of the great eagle, i. e. the number of added strength and surety, are those of divine preservation which are given her to escape from the destroying flood cast out of the mouth of the Dragon, the apt symbol of Satan's persistent effort to overwhelm the church. To John's mind the eagle, which was inscribed upon the Roman standards, may have seemed the symbol of the Roman Empire that at first protected Christianity from Jewish persecution,456 or the [pg 164] symbol may have been suggested by that fact; but it represents as well what God is ever doing through human and earthly means for the church's deliverance. By the exceptional statement that “the earth helped the woman”, we are evidently to understand that natural causes helped Christianity, a fruitful suggestion that is remarkably exemplified in history. The Dragon making war upon the rest of the Woman's seed, i. e. all of her seed except Jesus Christ, who was caught up to heaven, indicates his continued attack upon the church and its members.

B War in Heaven, Ch. 12:7-12

We have in this incident a digression in the midst of the account of the persecution of the Woman in order to show the origin of Satan's hatred, and the beginning of the conflict in the far past.457 Michael the archangel, regarded as the presiding angel of the Jews from the time of Daniel, together with the angels under him, warred with the Dragon and his angels; and Satan, being cast out of heaven, transferred the conflict to earth. A great voice is then heard in heaven declaring his downfall together with the triumph of the kingdom of God, and recounting the suffering of the saints because of him (v. 10-12). This term which is here introduced, “the kingdom of our God”, though used but twice in the book of the Revelation, is the most notable phrase in the New Testament. It occurs nearly a hundred times, either as “the kingdom of God”, or “the kingdom of heaven”, a term which signifies the rule of God in the earth, God becoming king among men. The kingdom of God, it should be seen, has a far broader meaning and wider sweep than the church, for it serves to include all that God is ever doing the ages through for the spiritual uplift and permanent betterment of mankind. In the broadest sense this beneficent kingdom may be defined as all that divinely directed movement and control in human life and history which has for its object the ultimate accomplishment of the mind and will of God in the hearts and lives of men—for this glorious kingdom on the earthly side has its ultimate seat within the human heart (Lu. 17:21). Jesus by his luminous teaching lifted that name, “the kingdom of God”, out [pg 165] of the older and narrower phases of its Jewish use, and gave it a broader and more beneficent meaning for all succeeding time. The casting out of Satan, which is related in this section, is introduced as a contributive event to the glorious coming of the kingdom. His defeat in heaven foreshadows his defeat on earth, and though he still has “great wrath” which he pours out upon men, yet 'he hath but a short time' (v. 12), i. e. a time that is relatively short, until Christ shall reign in power. They who are our brethren overcame him, we are told (v. 11), “because of the blood of the Lamb”, therefore they are called upon to rejoice. In connection with this interpretation it should not be forgotten that the time-relation is, in this view, ignored in the vision, as commonly throughout the book, for Apocalyptic often does not separate the near and the far, and events widely separated in time are viewed as contemporaneous in the timeless sequence of prophetic perspective. Thus the incident before us without any intimation takes us back to the period anterior to creation, and then recurs as suddenly to the experience of persecution by faithful Christians.458 In all Apocalyptic writings there is a manifest indifference to formal consistency that we do well to bear in mind.

According to another view the account in this section is to be regarded as continuous with the last, verse seven following verse six in natural order, and the conflict described is to be placed after the resurrection of Christ, making the victory a shortening of Satan's power following upon Christ's redemptive work, and depriving him of such opportunity as he hitherto had in heaven of accusing the brethren, thereby limiting his sphere to this world. Notwithstanding the attractiveness of this view, however, and what may be said in its favor from several passages in the Gospels (cf. Lk. 10:18; Jn. 12:31; 14:30b; and 16:11),459 the former interpretation is upon the whole to be preferred as agreeing best with the general sense of the chapter.460 Such a symbol of victory over Satan, whatever the period to which the victory may be attributed, was not out of accord with ideas [pg 166] current at that time; for “this feature impossible in modern conceptions of heaven, shows itself from time to time in pre-Christian and also early Christian conceptions, viz. the belief in the presence of evil, or the possibility of its appearance, in the heavens” [i. e. in the lower heavens].461 In any case this section places in clear perspective the great truth that leadership in the antagonism of evil with righteousness belongs to and takes its rise from the supernatural world, and what we constantly see here has its source and occasion there, in the deeper spiritual vision of prophecy.

In the interpretation of this section a manifest parallelism has been pointed out between the conflict of Marduk with TiÂmat in Babylonian mythology, and the war between Michael and the Dragon in the Apocalypse.462 Others pursuing this idea still further, though without sufficient ground for their conclusion, have attributed to Babylonian origin a body of Jewish apocalyptic traditions which they assume to have been one of the sources of the Revelation and to have furnished the incident of this section.463 In correction of this position it should be seen that even when we recognize to the fullest extent the necessary influence of contact with Babylon, both early and late, upon Jewish thought, and the introduction of ideas from that source as natural and inevitable, it does not follow that there was any such use made of Babylonian mythology in the later Jewish writings as this would imply, for the Jew was exceedingly wary of any religious ideas that did not spring from his own ancestral heritage. It is indeed quite probable that particular concepts, or thought-elements, like that of the Dragon and of the two Beasts in this vision, are of Babylonian origin; but “the hypothesis of a Jewish messianic use of an entire heathen sun-myth, and then the Christian adaptation of the Jewish form”,464 is in itself highly improbable at so late a period in Jewish development, and can scarcely be accepted by those who maintain the inspiration of the Apocalypse in any essential sense. It is much more likely [pg 167] that the author, if using such material at all, incorporated the thought rather than the form of such floating Babylonian fragments as belonged to his time, in accordance with his usual method of employing the Hebrew literature, though this is wholly a matter of hypothesis.465

C The Two Beasts, Ch. 13:1-18

The vision now sets forth two of the principal forms of the world's opposition to Christ and his kingdom, which are represented as Beasts, monsters that are terrible and revolting in appearance, that are placed in notable contrast with the Lamb, and that are inspired by Satan who stands watching in his dragon form on the sands of the sea—for according to the corrected reading of the Revised Version, it is the Dragon and not the Apocalyptist that stands upon the seashore.466 This vision affords an interesting example of John's use of already existing material, for the idea of two wild beasts opposing the Messiah is found elsewhere in apocalyptic writings, although not in exactly the same form,467 and is here made the basis of an illustration of undoubted power. The Beasts in the Apocalypse are the natural and fitting embodiment of brute force operating to control men in the sphere of religion. Some would prefer the translation of ?????? as a “monster” rather than a “beast”,468 and perhaps, it is technically more accurate, but the long use of the term “beast” in this connection has made it familiar to our minds and also intelligible, for it is a beast in the bad sense that is intended, and to the average reader this term undoubtedly conveys the proper meaning.

1 The First Beast—the Beast from the Sea, Ch. 13:1-10

A wild Beast fierce and bloodthirsty, and ideal composite creature, “like unto a leopard and his feet were [pg 168] as the feet of a bear, and his mouth as the mouth of a lion” (v. 2), evidently formed from the beasts in Daniel's vision (ch. 7:3f.), is seen coming up out of the tempestuous sea of the nations, and is manifestly the same as the Scarlet Beast of chapter seventeen, the one constantly referred to as “the Beast” without any other qualification. This is the symbol of the universal world-power, i. e. all the world-kingdoms are considered as one and personified in this Beast in open hostility to the church;469 national opposition to Christianity, exemplified by heathen Rome in John's day which supplied the groundwork of the conception, but extending far beyond that and applying equally to all persecuting nations during the whole forty-two months, or three and a half years, of world-domination, which represents the duration of the church-historic period of trial (v. 5), a period that is broken and incomplete (see App'x E). The Beast is described as having ten horns and seven heads, the symbol of a twofold completeness, both that of parts (ten) and that of quality or kind (seven), the same number as the Dragon, though in inverse order, indicating that the Beast is the agent of the Dragon, i. e. of Satan, and is possessed of like dominion and power,—for “the Dragon gave him his power, and his throne, and great authority”. The heads seem to symbolize the world-power taking form, and the horns the exercise of that power. (For the further development of this symbolism, see ch. 17:9f.) And it should be noted that the ten horns and seven heads are common not only to the Dragon and the Beast, but are also the sum total of those belonging to the four beasts in Daniel's vision, i. e. to all the world-powers there designed, a symbolism which suggests that it properly applies to more than one nation, and which here seems intended to portray the persistent opposition of the Devil to the church of God, working through the power of the world in all time and in all nations. The ten crowns or diadems upon his horns denote the fulness of his sovereignty, and imply the extent of his earthly rule; the names of blasphemy upon his heads seem to refer to the divine titles and honors assumed by earthly kings, especially those of Rome, as Domitian who ordered that in official documents he should be styled “Our Lord and God”—a figure [pg 169] that is perhaps suggested here by the mitre of the high priest on which was written “Holiness to the Lord”, to which this was antipodal;470 while the wounded head that is healed refers to the death stroke, given to the world-power by the life, death, and resurrection of Jesus Christ, from which there has been seeming recovery,471 for this was a true deathblow to the world-power, even though it failed of immediate realization and thereby disappointed Jewish-Christian hopes of early victory. The Beast blasphemes against God, “his name, and his tabernacle, even them that dwell in the heavens”, i. e. the inhabitants of the tabernacle. “And it was given unto him to make war with the saints and to overcome them: and there was given to him authority over every tribe and people and tongue and nation”; but it is only as it is “given unto him” that he can exercise his power, i. e. he is subject to divine control. And every one, “whose name hath not been written from the foundation of the world in the book of life of the Lamb that hath been slain”, shall worship him. Thus is depicted not only the fierce antagonism of the Roman Empire to the church in that age, but the perpetual hostility and unceasing opposition of the universal world-power in all ages and nations to the growth of the kingdom of God among men.

The symbol of the Beast, notwithstanding the difficulty of its interpretation, has certain distinguishing features that help to interpret its meaning. The close resemblance to Daniel's vision gives a clue to the thought in mind, and serves to indicate the proper method of interpretation. That the world-power in some form is symbolized in the vision, is clearly indicated; on this point all interpreters are agreed, though the majority of modern interpreters regard the Beast as the Roman Empire. That John had Rome primarily in mind can scarcely be doubted; but, in the view accepted by the symbolic interpreters, the Roman Empire served only to supply the groundwork for an idealized conception, in which the ordinary and limited view of sense has become transformed under the influence of prophetic insight into the wider vision of a world-power belonging to all time and pervading all history that rises beastlike in strength and might to oppress the people of [pg 170] God. The Beast, according to this interpretation, is the persecuting world-power in any and every age antagonizing the kingdom of God; the national and political forces of the world in their organized form arraying themselves against our Lord and his Christ; that phase of the world's life which finds expression for its opposition to the children of the kingdom under the forms of law and government, the most sovereign and irresistible of all kinds of persecution. This symbol naturally found a ready and satisfactory interpretation by the early church in the prevailing surveillance of the Roman authority; but it is an interpretation none the less true of heathen nations everywhere and always, who constantly persecute the church of God. The interpretation thus given is the one accepted by the symbolist school as the most natural and satisfactory of all, having a world-wide application and universal content; and it may be confidently adopted with an adequate degree of assurance that it conveys the meaning intended. The preterist interpreters, on the other hand, limit the meaning of the First Beast to the Roman Empire, using its power to oppose and oppress Christianity, and construe the wounded head as a reference to the death of Nero (see notes on chapter seventeen).

(1) An Admonition to Patience, Ch. 13:9-10

John adds a word of warning concerning the need of patience and perseverance for the saints. If any one is ordained to captivity, into captivity let him go as the lot appointed him; resist not, for he that taketh the sword shall perish by the sword; this is the test of “the patience and the faith of the saints”. When we compare this message contained in the tenth verse, which is an exhortation to patience under persecution, with that in the eighteenth verse of this same chapter, where the exhortation is to wisdom against deception, we get a glimpse of the different kind of danger that is to be apprehended from each of the two beasts, the first persecuting men, the second deceiving them.

2 The Second Beast,—the Beast from the Land, Ch. 13:11-18.

Another wild Beast, also an ideal and composite creature, like unto yet different from the first, is seen [pg 171] coming up out of the earth,472 i. e. out of established and well-ordered society; the Two-horned Beast in whom the exercise of personal power or force is less prominent than in the First Beast with ten horns to whom he is subordinate, for the power he exerciseth is “all the power of the First Beast”. This Beast is the symbol of the universal world-religion, i. e. all the world-religions are considered as one and personified in the Second Beast, in disguised hostility to the church of Christ;473 the False Prophet of chs. 16:13 and 19:20, assuming to be what he is not, and using his authority for evil ends, who “deceiveth them that dwell on the earth”.474 His two horns like a lamb, but voice like a dragon, indicate that he has the external characteristics of a lamb, but the inner nature of a dragon, and are evidently intended to signify that he appears to be like Christ, while he is like Satan; he represents the forms of religion that assume to save men, but in fact only bind them to evil. “He doeth great signs that he should even make fire to come down out of heaven upon the earth in the sight of men”, i. e. not a literal bringing down of fire, but a power counterfeiting the power of God as shown of old in fire from heaven, a great sign to Israel (Num. 16:35; I K. 18:38), and sembling that of the two witnesses (ch. 11:5). And he required of “them that dwell on the earth, that they should make an image to the Beast who hath the stroke of the sword and lived”, i. e. the false religions of the world, which the Second Beast represents, operate to make the people subservient to the world-power, the First Beast which had the stroke of the sword and lived, with which these religions always [pg 172] stand connected whether in Rome or in other nations;475 and the people render worship as they are directed. “And it was given unto him to give breath to the image of the Beast that it should speak and cause as many as should not worship the image to be killed”, i. e. the heathen religions give life and authority to national worship, give vitality to the world-power that it should command and compel men to join in its idolatrous forms or lose their lives by refusal. Thus the whole figure seems to indicate the spirit of the world operating against the church through the forms of religion, especially as seizing upon the natural and ethnic religions, permeating them with deceit, and subverting them to worldly ends (v. 14), the element of religion being a prominent feature throughout. Actuated by worldly wisdom, which is “earthly, sensual, and devilish” (Jas. 3:15), this Beast, we are told, bids all men worship the image of the First (v. 12 and 14), i. e. worship the deification of the world-power, thereby insidiously rehabilitating the world-power in another form, a figure likely drawn from the worship of the Emperor's image, a cult prevailing at the time, and showing how false religions rest upon and are upheld by heathen governments. John doubtless had primarily in mind the heathen priesthood of that period, especially the priesthood of Caesar-worship, which afforded the best example of the then existing world-religions, but this only formed the groundwork of the larger thought of the vision. Preterist interpreters, as a rule, would limit the meaning of the Second Beast to the heathen priesthood of that time, but this is too restricted a view. Any religion anywhere rejecting the Christ and crowning the world-power is represented by the Second Beast. It has also been suggested that the Second Beast represents the Asiarch, or chief priest of Asia, the director and instigator of Emperor-worship.476 This may possibly have been the source of John's idea; but however formed we should regard it as a universal and poetic conception of one continuous phase of the world's opposition to Christ and his kingdom, and not limit it to any particular historic [pg 173] manifestation of that opposition. Others, without sufficient grounds, have referred the title to the papacy, interpreting the First and Second Beasts as Rome pagan and papal. Another interpretation is that the First Beast is the secular persecuting power, pagan or Christian, and the Second Beast is the sacerdotal persecuting power, pagan and Christian; while still another and better interpretation is that world-force is the first, and world-worship, i. e. world-religion and superstition, the second.477 Symbolist interpreters always prefer the wider to a narrower symbolism in accordance with their general view of the book. According to this view, which is the one accepted in the present volume, all the world-religions which profess to be holy but are controlled by the same spirit, belong to the Second Beast and contribute to his power. The aspect of heathenism which here presented itself to John's mind is the most general and obvious of all its many characteristics; and although we now recognize more fully the elements of truth in the ethnic religions, and their relative value in the moral education of mankind when without the gospel, yet John's view still holds good, and is confirmed by the world-wide testimony of the mission field. The world-spirit which lies at the door of the world-religions is and always has been evil, and will always be degrading to the soul, that spirit which subordinates the moral and spiritual to purely selfish and worldly ends. The forms of the Two-horned Beast today are just as deceiving and defiling to men, and as much opposed to the kingdom of God, as they ever were of old. And not only are all the world-religions the abiding manifestation of the Second Beast, but even the Christian church also, whether Catholic or Protestant, may become subservient thereto, whenever or wherever it, or any part of it, may be dominated by the spirit of the world-religions, and thereby yields its God-given prestige to this Beast. The forms of human learning, too, as philosophy, science, literature, and art, when they trench upon the sphere of religion and become atheistic, agnostic, materialistic, or God-defying, exhibit the spirit of the world-religions in opposition to Christ, and are manifestations of the same Beast. This power is world-wide and age-long, and the vision seems to look [pg 174] through and beyond the forces then at work to their wider manifestation in history. For the Second Beast is the incarnation of the permanent and universal world-religion in each and all of its forms, and while presenting one aspect of the world-religions of John's time, yet goes far beyond that and portrays the principle of opposition to the church of Christ which underlies them all, and which would develop new forms in the period when Christianity had nominally triumphed, continuing the conflict upon different lines from the violent persecutions of the earlier ages; a period when the world's opposition to God would be expressed “by affiliation with the religion of Jesus, and by penetrating its life with false ideals”, producing a faithlessness within the church even more deadly in its results than the fatal furor of persecution, for the world within the church is one of the forms of the Second Beast, and there is nothing so dangerous to the life of the soul as irreligious religion.478

(1.) An Admonition to Wisdom, Ch. 13:18

“Here is wisdom”, John says: “He that hath understanding, let him count the number of the Beast; for it is the number of a man”,—or rather, “the number of man”, for there is no article in the Greek, implying that the reference is not to any particular man—479 i. e. it is a human number. The mark of the Beast, like that of an ancient devotee to his idol, is put upon both the hand and brain (v. 16)480 of all the people who accept his authority, without any distinction of rank, rich and poor, bond and free, small and great, all alike, showing that their powers are uniformly devoted to the service of this world. John exhorts the church to wisdom in discerning this Beast, indicating the subtleness of his hidden power. The number of his name, i. e. designation, is six hundred and sixty-six (some manuscripts read six hundred and sixteen, but this is almost certainly an error of transcription), the symbol of a threefold, composite power of evil which includes the Dragon, the First Beast, and the Second, and which culminates [pg 175] in the last, viz:—600, a hundredfold of six, a numerical designation of the Dragon, plus 60, tenfold of six, a similar designation of the First Beast, plus 6, onefold of six, a like designation of the Second Beast, if considered alone, which together, equal 666, the numerical designation of the full power which the Second Beast represents. The key to the mystical designation 666, according to this interpretation,481 is found in the number six, the number of evil, one short of seven or perfection, Satan's number, whether multiplied by ten or not, here thrice repeated, six, six, six, each repetition multiplying the previous number tenfold, or six a hundredfold added to six tenfold added to six a single fold, producing a triple symbol of the full power of evil. In this symbolism we seem to have the thought of a trinity of evil striving in antagonism to the divine trinity; and though we cannot be sure that John had this in mind, yet it seems quite in accord with the apocalyptic method of depicting truth. If the reading 616 is preferred, the First Beast is then designated by 10, the symbol of earthly completeness, instead of 60 as above, a much less likely symbolism, but not affecting the general meaning.

The mark of the Beast is one of the most disputed points in the whole book, and some commentators, while suggesting a probable interpretation, prefer to leave the meaning unsolved. Certainly all interpretations finding in the number a cryptic name, such as Neron Caesar, or Lateinos, notwithstanding their wide acceptance by modern interpreters, should be discarded as fanciful.482 The number was evidently intended as a designation rather than a name; it is a symbol like every other number in the Revelation, and any attempt to solve it by reference to the Jewish gematria, or numerical indication of names, is foreign to the method of the book, and only involves it in greater obscurity, as the different answers obtained in that way will show.483 [pg 176] While that interpretation has been the generally accepted view with preterists, a revolt against its arbitrariness is manifest in late writers, and cannot but be felt by the attentive student.484 That six hundred and sixty-six is a triple symbol of the full power of evil, has found acceptance with a multitude of readers, and is the most satisfactory interpretation to those who hold the symbolic view.

In conclusion it should be said that the identification of this Beast, or of the former one, with the Antichrist of John's Epistles is of more than doubtful value in arriving at the meaning intended; for the Apocalyptist studiously avoided the use of that term though quite familiar with it (I Jn. 2:18; 2:22; 4:3; and II Jn. 1:7), and we surely cannot do better than to follow his example. Indeed the entire interpretation of the Apocalypse will be permanently advanced when all direct reference to a personal Anti-christ is finally eliminated as foreign to the purpose, if not the thought of the book. In the broad sense of the term the Anti-christ is the Against-Christ in any and every form. John tells us (I Jn. 2:18) there are “Many antichrists” (??t????st?? p?????), a term peculiar to John in the New Testament; our Lord said (Mat. 24:24) “There shall arise false christs” (?e?d????st??), a different term in the Greek, and evidently referring to more than one; and it may well be doubted whether the prediction is anywhere intended to refer to a single person. The term may be understood in a general way to include the Two Beasts, the Harlot, and all other forms of anti-christianity, but no more definite identification can with any probability be made.

[pg 177]

D. The Lamb on Mount Zion, Ch. 14:1-20

The closing part of this fourfold vision, revealing the final outcome of the preceding conflict in the glorious triumph of the Lamb and his followers, is now given for the comfort of the church, and to relieve the sombre shadows of the earlier parts of the vision by a foregleam of victory.

1. The Redeemed with the Lamb, Ch. 14:1-5

We see here a vast and virgin multitude, a hundred and forty-four thousand, a large and perfect number, the former symbol of the complete first-fruits from Israel (ch. 7:4), now used by synecdoche to represent all the redeemed who have been chosen from among men, the best of their race, who are called “the first-fruits unto God and unto the Lamb”,485 and who stand with the Lamb upon Mount Zion, in the city of the living God, the heavenly Jerusalem, having his name and the name of his Father written upon their foreheads, signifying to whom they belong and marking them as antipodal to those who have received the mark of the Beast (ch. 13:16), and who sing a new song, the song of victory (the Incommunicable Chorus), known only to the redeemed. Of this blessed company it is said that “they are without blemish”, i. e. they are sinless before God, which is apparently an explanation of the symbolism used in saying that they are “virgins”, and “not defiled with women”,—or “among women”. Roman Catholic commentators, however, usually interpret literally, and apply the passage to those women who have never entered into wedlock for the kingdom of heaven's sake—a construction that it scarcely seems to bear.486 Futurists generally maintain that the vision refers to the earthly Zion, and connect the incident with the second advent, making the hundred and forty-four thousand to consist of Jews alone.

[pg 178]

2. The Three Angel Messages, Ch. 14:6-11

These are distinct notes of divine warning, prelusive of the End, which are given by the mouth of three different angels, showing their separate and individual importance; they are three in number, the symbol of the spiritual, indicating the nature of their contents; and they are introduced as preparatory to the scenes of anticipated judgment in verses fourteen to twenty, and are premonitory of the End. The End is an ever-recurrent note that always finds place in the deeper strains of Apocalyptic literature. The End that victory may come, was the natural cry of a spirit that despaired of the present world, and believed that God could only be vindicated by the consummation of all things. This was a fundamental weakness of the Apocalyptic point of view, which found the proper design of the world in its speedy ending and not in its longer continuance, a mistake that unfortunately has been perpetuated in Christian thought as though it were fundamental to it, whereas the victory and the End may well be as far apart as the creation from the victory. The Apocalypse sounds the note of the End without hesitancy or discussion. The difficulties that embarrass us did not enter into the thought of that time.

(1) The Message of the Eternal Gospel, Ch. 14:6-7

“Another angel” and the first of the three which follow, flying in mid-heaven proclaims the (or an) eternal gospel to every nation and tribe and tongue and people before the time of judgment, the symbol of the fulfilment of the words of our Lord: “This gospel of the kingdom shall be preached in the whole world for a testimony unto all the nations; and then shall the end come” (Mat. 24:14). The angel exhorts men to “fear God and give him glory; for the hour of his judgment is come”, i. e. is now at hand.

(2) The Message of Babylon's Fall, Ch. 14:8

A second angel proclaims the fall of Babylon, the city of the world, the dwelling-place and symbol of the world of sinful men, and the antithesis of Jerusalem, which is the city of God, the dwelling-place and symbol of the holy. The destruction of Babylon is a necessary prelude to the End, for the sinful worldly life which [pg 179] finds its fitting type in this great city must be broken down before Christ can triumph.

(3) The Message of Doom for the Beast and his Followers, Ch. 14:9-11

The third angel proclaims the doom of divine wrath upon the worshippers of the Beast and his image, i. e. upon those who glorify the blasphemous world-power, or share in the deceit of the world-religion; and the terms of the message are full of terror and foreboding. Thus in a concise and triple message is foreshadowed the universal proclamation of the gospel, the overthrow of the world's social and communal life adverse to God, and the final destruction of those forces in national and religious thought that withstand the full and final triumph of the Christ.

3. The Blessedness of the Holy Dead, Ch. 14:12-13

The author at this point expresses his sympathy with the church, setting forth the need of patience in the conflict (v. 12); and then he records a voice heard from heaven (v. 13), declaring that the dead who die in the Lord are blessed “henceforth”, i. e. after death, for they have both rest and reward,487 and possibly including, also, the additional thought that they have thereby escaped from the great tribulation even though by martyrdom. Thus once more the redeemed are placed in opposition to the unredeemed, the saved are set over against the lost, as those who have secured the better part.

4. The Harvest of the Elect, Ch. 14:14-16

One like unto the Son of Man (or a son of man), i. e. one sharing our humanity—a designation of the Messiah after the time of Daniel488—is seen sitting upon [pg 180] a white cloud, the traditional covering of the divine majesty and a symbol of the divine presence, having on his head a golden crown, the token of glory and of victory, and in his hand a sharp sickle, the instrument for reaping. And on the announcement of another angel489 from out the temple that the hour was come, he cast his sickle upon the earth and gathered all the faithful into his kingdom as a harvest that was ripe, a symbol of the ingathering of all the redeemed preceding the punishment of the wicked (cf. Mat. 25:31-46). The action set forth in this part of the vision is preparatory to and anticipates the judgment, yet the process of judgment is not described. The vision is occupied rather with pointing out how the path of history inevitably leads to the judgment bar. The incident serves to introduce the seventh and last of the mystic figures of this wonderful vision of conflict, the Son of Man on the Cloud, who represents Christ as the theanthropic Redeemer and Judge, a quite different aspect of his character from the Man-Child where he is set forth subject to the conditions of his mysterious incarnation, and therefore requiring an entirely different symbol.

5. The Vintage of Wrath, Ch. 14:17-20

Still another angel came out from the shrine or sanctuary of the temple in heaven, at the summons of the angel who had power over fire, i. e. the fire of the altar, which is here the symbol of judgment, and gathered all the ungodly as vintage from the earth, and cast them into the winepress, the great winepress, of the wrath of God, a figure of the ingathering and fearful punishment of the wicked at the end of the world. According to this view the two gatherings described in verses fourteen to twenty, are regarded as depicting the opposite fate in store for the faithful and the wicked, instead of a twofold account of the same event repeated in different form for the purpose of emphasis. This interpretation agrees best with the general tenor of the chapter and the common method of contrast throughout the book; others, however, regard the passage as a double figure of the judgment.490 The scene is laid outside [pg 181] the city, i. e. Jerusalem, most likely the New Jerusalem, the home of God's people, without the gates of which are the wicked who perish (ch. 22:15). The figure may have been drawn from the scenes of terror and bloodshed which attended the fall of the earthly city under Titus, a view quite possible if the later date of authorship be accepted, though possibly there may have been no definite city in mind. Some connect this passage with the struggle in chapter twenty (v. 7-10), where the nations compass the beloved city, and connect both with the advent, interpreting literally,—a view common with the futurists. And we are told that when the winepress was trodden “there came out blood, from the winepress, even unto the bridles of the horses,”491 a symbol of the terrible destruction of life that ensued, a flowing stream that reached as far as a thousand and six hundred furlongs, i. e. almost two hundred Roman miles, or somewhat farther than the entire length of Palestine, a Jewish synonym for a great distance. Sixteen hundred is also the square of four, the earth number, multiplied by the square of ten, the number of completeness, which perhaps indicates that the punishment is complete throughout the whole created world. The passage in its essential thought is an echo from the rhapsody of Joel (ch. 3:13), combined with the vision of judgment in Isaiah's Zion redeemed (ch. 63:3-6), and recalls his Assyrian flood, reaching even to the neck (Isa. 8:7-8).492 The transition to the vision of vials is now made by a sudden change of theme, and a return to the world-process of judgment that is age-long and world-wide in its scope and purpose.

The vision of the seven vials is a revelation of God's last plagues upon the ungodly, a final view of the divine providential purpose concerning the wicked, another group of seven that are set forth in a form similar to the judgments under the trumpets, but of increased severity, and that are promptly executed. They are called “another sign”, and may be regarded as another [pg 182] line of judgments of similar character to the trumpets, or as the complete fulfilment of the contents of the trumpet-judgments presented in another way, which are given for increased emphasis under figures that are analogous, and that indicate their inner connection; and, so far as the vials have any time-relation, they may be regarded as belonging to the same general period as the trumpets, i. e. the time of man's existence on the earth, especially the period of conflict, though shown by their progressive and destructive character to culminate in the closing period of human history. The vials are marked by an intensity of form and rapidity of movement, especially as they approach the end, and they are not limited like the trumpets to a part of men, but affect all the evil. They are vivid symbolic presentations of deep and terrible punishments, and are called 'the last plagues' because in them is fulfilled or completed the wrath of God upon the earth—a new and final view of the divine purpose concerning the wicked which may be looked at quite apart from any previous view.

Some preterists, who find in the seals a prophetic description of the trials of the church in the first age, regard the trumpets as a typical presentation of the fall of Jerusalem, and the vials as a portrayal of the fall of Rome.493 This opinion, it is affirmed, accords best with the general method of the Apocalyptic writings, which have for the most part a definite and local interpretation, and avoids the difficulty of an apparent repetition of similar judgments upon the same objects under the trumpets and the vials. But, upon the other hand, the prophetic outlook of John appears to the majority of devout minds to have a far wider sweep than that of other Apocalyptic writers outside the Scriptures, and to embrace a world-view that is universal, and that is not at all met by these limited historical fulfilments. Still, even if the former view were correct in its main assumption, “that does not preclude us,” as has been well said,494 “from interpreting the inspired words as referring not only to events near John's time, but also to other events of which they were the foretaste and figures. To us the meaning [in that case] is that the type of the end has been foretold and has come, but that [pg 183] the end itself which has been equally foretold [the full end] must be watched for in all seriousness.” If we have a correct view of prophecy we can readily assent to these words of wisdom which cannot be too strongly emphasized.

It should be noted in passing that the revelation of these world-judgments in the visions of the seals, the trumpets, and the vials, notwithstanding their separate character, may be seen to follow a certain line of development, showing an inner connection; and also, that the divine purpose of judgment may be considered as being in a general way partially disclosed under the seals,—for judgment is one phase of the seals though a subordinate one—as being publicly proclaimed by the trumpets, and as being fully executed in the pouring out of the vials, each series presenting a different view, complete in itself, of God's punitive inflictions for sin throughout the whole history of mankind. They are seen, also, to reflect God's long-suffering patience with the sinner, first making known his wrath in an order of providences which affect his people as well as those of the world; then in threatening and manifesting his purpose to punish evil by an order of events which affect only a part of mankind, i. e. the sinful because they are sinful, and that afford abundant opportunity for repentance; and, finally, by the swift execution of a divinely just though terrible punishment upon all the obdurately wicked that refuse to repent. This last is the great, impressive, and awe-inspiring thought of the vision of the vials.

A. The Preparation for the Vials, Ch. 15:1-8

The preparation for the vials, which is now entered upon, is a connecting link with the former vision, and a prelude to the plagues that follow. It is introduced by an inspiring view of the saints who have come victorious out of the conflict depicted in that vision, and is intended for the comfort of God's people in the midst of trials to which they cannot be indifferent, and which in affecting the world of nature and of men must in some degree also affect the righteous as well, though delivered from their destroying power. The comfort afforded in trial by the promise of deliverance, an element which has no small share in the purpose of the [pg 184] Apocalypse, is clearly brought out in this introductory passage before the vials have begun to be poured out, and is not interjected between them, as in the episodes that occur in the seals and trumpets—the episode in the vision of the vials being a warning of danger. The vision, too, is followed immediately by the comforting vision of victory beginning in the seventeenth chapter.

1. The Angels with the Plagues, Ch. 15:1-2a

Seven angels appear, to whom is entrusted the execution of the seven plagues, which are called “the last” because they lead to the end of the world and to the bar of judgment;495 and the sea of glass, formerly described as “like unto crystal”, now becomes “mingled with fire”, the sign of the flushing of victory through anticipated judgment felt by all those who share in that great boundless life which exists before the throne, and whose experience is symbolized by the sea with its wide relation to the people of God in the past (cf. notes on ch. 4:6).496

2. The Victors by the Sea, Ch. 15:2b

The victors over the Beast and his image stand by rather than upon the sea,497 indicating their close relation to it, having harps of God prepared for tuneful melody. The figure seems to be drawn from the triumph of Israel at the Red Sea, though the significance of the sea cannot be quite the same, for in the old sense 'the sea is no more' (ch. 21:1); it has here become the symbol of the calm and fulness of life and joy in the presence of God.

3. The Song of the Redeemed, Ch. 15:3-4

The united song of all the redeemed before God, (the Adoration Chorus of Moses and the Lamb) who belong [pg 185] alike to the Old Dispensation and the New, to Moses and to Christ, represents the essential unity of faith and life under both parts of God's redemptive plan which is now about to be completed. It is an outburst of praise and adoration addressed to the Lord God, the Almighty, the King of the Ages, whose wondrous works and righteous judgments have been and are about to be made manifest before all nations. The song is the counterpart of the song of deliverance by the shore of the Red Sea, but it has a new and deeper fulness that is consonant with its theme.

4. The Judgment Made Ready, Ch. 15:5-8

The temple, the ?a?? or inner shrine of the tabernacle of the testimony (i. e. of the tabernacle of the law of God), is seen in heaven opened, and the seven angels who are clothed as priests and have charge of the plagues come out of it as the vindicators of that law. These are “arrayed with precious stone”, according to the variant reading adopted in the Revised Version, which has the weight of manuscript authority in its favor; but, as this reading differs from the Authorized Version only by a single letter in the Greek word, and only yields sense by the insertion of the word “precious”, it is best to regard it as due to a very early mistake of a copyist, and keep the old reading, “clothed in linen”, (Ezek. 9:2).498 The thought is in either case practically the same, viz. that these angels are clothed like priests, for the phrase “arrayed with precious stone”, if we adhere to that reading, recalls the breastplate of the high-priest, as the phrase “clothed in linen” evidently refers to the garments of the priesthood. There are seven angels in the vision to symbolize the universal character of the punishments, and there are given unto them by one of the four living creatures who represent all created life, seven golden vials or bowls full of the wrath of God (cf. Jer. 25:15f) to indicate the nature of their mission. “And the temple was filled with smoke”, the sign of the presence and glory and terror of the Lord; and, as at Sinai, no one could enter his presence while the judgments were being manifested.

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B. The Vials Poured Out, Ch. 16:1-12, and 17-21

The vials or bowls in the vision, which are apparently the same as the basons used in the temple service for receiving the sacrificial blood and the wine of the drink-offering, are made the symbolic receptacles of the judicial wrath of God against sin, called “the wine of the fierceness of his wrath” in verse nineteen, which is evidently conceived of as stored up through long periods to be suddenly and violently poured out. The golden bowls seem to indicate broad shallow vessels quite unlike our modern vials, probably of a deep saucer-like shape so that their contents could be poured out at once and suddenly.499 The name “vials” has, however, been retained in these notes, notwithstanding the change to “bowls” in the Revised Version, because of its associations and wide use in commentaries. The translation of f???a? as “bowls” is doubtless more accurate, but the term used is relatively indifferent if the proper meaning be attached to it. They are not vials in the modern sense, but in the original sense of the word f???? in the Greek, which is the source of our English word “vial”, but which meant a shallow cup or bowl. The pouring out of the vials or bowls is the symbol of the execution of divine wrath upon the world. The vague description given in the vision of the nature of the inflictions which finally fall upon men as the result of the pouring out of the vials, forbids our attempting any very definite interpretation of them beyond the most general one that the world of nature and of men is made to abound with terrors which distress the evil. In this interpretation we can be absolutely confident, and the general effect seems to be the chief matter of importance. The abiding impression of the judgments of the vials, despite their obscurity, is one of deep and pervasive solemnity.

(1.) The Command to Pour Out the Vials, Ch. 16:1

Preceding the opening of the series a great voice is heard out of the temple, i. e. from the inner shrine of the temple in heaven, apparently from God himself, though possibly from one of the Angels of the Presence, saying to the seven angels, “Go ye and pour out the [pg 187] seven bowls [or vials] of the wrath of God into the earth”; and in obedience to this command each angel empties his vial into, or upon, an appointed object. The first three vials are poured into the objects named, while the last four are poured upon them, as indicated by the prepositions e?? and ?p?; but, so far as can be seen, no special purpose is served by this use.

1 The Pouring Out of the First Vial, Ch. 16:2

The first angel poured out his vial into the earth; and it became a noisome and grievous sore upon the men that had the mark of the Beast: the symbol of wrath poured out on the earth, and thus upon the men who are of it and belong to it, producing suffering that is bitter and intense. The form of the judgment is doubtless purposely indefinite, but the object on which it falls is made plain: the men who have attached themselves to the company of the Beast bear their punishment to the full, and it is poured out upon them by divine authority.

2 The Pouring Out of the Second Vial, Ch. 16:3

The second angel poured out his vial into the sea; and it became blood as of a dead man, i. e. clotted and putrefying, and it caused every living thing in the sea to die—a form of judgment that was very repulsive to the Jewish mind: the symbol of wrath poured out on the sea, one part of the fourfold division of creation noted under the trumpets, and thus upon men who are made to suffer by this means for their evil doing. As under the trumpets the first four vials are poured out upon the earth, the sea, the rivers and fountains, and the sun, a figurative form indicating their world-wide character—they affect the whole created world.

3 The Pouring Out of the Third Vial, Ch. 16:4-7

The third angel poured out his bowl into the rivers and the fountains of the waters; and they became blood: the symbol of wrath poured out on the sources of water supply for the people, thereby punishing men retributively for the righteous blood which they had shed, and calling forth voices of approval from heaven, viz. from the angel of the waters,500 and from the altar, i. e. from [pg 188] the place where the martyrs rest (ch. 6:9). Retribution is declared to be the judicial result of divine wrath for sin; those who poured out the blood of saints and of prophets are given blood to drink as their just desert—a fearful punishment to the Eastern mind.

4 The Pouring Out of the Fourth Vial, Ch. 16:8-9

The fourth angel poured out his vial upon the sun; and it was given unto it to scorch men with fire: the symbol of wrath poured out on the heavenly bodies, especially upon the sun the source of light and heat, that they may become the agent of punishment to men. And men blasphemed the name of God, who is recognized as having power over these plagues; and they repented not to give him glory, exhibiting the aspect of punishment which embitters and does not lead to repentance. It is a curious coincidence that the parts of creation which are made the subjects of judgment under the fourth vial and the fourth trumpet are described in Genesis as having been created on the fourth day.

5 The Pouring Out of the Fifth Vial, Ch. 16:10-11

The fifth angel poured out his vial upon the throne of the Beast; and his kingdom was darkened; and men gnawed their tongues for pain, and blasphemed the God of heaven, and they repented not of their works: the symbol of wrath poured out on the throne of the Beast as the representative of Satan's power in the world, thus afflicting the worshippers of the Beast and his image. Under the fifth vial it will be seen that the plagues pass from the physical to the spiritual sphere of action, just as they did in the seals and trumpets; and they are found to be cumulative rather than successive, while, as under the preceding vial, they do not lead to repentance but to wrath and punishment. Also, throughout the vials, it is not the third part only that is affected, as under the trumpets, but the punishment falls upon the whole created world, showing the universal character of the judgments.

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6 The Pouring Out of the Sixth Vial, Ch. 16:12

The sixth angel poured out his vial upon the great river, the Euphrates; and the water thereof was dried up,501 that the way might be made ready for the kings that come from the sunrising: the symbol of wrath poured out on the Euphrates, the center and seat of heathenism, or on the world-forces of evil, thereby opening the way for the influx of the Kings of the East to march to their ruin. The Kings of the East evidently belong to the “kings of the whole world” (v. 14), and are instruments of the Dragon and of the Beast who go up to war, not against Babylon, but against believers.502 The Euphrates was the center and stronghold of heathenism to the Jewish mind, and behind that lay the indefinite world-power which is here represented by the Kings of the East; upon these the angel poured out the vial of the retributive wrath of God.

[At this point the Episode Vb, given in verses thirteen to sixteen, occurs in the order of the vision,—a paragraph which though of limited extent has yet a clear relation to the course of the vials as an intervening vision of warning to the redeemed, and preparing the way for the approaching end.]

7 The Pouring Out of the Seventh Vial, Ch. 16:17-21

The seventh angel poured out his vial upon the air; and there came forth a great voice out of the temple, from the throne, saying, “It is done:503 and there were lightnings, and voices, and thunders; and there was a great earthquake, such as was not since there were men upon the earth”: the symbol of wrath poured out on the air as the familiar abode of evil spirits,504 and also of the coming of the End, which is depicted by the fall of cities, especially of Babylon the great city, the type of the godless world, which is divided asunder into three parts, a symbol of completeness,—also three a symbol of the divine, perhaps implying God hath wrought it,—and is [pg 190] given to drink of the cup of the wine of the fierceness of God's wrath; by the destruction of islands and mountains, and by a plague of great hail, exceeding great, every stone of which was about the weight of a talent, i. e. from 108 to 130 pounds; “and men blasphemed God because of the plague of the hail”.505 The End itself is unrecorded; but with the infliction of the seven vials it is declared that “the wrath of God is spent”.506 The whole course of the vials is toward the End, which though not described, yet stands out in singular prominence as the inevitable result of the ruin wrought by sin; and here, as in the vision of the trumpets, the millennial period is not brought into view as a preceding stage. The transition to the scene of victory in the seventeenth chapter is after this immediately made by one of the vial-angels (ch. 17:1).

If we now recall the path of the seven vials, we can see how in their course they rapidly and intensively press on to the end of the ages and to the final ruin of the world, and also how they aptly prefigure the progressive punitive inflictions of God for sin. They are both world-wide in their character and relentless in their execution. They fall upon the land, and upon the sea, upon the rivers and fountains of waters, and upon the sun the source of light,—the figurative representatives of the created universe. Then, like the judgments of the seals and of the trumpets, they pass from the natural world to the sphere of the spiritual, and are seen to fall upon the far-reaching kingdom of the Beast, i. e. upon the world-powers operating under Satan's direction in open hostility to the church; afterward they fall upon the Euphrates, the old center of heathenism and seat of spiritual darkness in the far East, the typical center of the world-forces of evil; and finally under the seventh vial they lead to the end of the world, the conclusion of the centuries, and the day of complete recompense for sin. The distinction between the kingdom of the Beast, i. e. the world-powers of all time, and the forces represented by the Euphrates, the center and seat of heathenism, is not so clearly drawn under the fifth and sixth vials, as that between Satan [pg 191] with his host, and the world-forces of heathenism, under the fifth and sixth trumpets. But the kingdom of the Beast, here, as elsewhere, evidently represents the world-kingdoms in their organized form (or if taken in a narrower sense the then kingdom of Rome that foreshadowed them all), which forces are spiritually opposed to the kingdom of God; whereas the Euphrates, the center and seat of spiritual darkness in the historic past, apparently represents heathenism in the great East, which is here regarded as a far-reaching spiritual force operating against Christianity—the judgments under these vials falling upon the world-force operating in the sphere of the spiritual, and upon the world-religions opposing Christianity. And no one surely can read the record of the vials without being impressed with the unerring certainty and absolute terror of the final punishment for sin; so that even if the vision of the vials did point primarily, as most preterists insist, to the destruction of Rome and its temporal power, it surely points yet more decisively to the great era of judgment upon the powers of evil that culminates in the closing period of human history. The vision depicts God punishing the evil in a progressive course to the very end, and this end is only effectively reached in the day of final judgment.

Vb The Episode of the Frog-like Spirits (A Vision of Warning). Ch. 16:13-16

This passage, it will be seen, is a minor digression between the sixth and seventh vials, corresponding to the episodes in the vision of the seals and of the trumpets, though not like them a vision of comfort, but a vision of danger to the church from the combined forces of evil in the world, yet not without anticipation of the glorious outcome which is given in the nineteenth chapter (v. 19-21), for these forces, we are told, are gathered together unto “the war of the great day of God, the Almighty” (v. 14), the outcome of which in the Revelation is never at any time in doubt.

1 The Unclean Spirits of Evil, Ch. 16:13-14, and 16

At this point three unclean spirits, as it were frogs,507—three, the symbol of the spiritual, used in this [pg 192] case exceptionally of the spirits of demons,—come out of the mouths of the Dragon, the Beast, and the False Prophet (or Second Beast), representing the malign influences by which these powers of evil incite the kings of the earth to the great world-conflict against Christianity, described here under the figure of a battle of the war of the great day of God, the Almighty, taking place at Har-Magedon, i. e. either the fortified city, or the mountain of Megiddo, by the edge of the plain of Esdraelon, the great historic battle-ground of Jewish history (cf. Joel 3:2f; also Bk. of Enoch 56.5-8),508 probably referred to because of the notable victory attained there over the kings of Canaan (Jg. 5:19). In this culminating scene of conflict we have what may be regarded as a symbolic view of the entire struggle between sin and holiness which is ever going on in the world the ages through, but more particularly of its triumphant ending in the last age when the Dragon and the kings of the earth shall be completely and finally overthrown;509 but beyond this partial interpretation we cannot safely go in any trustworthy exposition of this truly impressive figure. The symbol of battle and victory, it depicts the conflict of the centuries, and points to the assured triumph that awaits the people of God in the end of the world, while it incites men to persistent faith and hope; but like many other prophetic predictions, its explicit interpretation can only be definitely given after the events themselves have been openly fulfilled.

2 John's Word of Warning, Ch. 16:15

In the midst of the episode a word of warning is given by John to the reader, as from Christ himself, declaring the importance of watching in the presence of such trial, and announcing a blessing upon him that watcheth and keepeth his garments. Then with the closing words of the episode in the sixteenth verse, the vision recurs to the seventh vial which is at once poured out.

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The vision of victory is a revelation of complete and enduring triumph in the final issue of the conflict between sin and righteousness, showing the doom of Christ's enemies, the vindication of the righteous, and the consummation of the ages. The vision consists of three parts, viz. (1) the mystic Babylon and her fall, (2) the triumph of the redeemed, and (3) the last things, which are seven in number, implying a sevenfold completeness. This triple division of the contents of the section before us, into a description of Babylon's fall, redemption's triumph, and the things of the end, is one that is clearly indicated in the thought of the text, whatever plan of division we may adopt, and as these all belong to the final victory in its completeness, they may well be presumed to constitute parts of one vision. Opinions differ, however, concerning the correct division of this part of the book almost as much as they do in regard to the interpretation. The division adopted here, though not coinciding in all its parts with any single authority, is one of the simplest and most natural, and it is believed will commend itself to the reader.510 In entering upon this section it will be noted that the transition from the vision of vials to the vision of victory is made in the first verse of the seventeenth chapter by one of the seven vial-angels, who offers to show John the judgment of the great Harlot, or of Babylon, i. e. the complete and final judgment of the seventh vial wrought out, thus leading by a natural connection of thought to a fuller view of one phase of the judgment of the world, and through this on to victory and to the End.

A The Mystic Babylon and Her Fall, Ch. 17:1-18:24

In these two chapters there is given an impressive portrayal of the sinful world as she lures men to evil, under the symbol of Babylon, or the Harlot, and of the final punishment inflicted upon her; it is, in fact, an elaboration of the judgment of the seventh vial, foreshadowing the downfall of the most insidious, seductive, and persistent form of the world's opposition to Christ and his kingdom, viz. corrupt society. This passage [pg 194] forms a subclimax of rare beauty and power, and one that is of prime importance in the interpretation of the book, for it contains one of the chief ideas of the Revelation, and necessarily affects our conception of the prophecy throughout. That pagan Rome in its social debasement and spiritual degradation was in the foreground of John's thought can scarcely be doubted;511 but in the light of prophetic vision it formed an ideal groundwork for the larger thought of the godless world, the world from the standpoint of its material and social forces adverse to God and his kingdom, the perpetual Rome. Some interpreters limit the meaning of Babylon to the coeval city of Rome, or to the nation that centered in the city, pagan Rome, others refer it to the Roman church, papal Rome, and still others to Jerusalem, the Jewish Rome, while a common interpretation makes it the apostate church in a fallen age, a prophetic Rome. But the figure is more correctly interpreted as the ideal and universal world-city, a symbol designed to include every city or community that exalts itself against the dominion of Christ, the perpetual Rome, the ever-recurring Babylon whose spirit never dies, the city being regarded as the highest expression of the world's social and communal life.512

With the portrayal of Babylon is completed the cycle of great world-forces that we find depicted in the Revelation as arrayed against our Lord and his Christ. The entire opposition of the present evil world to Christ and his kingdom is presented in these visions under four separate and distinct symbols,—four the earth-number—viz. (1) the Dragon or Satan, the World-Lord, the prime antagonist and representative leader of the spiritual forces of evil, who incites the world to resist the rule of Christ, the world taking its cue and color from Satan, the arch-enemy of all good; (2) the First Beast, the World-Power, the national and political forces of the world in their organized form opposing and persecuting Christ and the church, the world acting through the elements of civic and social order, of law and government, making them the agents [pg 195] of persecution; (3) the Second Beast, the World-Religion, the national and racial false religious forces of the world, with their moral and intellectual thraldom over the minds of men, contending against Christianity and the kingdom, the world acting through the elements of the natural and ethnic religions, and of superstition and priestcraft their innate cogeners, permeating them with deceit and making them the agents of delusion and oppression; and (4) the Harlot Babylon, the World-City, society in its commercial, impure, and godless life resisting the progress of the kingdom, the world acting through the elements of the social, sexual, and commercial relations of men, making them the agents of sin. This fourfold form of world-opposition to Christ and the church is a fundamental conception of the Apocalypse, and lies at the core of any correct interpretation of the book.513 For, notwithstanding their close relation, to identify Babylon with the first Beast, or the second, or both, as is often done, is to confuse ideas that are essentially distinct, and measurably to miss the proper significance of the lesson contained. And if we fail to perceive the proper meaning of any part of this fourfold symbolism, we lose in some measure at least the complete and general effect of the whole sublime creation of the Apocalyptic vision.

1 The Harlot and the Interpretation, Ch. 17:1-18

The vision of the Harlot is a figurative and profoundly significant view of the world's sin as unfaithfulness to God, described under the analogue of unfaithfulness to the marriage relation, according to the familiar method of Hebrew thought. The world is presented as a spiritual harlot, one that has proved untrue to her Lord and that merits condign punishment.

(1) The Judgment of the Harlot Announced, Ch. 17:1-2

One of the seven angels having the seven vials, calls John in order to show him the judgment about to be inflicted upon the great Harlot. The agency of a vial-angel in revealing this vision, indicates a connection between the vial-judgments and the fall of Babylon; and, as stated above, it is an elaboration of those judgments, especially that of the seventh vial.

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(2) The View of the Harlot, Ch. 17:3-6

The angel carries John in the Spirit away into a wilderness where he sees in the vision an impure Woman arrayed in purple, the royal color, and in scarlet, the sign of bloodshed, while she is decked with gold and jewels, the tokens of her wealth, and has in her hand a golden cup, full of the abominations of her fornications; and she is seated on a scarlet-colored Beast that is covered with names full of blasphemy, i. e. she rests upon and is allied with the world-power, for the scarlet Beast is the same as the Beast from the sea in chapter thirteen (v. 1-10); and upon her forehead her name is written,514 “MYSTERY, BABYLON THE GREAT, THE MOTHER OF THE HARLOTS AND OF THE ABOMINATIONS OF THE EARTH”, and she is “drunken with the blood of the saints, and with the blood of the martyrs of Jesus”.

(3) The Interpretation Given, Ch. 17:7-18

The angel declares the mystery of the Woman of Sin to John's waiting ears. The Harlot whose home is in the wilderness, i. e. in this world (perhaps so called from the thought of the wilderness as the place of temptation of Israel, of Elijah, and of Christ, and as the haunt of demons where the scapegoat was sent forth to Azazel), is definitely identified with Babylon (v. 5 and 18), the great World-City, the dwelling-place and representative of corrupt society tempting men to evil. The great Harlot is the ideal personification of the great city. There is in fact a double symbolism; the great Harlot symbolizes the great city, as the great city symbolizes the great world, for the Harlot, the city, and the world are one and the same in the wider thought of the Revelation. She is the combined incarnation of commercialism, lust, and irreligion,515 the unbelieving world and not the apostate church, humanity untrue to God, [pg 197] the social life of men adverse to the kingdom.516 The Harlot is the manifest impersonation of lust and sexual impurity, a form of the world's sin that has always been the source of ruin to a multitude of souls—her traffic, we are told, is in the “souls of men” (ch. 18:13). She represents the world tempting men through the sexual appetite, though the figure does not stop with that, as the story of the fall of her wealth and the punishment of her irreligious life clearly shows. All the social side of life that tends to sin is represented by this impressive figure before which the Apocalyptist “wondered with a great wonder” (v. 6).

The interpretation of the Harlot Babylon as the Roman Catholic Church, a method so prevalent in the period that succeeded the Reformation, is happily in its decadence, for it has no justification in the text. But to find in this figure a symbol and portent of apostasy prevailing in the church universal that shall increase as the centuries go on,517 is equally unfortunate and imparts a tone of pessimism to the entire prophecy which cannot be too strongly deprecated. No sign of apostasy is anywhere given in the account of Babylon's fall, for there is no indication that the Harlot was ever holy. Her sin is worldliness, impurity, idolatry, and persecution of the saints. For an apostate church the fitting symbol for that age would have been not Babylon but Samaria, the city of the faithless Israel. And we may be confidently assured that Babylon represents here what it always stood for to the Hebrew mind, the typical world-city, the hereditary enemy of the church from without and not from within, whose harlotry is the sign of her unfaithfulness to God and truth. For even though a majority of Protestant interpreters until within a late period have made Babylon the apostate church, following the traditional opinion, it is nevertheless a mistaken view, since it is based upon the Old Testament use of harlotry as a figure of apostasy and idolatry in Israel, a figure assumed to be identical throughout, ignoring the manifest difference in its present use in connection with a heathen city. The modern view that Babylon is Rome in John's day is nearer correct, but is too narrow in its application. Babylon is the abiding [pg 198] Rome with its worldly life striving to supplant the Christ, the world-city in all ages and times.

The Scarlet Beast on which the Woman is seated, the color of the Dragon (ch. 12:3) and the sign of the blood which it has shed, is referred to as the one that “was, and is not; and is about to come up out of the abyss” (v. 8), a description showing it to be the same as the First Beast which received the deadly wound that was healed (ch. 13:3), i. e. the world-power, and apparently designed to place it in marked antithesis with the divine designation, “who is and who was and who is to come,” in the first chapter of the book (v. 4 and 8). The enigmatical phrase “was, and is not; and is about to come up out of the abyss, and to go into perdition”, may also refer to a lull in the persecution by the world-power, subsequently to be renewed and leading to its final destruction as a power, though its wider reference is perhaps to the persistence and reappearance of the world-power after any one of its forms has been overthrown, together with the certainty of its final ruin. Most preterists interpret the Beast that “was, and is not; and is about to come”, as a reference to Nero whose return was generally expected (a superstitious phantasy of a Nero redivivus), by a change of figure, the emperor previously referred to as the fifth head of the Beast becoming the Beast itself—a questionable interpretation, apparently wrought out by a keen fancy to fit the words of the prophecy, but lacking efficient support in the text. The Beast in the vision carries the Harlot, i. e. the world-city rests upon and is upheld by the world-power, an unhallowed union in striking contrast with that of the Lamb and the Bride. This symbolism indicates the near relation existing between the world-city and the world-power exemplified in history, the world in its social and irreligious form allying itself with and relying upon the persecuting world-power.

It should be noted here that the symbolism used in the chapter before us is shown to be very wide in its application. The seven heads of the Beast have first of all their proper symbolic meaning of full or universal dominion, i. e. dominion over this present evil world; but they are further interpreted to have other and different significance. We are told in verse nine that they are “seven mountains”, evidently in the primary meaning [pg 199] those of the city of Rome, which was seated on seven hills; but symbolizing besides this all mountains and hills which are the seat of world-cities, in accordance with the common apocalyptic usage of seven (cf. II Esdr. 2.19; and Bk of Enoch 18.6). The seven heads are also in a sense identified with the “many waters” on which the Woman sitteth (v. 15), which we are told, are “peoples, and multitudes, and nations, and tongues”, the many dwellers in world-cities—for she spreads her power over all mountains and all waters.518 They are also “seven kings” (v. 10), the king representing the throne and all it stands for, i. e. seven kingdoms, a complete number, the totality of kind, all the kingdoms of the world throughout history, though probably, like the seven churches, conceived of as individual kingdoms which are taken as representative of all.519 Perhaps in John's thought they were Egypt, Assyria, Babylonia, Persia, and Greece, the five known to him that were already fallen and Rome, the one then existing—the nations connected with Israel's past. The past was history, but the future was seen only in outline, and John groups it all under one great world-power, completing the number seven, which was yet to appear. This last “must continue a little while”, i. e. during the remaining time of the world's existence, the usual sense of “a little while” in the Revelation, a period short in comparison with eternity. The Beast is also “an eighth”, we are told, i. e. when it is regarded apart from the seven heads,520 for the world-power may be conceived of as in itself a unit, comprising all its different manifestations, and yet separate from them and giving rise to them. The remark is, however, parenthetic and incidental, and ought not to be regarded as creating any special difficulty, for no reference is anywhere else made to an eighth, and it is probably introduced here simply because eight is the symbol of culmination [pg 200] (see App'x E). We are further told that the Beast is “of the seven” (v. 11), i. e. he is formed—Gr. ??—“out of seven”, or in other words the Beast is the seven kingdoms regarded as a unit, the world-power as it exists in all ages.521 Also the ten horns (v. 12) which symbolize complete earthly power, ten symbolizing completeness and usually applying to the earthly, are representative of various subdivisions of the world-power, minor kingdoms with their kings, which are added to the seven heads as an additional symbol of world-wide empire. These are evidently thought of as yet to rise after John's day, for they are denominated “kings, who have received no kingdom as yet, but they receive authority as kings with the Beast for one hour”, i. e. each one for an hour, or for a time that is relatively short,522 an indefinite period, the ten kingdoms reaching in this case, apparently, to the end of the world—not definitely ten kingdoms or kings any more than one hour is a definite time limit, but rather ten, the number of completeness of all the parts, representing all kings and kingdoms yet to rise throughout succeeding time. “It seems probable,” as has been well said, “that John foresees that the hostile world-power will not be always preËminently wielded by one nation as in his time; but will be divided into many parts, here represented by the number ten which is a complete number and not necessarily implying only ten in all. This indeed exactly describes what has really been the case since St. John's time, and what, humanly speaking, seems likely to continue to the end of the world.”523 It may, also, be pointed out that the ruin of the world-city described by John has been the fate of every such city known to history. Thus the ten horns would seem to be identical with the seventh king or kingdom which is apparently the last, the world-power divided into many parts and continuing to the end of time. These divisions of the world-power, [pg 201] though originally hostile to Christ (v. 14), shall yet under divine direction eventually destroy the world-city in all lands and make her desolate (v. 16 and 17), i. e. the corrupt society, centered in cities, which opposes Christ and his kingdom. “And the Lamb shall overcome them; for he is Lord of lords and King of kings”, i. e. while God is seen to work through the multiple world-power, the ten horns or kingdoms, and eventually to destroy the Harlot, corrupt society in the world, he yet finally overcomes the kingdoms of this world that war against him, and makes them his own; he triumphs on the earth in the fulness of time, for the kingdoms of the world, we are told, shall “become the kingdom of our Lord, and of his Christ: and he shall reign forever and ever” (ch. 11:15). “And they also shall overcome that are with him, called and chosen and faithful” (v. 14)—the promise of success for the believing. In the preterist-historical view the overthrow of the great city, or the Harlot, by the ten subordinate rulers or kings, the ten horns, is commonly interpreted as a reference to the current expectation that Eastern nations, especially the Parthians, were likely to march against the city of Rome and overthrow it, an application of the prophecy quite possible in the minds of the generation which first received it, but not reaching its deeper and essential meaning, and failing of any actual realization. At this point it may be not inapt to remark that the wide latitude with which the symbolism of the seven heads is interpreted by the angel in this chapter, is a valuable guide to the general method of the Apocalypse, and should put us on our guard against limiting the significance of the symbols strictly to a single thought, where more than one may properly be intended. At the same time this does not give us the liberty of unlimited freedom, but prevents our being too positive in many cases as to the exact limits of the symbolism.

Other interpretations make the Beast the Roman Empire, and the seven heads seven different forms of Roman government known to history, or seven individual kings, and the ten horns the various parts, subdivisions, or subordinate rulers of the Empire. The current interpretation of the preterist school accepts unqualifiedly the seven heads as seven kings of the Roman Empire and identifies Nero with the fifth head or king [pg 202] who is now “fallen”, i. e. is now dead, but is about to be restored again, according to a wide-spread expectation of that time, and to become the eighth head or king. This view, though supported by many eminent authorities, especially those of the later critical school, involves serious difficulties. It is dependent upon the earlier date of the Apocalypse, or at least this portion of it, i. e. just after the death of Nero, the only time fitting such a prophecy—a matter by no means assured; and the prophecy, if it had this meaning, was falsified by subsequent events within a generation, a contingency which would necessarily have discredited the book before the church, and would make its acceptance as a genuine prophetic writing extremely difficult, if not impossible, to account for. These considerations serve to nullify the surety and positiveness with which this interpretation is generally urged by its advocates, and late writers indicate a healthful reaction against the view.524

Another similar view makes the emperors who are intended by the heads of the Beast to be (1) Augustus, (2) Tiberius, (3) Caligula, (4) Claudius, (5) Nero (now “fallen”, or dead—Galba, Otho, and Vitellius who succeeded Nero for short periods being omitted as pretenders), (6) Vespasian (the one who now “is”, i. e. now is on the throne), (7) Titus (who “must continue a little while”, i. e. have a short reign), and (8) Domitian (a second Nero—“an eighth” who “is of the seven”). This interpretation, though quite possible from one point of view, necessarily limits the vision to a narrow horizon; and while, like the former view, it tends to bring the teaching of the book into closer harmony with Jewish Apocalyptic, yet it obscures to some extent at least the wider and universal teaching which seems to the average Christian mind to belong essentially to the prophetic insight. It should be remembered, too, that the seven heads and ten horns belong originally to the Dragon or Satan, as symbols of his world-wide power, and are here transferred to the Beast as Satan's representative; and therefore it is more likely that they have a universal reference than that they apply to a single empire, for Satan's sphere of influence is confessedly world-wide (cf. ch. 13:1, note). Besides it is fruitless [pg 203] to attempt to interpret with any positiveness the heads and horns as individual nations and kings, as the diverse results have shown, each interpreter having his own application, and no one interpretation being generally accepted.525 But even if we cannot be so positive as to the primary meaning, we should not allow the larger and more important meaning to escape us, the meaning for us and for all time. This is the fundamental principle of interpretation according to the symbolical school, which should be kept in mind throughout; and it is remarkable how often the general meaning is plain when the original reference, as in this case, is obscure. For even if John had primarily in mind certain phases of the Roman Empire, we must not lose sight of his idealization of the symbolism. The numbers seven and ten are not to be interpreted literally but symbolically as elsewhere throughout the book. Whatever kings and kingdoms are in the first instance intended, they are introduced as the type of all kings and kingdoms of this world throughout all time, in accordance with the prevalent use of numbers in the Apocalypse; so that in any case the chief thought established is essentially the same, viz. that the anti-christian world-power attains its fulness and completeness under the numbers seven and ten, and then wanes and is eventually destroyed. If we interpret of Rome, then the ruin of the one empire with its rulers and parts foreshadows that of every other earth-power that opposes the rule of Christ among men, and the overthrow of the one city with its social and civic forces allied with evil, prefigures that of the entire anti-christian social and civic power throughout the world.

2 The Fall of the City Proclaimed, Ch. 18:1-24

The mystery of the Harlot and of the Beast having been revealed, another angel now declares the doom which awaits them. The downfall of the city and the destruction of her wealth is set forth as the type of the overthrow of corrupt society with all pertaining to it, in order that the fulness of Christ's kingdom may be ushered in among men. In the vision of the prophet the ruin is viewed as already complete; attention is centered so fully upon the result attained that the method [pg 204] by which it is accomplished is left quite out of view. But the closing verses of the preceding chapter serve to indicate the source of her destruction, viz. in the ten horns, or subdivisions of the world-kingdom, which rise against the Harlot and overthrow her (ch. 17:16-17),—the historic fate of world-empires and world-cities in revolution and ruin. It is here worthy of note how clearly we find in this chapter reverberating echoes from Isaiah's Doom of Babylon and of Tyre (Isa. ch. 13:23, 47), and from Jeremiah's Doom of Babylon (Jer. chs. 50 and 51), as well as from Ezekiel's Doom of Tyre (Ezek. chs. 26-28).526 Though the fall of the heathen city of Rome was doubtless foremost in John's mind, let us not forget that it only formed the basis of the wider thought of the ultimate fate and fall of the great godless world which it so clearly foreshadowed, the foresight of which was a part of the prophetic vision.527

(1) The Announcement of Her Overthrow, Ch. 18:1-3

An angel—called here “another angel” in distinction from the one designated as “one of the seven angels” in chapter seventeen (v. 1)—is seen coming down out of heaven, having great authority, and crying with a mighty voice, “Fallen! fallen is Babylon the great!” and recounting the story of her crimes as the abundant cause of her ruin.

(2) The Warning to God's People, Ch. 18:4-8

Yet another voice from heaven bids the people of God come out of her before the final retribution, that they be not made partakers of her sins and receive not of her plagues, for her sins have reached even unto heaven; and urges the executors of her judgment to reward her double, i. e. to exact full legal retribution for her sins (Ex. 22:4-7). And she shall be utterly destroyed, shall be “burned with fire; for strong is the Lord God who judged her”.

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(3) The Lament of the Kings of the Earth over Her Doom, Ch. 18:9-10

The rulers of the world-powers who have shared in her sin are seen standing afar off for fear of her torment, witnessing her fall; and their cry is heard, “Woe, woe, the great city, Babylon, the strong city! for in one hour [i. e. in a short time or suddenly] is thy judgment come”,—mourning over her ruin which is sudden and complete.

(4) The Lament of the Merchants, Ch. 18:11-17a

The merchants of the earth also weep and mourn over her, for no man buyeth their merchandise or cargo any more. The articles of merchandise enumerated are many, indicating her wealth, and seem to be arranged in a progressive order of importance, and to fall naturally into six classes, (Babylon's number, the symbol of evil—ch. 13:18), which may be divided as follows, viz. (1) those of personal adornment; (2) of furniture; (3) of sensual gratification; (4) of food; (5) of animate forms; and (6) of souls (i. e. persons) of men.528 All have perished; and the merchants cry aloud, “Woe, woe, the great city! ... for in one hour so great riches is made desolate.”

(5) The Lament of the Seamen, Ch. 18. 17b-19

All those who gained their living by the sea, ship-masters, mariners, and every one that saileth any whither, stood afar off and cried, “What city is like the great city?” And they cast dust upon their heads, weeping and mourning, the sign of their deep though worldly sorrow, saying, “Woe, woe, the great city, wherein all that had their ships in the sea were made rich by reason of her costliness! for in one hour is she made desolate.” In this triple mourning of the kings of the earth, of the merchants, and of the seamen, is shown the wide relations of Babylon, too wide in fact for any single city. The darkly shadowed terms of poetic description used throughout the chapter, set forth the completeness of her destruction, and are an echo from the Fall of Tyre in Ezekiel's prophecy (chs. 26-28).

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(6) A Call to Heaven and to the Church to Rejoice, Ch. 18:20

By a voice, evidently from above, the holy are bidden to rejoice, i. e. heaven with its inhabitants, and the saints or the church, and her two highest orders of ministers in the past, the apostles and the prophets, are called upon to rejoice because God hath judged Babylon with the judgment which is her due for her treatment of the saints. This invitation to the “saints, the apostles, and the prophets”, to rejoice over the judgment of Babylon, which to that age doubtless meant Rome, is regarded by some as a possible allusion to the martyrdom of the Apostles Peter and Paul who met death under Nero.529

(7) The Symbol of Her Irretrievable Ruin, Ch. 18:21-24

A strong or mighty angel, taking up a stone like a great millstone, casts it into the sea as the sign of her total extinction, and rehearses the fate of the city in the ominous words of ancient prophecy, which are here enlarged and made more terrible (cf. Jer. 51:61-64). The symbolism used throughout this chapter, it will be noted, is largely drawn from the Old Testament prophecies concerning the ancient cities of Babylon and Tyre. “And in her was found the blood of prophets and of saints, and of all that have been slain upon the earth.” Thus in terms that are as wide as the earth and as far-reaching as history, is set forth the sin of the godless and unbelieving world in all ages, which concludes the pronouncement of the judgment upon Babylon; and the judgment seems to belong properly in seven parts as a sign of its completeness.

B The Triumph of the Redeemed, Ch. 19:1-10

A hymn of praise (the Hallelujah Chorus), such as follows each crisis in the Apocalypse, and forms a relief to the sombreness of the visions, is sung in heaven by a great voice of a great multitude as the sequel to the fall of the city and the lament of the world—the seventh and last great chorus in the Revelation (see App'x C): and then the marriage supper of the Lamb is announced for the delight of the redeemed in heaven. The final triumph, it will be seen, is here viewed as a [pg 207] whole, without distinction of parts such as are found in the succeeding section which treats of the last things.

1 The Choral Song of Hallelujahs, Ch. 19:1-8

In response to the heavenly summons to rejoice (ch. 18:20), a thrice repeated note of victory, the Hebrew “Hallelujah”, Praise ye Jehovah! is heard in heaven; first from the voice of a great multitude, who say a second time, “Hallelujah”, and then from the four and twenty elders, the representatives of the redeemed church, together with the four living creatures, the representatives of all created life, who reply, “Amen; Hallelujah.” After this again, in response to a message from the throne (v. 5), another “Hallelujah” is heard from the voice of another multitude (v. 6-8), as the sound of many waters, the voice of those who are praising God in full and joyful chorus because he has avenged the blood of his servants, and who are now rejoicing with exceeding gladness (v. 7) because “the marriage of the Lamb is come”, i. e. the complete and final union of Christ with the redeemed church, for his wife, the church, hath made herself ready. The word “Hallelujah” occurs four times in this passage, and is not found elsewhere in the New Testament: it should be noted, too, that it is used here, as it is chiefly used in the Old Testament,530 in connection with the punishment of the wicked. The first voice in this chorus of hallelujahs (v. 1f) is apparently that of the great multitude of the angelic host in heaven, which is responded to by the four and twenty elders, and the four living creatures; while the second voice (v. 6f) is that of the multitude of the universal church who have been redeemed by the blood of the Lamb. The description of the pure array of the Bride (v. 8), which is the symbol of her righteousness and is in such marked contrast with the clothing of the Harlot, may be an explanation added by the Apostle, as indicated in the text of the Revelation given in the preceding part of this book by including the verse in a parenthesis, though it was apparently regarded by the American Revisers as part of the words of the redeemed church.

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2 The Blessedness of the Marriage Supper, Ch. 19:9

John is directed by the angel to record a blessing upon those who are bidden to the marriage supper, i. e. who are invited to share in the nearer fellowship of the redeemed with Christ, and to partake of the rich and abundant spiritual food that awaits them in the new relations of the heavenly life—a further symbol of the spiritual union of the church with Christ added to that of the bride and the marriage, setting forth the joys of the heavenly life under the familiar figure of a marriage feast, the great social event of the East, and the popular type of the highest enjoyment, as well as the public acknowledgement of the consummation of the union. The marriage of the Lamb is put in vivid contrast with the fornication of the Harlot, in the usual method of the Apocalypse.

3 Worship Refused by the Angel, Ch. 19:10

The Apostle is so overwhelmed by the impression of the vision that he falls at the feet of the angel to worship him—probably the interpreting angel of the opening verse of the book, though some think identical with the vial-angel of chapter seventeen; but the worship is refused,531 because, as the angel declares, he is only a fellow-servant with John, and shares in “the testimony of Jesus” which “is the spirit of prophecy”. This significant phrase is characteristic of the Revelation,532 and we find in it a key to the general interpretation, a principle to be applied throughout, viz. that the mysteries of the Old Dispensation find their only proper solution and fulfilment in the clearer teaching of the New. “The testimony of Jesus” is the witness for the truth borne by Christ in the world, which gathers up into one and gives expression to the essential and animating thought of all prophecy. Others interpret the passage as applying to the witness borne for Christ and the truth by his disciples in the world; and it is possible that both meanings are included, for if broadly interpreted they both merge into one.533

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C The Last Things, Ch. 19:11-20:15

A new phase of the vision of victory now opens, which presents the final culmination and crisis of judgment and redemption, a rapid preview of the closing events of human history, a forecast of the triumph and completion of the gospel age. These events form a series of climaxes that are progressive and catastrophic, and usher in the final consummation of God's world-plan of the ages, a feature that is prominent in all apocalyptic writings.

It is important for us to note afresh at this point, what should be apparent to our minds in the study of the book throughout, viz. that the element of climax, which enters so largely into the thought of the Revelation, belongs essentially to the mood and temper of Apocalyptic; and we should avoid emphasizing too much that which pertains chiefly to literary form and spiritual mood, as though it were intended to set forth the intimate nature of the divine method. Upon careful reflection it must become more and more apparent that the emphasis here laid upon the climactic side of the divine way of working, was only intended to be in proportion to the apparent hopelessness of the historical outlook without such manifest and repeated divine interpositions for human help, and was not intended to indicate that the chief effects to be wrought out will be accomplished by other than the method displayed in history, viz. by long periods of quiet progress and patient waiting, broken now and then by short and decisive periods of crisis. The apocalyptic writers followed the general mode of conception prevalent in the Old Testament, according to which “the final condition of men and the world is regarded less as the perfect issue of a gradual ethical advancement ... than as the result of an interposition or chain of interpositions on the part of God”,534 which is only one side of the truth—a view growing out of their idea of God as the immediate author of all movements in nature and history, and fitting in well with the increased emphasis laid upon climax in Apocalyptic. There is also a distinct foreshortening of the future which is very evident throughout [pg 210] this section, and this is a well known and characteristic feature of all prophecy. The extreme brevity with which are described and grouped together so many great events of the far future that so deeply affect the Christian hope, serves to indicate that the chief aim of the Revelation does not consist in fully manifesting these events which lie hidden in the hand of God, but in preparing the church for what precedes them, both of trial and of conflict. “Like a flash of lightning in the darkness the vision lights up the whole line of God's purposes to the end”; but how much of the actual form and manner of the events it was the divine purpose to disclose through this ideal and scenic presentation must continue to be, pending the manifestation of the events themselves, to some extent at least, a matter of diverse opinion.

1 The End of the Holy War, Ch. 19:11-21

This part of the vision sets forth the final victory over all the powers of this world which is eventually to be attained by the supreme power of “The Word of God”, the ever conquering Christ, who is here described by this transcendental name for our Lord which is a distinctive title with the Apostle John.535 Beginning with a view of the triumphant Word going forth to conquer as under the first seal (ch. 6:2), Christ appears in the opened heaven riding on a white horse; he is called “Faithful and True”, and in righteousness he doth judge and make war. His eyes are a flame of fire, the type of purity and judgment; upon his head are many diadems, the crowns of conquered nations; he hath a name written which no man knoweth but himself,—evidently the “new name” of chapter three (v. 12) which John cannot interpret; and he is arrayed in a garment sprinkled with blood, the token of his redemptive work. The armies of heaven, which apparently include the redeemed, such as have already entered there, follow him [pg 211] on white horses,536 clothed in fine linen white and pure; out of his mouth proceedeth a sharp sword that with it he should smite the nations,537 for he shall rule them then with a rod of iron; and he treadeth the winepress of the wine of the fierceness of the wrath of God, the Almighty, thereby bringing punishment upon the evil. His divine right is clearly seen, for he hath on his garment and on his thigh (i. e. both on the garment and on the thigh, or else on the garment covering the thigh), a name written, “King of Kings, and Lord of Lords”. And the Beast, and the kings of the earth, and their armies, are gathered together to make war against him that sat upon the horse and against his army, i. e. against Christ and his kingdom to attempt to overcome them. Thus with sublime imagery the vision leads up and on to the close of the great battle with the world-forces, which was briefly described before in chapter sixteen as occurring at Har-Magedon; the war is the same, the battle between the sinful world and the hosts of God which is ever going on through the ages to final victory in the end. Now, by a further view, the Beast, and the False Prophet (or Second Beast) who misguides the people in spiritual things, are seen to be taken, and they twain are cast alive into the lake of fire, while all their followers are slain with the sword of him that sat upon the horse, even the sword which came forth out of his mouth (v. 15); and all the birds that fly in mid-heaven are called by an angel standing in the sun to feed upon their flesh, as in Ezekiel's prophecy of the Judgment of Gog (ch. 39:17-22), a judgment exceedingly repulsive to the Hebrew mind. The lake of fire is only a more fully developed form of the Jewish conception of Gehenna as a furnace of fire (Mat. 13:42, and 50). The symbolism here used may have been suggested to John's mind by the appearance of a sea or lake during the eruption of a volcano, a view not unfamiliar to those resident in Asia.538 This lake in the Revelation is the place of final punishment of the wicked, and is clearly distinguished from the pit of the abyss, the abode of Satan during the present world-period. Thus [pg 212] is signified the triumphant overthrow of the World-Power and of the World-Religion as manifested in history. These together with the World-City are now broken and destroyed, while only the World-Lord, or Satan, remains to carry on the conflict, and the way is thereby prepared for the great millennial victory.

This section is considered by many to refer to Christ's second coming, the Parousia, and, if that view were established, it would serve to support the opinion of those who hold that the second advent will be premillennial; but such an interpretation is beset with many difficulties and cannot be sustained by what is said in these verses. The description does not correspond with the account of Christ's coming again which is given in the Synoptic Gospels and the Epistles, nor with the passing foregleams of it in the preceding chapters, but rather with the delineation of Christ's conflict with the world as it is set forth in this book, which is depicted in its beginnings under the first seal where Christ goes forth conquering and to conquer, and which is now seen to pass through the thick of battle to the crowning of victory. For while the second coming is manifestly the one great objective event ever retained in the background of the visions, overshadowing and interpenetrating every part of the Apocalypse, yet it is at no time definitely introduced or particularly described; and the most accurate and impartial interpretation throughout is that which regards both the time of its occurrence and the position it occupies in relation to other events of the last days as nowhere revealed in the Apocalyptic vision. With the present author this view has grown through time from that of a possible solution of a much vexed question into a settled conviction of its correctness.539 And it should be seen, that with this section (ch. 19:11-21) in grave doubt, to say the least, concerning its application to the advent, if indeed it should not be regarded as entirely inapplicable, there is nothing definitely taught in the Revelation in regard to the time of Christ's second coming; for whatever opinion we may entertain concerning the time of that glorious event so dear to the Christian heart, we cannot regard this [pg 213] passage as decisive in the matter unless we interpolate into it a meaning which it does not necessarily contain.

2 Satan Bound, Ch. 20:1-3a

The temporary destruction of Satan's power is here indicated by his being bound for a season; and this marks another advance in the triumphal march of events. An angel coming down from heaven with the key of the abyss, and a great chain in his hand, lays hold upon the Dragon, the Old Serpent, Satan, and binds him for a thousand years, and then shuts him up in the abyss, his present dwelling-place, from which he can now emerge at will during the period of conflict, and seals it over him that his power may be restrained until the end of that time. The binding of Satan indicates the limiting of his authority over the nations, with the subsequent ushering in of the triumph of the gospel among men, when, according to the announcement of the seventh trumpet, “The kingdom of the world is become the kingdom of our Lord and of his Christ” (ch. 11:15), a promise partially fulfilled at this stage, but awaiting its complete fulfilment in the final consummation. The limiting of Satan's power is a preparatory stage to the events that follow, and precedes the first resurrection, as it also precedes the millennium.

3 The First Resurrection, Ch. 20:4-6

The resurrection, which is the effective redemption of the body from death, that is necessary for complete victory over sin and for the full consummation of man's life in eternity,540 is at this point begun,541 and is marked in the Revelation by two successive stages, the first accompanying the triumph of the messianic kingdom, and the second preparatory to the final judgment. These two parts of the resurrection are separated in the vision by the whole millennial period. The first resurrection is special and compensative (scil. “the resurrection out of the dead”—Gr. ?? ?e????—Phil. 3:11), consisting of certain [pg 214] of the saints and martyrs who by reason of their enduring resistance of the forces of evil in their lives and deaths are adjudged worthy to attain unto this resurrection, viz. “of them that had been beheaded for the testimony of Jesus, and for the word of God, and such as worshipped not the Beast, neither his image, and received not the mark upon their forehead and upon their hand.” The first resurrection which is evidently limited to this particular class, and is compensative in character for evils endured, precedes the second or general resurrection by a thousand years, or the whole duration of the millennium, which is not a definite, numerical thousand years, but in accordance with the general use of numbers in the Apocalypse is a period of vast but indefinite length. The cry of the martyrs (ch. 6:9) has been heard, and they who have part in this resurrection shall live and reign with Christ throughout the whole millennial era, i. e. shall share in his presence and glory as a reward for their superior faithfulness, shall be with him where he is, evidently in heaven, for nothing is said of any new or different relation of Christ or of the saints to those who dwell upon the earth as now begun, or as entered upon at any time during this period. We are simply told that the redeemed saints shall live and reign with Christ, i. e. they shall enter upon the new and fuller life with Christ which follows the resurrection of the body, and they shall share in the triumphant rulership of Christ in heaven. The main thought in the phrase “with Christ”, it will be seen, is not so much that of location, as of association with him in messianic rule.542 The statement here made that “they shall be priests of God and of Christ” (v. 6) evidently does not mean that they are to exercise the function of mediators for the rest of mankind during that intermediate period,—for no such service in heaven is anywhere taught in Scripture—but only that they are granted familiar access to and fellowship with God and Christ such as the priests had who drew near under the old covenant; they stand in his presence as the priests of old stood in the temple and waited and served and worshipped.

[pg 215]

4 The Millennium, Ch. 20.: 2b, 3b, 4b, 5a, 6b and 7a

The millennium is the Latin equivalent of the Greek phrase ????a ??? or a thousand years, which has now attained a permanent place in Christian thought. In the prophetic view of the apocalyptic vision this is the crowning period of the church upon earth so long looked for and foretold, the triumphant realization of messianic prophecy, the dÉnouement of redemptive history in the world, a time of rest and victory when evil shall be restrained though not extinguished, and righteousness shall rule among men. The millennial reign of the saints with Christ, while Satan is limited in his sphere, as is indicated by his being bound with a great chain, is evidently intended to represent the period of the church's triumph. The length of time implied by the millennium is a period of multiple completeness which is represented by a thousand, the cube of ten, the symbol of a duration that is of great but indefinite extent, covering a long period of time, stretching to untold generations, during which the rule of Christ shall be triumphantly established upon the earth.543 The chief thought in the thousand years is doubtless that of great and enduring victory. This period, as has been effectively said, “may well be of such an indefinite length as to lead to the salvation of unnumbered multitudes—multitudes so vast and countless that all the lost of all the ages will be but an infinitesimal fraction in comparison.”544 Such a view serves to lighten in a measure the dark places of Scripture and history with a vision of blessing and hope, though it cannot be said to disperse to any great extent that impenetrable shadow which hangs over God's purpose in the world's long deep night of sin and death.

No other passage in the New Testament has taken a deeper or more permanent hold upon the minds of believing men than this pregnant prophecy of a millennium, in which the thousand years is six times named in as many verses. Unfortunately interpreters have not been agreed concerning the meaning of the passage; in fact no part of the Word of God has, perhaps, been so much in dispute as these verses in the Revelation. It may [pg 216] be worth while, therefore, to say that in the interpretation we should clearly recognize upon the one hand that the promise of a millennium was intended to create in the minds of men a pervasive hope of ultimate divine triumph in the world; while upon the other hand we should avoid making this glorious promise the groundwork of purely human fancy. The blessings of the millennial period here set forth evidently pertain both to the saints in glory and to the kingdom of God in this world. The particular nature of the reign of the saints with Christ during the thousand years is not revealed; but we know assuredly that Christ and his kingdom have prevailed upon the earth. The millennium manifestly presents a natural and complete antithesis to the long period in which the church suffered oppression under domination of the world-powers. The part allotted to the saints in the triumph of the kingdom in which they live and reign with Christ, is set forth in terms of long prevailing and deeply cherished Jewish ideals. To occupy “thrones of judgment” was part of the recognized hope of Israel (Ps. 122:5), and is clearly a human way of conceiving of superhuman relations. That this hope is to be realized in the final spiritual supremacy of God's children, specially promised to the twelve of the inner circle (Mat. 19:28; and Lu. 22:30), and evidently to be shared in a particular degree by all those who have part in the first resurrection, though ultimately in some measure also by all the redeemed, does not admit of serious doubt, but the exact form in which it will be realized is not made plain.

According to the usual premillennial view the first resurrection is interpreted as consisting of all believers who have died previous to that time, and not of those only who share in it by reason of special service and testimony; and the millennial reign of those who rise from their graves in this resurrection is held to be upon the earth, and is to be ushered in by the second coming of Christ who will establish a new dispensation in which he will be personally manifest, and will rule in the world, either from an earthly capital as Jerusalem, or from heaven in close communication with the saints.545 This view, it will be seen, rests upon Jewish conceptions, and derives its support from a sternly literal interpretation [pg 217] of Old Testament prophecies. But, notwithstanding its natural attractiveness to the minds of men, it fails of adequate confirmation in the text. Upon the other hand most of the symbolical school interpret the first resurrection figuratively, as a resurrection to spiritual life, and regard the millennium as now in progress. The prevalence of this view seems to be largely due to the early influence of Augustine,546 who identified the millennium with the period of the Christian church on earth, and held that for those who belong to the true church the first resurrection is past already, making it the equivalent of the resurrection to spiritual life spoken of in John's Gospel (Jn. 5:25),—a passage which, though showing that a spiritual resurrection is a distinct Johannine conception, does not serve to break the natural force of these words in their present connection. The usual interpretation of the thousand years given by the symbolical school cannot be considered as satisfactory,547 viz. that the phrase expresses a quality, i. e. completeness, and not a period of time; and that the meaning of the phrase “bound him for a thousand years” is that Satan was completely bound. The symbolical use of the number one thousand is evident, but that does not deprive it of all quantitative value, it only affects its literal significance; and the denial that the word “years” has any reference to time is without proper exegetical support and must be rejected.548 According to the current symbolical interpretation the entire passage (ch. 20:1-10) is regarded as an episode which is descriptive of the complete safety and spiritual deliverance of Christ's people throughout the whole period of the age-long conflict;549 and thus the millennium as a period of triumph and blessedness for the saints on earth, preceding and distinct from the final blessedness of the world to come, fades away into a figure of speech, while the triumph of the gospel is obscured. But this view cannot be sustained except by a sacrifice of the [pg 218] natural, if we may not certainly say the correct exegesis; for the paragraph will not fit a purely figurative interpretation.550 This view would dispose of the question of a pre- or post-millennial coming by denying that there is any millennium, in the historic sense of the term, taught in the Revelation. But the expedient is a fallacious one, if John spoke as a prophet by the inspiration of the Spirit, for his words incorporated the thought of his time in which the millennium had a definite meaning; and that he foresaw and described it as such is fairly evident, though he manifestly modified its extravagances. The idea of a triumphal period of the Messiah's reign is too deeply inwrought in the Apocalyptic literature which preceded the present Apocalypse to be put aside lightly as a symbol of completeness.551 The duration of this time was a frequent and favorite subject of Jewish speculation;552 and according to the general laws of language, the phrase used in the text, “a thousand years”, necessarily carries with it the conception of a period of time, but in accordance with the usage of the author, it loses its definite numerical significance and indicates a period of long but unmeasured duration; it becomes the symbol of a period that is complete.

It will be recognized by the attentive student of the Word of God that this passage and its connections form the crux interpretum of the whole book of Revelation; and it is well, perhaps, not to speak with too much positiveness on a subject so differently understood by many of the most eminent scholars and interpreters. The view presented above seems to be the most natural meaning that can be given to the words of the vision, and seems also to accord more fully than any other with the many promises of God concerning the outcome of all that great and progressive movement among men which we call the Kingdom of Heaven in the earth. For without such a period of victory, the whole evolutionary movement in human life and history, which so manifestly [pg 219] marks the purpose of God and the plan of redemption, would somehow seem to fail of any proper consummation; while in this view the millennium, marking the triumph of the gospel, would vindicate the present method of history and redemption, just as the premillennial view would abandon it and introduce a different order. Indeed, it may be well here to say, what should be clearly seen by every student of the Revelation, that the premillennial view introduces practically three dispensations into the plan of redemption, viz. the first, that of Moses which measurably failed; the second, that of Christ which is also to fail of complete success; and the third, that of the Holy Spirit which shall absolutely triumph. Whether, indeed, such a view is justified by what the Gospels teach and the Epistles indicate, is a question that each interpreter of Scripture must determine for himself; though it must be said that the large majority of Christians in all ages have not so understood the message of the Word. And it would certainly be remarkable if Christ, who was so wonderful a teacher, had intended to predict a premillennial coming to his own, and yet left it in such an indefinite form that the majority of earnest Christians would forever fail to apprehend it. But, in any case, to give up the expectation of the final supremacy of the gospel in the world, whether we look for it to be attained before or after the coming of the Lord, through the method of history or contrary to it, is to empty of its richest content the Christian hope for the world of men, and to contradict the deepest longing of the pious heart.553

5 Satan Loosed Again and Overthrown, Ch. 20:3c, and 7-10

A renewal of Satan's activity is permitted by divine authority, as is indicated by his being loosed again out of his prison, and seems to be of the nature of a reaction in favor of evil, a sequence for which we are scarcely prepared at this juncture, after the millennial period of Christian ascendancy. We find described in these verses a recrudescence of organized opposition to Christ and his kingdom, indicated by Satan coming forth again out of the abyss, according to the prevailing [pg 220] method of the Apocalypse by which evil comes in periodic onsets. In the elucidation of the passage most interpreters, who regard the millennium as representing the triumphal period of Christ's kingdom upon earth, consider this incident, together with Satan's previous binding without the complete destruction of his power until the end when he is cast into the lake of fire, as showing conclusively that opposition to Christ has only been subdued during the millennial period but not extinguished, so that like a smouldering fire it bursts forth into flame again before the end.554 It can scarcely be denied that such is the underlying assumption of the passage, as is generally conceded, though the usual symbolist view, relying upon this, minimizes the character of the millennial triumph, and regards the opposition to Christ as being subdued only so far as believers are concerned, toward whom Satan is then completely bound, the millennium and the conflict going on simultaneously—a view that is not adequately sustained by the text. On the other hand the futurist view magnifies the nature of the millennial triumph, and leaves no reasonable room for this final outburst of sin; for the millennium with Christ dwelling among his people upon earth is heaven already begun, and the Scriptures nowhere teach either the continuance of evil after Christ's second coming, or the existence of an interval between Christ's coming and the judgment. The interpretation here given is accepted by many modern scholars and follows a median line, regarding the millennium as a period of relative triumph followed by a fresh outbreak of sin, as seems to be indicated in this passage. If we compare these verses with that strange apocalyptic passage in Paul's Second Epistle to the Thessalonians (II Thess. 2:3f.), we find that he there predicts a falling away from the faith and the coming of the Man of Sin before the advent, which seems to refer in the figurative language of Apocalyptic to this same period of final struggle preceding the end. And the Man of Sin there foretold may perhaps be regarded as an ideal personification of the sin of man then prevailing, “whom the Lord shall consume with the spirit of his mouth”. This last struggle is, however, only for a little time (v. 3), [pg 221] i. e. for a season that is short in comparison with the millennial period, and is apparently permitted in order to bring about the triumphal termination of the conflict that Satan may be completely and forever overthrown and flung into the lake of fire (v. 10), the final place of punishment, together with the Beast and the False Prophet whose destruction has been already described.

Though the general idea of the paragraph is relatively plain, the particular meaning of the prediction is involved in much obscurity, viz. that of a war in which Satan deceives the nations of the earth, Gog and Magog,555 whose number is as the sand of the sea, and who go up under his leadership to compass the camp of the saints and the beloved city, but who are destroyed by divine intervention through fire from heaven. The description is evidently symbolic, and Gog and Magog were doubtless not intended to be identified as particular nations; nor can the fulfilment be literally understood. Like many of the prophecies of the past it is surrounded by a haze of indefiniteness that prevents its full interpretation until its meaning is revealed by the course of events. The source of the symbolism is found in the Old Testament invasion of Gog, a passage in Ezekiel (ch. 38-39), a prophetic scene of war, which becomes here the formal type of the last struggle between the hosts of sin and those of righteousness, and seems to refer to some new, national, and world-wide form of opposition to Christ and his kingdom in which all the earth-forces of evil are gathered together for their extinction—a final stage of the conflict necessary for the completeness of the victory, which is to be postmillennial, and in which all the powers of evil shall be speedily and finally overthrown.556 It may also be that the view of battle here given is intended to be partly retrospective [pg 222] in its purpose, and to link this struggle with the age-long conflict which culminates when the Beast and the False Prophet are taken, giving another view of Har-Magedon in which now, after a period of quiescence, Satan's overthrow forms the final part.

6 The Second Resurrection, Ch. 20:11-12a, and 13a

This is the final and complete resurrection which occurs at the end of the world, and comprises all those, whether believers or not, who failed to participate in the first resurrection. The completeness of this resurrection is specially emphasized. Even the sea gave up the bodies of the dead that were in it; and death and Hades gave up the souls of the dead that were in them (v. 13a), in preparation for the judgment. The description here given of the second or general resurrection, it will be seen, presents the ordinary view of Scripture, while that of the first resurrection introduces a new and different conception, viz. that of a special resurrection. The main distinction between the two resurrections may be regarded as chiefly one of order rather than time, though the precedence of the first in point of time is also included. In each case a resurrection of the body is meant, but the first is partial in extent, consisting of a particular class, while the second is universal, comprising all classes.557 The paragraph, when thus interpreted, affords a clearer view of the resurrection as a whole, showing its proper order or sequence, and separating into two main parts that which is mostly regarded in the New Testament in its entirety as a single event occurring at the last day. In fact the doctrine of two resurrections taught in this passage, and the clearness with which the resurrection of the wicked for judgment is set forth, together constitute the most notable contribution of the Apocalypse to the eschatology of the New Testament;558 for “whatever may be the difficulties involved, and however they may be solved, we must recognize that John here predicts an anticipative and limited resurrection of the same character [pg 223] as the general resurrection which is to follow.”559 This was undoubtedly the thought presented to John's mind in the vision, whether we attach any didactive significance to it or not, and it ought not to be overlooked in our interpretation.

At this point it may be not amiss to say, what must be apparent to every careful student of Scripture, that it was not the divine purpose in the book of Revelation to reveal the intimate nature or detail of the great events which lie at the close of man's history on the earth; but rather to give a general outline of the divine order, which would serve to invigorate our faith and stimulate our hope in the onward path of Christian duty. And while it is for the most part fruitless to inquire particularly concerning that which is not clearly revealed, at the same time the general bearing of this passage should not be allowed to escape our attention, for it is one of the most significant in the book of Revelation, and we may well pause a moment to consider its proper meaning. We have here, apparently,—if one may offer an opinion on so obscure a subject,—a hint that the resurrection which has just been described as occurring in two periods, first and second, is to be regarded as a process rather than as an event that is single and separate in itself, one which in its entirety covers a long period of time, and is to be accomplished in progressive stages in which the righteous share first according to their relative worth—a process which is apparently marked by two principal periods that are specially in mind in the description before us. In the light of this view it may be well to recall some of the events in the Scripture record which seem to support it. The translation of Enoch and Elijah in the Old Testament, the equivalent of an immediate resurrection, which anticipated the victory of Christ over death, would otherwise be an unexplained anomaly. But according to this interpretation it forms a part of the divine order; their resurrection was not anomalous; it was only one step in the ever progressive plan of the ages. The mysterious hiding, too, of Moses' grave [pg 224] in the valley of the land of Moab, finds an adequate explanation if he was subsequently translated when the divine purpose in his burial was accomplished—the burial vindicating the divine honor, while his resurrection was immediate and triumphant. The record, also, in the closing chapter of Daniel (Dan. 12:1-3) though obscure, points to a stage in the resurrection in which not all but many shall rise, and includes as well those who rise to shame and everlasting contempt, though no indication of the time when this will occur is given by the prophet. But more particularly in Matthew's account of the crucifixion of our Lord (Mat. 27:52-3), we find that his death was followed not only by the rending of the veil in the temple, indicating the departure of the divine glory, but that “the tombs were opened, and many bodies of the saints which had fallen asleep were raised, and coming forth out of the tombs after his resurrection, they entered into the holy city and appeared unto many.” It is a weak exegesis that interprets their resurrection as merely spectral, or as only temporary and transient, even though it were for the purpose of witnessing to the divinity of our Lord. The natural meaning is that they arose as a part of the victory of Christ, and were ready to enter with him into the rest that remaineth for the people of God. These passages all seem to point to a progressive resurrection that is to be accomplished in successive stages, and they cannot well be otherwise interpreted except by indirection. It is true that the subject is only incidentally touched upon in the New Testament, yet it seems to be here clearly implied that precedence in resurrection is divinely accorded to those who are prepared for it, as a part of the reward of righteousness, and that this belongs to the divine order.560 Beyond this we cannot safely go, for it is not well to be too confident in maintaining any view that depends so largely upon the interpretation of single passages, even though the inference, as in this case, seems to be natural and conclusive.

7 The Last Judgment, Ch. 20:11-15

The final divine inquiry into the sum and fruitage of each and every life, which is retributive in its [pg 225] purpose, is entered into at the end of the world when all the dead, small and great, stand before God to be judged, after the resurrection is complete.561 The great judgment throne in the vision is white, the symbol of purity, and he that sat upon it is not named, but throughout the book the judge is the Father as distinguished from the Son. The two principles of the judgment given in this graphic account, which is a reflection of the Vision of Judgment in the prophecy of Daniel (Dan. 7 and 12), are first “according to their works” which are written in the books of record that are now open; and second according to the divine purpose which is “written in the book of life”. The “book of life” was originally the name used for the roll of Jewish citizens kept from at least the ninth century before Christ (cf. Ezr. 2:62; Neh. 7:5, 64; and 12:22, 23) from which the names of the dead were erased, that is now applied to the Lamb's book of life (ch. 21:27), the roll of living citizens of the New Jerusalem.562 Those not found in the book of life are cast into the lake of fire together with death and Hades, both of which are now merged into this final and fitting retribution for sin, i. e. physical death as experienced by men in this world, and Hades the abode of the dead during the intermediate state, are both abolished as temporary conditions in preparation for the new heaven and the new earth of the righteous, and are succeeded by the lake of fire for the sinful. This is the last event of time, the issue of the earthly life, the End563 foretold by prophecy, the crisis that marks the transition to eternity, the closing scene in the great drama of human history. The view now passes at once from this scene of terror and judgment to the sublime vision of joy and triumph in the far and fadeless glory beyond.

[pg 226]

The vision of the New Jerusalem is a crowning picture of redemption consummated, a vision of triumph and peace after the conflict is over and the victory won, portraying the eternal bliss of the redeemed in the immediate presence of God, whose glory is realized in the intimate fellowship and ultimate well-being of his creatures that have been finally recovered from sin and fully confirmed in righteousness. In this closing vision of the Revelation we reach the goal of Christian hope in the future life with God. Some future-historical interpreters have, however, regarded this section as describing the millennial glory upon earth, preceding the final consummation of all things; but the view is involved in so many difficulties that relatively few have accepted it. On the contrary the Christian mind of all ages has instinctively found in the vision a perspective view of the heavenly glory, an opinion that it may be confidently said is not a mistaken one.564 The New Jerusalem presents the resultant condition of victory following the long struggle against sin, “the world to come” already ushered in, which lies beyond the millennium and the resurrection. At this point it may be well to call attention to the fact that the millennium in Hebrew thought is the culmination of “the age to come”, i. e. the age which is the triumphing period of the Messiah upon earth; whereas the New Jerusalem is the realization of “the world to come”, i. e. of the world that is future and eternal. These ideas were quite distinct in Jewish thought, and they ought also to be distinct with us. The wonderful account of the new heaven and the new earth speaks of other conditions than those of the present time; and the view of the glorious city in this closing vision (ch. 21:2-22:5) is aptly divisible into eight parts, the symbol of culmination, or of a new life or period begun, the division indicated in the comments that follow.

1 The New Heaven and the New Earth, Ch. 21:1

In this verse we are presented with a view of the [pg 227] new creation which environs the New Jerusalem, the sign of the changed and exalted conditions of future existence which await those that are Christ's, the creation redeemed as well as the creature, “for the first heaven and the first earth are passed away”, and all things have become new.565 This idea, which coincides with that of Paul in the Epistle to the Romans (ch. 8:19-23), is not, however, further developed, but the view turns at once to the heavenly city, for the vision has its proper center in the city, and is designed to present a view of redeemed humanity in the presence of God to which that of the redeemed creation is merely incidental.

2 The Holy City, Ch. 21:2-22:5

Heaven, its joys and its inhabitants, is described under the type of a city, the New Jerusalem, the counterpart of the Old whose warfare has been accomplished, a civic and social dwelling-place that is new, holy, and glorious, an ideally perfect city in the midst of an ideally perfect world;566 the symbol of the glorious conditions of the redeemed and purified church in the midst of the new life of eternity, and the antithesis of Babylon, the type of the old sinful and polluted world. The description is full of echoes from the Isaian rhapsody of Zion Redeemed (Isa. 54, 60, and 65), and Ezekiel's vision of Jerusalem Restored (Ezek. 40 and 48).567

(1) The Tabernacle of God with Men, Ch. 21:3-4

The city in its entirety becomes the antitype of the tabernacle of Israel, especially of the inner sanctuary or holy of holies, where God forever dwells with men, and they shall be his peoples,568 and sorrow, pain, and death shall be no more, for the former things are passed away. [pg 228] This is authoritatively declared by a voice out of the throne, a divine message, possibly given by one of the Angels of the Presence, as a comforting and assuring promise of the divine nearness and guardianship in the future life of God's people.

(2) The Bride, the Lamb's Wife, Ch. 21:2, 9-10

The city, the dwelling-place of the redeemed, and the symbol of the new conditions of the glorified church in the midst of eternity, becomes now by metonymy the symbol of the redeemed church herself, the Bride of Christ, the inhabitants being thought of to the exclusion of all else. The great city, the holy Jerusalem, is seen coming down out of heaven from God,569 as a bride adorned for her husband on her marriage day,—a figure of the intimate and tender relation of Christ with his people in the final state of the blessed. The city in these verses (9-10) is manifestly the symbol of the church that dwells within it; but the view that makes the New Jerusalem the symbol solely of the redeemed church, not only here but throughout the entire passage,570 fails to realize the flexibility of prophetic usage. The idea of place and local surroundings in the general description of the city undoubtedly stands first in the Apocalyptist's thought, and would seldom be questioned by the ordinary reader, though it includes also the inhabitants as well, and may be used for the inhabitants alone, as is done in this part of the passage, without invalidating the general meaning. In the ninth verse, with the announcement of the angel, “Come hither, I will show thee the bride, the wife of the Lamb”, the account in verse second is resumed, and is wrought out in detail. One of the vial-angels carries John away in the Spirit into a mountain great and high that he may see the vision more fully, an indication of its importance.

(3) The City of New Things, Ch. 21:5-8

All things are declared new and changed, and to be the inheritance of those that shall overcome,571 to whom [pg 229] also the fulness of divine sonship is awarded; but the craven and unbelieving, the sinful and impure, shall be cast into the lake of fire which is the second death. These words of authority, promise, and threatening, are spoken by him who sitteth on the throne, the Alpha and the Omega, the Beginning and the End, who now himself, when all is fulfilled, speaks openly instead of through those mysterious voices that have hitherto issued from out the throne and temple, another token of the nearer communion of the saints with God in the new heaven and the new earth.572 And John is again commanded to write, for the words spoken are “faithful and true”, and “they are come to pass”, i. e. all God's promises and threatenings have been fulfilled, even the things of the new creation have already come into being, and the mystery of God is ended, according to the prediction of the angel with the book (ch. 10:7), i. e. the mystery of the divine purpose in the great work of creation and redemption has now been fully made known.

(4) The City of Glory573, Ch. 21:11-21

“Having the glory of God”, i. e. the glory of his abiding presence, which is reflected in the glory of gate and wall and street, yet the city is described for our better understanding in terms of the earthly creation. Its light is like unto a stone most precious, and the materials of its structure are most costly; the building of the wall is of jasper, the city and the street of pure gold, and the foundations of the wall adorned with all manner of precious stones,574 while the several gates are each of a single pearl,—the mingled symbols of brilliancy, glory, costliness, and beauty. The city lies foursquare, a perfect figure, the distinctive number of the earthly creation still, though new, with twelve foundations, gates, and angels, the church number, reflecting the number of the tribes of Israel and of the apostles of the [pg 230] Lamb, and with walls one hundred and forty-four cubits high, the square of the church number, and twelve thousand furlongs in length on each of the four sides,575 the church number multiplied by a thousand, and the number of the sealed in each tribe (ch. 7:5f.),—pertinent symbols, all of these, of the perfect home of the redeemed, as well as of the symmetry of the perfect church. The city is further described as a perfect cube like the holy of holies in the sanctuary, the length and breadth and the height of it being equal (v. 16) which perhaps means that in the height is included the eminence on which it stands, though others think that there is an intentional absence of all verisimilitude.576 The symbolical meaning of the cubical dimensions is evidently that of a symmetrical and ideal perfection which is proportional in all its parts, and like to the holy of holies in the earthly temple.577 The circuit of the walls is forty-eight thousand stadia, i. e. four times twelve thousand furlongs or stadia, and seems to be a designed reference to the city of Babylon, the greatest city of the ancient world, the circuit of which was four hundred and eighty stadia, i. e. four times one hundred and twenty furlongs or stadia, while that of the New Jerusalem is greater a hundredfold, which is evidently the language of symbolism.578 The city which is first seen from afar, coming down out of heaven (v. 11-14), is afterward measured, and its glories pointed out by the angel (see the divisions indicated by paragraphs in the text of the Revelation given in the first part of the volume).

(5) The City of Many Nations, Ch. 21:24, and 26

The nations walk amidst the light thereof, and the kings of the earth bring their glory into it, a description which seems to reflect the thought of a new earth that will be peopled as well as the holy city, as implied in the first verse of the chapter, and perhaps designed to show the cosmopolitan character of the New Jerusalem.

[pg 231]

(6) The City of Exclusions, Ch. 21:1, 4, 22, 23, 25, 27; and 22:3, 5

The city has no more sea, i. e. the old, earthly, turbulent sea of conflict and unrest (v. 1); no more death, neither mourning, crying, nor pain any more (v. 4); no separate temple or inner sanctuary of partial access to God, for the city is all temple, and God forever dwells among his people (v. 22); no sun, nor moon, nor night, for the Lamb is the light thereof, his spiritual light superseding the physical (v. 23, 25, and ch. 22:5); no shut gates of defence or hindrance, for there is no longer either night or enemy abroad (v. 25); and no more curse, nor any unholy to renew the conflict, nor anything unclean or that maketh an abomination and a lie, for Christ is throned as victor (v. 27, and ch. 22:3). In this final view of heaven not only has the temple disappeared, but also the elders, and the four living creatures, and all that accessory symbolism of the earlier visions which was appropriate to the church-historic period. These are no longer needed, for the conditions which they served to symbolize have passed away. Even the angels are no longer seen within, for this is a vision of redeemed men who look upon the face of their Redeemer.

(7) The City of Life, Ch. 22:1-2

As the antidote of death the eternal city is seen to possess a “river of water of life” that flows out from the throne of God and of the Lamb in the midst of the street thereof, the source of enduring life to all the holy (Ps. 46:4-5). The city is, also, seen to have the “tree of life”,579 the seal of God's first covenant in Eden (Gen. 2:9; 3:22), bearing twelve crops of fruit, yielding its fruit every month, and with leaves for the healing of the nations, which has at last wrought its beneficent results and forever removed the curse. The word tree is in the singular, but the context shows that it is to be understood generically, i. e. a tree of life which is found on this side of the river and on that, or trees of life growing by the river-side.580 We notice, also, that the river, [pg 232] which in the earthly Paradise was parted and became four heads when traced to its source, is now replaced by a single river of water of life in the heavenly; and the Scripture story of man, viewed from its beginning to its close, is seen to finally lead up from the lost Paradise of creation to the Paradise regained by redemption. And in that city forever dwell only those “that are written in the Lamb's book of life”.

(8) The City of God, Ch. 22:3-5

The crowning glory of the holy city is the abiding presence of Jehovah, for the throne of God and of the Lamb shall be therein, and the redeemed shall see his face581 in the beatific vision, and his name shall be upon their foreheads, and they shall reign for ever and ever. Then and there man redeemed, who has so long been separated from the face of God by the ruinous results of sin, shall be at last restored to the fulness of the divine presence to abide throughout eternity.582 Whether, indeed, God in his essential being can ever be directly apprehended by the finite spirit, is a question that with our present light we cannot definitely determine. It may well be in eternity as in time, there as well as here, that for us to see the Son is to see the Father, and that the beatific vision for which men have so often longed and hoped and prayed in the past, is to be realized in a way quite different from the common thought, by the blessed vision of the glorified and exalted Christ in the fadeless life of the perfected kingdom of God in heaven. The name which shall be upon the foreheads of the redeemed is evidently the “new name” of chapter three (v. 12) which sums up in itself all the fulness of the future revelation of God to the glorified, the transcendental and ineffable name to men upon earth “which no one knoweth but he that receiveth it”, i. e. in the future life of the heavenly kingdom.

It is surely worthy of our attention here to note in closing, how all God's revelations of himself have not only tended to grow in intensity and clearness, but also to center in the name by which he is made known. Beginning with the announcement of his sacred name [pg 233] Jehovah, as distinct from his former name Elohim, in connection with the great events of Israel's redemptive history, there is a manifest movement in the historical self-revelation of God to men that is marked by progressive steps which lead on through all the promise and mystery of the incarnate Christ to this final revelation of himself, lying beyond history, that shall be made to the redeemed under the “new name” when redemption is complete. He who was first promised to men, to be born “of the seed of the woman”, and “of the seed of Abraham”, and was afterward more clearly revealed to Israel as “the son of David”, “the servant of Jehovah”, “Immanuel”, “the Son of Man”, and “the Messiah”, and who was made known to men in his incarnation as “Jesus”, “the Christ”, and “our Lord”, was finally recognized by the church under his full redemptive title as “the Lord Jesus Christ”, by which name he shall be known throughout all the centuries to the end of time. But the vision of the city of God reaches far beyond this, and tells of his name to be then written upon the foreheads of the redeemed, manifestly his “own new name” (ch. 3:12) that is to be revealed to the glorified when redemption is complete, which stands for the full, final, and complete revelation of God in Christ in the new relations of the great future life in heaven.

Thus, with the redeemed enthroned in power, and dwelling in the unveiled presence of God revealed, there is completely fulfilled the ultimate divine purpose of man's creation and redemption. This, in John's view, is the consummation of all things, that

“One far-off divine event,
To which the whole creation moves.”

The transition to the closing part of the book is now made, but it is not very definitely marked, and in the division into chapters it was overlooked entirely, for the twenty-second chapter should begin at this point. Some would make the break at the close of verse seven, but it more properly belongs at the close of verse five, where the description of the New Jerusalem ends.

                                                                                                                                                                                                                                                                                                           

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