(Messages of Christ to the Church Universal) 1 A Message to the Church when Declining, as in Ephesus:—“Remember ... and Repent.” 2 A Message to the Church when Suffering, as in Smyrna:—“Fear not ... Be Faithful.” 3 A Message to the Church when Impure, as in Pergamus:—“Repent, or I Come with the Sword.” 4 A Message to the Church when Struggling, as in Thyatira:—“Hold Fast till I Come.” 5 A Message to the Church when Dying, as in Sardis:—“Stablish the Things that Remain.” 6 A Message to the Church when Steadfast, as in Philadelphia:—“Hold Fast ... That No One Take thy Crown.” 7 A Message to the Church when Self-Deceived, as in Laodicea:—“Be Zealous ... and Repent.” Appendix E: The Symbolism of Numbers(A Key to Scripture Interpretation) The value of the symbolism of numbers in the general interpretation of Scripture is variously estimated, but its importance in interpreting the Revelation is almost universally conceded, for without it we cannot understand aright the symbolic teaching of the book. The attentive student will not fail to notice the wide use of numbers throughout, and the effect of addition, subtraction, multiplication, and division, upon the symbolism of the simpler numbers. The author believes that a cautious use can often be made of numbers in the interpretation not only of the Revelation where their use is so manifest, but of many other parts of Scripture, if not too much stress be laid on the symbolic meaning, for the Hebrew mind delighted itself in symbols. The value of this knowledge lies in the fact that an additional thought may often be caught in this way that would otherwise escape our attention, though it is usually subordinate and does not occupy so prominent a place as in the Revelation. The symbolism of the numbers used in the book is concisely stated in this appendix for the convenience of the reader. One (a unit), the Primary Number. The symbol of that which is single, alone, or representative. One hour, and one day, in the Revelation stand for a relatively short time, and a half-hour for a clearly limited period, even though these may not be actually short from the human point of view. The fractions one-half, one-third, and one-fourth do not represent definite parts, but in a general way portions less than the whole, that which is of limited extent in relation to the whole. Two (a pair), the Lowest Plural Number. The symbol of confirmation, of added strength and surety, especially the number of confirmation in witness-bearing. The Two Witnesses in chapter eleven, and the Two Beasts in chapter thirteen, it will be seen, serve to strengthen each other. Three (a triad), the Divine Number. The symbol of the Trinity; of the spiritual as contrasted with the [pg 247] Three and one-half (one-half of seven), a Broken Number, the half of the Perfect Number. The symbol of the finite or undetermined; a broken and uncertain period without a fixed limit; a shortened period of time when applied to duration, and usually one of tribulation; a period of trial and judgment. Three and a half years is the period of the church's conflict in the Revelation, the age of the church militant, the church-eon; and three and a half days is the short and indefinite period of world-triumph in which the church suffers oppression—the equivalent of the half-week in Daniel. Three and a half years, the period of drought in Elijah's time, of the little horn in Daniel, and of Christ's public ministry, is introduced four times in the Revelation, viz. it is the period of the Two Witnesses (ch. 11:3), of the Woman in the wilderness (ch. 12:6, 14), of the Dragon's rage (ch. 12:14), and of the power of the Beast (ch. 13:5), each of which is a time of tribulation. Four (the four corners or sides of a square), the Earth Number. The symbol of the physical creation, having relation to this present world which is usually thought of as evil; also used of world-wideness, universality of extent, as all parts of the earth without any moral significance. Five (one-half of ten), an Incomplete Number. The symbol of the indefinite, the uncertain, with the suggestion of smallness; as a measure of time an incomplete period. Six (one less than seven; and one-half of twelve), an Imperfect Number. The symbol of evil, of incompleteness of quality, or of imperfection; Satan's number, the signature of non-perfection; the representative of that which is earthly as opposed to that which is heavenly; falling short of the fulness of seven, the perfect number, and but the half of twelve, the church number. [pg 248]Seven (the number of days in a week; also four plus three), the Perfect Number. The symbol of perfection, or completeness of quality; of totality of kind, fulness, or universality. A sacred number with the Jews; the number of the covenant in the Old Testament; the ethical number, for it often has a moral significance, and, as will be seen, is composed of the earth number (four) added to the divine number (three). The number seven occurs fifty-four times in the Revelation, indicating that it occupied an important place in the mind of the writer, and should receive special attention. Eight (seven plus one), a Reinforced Number. The symbol of culmination, of resurrection, or of a new life or period begun. Ten (the ten digits; the ten commandments), the Complete Number. The symbol of completeness of all the parts, of totality of portions, entirety, and absoluteness; a finite number as contrasted with infinity; in its larger multiples implying indefiniteness and magnitude. Ordinarily used of things that are earthly, though not necessarily implying any moral significance. It is a relevant fact, however, that nothing which is described in heaven is ten in number, though its multiples are constantly introduced. The combination of seven with ten in the seven heads and ten horns of the Dragon and the Beast, is unusual and has an evil significance throughout, which is probably intended to indicate that that which was originally designed for moral perfection (seven) has been prostituted for earthly ends (ten), as is signified by joining one to the other. Twelve (the twelve sons of Jacob; four multiplied by three), the National Number of Israel. The symbol of the covenant nation, the church number—the number of the earth (four) multiplied by the number of the divine (three) becoming the sign of God's people divinely chosen out of the earth. By some it is interpreted as the number of world-witness for divine truth, as the twelve tribes and the twelve apostles, putting the purpose of the church first. Twenty-four (twelve multiplied by two), the National Number Doubled. The symbol in the Revelation of the church of both Dispensations united, the Jewish and Christian, the church of all the ages. The glorified [pg 249] Forty (ten multiplied by four), the Probational Number. The symbol of temptation, or of the power of the earthly; often connected with the divine test of character, the earth number (four) multiplied by the complete number (ten) signifying the complete power of the earthly which is ever testing men. Also, as forty years was regarded as the period of intellectual maturity in man, it sometimes stood for a full period, a complete epoch, especially a complete period of stress or trial. Forty-two (twelve multiplied by three and a half; or seven multiplied by six), a Broken Number. The symbol of the church-historic period of trial, the world-age, the duration of the rule of wickedness. Three and a half years in months,—the source from which this number is derived in the Revelation,—serves to indicate the incomplete period of the church (twelve multiplied by three and a half), and also the full or complete period of evil (six multiplied by seven). Seventy (ten multiplied by seven), the Cosmopolitan Number. The symbol of world-wideness; of a two-fold completeness that is all embracing and comprehensive, comprising both seven and ten; the number of the nations. [The numbers forty and seventy, strange to say, do not occur in the Revelation, though forty is common in the Old Testament, and occurs also in the New, and the square of forty (1600) is found in chapter fourteen (v. 20); seventy also had a well-known meaning to the Hebrew mind, especially from the period of the Captivity which lasted seventy years, and was also the number of disciples sent forth by our Lord for wider service during his Perean ministry. It is quite probable, however, that these numbers are not used in the Revelation, where so much stress is laid on the symbolism of numbers, simply because their symbolism was not needed, just as one hundred is not used except in combination with other numbers]. One Hundred (ten multiplied by ten), the Complete Number Squared; ten multiplied by itself. The symbol [pg 250] One Hundred and Forty-four (twelve multiplied by twelve), the National Number of Israel Squared. The symbol of the completeness of the redeemed church—the multiplying of a number by itself conveying the idea of a multiple fulness or completeness; Israel, God's people, made complete. Six Hundred and Sixty-six (six hundred, plus sixty, plus six), the Number of the Beast. The symbol of the threefold form of the world's evil which culminates in the Second Beast. Six, the number of imperfection (one short of the mystic seven), thrice repeated, six, six, six, (666), represents the combined force of the Dragon, the First Beast, and the Second; or, differently stated, six hundred may be taken as the symbol of the Dragon, sixty as the symbol of the First Beast, and six as the symbol of the second, which gives a total of six hundred, and sixty, and six, representing the combined power of evil incarnated in the Second Beast. In this symbolism there may also be included the thought of a triune power in antagonism to the divine Trinity—a trinity of sin. One Thousand (ten multiplied by ten multiplied by ten), the Cube of Ten. The symbol of multi-completeness; a number that is great but indefinite in its symbolism, and often used of the heavenly. The thousand years of chapter twenty is a great period of time of unknown length, stretching out to untold generations, the millennium of the church's history, the period of the church's triumph and victory. Twelve Hundred and Sixty (forty-two multiplied by thirty; or twelve multiplied by three and a half and this again by thirty), the Time Number. The symbol of the indefinite period of present-world duration; the age of persecution. Twelve hundred and sixty days are equivalent to forty-two months of thirty days each, or three and a half years of three hundred and sixty days each, the symbol of the incomplete period of trial during which the church suffers oppression. To this may perhaps be added the combination of twelve multiplied by five, representing the incompleteness of the church as one factor, and seven multiplied by three, representing [pg 251] Sixteen Hundred (forty multiplied by forty; or one hundred multiplied by sixteen), the Square of Forty; or the Square of Ten multiplied by the Square of Four. The symbol of that which is coextensive with the created world. Forty is composed of four, the earth number, multiplied by ten, the number of completeness; and sixteen hundred, the square of forty, is the sign of completeness so far as this world is concerned. The square of four multiplied by the square of ten gives the same result, and conveys the same idea of world-completeness. Seven Thousand (one thousand multiplied by seven), the Number of Multi-Completeness, one thousand, multiplied by seven, the Number of Fulness or Perfection. The symbol of a great number that is fully complete; the number of those put to death in the fall of the great city (ch. 11:13). Ten Thousand (one thousand multiplied by ten; the square of one hundred), the Superlative Number. The symbol of innumerability, or of an innumerable multitude. This is the highest single number in the system of notation used in the New Testament; ten raised to the fourth power, a myriad (?????). Twelve Thousand (one thousand multiplied by twelve), the Number of Multi-Completeness (one thousand) multiplied by the Number of the Tribes of Israel (twelve). The symbol of the complete number saved out of Israel from each tribe; or, as others interpret it, the complete number saved out of all the nations, included here under the twelve tribes, twelve thousand from each tribe; also the measure of one side of the wall of the New Jerusalem which is multi-complete and encircles the redeemed of Israel. One Hundred and Forty-four Thousand (one thousand multiplied by one hundred and forty-four; or twelve thousand multiplied by twelve; or the cube of ten multiplied by the square of twelve), the Number of Redemption. The symbol of the multiple completeness of the redeemed church, whether applied to the redeemed [pg 252] Ten Thousand Times Ten Thousand (ten thousand multiplied by ten thousand), the Number of Multi-Completeness (one thousand) multiplied by the Number of Completeness of Parts (ten), and this again multiplied by itself; the Square of a Myriad, one hundred millions in number. The symbol of an innumerable multitude which is made more intense by squaring it; the multiple and innumerable number of the angels in heaven. Twice Ten Thousand Times Ten Thousand (ten thousand multiplied by ten thousand, and this again doubled), the Double Square of a Myriad, two hundred millions in number—the largest multiple number in the book of Revelation, and the largest number mentioned in the Bible. The symbol of an innumerable multitude made more intense by multiplication, becoming thereby an innumerably innumerable multitude, and this again doubled. The countless number of the vast invading army of horsemen under the sixth trumpet which destroy a third part of men from the earth; the world-forces which under direction of the world-rulers of the darkness work world-ruin among men—a significant figure of the mighty power and destructive agency of the heathen world as it appeared to John's mind in the great Apocalyptic vision. Appendix F: The Literary Structure of the ApocalypseA Diagram showing the relation of its several parts. Illustration The Literary Structure of the Apocalypse Appendix G: The Apocalyptic Literature595The Apocalyptic Literature is a characteristic product of Jewish national and religious thought. It was a favorite literary method of a particular age, and was born of a travail of soul which strove to find expression for those new currents of thought and feeling that came to the surface in later Judaism. Following the decadence of prophecy it belonged to the period of Jewish oppression, and voiced the heart-cry of a people true to God in the midst of national distress. Though anticipated in fragmentary parts of earlier prophecies, as in Ezekiel and Zechariah, the style of Apocalyptic first found definite form in the book of Daniel, which became the type of all subsequent Writings of this class that flourished so abundantly in the two centuries preceding and the century following the beginning of the Christian era. Couched in language that is characteristically figurative and symbolical the literary form is at once marked and significant, and reached its highest development in the canonical Apocalypse which has given name to the whole class. The essential limitations of this class of literature are clearly recognizable; its ideas move within a narrow range, its point of view is sombre and unequal, and its center of interest is mainly eschatological. It occupies a sphere peculiarly its own, a world of pious and often fantastic dreams—“for prophecy as it lost its footing on the solid earth took refuge in the clouds”;596 it wrote the word mystery large across its page, and revelled in the weird and shadowy; but beneath its peculiar phantasy lay a profound religious motive—it sought to stay the troubled souls of men in time of storm, and in its deeper purpose strove to reconcile the righteousness of God with the sufferings of his people. In the form of strange and sometimes even grotesque symbolic visions—thought couched in symbols burning and vivid, which no other figure of speech could so well convey—and under the name of some hero of the past, it sketched in [pg 255] There still exists a not inconsiderable remnant of this very interesting literature, though the greater portion has perished in the wreckage of time. The principal books still extant are the Apocalypse of Baruch; the Ethiopic and Slavonic Books of Enoch; the Ascension of Isaiah; the Book of Jubilees; the Assumption of Moses; the Testaments of the XII Patriarchs; Second Esdras (known also as Fourth Ezra); the Psalms of Solomon; and the Sibylline Oracles. The late recovery of some of these from apparent oblivion is a matter of history, and their recension and translation by European and American scholars is not without interest to the general student. The study of this literature as a distinct class is one of the notable contributions to knowledge by the modern critical school. These Jewish Apocalypses were widely read in their day, and they both partook of and leavened the thought of their time, for they incorporated and expressed the current mysterious hopes and beliefs of the people. Their influence is distinctly traceable in the diction of the New Testament, and the Book of Enoch is obviously quoted in the Epistle of Jude. These works ranked very high with the primitive Christians, and this led to their being reedited by early Christian writers, and, it is generally thought, to the interpolation of later ideas. There is, however, a very wide variation of opinion concerning the extent to which changes have been introduced, and this is one of the puzzling questions that confronts the textual critic. Then, also, beside these changes in the older books, a new series of Christian Apocalypses sprang up, influenced no doubt by the Apocalypse of John. A considerable number of these have survived, such as the Apocalypse of Peter, of Paul, Thomas, Stephen, Cerinthus and others, but the greater portion have been lost, and those we have are decidedly inferior both in style and conception to the earlier Jewish works of which they are a feeble imitation. It is difficult for us to conceive the conditions of mind and thought that gave rise to such a literature. [pg 256] The rise of Apocalyptic marks a transition stage in the development of Hebrew thought that is of momentous significance, for it led to clearer views of immortality, and truer conceptions of God's relation to the world of men, as well as to a distinct clarifying of the Messianic hope. Its deeper roots are found in the failure of prophecy. No living voice was heard among the people speaking for God as in former days. Prophecy had grown senile and was in decay; it had become a thing of the past, and in its place had followed the scholastic work of the scribes, mechanically interpreting the messages of old. But, as is pointed out by Charles, “Scribism could not satisfy the aspirations of the nation: it represented an unproductive age of criticism, following a productive age of prophetic genius.” And Apocalyptic was the spontaneous outcry of a heart-hunger which refused to be fed on the barren husks of labored interpretation served up by the scribes. It was in the true line of succession to prophecy, [pg 257] The apocalyptists were evidently conscious that they had no new message for their generation, and this conviction led to certain well-defined results. First of all they fell back upon the old message for most of their ideas; but with singular skill they contrived to present them in new form. The essential elements of their thought were taken from the Old Testament prophecies, while the material framework was drawn from without. They attempted in their own way to develop an esoteric meaning in the prophecies of the past, and for this purpose called to their aid the bold and striking imagery of the Eastern mind. They laid under contribution the luxuriant symbols of Babylon, Persia, and the surrounding nations; they gathered the rarest figures from the accumulated stores of poetry, art, and religion; and then with a fertile fancy they interwove these all in the fantastic fabric of their dreams. Then, again, they hid their own personality, and masked under the name of some great religious hero of the past. Enoch and Moses, Isaiah and Baruch, served as a thin disguise for the real authors who remained unknown,—for the Apocalyptic writings are all pseudonymous so far as known, with the apparent exception of the Apocalypse of John, and the Shepherd of Hermas,—and yet we cannot say that there was any real motive of deception in this, if we take into account the views of authorship which then prevailed, for “the ethical notion of literary property is a plant of modern growth”.598 The fashioning of Apocalyptic was influenced by many different causes, but the most marked and significant [pg 258] The general prevalence of the Apocalyptic form in the period in which it was used may be accounted for [pg 260] The value of Apocalyptic is increasingly recognized as a storehouse of Jewish and Jewish-Christian thought in the age preceding and in the early part of the Christian era. It forms the necessary connecting link between the Old Testament and the New, and is especially rich in messianic and eschatological conceptions. It is the chief source of information through which we can trace the changes that occurred in Jewish belief, and the later development of Jewish thought, in the period immediately preceding the time of Christ. It carries us back, in effect, to the thought-world of the first century, and enables us, as SchÜrer aptly says, “to reconstruct the thought, the aspiration, and the hopes of pious Jews [pg 261] The Apocalyptic Literature undoubtedly served a splendid purpose, for its effects were both wide-spread and in many respects beneficial. It served to rebuke sin, to maintain righteousness without any present prospect of reward, to keep alive the rich hopes of the future, to comfort God's children in the midst of distress, and to cultivate a patriotic spirit that cherished the nobler ideals of the past; while at the same time it formed a secure depository for those new concepts of truth that sprang up during the long era of preparation for the Messiah, and it thereby contributed a rich quota of thought and phrase to that greater future which was then drawing near to its birth. “In general Apocalyptic furnishes the atmosphere of the New Testament. Its form, its language, and its material are extensively used.... The simplest way to describe the relation is to say that Jesus and the writers of the New Testament found the forms of thought made use of in Apocalyptic Literature convenient vehicles, and have cast the gospel of God's redemptive love into these as into moulds. The Messianism of the apocalyptists has thus become unfolded into the Christology of the New Testament.”603 But upon the other hand Apocalyptic reveals a type of thought that can scarcely be regarded as healthful. It had no deep or abiding sympathy with the great overshadowing world-sorrow which it measurably apprehended, and it proposed no present remedy for the unhappy fortunes of Judaism. It dealt too largely with the future hopes of the nation, and did not like prophecy address itself to the immediate possibilities of the present; [pg 263] The importance of some knowledge of Apocalyptic to the student of John's Revelation cannot well be overestimated, for it is only in the light of Apocalyptic Literature that it can be rightly interpreted. It reproduces the author's native horizon, and reveals the sources of his mode of thought; it provides the key to the method of vision and symbol and dream-movement; and it makes clear the inevitable limitations as well as the recognized possibilities of this unique style when it becomes the vehicle of a true instead of an assumed revelation. For although the source of much of the imagery of the Apocalypse is to be found in the Old Testament, yet it is often materially changed by passing through the medium of later Jewish thought as reflected in the Pseudepigrapha; and although New Testament ideas everywhere prevail in, through, and above, those of the Old, yet the whole spirit and movement of the Apocalypse is moulded by certain underlying pre-Christian conceptions that belong to Jewish Apocalyptic. We find, for example, that the divine method in history is uniformly viewed as in the Apocalyptic Literature, and contrary to general experience, as chiefly one of crisis and catastrophe rather than of gradual development—the sudden and striking hiding from view the continued and ordinary. And we cannot but inquire how far this conception is with John the result of literary form and spiritual mood, rather than intended to set forth the intimate nature of the divine method; and how far it is designed to portray vividly the effects to be accomplished, rather than to signify the manner of their accomplishment. We find, too, that John, in common with the apocalyptists, dwells more upon the future hopes of the kingdom than upon its present possibilities, keeping his eye ever fixed above the conflict upon the far future of promise. And we cannot but inquire how far this aspect of his world-view was divinely designed as a message of comfort to a people in distress, rather than as a comprehensive presentation of the progressive world-plan of the ages; and how far it is given only as one point of view, rather than as designed to express the fulness of the divine purpose. To these inquiries there can properly be but one answer, the view-point is characteristic of and peculiar to Apocalyptic. It does not present the normal aspect of [pg 265] The larger study of Apocalyptic Literature must continue to have its effect upon the interpretation of the Apocalypse which is indisputably its greatest masterpiece. For by attentive consideration of the peculiarities of this form of composition we are gradually led to perceive that only in so far as we invest ourselves with the atmosphere which produced so strange a coloring of thought, can we hope to interpret aright that peculiar view of the world, growing out of the conditions of Jewish depression, which regards it as the arena of an all-pervasive conflict, and involved in prevailing sin and suffering, in order that through these seemingly adverse experiences it may by sovereign control be divinely made ready for the future glory of the Messiah's kingdom. And we are thus amply assured that a correct apprehension of the form and fashion of Apocalyptic thought will undoubtedly guide us in all that pertains to the material framework of the Apocalypse, though certainly we should not forget that we must always go to the Old Testament and to the New when we would reach its inner heart. The present general consensus of opinion among modern scholars, therefore, seems to be, that having measurably exhausted inquiry concerning the Old Testament references, whatever progress we are to make in the immediate future in unfolding the thought of the Revelation must be through a further study of the thought-forms of the century that gave it birth, which so richly abound in the Apocalyptic writings, but which so long escaped the scholarly and attentive consideration of Christian thought. |