Burning of the Pope—St. Bride's Steeple—Milton—Illuminated Clock—Melancholy End of Lovelace the Cavalier—Chatterton—Generosity of Hardham, of Snuff Celebrity—Theatre in Dorset Garden—Richardson, his Habits and Character—Whitefriars, or Alsatia—The Temple—Its Monuments, Garden, &c.—Eminent names connected with it—Goldsmith dies there—Boswell's first Visit there to Johnson—Johnson and Madame de Boufflers—Bernard Lintot—Ben Jonson's Devil Tavern—Other Coffee-houses and Shops—Goldsmith and Temple-bar—Shire Lane, Bickerstaff, and the Deputation from the Country—The Kit-Kat Club—Mrs. Salmon—Isaac Walton—Cowley—Chancery Lane, Lord Strafford, and Ben Jonson—Serjeant's Inn—Clifford's Inn—The Rolls—Sir Joseph Jekyll—Church of St. Dunstan in the West—Dryden's House in Fetter Lane—Johnson, the Genius Loci of Fleet Street—His Way of Life—His Residence in Gough Square, Johnson's Court, and Bolt Court—Various Anecdotes of him connected with Fleet Street, and with his favourite Tavern, the Mitre. W We are now in Fleet Street, and pleasant memories thicken upon us. To the left is the renowned realm of Alsatia, the Temple, the Mitre, and the abode of Richardson; to the right divers abodes of Johnson; Chancery Lane, with Cowley's birth-place at the corner; Fetter Lane, where Dryden once lived; and Shire or Sheer Lane, immortal for the Tatler. Fleet Street was, for a good period, perhaps for a longer one than can now be ascertained, the great place for shows and spectacles. Wild beasts, monsters, and other marvels, used to be exhibited there, as the wax-work was lately; and here took place the famous ceremony of burning the Pope, with its long procession, and bigoted anti-bigotries. However, the lesser bigotry was useful, at that time, in keeping out the greater. Roger North has left us a lively account of one of these processions, in his Examen. It took place towards the close of the reign of Charles the Second, when just fears were entertained of his successor's design to bring in Popery. The day of the ceremony was the birth-day of Queen Elizabeth, the 17th March. "When we had posted ourselves," says North, "at windows expecting the play to begin" (he had taken his stand in the Green "The next pageant was a parcel of Jesuits; and after that (for there was always a decent space between them) came another, with some ordinary persons with halters, as I took it, about their necks; and one with a stenterophonic tube, sounded 'Abhorrers! Abhorrers!' most infernally; and, lastly, came one, with a single person upon it, which some said was the phamphleteer, Sir Roger L'Estrange, some the King of France, some the Duke of York; but, certainly, it was a very complaisant, civil gentleman, like the former, that was doing what everybody pleased to have him; and, taking all in good part went on his way to the fire." The description concludes with a brief mention of burning the effigies, which, on these occasions, appear to have been of pasteboard.[75] One of the great figurers in this ceremony was the doleful image of Sir Edmondbury Godfrey, a magistrate, supposed to have been killed by the Papists during the question of the plot. Dryden has a fine contemptuous couplet upon it, in one of his prologues;— "Sir Edmondbury first in woful wise, Leads up the show, and milks their maudlin eyes." We will begin with the left side, as we are there already; "At the west end of St. Bride's Church," according to Wood, was buried Richard Lovelace, Esq., one of the most elegant of the cavaliers of Charles the First, and author of the exquisite ballad beginning— "When Love with unconfined wings Hovers within my gates, And my divine Althea brings To whisper at my grates. "When I lie tangled in her hair, And fetter'd in her eye, The birds that wanton in the air, Know no such liberty. "Stone walls do not a prison make, Nor iron bars a cage, Minds innocent and quiet take That for an hermitage." This accomplished man, who is said by Wood to have been in his youth "the most amiable and beautiful person that eye ever beheld," and who was lamented by Charles Cotton as an epitome of manly virtue, died at a poor lodging in Gunpowder Alley, near Shoe Lane, an object of charity.[76] He Not far from Gunpowder Alley, in the burying-ground of the workhouse in Shoe Lane, lies a greater and more unfortunate name than Lovelace—Chatterton. But we shall say more On the same side of the way as Shoe Lane, but nearer Fleet Market, was Hardham's, a celebrated snuff-shop, the founder of which deserves mention for a very delicate generosity. He was numberer at Drury Lane Theatre, that is to say, the person who counted the number of people in the house, from a hole over the top of the stage; a practice now discontinued. Whether this employment led him to number snuffs, as well as men, we cannot say, but he was the first who gave them their distinctions that way. Lovers of "The pungent grains of titillating dust" are indebted to him for the famous compound entitled "37." "Being passionately fond of theatrical entertainments, he was seldom," says his biographer, "without embryo Richards and Hotspurs strutting and bellowing in his dining-room, or in the parlour behind his shop. The latter of these apartments was adorned with heads of most of the persons celebrated for dramatic excellence; and to these he frequently referred in the course of his instructions." "There is one circumstance, however, in his private character," continues our authority, "which deserves a more honourable rescue from oblivion. His charity was extensive in an uncommon degree, and was conveyed to many of its objects in the most delicate manner. On account of his known integrity (for he once failed in business, more creditably than he could have made a fortune by it,) he was often entrusted with the care of paying little annual stipends to unfortunate women, and others who were in equal want of relief; and he has been known, with a generosity almost unexampled, to continue these annuities, long after the sources of them had been stopped by the deaths or caprices of the persons who at first supplied them. At the same time he persuaded the receivers that their money was remitted to them as usual, through its former channel. Indeed his purse was never shut even to those who were casually recommended by his common acquaintance."[78] This admirable man died in 1772; and by his will bequeathed Returning over the way we come to Dorset Street and Salisbury Court, names originating in a palace of the Bishop of Salisbury, which he parted with to the Sackvilles. Clarendon lived in it a short time after the Restoration. At the bottom of Salisbury Court, facing the river, was the celebrated play-house, one of the earliest in which theatrical entertainments were resumed at that period. The first mention we find of it is in the following curious memorandum in the manuscript book of Sir Henry Herbert, master of the revels to King Charles I. "I committed Cromes, a broker in Longe Lane, the 16th of Febru., 1634, to the Marsalsey, for lending a church robe with the name of Jesus upon it to the players in Salisbury Court, to present a Flamen, a priest of the heathens. Upon his petition of submission, and acknowledgment of his fault, I released him, the 17 Febru., 1634."[79] It is not certain, however, whether the old theatre in Salisbury Court, and that in Dorset Garden, were one and the same; though they are conjectured to have been so. The names of both places seem to have been indiscriminately applied. Be this as it may, the house became famous under the Davenants for the introduction of operas and of a more splendid exhibition of scenery; but in consequence of the growth of theatres in the more western parts of the town, it was occasionally quitted by the proprietors, and about the beginning of the last century abandoned. This theatre was the last to which people went in boats. In a house, "in the centre of Salisbury Square or Salisbury Court, as it was then called," Richardson spent the greater part of his town life, and wrote his earliest work, Pamela. Probably a good part of all his works were composed there, as well as at Fulham, for the pen was never out of his hand. He removed from this house in 1755, after he had written all his works; and taking eight old tenements in the same quarter, pulled them down, and built a large and commodious range of warehouses and printing offices. "The dwelling-house," says Mrs. Barbauld, "was neither so large nor so airy as the one he quitted, and therefore the reader will not be so ready, probably, as Mr. Richardson seems to It is a fact not generally known (none of his biographers seem to have known of it) that Richardson was the son of a joiner, received what education he had (which was very little, and did not go beyond English), at Christ's Hospital.[81] It may be wondered how he could come no better taught from a school which had sent forth so many good scholars; but in his time, and indeed till very lately, that foundation was divided into several schools, none of which partook of the lessons of the others; and Richardson, agreeably to his father's intention of bringing him up to trade, was most probably confined to the writing-school, where all that was taught was writing and arithmetic. It was most likely here that he intimated his future career, first by writing a letter, at eleven years of age, to a censorious woman of fifty, who At Fulham and Parson's Green (at which latter place he lived for the last five or six years), Richardson used to sit with his guests about him, in a parlour or summer-house, reading, or communicating his manuscripts as he wrote them. The ladies made their remarks; and alterations or vindications ensued. His characters, agreeably to what we feel when we read of them (for we know them all as intimately as if we occupied a room in their house), interested his acquaintances so far that they sympathised with them as if they were real; and it is well known that one of his correspondents, Lady Bradshaigh, implored him to reform Lovelace, in order "to save a soul." In Salisbury Court, Richardson, of course, had the same visitors about him; but the "flower-garden" is not talked of so much there as at Fulham. In the evening the ladies read and worked by themselves, and Richardson retired to his study; a most pernicious habit for a man of his bad nerves. He should have written early in the morning, taken good exercise in the day, and amused himself in the evening. When he walked in town it was in the park, where he describes himself (to a fair correspondent who wished to have an interview with him, and who recognised him from the description) as "short, rather plump, about five feet five Latterly Richardson attended little to business. He used even to give his orders to his workmen in writing; a practice which Sir John Hawkins is inclined to attribute to stateliness and bad temper, but for which Mrs. Barbauld finds a better reason in his bad nerves. His principal foreman also was deaf, as the knight himself acknowledges. Richardson encouraged his men to be industrious, sometimes by putting half-a-crown among the types as a prize to him who came first in the morning, at others by sending fruit for the same purpose from the country. Agreeably to his natural bashfulness, he was apt to be reserved with strangers. Sir John Hawkins tells us, that he once happened to get into the Fulham stage when Richardson was in it (most likely he got in on purpose); and he endeavoured to bring the novelist into conversation, but could not succeed, and was vexed at it. But Sir John was one of that numerous class of persons who, for reasons better known to others than to themselves, "Deemen gladly to the badder end," as the old poet says; and Richardson probably knew this pragmatical person, and did not want his acquaintance. Johnson was among the visitors of Richardson in Salisbury Court. He confessed to Boswell, that although he had never much sought after anybody, Richardson was an exception. He had so much respect for him, that he took part with him in a preposterous undervaluing of Fielding, whom he described We conclude our notice, which, on the subject of so original a man, has naturally beguiled us into some length, with an interesting account of his manners and way of life, communicated by one of his female friends to Mrs. Barbauld. "My first recollection of him," says she, "was in his house in the centre of Salisbury Square, or Salisbury Court as it was then called; and of being admitted as a playful child into his study, where I have often seen Dr. Young and others; and where I was generally caressed and rewarded with biscuits or bonbons of some kind or other; and sometimes with books, for which he, and some more of my friends, kindly encouraged a taste, even at that early age, which has adhered to me all my long life, and continues to be the solace of many a painful hour. I recollect that he used to drop in at my father's, for we lived nearly opposite, late in the evening to supper; when, as he would say, he had worked as long as his eyes and nerves would let him, and was come to relax with a little friendly and domestic chat. I even then used to creep to his knee and hang upon his words, for my whole family doated on him; and once, I recollect that at one of these evening visits, probably about the year 1753, I was standing by his knee when my mother's maid came to summon me to bed; upon which, "The piety, order, decorum, and strict regularity that prevailed in his family were of infinite use to train the mind to good habits and to depend upon its own resources. It has been one of the means which, under the blessing of God, has enabled me to dispense with the enjoyment of what the world calls pleasures, such as are found in crowds, and actually to relish and prefer the calm delights of retirement and books. As soon as Mrs. Richardson arose, the beautiful Psalms in Smith's Devotions were read responsively in the nursery, by herself and daughters standing in a circle: only the two eldest were allowed to breakfast with her and whatever company happened to be in the house, for they were seldom without. After breakfast, we younger ones read to her in turns the Psalms and Lessons for the day. We were then permitted to pursue our childish sports, or to walk in the garden, which I was allowed to do at pleasure; for, when my father hesitated upon granting that privilege for fear I should help myself to the fruit, Mrs. Richardson said, 'No, I have so much confidence in her, that, if she is put upon honour, I am certain that she will not touch so much as a gooseberry.' A confidence I dare safely aver that I never forfeited, and which has given me the power of walking in any garden ever since, without the smallest desire to touch any fruit, and taught me a lesson upon the restraint of appetite, which has been useful to me all my life. We all dined at one table, "These are trifling and childish anecdotes, and savour, perhaps you may think too much of egotism. They certainly can be of no further use to you than as they mark the extreme benevolence, condescension, and kindness of this exalted genius, towards young people; for, in general society, I know he has been accused as being of few words and of a particularly reserved turn. He was, however, all his lifetime the patron and protector of the female sex. Miss M. (afterwards Lady G.) passed many years in his family. She was the bosom friend and contemporary of my mother; and was so much considered as enfant de famille in Mr. Richardson's house, that her portrait is introduced into a family piece. "He had many protÉgees;—a Miss Rosine, from Portugal, was consigned to his care; but of her, being then at school, I never saw much. Most of the ladies that resided much at his house acquired a certain degree of fastidiousness and delicate refinement, which, though amiable in itself, rather disqualified them from appearing in general society to the advantage that might have been expected, and rendered an intercourse with the world uneasy to themselves, giving a peculiar air of shyness and reserve to their whole address; of which habits his own daughters partook, in a degree that has been thought by some a little to obscure those really valuable qualifications and talents they undoubtedly possessed. Yet this was supposed to be owing more to Mrs. Richardson than to him; who, though a truly good woman, had high and Harlowean notions of parental authority, and kept the ladies in such order, and at such a distance, that he often lamented, as I have been told by my mother, that they were not more open and conversable with him. "Besides those I have already named, I well remember a Mrs. Donellan, a venerable old lady, with sharp piercing eyes; Miss Mulso, &c., &c.; Secker, Archbishop of Canterbury; Sir Thomas Robinson (Lord Grantham), &c., &c., who were frequent visitors at his house in town and country. The ladies I have named were often staying at North End, at the period of his highest glory and reputation; and in their company and conversation his genius was matured. His benevolence was unbounded, as his manner of diffusing it was delicate and refined."[84] Richardson was buried in the nave of St. Bride's Church; and a stone was placed over his remains, merely recording his name, the year of his death, and his age. In this church were also interred Wynken de Worde, the famous printer; the bowels of Sackville the poet, whom we shall presently have occasion to mention again; and Sir Richard Baker, the author of the well-known book of English Chronicles. De Worde resided in Fleet Street. Between Water Lane and the Temple, and leading out of "Cheatley. A rascal, who by reason of debts dares not stir out of White-fryers, but there inveigles young heirs in tail, and helps them to goods and money upon great disadvantages; is bound for them, and shares for them till he undoes them. A lewd, impudent, debauch'd fellow, very expert in the cant about the town. "Shamwell. Cousin to the Belfonds; an heir, who being ruined by Cheatley, is made a decoy-duck for others: not daring to stir out of "Capt. Hackman. A block-head bully of Alsatia; a cowardly, impudent, blustering fellow; formerly a sergeant in Flanders, run from his colours, retreated into White-fryers for a very small debt, where by the Alsatians he is dubbed a Captain, marries one that lets lodgings, sells cherry brandy, &c. "Scrapeall. A hypocritical, repeating, praying, psalm-singing, precise fellow, pretending to great piety, a godly knave, who joins with Cheatley, and supplies young heirs with goods and money." But Sir Walter, besides painting the place itself as if he had lived in it (vide Fortunes of Nigel, vol. ii.), puts these people in action, with a spirit beyond anything that Shadwell could have done, even though the dramatist had a bit of the Alsatian in himself—at least as far as drinking could go, and a flood of gross conversation. Infamous, however, as this precinct was, there were some good houses in it, and some respectable inhabitants. The first Lord Sackville lived there; another inhabitant was Ogilby, who was a decent man, though a bad poet, and taught dancing; and Shirley another. It appears also to have been a resort of fencing-masters, which probably helped to bring worse company. They themselves, indeed, were in no good repute. One of them, a man of the name of Turner, living in Whitefriars, gave rise to a singular instance of revenge recorded in the State Trials. Lord Sanquire, a Scotch nobleman, in the time of James I., playing with Turner at foils, and making too great a show of his wish to put down a master of the art (probably with the insolence common to the nobility of that period), was pressed upon so hard by the man, that he received a thrust which put out one of his eyes. "This mischief," says Wilson, "was much regretted by Turner; and the baron, being conscious to himself that he meant his adversary no good, took the accident with as much patience as men that lose one eye by their own default use to do for the preservation of the other." "Some time after," continues this writer, "being in the court of the late great Henry of France, and the King (courteous to strangers), entertaining discourse with him, asked him, 'How he lost his eye:' he (cloathing his answer in a better shrowd than a plain fencer's) told him 'It was done with a sword.' The King replies, 'Doth the man live?' and that question gave an end to the discourse, but was the beginner of a strange confusion in his working fancy, which neither time nor distance could compose, carrying it in James, who had shown such favour to the Scotch as to make the English jealous, and who also hated an ill-natured action, when it was not to do good to any of his favourites, thought himself bound to issue a promise of reward for the arrest of Sanquire and the others. It was successful; and all three were hung, Carliel and Irweng in Fleet Street, opposite the great gate of Whitefriars (the entrance of the present Bouverie Street), and Sanquire in Palace Yard, before Westminster Hall. He made a singular defence, very good and penitent, and yet remarkably illustrative of the cheap rate at which plebeian blood was held in those times; and no doubt his death was a great surprise to him. The people, not yet This and other pretended sanctuaries were at length put down by an Act of Parliament passed about the beginning of the last century. It is curious that the once lawless domain of Alsatia should have had the law itself for its neighbour; but Sir Walter has shown us, that they had more sympathies than might be expected. It was a local realisation of the old proverb of extremes meeting. We now step out of this old chaos into its quieter vicinity, which, however, was not always as quiet as it is now. The Temple, as its name imports, was once the seat of the Knights Templars, an order at once priestly and military, originating in the crusades, and whose business it was to defend the Temple at Jerusalem. How they degenerated, and what sort of vows they were in the habit of making, instead of those of chastity and humility, the modern reader need not be told, after the masterly pictures of them in the writer from whom we have just taken another set of ruffians. The Templars were dissolved in the reign of Edward II., and their house occupied by successive nobles, till it came into the possession of the law, in whose hands it was confirmed "for ever" by James I. We need not enter into the origin of its division into two parts, the Inner and Middle Temple. Suffice to say, that the word Middle, which implies a third Temple, refers to an outer one, or third portion of the old buildings, which does not appear to have been ever occupied by lawyers, but came into possession of the celebrated Essex family, whose name is retained in the street where it was situated, on the other side of Temple Bar. There is nothing remaining of the ancient buildings but the church built in 1185, which is a curiosity justly admired, particularly for its effigies of knights, some of whose cross legs indicate that they had either been to the Holy Land, or have been supposed to or vowed to go thither. One of the band is ascertained to have been Geoffrey de Magnavile, Earl of Essex, who was killed at Benwell in Cambridgeshire, in 1148. Among the others are supposed to be the Marshals, first, second, and third Earls of Pembroke, who all died in the early part of the thirteenth century. But even these have not been identified upon any satisfactory grounds; and with regard to some of the rest, not so much as a probable conjecture has been offered. As it is an opinion still prevailing, that these cross-legged knights are Knights Templars, we have copied below the most complete information respecting them which we have hitherto met with. And the passage is otherwise curious.[87] The two Temples, or law colleges, occupy a large space of ground between Whitefriars and Essex Street; Fleet Street bounding them on the north, and the river on the south. They compose an irregular mass of good substantial houses, in lanes and open places, the houses being divided into chambers, or floors for separate occupants, some of which are let to persons not in the profession. The garden about forty years ago was enlarged, and a muddy tract under it, on the side of the Thames, converted into a pleasant walk. This garden is still not very large, but it deserves its name both for trees and flowers. There is a descent into it after the Italian fashion, from a court with a fountain in it, surrounded with trees, through which the view of the old walls and buttresses of the Middle Temple Hall is much admired. But a poet's hand has touched the garden, and made it bloom with roses above the real. It is the scene in Shakspeare, of the origin of the factions of York and Lancaster. PLANTAGENET. "Since you are tongue-ty'd, and so loth to speak, In dumb significence proclaim your thoughts; Let him that is a true born gentleman, And stands upon the honour of his birth, If he suppose that I have pleaded truth, From off this brier pluck a white rose with me. SOMERSET. Let him that is no coward nor no flatterer, But dare maintain the party of the truth, Pluck a red rose from off this thorn with me. WARWICK. I love no colours; and, without all colour Of base insinuating flattery, I pluck this white rose with Plantagenet. SUFFOLK. I pluck this red rose with young Somerset; And say withal I think he held the right." There were formerly rooks in the Temple trees, a colony brought by Sir Edward Northey, a well-known lawyer in Queen Anne's time, from his grounds at Epsom. It was a pleasant thought, supposing that the colonists had no objection. The rook is a grave legal bird, both in his coat and habits; living in communities, yet to himself; and strongly addicted to discussions of meum and tuum. The neighbourhood, however, appears to have been too much for him; for, upon inquiring on the spot, we were told that there had been no rooks for many years. The oldest mention of the Temple as a place for lawyers has been commonly said to be found in a passage of Chaucer, who is reported to have been of the Temple himself. It is in his character of the Manciple, or Steward, whom he pleasantly pits against his learned employers, as outwitting even themselves: "A gentle manciple was there of a temple, Of which achatours (purchasers) mighten take ensample, For to ben wise in buying of vitÁille. For whether that be paid, or took by taille, Algate he waited so in his achate, That he was ay before in good estate; Now is not that of God a full fair grace, That such a lewÈd (ignorant) mannÈs wit shall pass The wisdom of a heap of learned men?"[88] —— "those bricky towers The which on Thames' broad aged back do ride, Where now the studious lawyers have their bowers; There whilom wont the Templar Knights to bide, Till they decayed through pride."[89] The "studious lawyers," in their towers by the water side, present a quiet picture. Yet in those times, it seems, they were apt to break into overt actions of vivacity, a little excessive, and such as the habit of restraint inclines people to, before they have arrived at years of discretion. In Henry VIII.'s time the gentlemen of the Temple were addicted to "shove and slip-groats,"[90] which became forbidden them under a penalty; and in the age in which Spenser wrote, so many encounters had taken place, of a dangerous description, that Templars were prohibited from carrying any other weapon into the hall (the dining room), "than a dagger or knife,"—"as if," says Mr. Malcolm, "those were not more than sufficient to accomplish unpremeditated deaths."[91] We are to suppose, however, that gentlemen would not kill each other, except with swords. The dagger, or carving knife, which it was customary to carry about the person in those days, was for the mutton.[92] A better mode of recreating and giving vent to their A masque has come down to us written by William Browne, a disciple of Spenser, expressly for the society of which he was a member, and entitled the Inner Temple Masque. It is upon the story of Circe and Ulysses, and is worthy of the school of poetry out of which he came. Beaumont wrote another, called the Masque of the Inner Temple and Gray's Inn. A strong union has always existed between the law and the belles-lettres, highly creditable to the former, or rather naturally to be expected from the mode in which lawyers begin their education, and the diversity of knowledge which no men are more in the way of acquiring afterwards. Blackstone need not have written his farewell to the Muses. If he had been destined to be a poet, he could not have taken his leave; and, as an accomplished lawyer, he was always within the pale of the literÆ humaniores. The greatest practical lawyers, such as Coke and Plowden, may not have been the most literary, but those who have understood the law in the greatest and best spirit have; and the former, great as they may be, are yet but as servants and secretaries to the rest. They know where to find, but the others know best how to apply. Bacon, Clarendon, Selden, Somers, Cowper, Mansfield, were all men of letters. So are the Broughams and Campbells of the present day. Pope says, that Mansfield would have been another Ovid. This may be doubted; but nobody should doubt that the better he understood a poet, the fitter he was for universality of judgment. The greatest lawyer is the greatest legislator. The "pert Templar," of whom we hear so much between the reigns of the Stuarts and the late King, came up with the growth of literature and the coffee-houses. Every body then began to write or to criticise; and young men, brought up in the mooting of points, and in the confidence of public speaking, naturally pressed among the foremost. Besides, a variety of wits had issued from the Temple in the reign of "Three college sophs, and three pert Templars came, The same their talents, and their tastes the same; Each prompt to query, answer, and debate, And smit with love of poetry and prate."[93] We could quote many other passages to the same purpose, but we shall come to one presently which will suffice for all, and exhibit the young Templar of those days in all the glory of his impertinence. At present the Templars make no more pretensions than other well-educated men. Many of them are still connected with the literature of the day, but in the best manner and with the soundest views; and if there is no pretension to wit, there is the thing itself. It would be endless to name all the celebrated lawyers who have had to do with the Temple. Besides, we shall have to notice the most eminent of them in other places, where they passed a greater portion of their lives. We shall therefore confine ourselves to the mention of such as have lived in it without being lawyers, or thrown a grace over it in connection with wit and literature. Chaucer, as we have just observed, is thought, upon slight evidence, to have been of the Temple. We know not who the Mr. Buckley was, that says he saw his name in the record; and the name, if there, might have been that of some other Chaucer. The name is said to be not unfrequent in records under the Norman dynasty. We are told by Thynne, in his Animadversions on Speght's edition of the poet's works (published a few years ago from the manuscript by Mr. Todd, in his Illustrations of Chaucer and Gower), that "it is most certain to be gathered by circumstances of records that the lawyers were not in the Temple until towards the latter part of the reign of King Edward III., at which time Chaucer was a grave man, holden in great credit, and employed in embassy." "So that methinketh," adds the The first English tragedy of any merit, Gorbuduc, was written in the Temple by Thomas Norton and Thomas Sackville, afterwards the celebrated statesman, and founder of the title of Dorset. He was author of a noble performance, the Induction for the Mirrour of Magistrates, in which there is a foretaste of the allegorical gusto of Spenser. Raleigh was of the Temple; Selden, who died in Whitefriars; Lord Clarendon; Beaumont; two other of our old dramatists, Ford and Marston (the latter of whom was lecturer of the Middle Temple); Wycherly, whom it is said the Duchess of Cleveland used to visit, in the habit of a milliner; Congreve, Rowe, Fielding, Burke, and Cowper. Goldsmith was not of the Temple, but he had chambers in it, died there, and was buried in the Temple Church. He resided, first on the Library Staircase, afterwards in King's Bench Walk, and finally at No. 2, Brick Court, where he had a first floor elegantly furnished. It was in one of the former lodgings that, being visited by Dr. Johnson, and expressing something like a shame-faced hope that he should soon be in lodgings better furnished, "Johnson," says Boswell, "at the same time checked him, and paid him a handsome compliment, implying that a man of talent should be above attention to such distinctions. 'Nay, sir, never mind that: Nil te quÆsiveris extra.'[94] (It is only yourself that need be looked for). He died in Brick Court. It is said that when he was on his deathbed, the landing-place was filled with inquirers, not of the most mentionable description, who lamented him heartily, for he was lavish of his money as he went along Fleet Street. We are told by one of the writers of the life prefixed to his works (probably Bishop Percy, who contributed the greater part of it), that "he was generous in the extreme, and so strongly affected by compassion, that he has been known at midnight to abandon his rest in order to procure relief and an asylum for a poor dying object who was left destitute in the streets." This, surely, ought to be praise to no man, however benevolent: but it is, in the present state of society. However, the offices of the good Samaritan are now reckoned among the things that may be practised as well as preached, without diminution of a man's reputation for common-sense; and this is a great step. "I received one morning," said Johnson, "a message from poor Goldsmith, that he was in great distress, and as it was not in his power to come to me, begging that I would come to him as soon as possible. I sent him a guinea, and promised to come to him directly. I accordingly went to him as soon as I was dressed, and found that his landlady had arrested him for his rent, at which he was in a violent passion. I perceived that he had already changed my guinea, and had a bottle of Madeira and a glass before him. I put the cork into the bottle, desired he would be calm, and began to talk to him of the means by which he might be extricated. He then told me that he had a novel ready for the press, which he produced to me. I looked into it, and saw its merit; told the landlady I should soon return, and having gone to a bookseller, sold it for sixty pounds. I brought Goldsmith the money, and he discharged his rent, not without rating his landlady in a high tone for having used him so ill."[95] Johnson himself lived for some time in the Temple. It was there that he was first visited by his biographer, who took rooms in Farrar's Buildings in order to be near him. His appearance and manners on this occasion, especially as our readers are now of the party, are too characteristic to be omitted. "His chambers," says Boswell, "were on the first floor of No. 1, Middle Temple Lane—and I entered them with an impression given me by the Rev. Dr. Blair, of Edinburgh, who had been introduced to him not long before, and described his having 'found the giant in his den,' an expression which, when I came to be pretty well acquainted with Johnson, I repeated to him, and he was diverted at this picturesque account of himself.... "He received me very courteously; but it must be confessed that his apartment, and furniture, and morning dress, were sufficiently uncouth. His brown suit of clothes looked very rusty; he had on a little shrivelled unpowdered wig, which was too small for his head; his shirt-neck and knees of his breeches were loose; his black worsted stockings ill-drawn up; and he had a pair of unbuckled shoes by way of slippers. But all these slovenly particularities were forgotten the moment he began to talk. Some gentlemen, whom I do not recollect, were sitting with him; and when they went away, I also rose; but he said to me, 'Nay, don't go.'—'Sir,' said I, 'I am afraid that I intrude upon you. It is benevolent to allow me to sit and hear you.' He seemed pleased with this compliment which I It was in a dress of this sort, and without his hat, that he was seen rushing one day after two of the highest-bred visitors conceivable, in order to hand one of them to her coach. These were his friend Beauclerc, of the St. Albans family, and Madame de Boufflers, mother (if we mistake not) of the Chevalier de Boufflers, the celebrated French wit. Her report, when she got home, must have been overwhelming; but she was clever and amiable, like her son, and is said to have appreciated the talents of the great uncouth. Beauclerc, however, must repeat the story:— "When Madame de Boufflers," says he, "was first in England, she was desirous to see Johnson. I accordingly went with her to his chambers in the Temple, where she was entertained with his conversation for some time. When our visit was over, she and I left him, and were got into Inner Temple Lane, when all at once I heard a noise like thunder. This was occasioned by Johnson, who, it seems, on a little recollection, had taken it into his head that he ought to have done the honours of his literary residence to a foreign lady of quality; and eager to show himself a man of gallantry, was hurrying down the stairs in violent agitation. He overtook us before we reached the Temple-gate, and brushing in between me and Madame de Boufflers, seized her hand and conducted her to the coach. His dress was a rusty-brown morning suit, a pair of old shoes by way of slippers, a little shrivelled wig sticking on the top of his head, and the sleeves of his shirt and the knees of his breeches hanging loose. A considerable crowd of people gathered round, and were not a little struck by his singular appearance."[97] It was in the Inner Temple Lane one night, being seized with a fit of merriment at something that touched his fancy, not without the astonishment of his companions, who could not see the joke, that Johnson went roaring all the way to the Temple-gate; where, being arrived, he burst into such a convulsive laugh, says Boswell, that in order to support himself he "laid hold of one of the posts at the side of the foot-pavement, and sent forth peals so loud, that in the silence of the night, his voice seemed to resound from Temple-bar to Fleet-ditch. This most ludicrous exhibition," continues his follower, "of the awful, melancholy, and venerable Johnson, happened well to counteract the feelings of sadness which I used to experience when parting from him for a considerable time. I accompanied him to his door, where he gave me his blessing."[98] Between the Temple-gates, at one time, lived Bernard Lintot, who was in no better esteem with authors than the other great bookseller of those times, Jacob Tonson. There is a pleasant anecdote of Dr. Young's addressing him a letter by mistake, which Bernard opened, and found it begin thus:—"That Bernard Lintot is so great a scoundrel."—"It must have been very amusing," said Young, "to have seen him in his rage: he was a great sputtering fellow."[99] Between the gates and Temple-bar, but nearer to the latter, was the famous Devil Tavern, where Ben Jonson held his club. Messrs. Child, the bankers, bought it in 1787, and the present houses were erected on its site. We believe that the truly elegant house of Messrs. Hoare, their successors, does not interfere with the place on which it stood. We rather think it was very near to Temple-bar, perhaps within a house or two. The club-room, which was afterwards frequently used for balls, was called the Apollo, and was large and handsome, with a gallery for music. Probably the house had originally been a private abode of some consequence. The Leges Conviviales, which Jonson wrote for his club, and which are to be found in his works, are composed in his usual style of elaborate and compiled learning, not without a taste of that dictatorial self-sufficiency, which, notwithstanding all that has been said by his advocates, and the good qualities he undoubtedly possessed, forms an indelible part of his character. "Insipida poemata," says he, "nulla recitantur" (Let nobody repeat to us insipid poetry); as if all that he should read of his own must infallibly be otherwise. The club at the Devil does not appear to have resembled the higher one at the Mermaid, where Shakspeare and Beaumont used to meet him. He most probably had it all to himself. This is the tavern mentioned by Pope:— "And each true Briton is to Ben so civil, He swears the Muses met him at the Devil." It was in good repute at the beginning of the last century. "I dined to-day," says Swift, in one of his letters to Stella, "with Dr. Garth and Mr. Addison at the Devil Tavern, near Temple-bar, and Garth treated: and it is well I dine every day, else I should be longer making out my letters; for we are yet in a very dull state, only inquiring every day after new elections, where the Tories carry it among the new There was a multitude of famous shops and coffee-houses in this quarter, all of which make a figure in the Tatler and other works, such as Nando's coffee-house; Dick's (still extant as Richard's); the Rainbow (which is said to have been indicted in former times for the nuisance of selling coffee); Ben Tooke's (the bookseller); Lintot's; and Charles Mather's, alias Bubble-boy, the Toyman, who, when Sir Timothy Shallow accuses him of selling him a cane "for ten pieces, while Tom Empty had as good a one for five," exclaims, "Lord! Sir Timothy, I am concerned that you, whom I took to understand canes better than anybody in town, should be so overseen! Why, Sir Timothy, yours is a true jambee, and esquire Empty's only a plain dragon."[101] The fire of London stopped at the Temple Exchange coffee-house; a circumstance which is recorded in an inscription, stating the house to have been the last of the houses burnt, and the first restored. The old front of this house was taken down about a century ago; but on its being rebuilt, the stone with the inscription was replaced. But we must now cross over the way to Shire Lane, which is close to Temple Bar on the opposite side. Here, "in ancient times," says Maitland, writing in the middle of the last century, "were only posts, rails, and a chain, such as are now at Holborn, Smithfield, and Whitechapel bars. Afterwards there was a house of timber erected across the street, with a narrow gateway, and an entry on the south side of it under the house." The present gate was built by Wren after the great fire, but although the work of so great a master, is hardly worth notice as a piece of architecture. It must be allowed that Wren could do poor things as well as good, even when not compelled by a vestry. As the last of the city gates, however, we confess we should be sorry to see it pulled down, though we believe there is a general sense that it is in the way. If it were handsome or venerable we should plead hard for it, because it would then be a better thing than a mere convenience. The best thing we know of it is a jest of Goldsmith's; and the worst, the point on which the jest turned. Goldsmith was coming from Westminster Abbey, with Dr. Johnson, where they had been looking at the tombs in Poets' Corner, and Johnson had quoted a line from Ovid:— "Forsitan et nostrum nomen miscebitur istis." (Perhaps, some day, our names may mix with theirs.) "When we got to Temple Bar," says Johnson, "Goldsmith stopped me, pointed to the heads upon it, and slily whispered to me ('in allusion,' says Boswell, 'to Dr. Johnson's supposed political opinions, and perhaps to his own,') "'Forsitan et nostrum nomen miscebitur istis.'" (Perhaps, some day, our names may mix with theirs.) These heads belonged to the rebels who were executed for rising in favour of the Pretender. The brutality of such spectacles, which outrage the last feelings of mortality, and as often punish honest mistakes as anything else, is not likely to be repeated. Yet such an effect has habit in reconciling men's minds to the most revolting, and sometimes the most dangerous customs, that here were two Jacobites, one of whom made a jest of what we should now regard with horror. However, Johnson must often have felt bitterly as he passed there; and the jesting of such men is frequently nothing but salve for a wound. Shire Lane still keeps its name, and we hope, however altered and improved, it will never have any other; for here, the upper end, is described as residing, old Isaac Bickerstaff, In Shire Lane is said to have originated the famous Kit-Kat Club, which consisted of "thirty-nine distinguished noblemen and gentlemen, zealously attached to the Protestant succession of the house of Hanover." "The club," continues a note in Spence by the editor, "is supposed to have derived its name from Christopher Katt, a pastry-cook, who kept the house where they dined, and excelled in making mutton-pies, which always formed a part of their bill of fare; these pies, on account of their excellence, were called Kit-Kats. The summer meetings were sometimes held at the Upper Flask on Hampstead Heath."[103] "You have heard of the Kit-Kat Club," says Pope to Spence. "The master of the house where the club met was Christopher Katt; Tonson was secretary. The day Lord Mohun and the Earl of Berwick were entered of it, Jacob said he saw they were just going to be ruined. When Lord Mohun broke down the gilded emblem on the top of his chair, Jacob complained to his friends, and said a man who would do that, would cut a man's throat. So that he had the good and the forms of the society much at heart. The paper was all in Lord Halifax's handwriting of a subscription of four hundred guineas for the encouragement of good comedies, and was dated 1709, soon after they broke up. Steele, Addison, Congreve, Garth, Vanbrugh, Manwaring, Stepney, Walpole, and Pulteney, were of it; so was Lord Dorset and the present Duke. Manwaring, whom we hear nothing of now, was the ruling man in all conversations; indeed, what he wrote had very little merit in it. Lord Stanhope and the Earl of Essex were also members. Jacob has his own, and all their pictures, by Sir Godfrey Kneller. Each member gave his, and he is going to build a room for them at Barn Elms."[104] It is from the size at which these portraits were taken (a three-quarter length), that the word Kit-Kat came to be applied to pictures. The society afterwards met in higher places; but humbleness of locality is nothing in these matters. The refinement consists in the company, and in whatever they We cross to the south side of the street again, and come to Mrs. Salmon's. It is a curious evidence of the fluctuation of the great tide in commercial and growing cities, that, a century ago, this immortal old gentlewoman, renowned for her wax-work, gives as a reason for removing from St. Martin's-le-Grand to Fleet Street, that it was "a more convenient place for the coaches of the quality to stand unmolested."[105] Some of the houses in this quarter are of the Elizabethan age, with floors projecting over the others, and looking pressed together like burrows. The inmates of these humble tenements (unlike those of great halls and mansions) seem as if they must have had their heights taken, and the ceiling made to fit. Yet the builders were liberal of their materials. Over the way, near the west corner of Chancery Lane, stood an interesting specimen of this style of building, in the house of the famous old angler, Isaac Walton. Walton's was the second house from the lane, the corner house being an inn, long distinguished by the sign of the Harrow. He appears to have long lived here, carrying on the business of a linen-draper about the year 1624. Another person, John Mason, a hosier, occupied one-half of the tenement. Walton afterwards removed to another house in Chancery Lane, a few doors up from Fleet Street, on the west side, where he kept a sempster's, or milliner's shop. A great deal has been said lately of the merits and demerits of angling, and Isaac has suffered in the discussion, beyond what is agreeable to the lovers of that gentle pleasure. Unfortunately the brothers of the angle do not argue ingenuously. They always omit the tortures suffered by the principal party, and affect to think you affected if you urge them; whereas their only reason for avoiding the point is, that it is not to be defended. If it is, we may defend, by an equal abuse of reason, any amusement which is to be obtained at another being's expense; and an evil genius might angle for ourselves, and twitch us up, bleeding and roaring, into an atmosphere that would stifle us. But fishes do not roar; they cannot express any sound of suffering; and therefore the angler chooses to think they do not suffer, more than it is convenient to him to fancy. Now it is a poor sport that depends for Anglers have been defended upon the ground of their having had among them so many pious men; but unfortunately men may be selfishly as well as nobly pious; and even charity itself may be practised, as well as cruelty deprecated, upon principles which have a much greater regard to a man's own safety and future comfort, than anything which concerns real Christian beneficence. Doubtless there have been many good and humane men anglers, as well as many pleasant men. There have also been some very unpleasant ones—Sir John Hawkins among them. They make a well-founded pretension to a love of nature and her scenery; but it is a pity they cannot relish it without this pepper to the poor fish. Walton's book contains many passages in praise of rural enjoyment, which affect us almost like the fields and fresh air themselves, though his brethren have exalted it beyond its value; and his lives of his angling friends, the Divines, have been preposterously over-rated. If angling is to be defended upon good and manly grounds, let it; it is no longer to be defended on any other. The best thing to be said for it (and the instance is worthy of reflection) is, that anglers have been brought up in the belief of its innocence, and that an inhuman custom is too powerful for the most humane. The inconsistency is to be accounted for on no other grounds; nor is it necessary or desirable that it should be. It is a remarkable illustration of what Plato said, when something was defended on the ground of its being a trifle, because it was a custom. "But custom," said he, "is no trifle." Here, among persons of a more equivocal description, are some of the humanest men in the world, who will commit what other humane men reckon among the most inhuman actions, and make an absolute pastime of it. Let one of their grandchildren be brought up in the reverse opinion, and see what he will think of it. This, to be sure, might be said to be only another instance of the effect of education; but nobody, the most unprejudiced, thinks it a bigotry in Shakspeare and Steele to have brought us to feel for the brute creation in general; and whatever we may incline to think for the accommodation of our propensities, John Whitney, author of the Genteel Recreation, or the Pleasures of Angling, a poem printed in the year 1700, recommends the lovers of the art to bait with the eyes of fish, in order to decoy others of the same species. A writer in the Censura Literaria exclaims, "What a Nero of Anglers doth this proclaim John Whitney to have been! and how unworthy to be ranked as a lover of the same pastime, which had been so interestingly recommended by Isaac Walton, in his Contemplative Man's Recreation."[106] But Isaac's contemplative man can content himself with impaling live worms, and jesting about the tenderness with which he treats them—using the worm, quoth Isaac, "as if you loved him." Doubtless John thought himself as good a man as Isaac. He poetizes, and is innocent with the best of them, and probably would not have hurt a dog. However, it must be allowed that he had less imagination than Walton, and was more cruel, inasmuch as he could commit a cruelty that was not the custom. Observe, nevertheless, that it was the customary cruelty which led to the new one. Why must these contemplative men commit any cruelty at all? The writer of the article in the Censura was, if we mistake not, one of the kindest of human beings, and yet he could see nothing erroneous in torturing a worm. "A good man," says the Scripture, "is merciful to his beast." Therefore "holy Mr. Herbert" very properly helps a horse out of a ditch, and is the better for it all the rest of the day. Are we not to be merciful to fish as well as beasts, merely because the Scripture does not expressly state it? Such are the inconsistencies of mankind, during their very acquirement of beneficence. On the other side of the corner of Chancery Lane was born a man of genius and benevolence, who would not have hurt a fly—Abraham Cowley. His father was a grocer; himself, one of the kindest, wisest, and truest gentlemen that ever graced humanity. He has been pronounced by one, competent to judge, to have been "if not a great poet, a great man." But his poetry is what every other man's poetry is, the flower of what was in him; and it is at least so "Forgot his epic, nay pindaric art; Yet still we love the language of his heart."[107] His prose is admirable, and his character of Cromwell a masterpiece of honest enmity, more creditable to both parties than the zealous royalist was aware. Cowley, notwithstanding the active part he took in politics, never ceased to be a child at heart. His mind lived in books and bowers—in the sequestered "places of thought;" and he wondered and lamented to the last, that he had not realised the people he found there. His consolation should have been, that what he found in himself was an evidence that the people exist. Chancery Lane, "the most ancient of any to the west," having been built in the time of Henry the Third, when it was called New Lane, which was afterwards altered to Chancellor's Lane, is the greatest legal thoroughfare in England. It leads from the Temple, passes by Sergeants' Inn, Clifford's Inn, Lincoln's Inn, and the Rolls, and conducts to Gray's Inn. Of the world of vice and virtue, of pain and triumph, of learning and ignorance, truth and chicanery, of impudence, violence, and tranquil wisdom, that must have passed through this spot, the reader may judge accordingly. There all the great and eloquent lawyers of the metropolis must have been, at some time or other, from Fortescue and Littleton, to Coke, Ellesmere, and Erskine. Sir Thomas More must have been seen going down with his weighty aspect; Bacon with his eye of intuition; the coarse Thurlow; and the reverend elegance of Mansfield. In Chancery Lane was born the celebrated Lord Strafford, who was sent to the block by the party he had deserted, the victim of his own false strength and his master's weakness. It is a curious evidence of the secret manners of those times, which are so often contrasted with the licence of the next reign, that Clarendon, in speaking of some love-letters of this lord, a married man, which transpired during his trial, calls them "things of levity." What would he have said had he found any love letters between Lady Carlisle and Pym? Of Southampton Buildings, on the site of which lived Shakspeare's friend, Lord Southampton, we shall speak immediately; Sergeants' Inn, the first leading out of Chancery Lane, near Fleet Street, has been what its name implies for many generations. It was occasionally occupied by the Sergeants as early as the time of Henry the Fourth, when it was called Farringdon's Inn, though they have never, we believe, held possession of the place but under tenure to the bishops of Ely, or their lessees. Pennant confounds this inn with another of the same name, now no longer devoted to the same purpose, in Fleet Street.[108] Sergeants' Inn in Fleet Street was reduced to ruins in the great fire, but was soon after rebuilt in a much more uniform style than before. It continued after this to be occupied by the lawyers in 1730, when the whole was taken down, and the present court erected. The office of the Amicable Annuitant Society, on the east side of the court, occupies the site of the ancient hall and chapel. All the judges, as having been Sergeants-at-law before their elevation to the bench, have still chambers in the inn in Chancery Lane. The windows of this house are filled with the armorial bearings of the members, who, when they are knighted, are emphatically equites aurati (knights made golden), at least as far as rings are concerned, for they give rings on the occasion, with mottoes expressive of their sentiments upon law and justice. As to the equites, learned "knights" or horsemen (till "knight" be restored to its original meaning—servant) will never be anything but an anomaly, especially since the brethren no longer even ride to the Hall as they used. The arms of the body of Sergeants are a golden shield with an ibis upon it; or, to speak scientifically, "Or, an Ibis proper;" to which Mr. Jekyll might have added, for motto, "In medio tutissimus." The same learned punster made an epigram upon the oratory and scarlet robes of his brethren, which may be here repeated "The Sergeants are a grateful race; Their dress and language show it; Their purple robes from Tyre we trace, Their arguments go to it." One of the customs which used to be observed so late as the reign of Charles I. in the creation of sergeants, was for the new dignitary to go in procession to St. Paul's, and there to choose his pillar, as it was expressed. This ceremony is supposed to have originated in the ancient practice of the lawyers taking each his station at one of the pillars in the cathedral, and there waiting for clients. The legal sage stood, it is said, with pen in hand, and dexterously noted down the particulars of every man's case on his knee. Clifford's Inn, leading out of Sergeants' Inn into Fleet Street and Fetter Lane, is so called from the noble family of De Clifford, who granted it to the students-at-law in the reign of Edward III. The word inn (Saxon, chamber), though now applied only to law places, and the better sort of public-houses in which travellers are entertained, formerly signified a great house, mansion, or family palace. So Lincoln's Inn, the mansion of the Earls of Lincoln; Gray's Inn, of the Lords Gray, &c. The French still use the word hÔtel in the same sense. Inn once made as splendid a figure in our poetry, as the palaces of Milton: "Now whenas Phoebus, with his fiery waine, Unto his inne began to draw apace;"[109] says Spenser; and his disciple Browne after him: "Now had the glorious sun tane up his inne."[110] There are three things to notice in Clifford's Inn: its little bit of turf and trees; its quiet; and its having been the residence of Robert Pultock, author of the curious narrative Peter Wilkins, with its Flying Women. Who he was, is not known; probably a barrister without practice; but he wrote an amiable and interesting book. As to the sudden and pleasant quiet in this little inn, it is curious to consider what a small remove from the street produces it. But even in the back room of a shop in the main street, the sound of the carts and carriages becomes wonderfully deadened to the ear; and a remove, like Clifford's Inn, makes it remote or nothing. The garden of Clifford's Inn forms part of the area of the Rolls, so called from the records kept there, in rolls of parchment. It is said to have been the house of an eminent Jew, forfeited to the crown; that is to say, it was most probably taken from him, with all that it contained, by Henry III., who made it a house for converts from the owner's religion. These converted Jews, most likely none of the best of their race (for board and lodging are not arguments to the scrupulous), appear to have been so neglected, that the number of them soon came to nothing, and Edward III. gave the place to the Court of Chancery to keep its records in. There is a fine monument in the chapel to a Dr. Young, one of the Masters, which, according to Vertue, was executed by Torregiano, who built the splendid tomb in Henry VII.'s Chapel. Sir John Trevor, infamous for bribery and corruption, also lies here. "Wisely," says Pennant, "his epitaph is thus confined: 'Sir J. T. M.R. 1717.' "Some other Masters," he adds, "rest within the walls; among them Sir John Strange, but without the quibbling line, 'Here lies an honest lawyer, that is Strange.'" Another Master of the Rolls, who did honour to the profession, was Sir Joseph Jekyll, recorded by Pope as an ... "odd old Whig, Who never changed his principles or wig." When Jekyll came into the office, many of the houses were rebuilt, and to the expense of ten of them he added, out of his own purse, as much as 350l. each house; observing, that "he would have them built as strong and as well as if they were his own inheritance."[111] The Master of the Rolls is a great law dignitary, a sort of under-judge in Chancery, presiding in a court by himself, though his most ostensible office is to take care of the records in question. He has a house and garden on the spot, the latter secluded from public view. The house, however, has not been used as a residence by the present holder of the office or his predecessor. Between Chancery and Fetter Lane is the new church of St. Dunstan's in the West—a great improvement upon the old one, though a little too plain below for the handsome fretwork of its steeple. The old building was eminent for the two wooden figures of wild men, who, with a gentleness not to be expected of them, struck the hour with a little tap of The only repute of Fetter Lane in the present days is, or was, for sausages. But at one time it is said to have had the honour of Dryden's presence. The famous Praise God Barebones also, it seems, lived here, in a house for which he paid forty pounds a year, as he stated in his examination on a trial in the reign of Charles II.[112] He paid the above rent, he says "except during the war:" that is, we suppose, during the confusion of the contest between the King and the Parliament, when probably this worthy contrived to live rent free. In this neighbourhood also dwelt the infamous Elizabeth Brownrigg, who was executed in 1767 for the murder of one of her apprentices. Her house, with the cellar in which she used to confine her starved and tortured victims, and from the grating of which their cries of distress were heard, was one of those on the east side of the lane, looking into the long and narrow alley behind, called Flower-de-Luce Court. It was some years ago in the occupation of a fishing-tackle maker. Johnson once lived in Fetter Lane, but the circumstances of his abode there have not transpired. We now, however, come to a cluster of his residences in Fleet Street, of which "We walked in the evening," says Boswell, "in Greenwich Park. He asked me, I suppose by way of trying my disposition, 'Is not this very fine?' Having no exquisite relish of the beauties of nature, and being more delighted with the busy hum of men, I answered, 'Yes, sir; but not equal to Fleet Street.' Johnson. 'You are right, sir.'"[113] Boswell vindicates the tastes here expressed by the example of a "very fashionable baronet," who, on his attention being called to the fragrance of a May evening in the country, observed, "This may be very well, but I prefer the smell of a flambeau at the playhouse." The baronet here alluded to was Sir Michael le Fleming, who, by way of comment on his indifference to fresh air, died of an apoplectic fit while conversing with Lord Howick (the late Earl Grey), at the Admiralty.[114] However, Johnson's ipse dixit was enough. He wanted neither Boswell's vindication, nor any other. He was melancholy, and glad to be taken from his thoughts; and London furnished him with an endless flow of society. Johnson's abodes in Fleet Street were in the following order:—First, in Fetter Lane, then in Boswell Court, then in Gough Square, in the Inner Temple Lane, in Johnson's Court, and finally, and for the longest period, in Bolt Court, where he died. His mode of life, during a considerable portion of his residence in these places, is described in a communication to Boswell by the Rev. Dr. Maxwell, assistant preacher at the Temple, who was intimate with Johnson for many years, and who spoke of his memory with affection. "About twelve o'clock," says the doctor, "I commonly visited him, and found him in bed, or declaiming over his tea, which he drank very plentifully. He generally had a levee of morning visitors, chiefly men of letters; Hawkesworth, Goldsmith, Murphy, Langton, Steevens, Beauclerk, &c., &c., and sometimes learned ladies; particularly, I remember, a French lady of wit and fashion doing him the honour of a visit. He seemed to me to be considered as a kind of public oracle, whom everybody thought they had a right to visit and consult; and, doubtless, they were well rewarded. I never could discover how he found time for his compositions. He declaimed all the morning, then went to dinner at a tavern, where he commonly staid late, and then drank his tea at some friend's house, over which he loitered a great while, but seldom took supper. I fancy he must have read and wrote chiefly in the night; for I can scarcely recollect that he ever refused going with me to a tavern, and he often went to Ranelagh, which he deemed a place of innocent recreation. "He frequently gave all the silver in his pocket to the poor, who watched him between his house and the tavern where he dined. He walked the streets at all hours, and said he was never robbed, for the rogues knew he had little money, nor had the appearance of having much. "Though the most accessible and communicative man alive, yet when he suspected that he was invited to be exhibited, he constantly spurned the invitation. "Two young women from Staffordshire visited him when I was present, to consult him on the subject of Methodism, to which they were inclined. 'Come (said he), you pretty fools, dine with Maxwell and me at the Mitre, and we will talk over that subject'; which they did, and after dinner he took one of them on his knees, and fondled them for half an hour together."[115] This anecdote is exquisite. It shows, that however impatient he was of having his own superstitions canvassed, he was loth to see them inflicted on others. He is here a harmless Falstaff, with two innocent damsels on his knees, in lieu of Mesdames Ford and Page. In Gough Square, Johnson wrote part of his Dictionary. He had written the Rambler and taken his high stand with the public before. "At this time," says Barber, his servant, "he had little for himself, but frequently sent money to Mr. Shiels when in distress." (Shiels was one of his amanuenses in the dictionary.) His friends and visitors in Gough Square are a good specimen of what they always were—a miscellany creditable to the largeness of his humanity. There was Cave, Dr. Hawkesworth, Miss Carter, Mrs. Macauley (two ladies who must have looked strangely at one another), Mr. (afterwards Sir Joshua) Reynolds, Langton, Mrs. Williams (a poor poetess whom he maintained in his house), Mr. Levett (an "He nursed," says Mrs. Thrale, in her superfluous style, "whole nests of people in his house, where the lame, the blind, the sick, and the sorrowful found a sure retreat from all the evils whence his little income could secure them, and commonly spending the middle of the week at our house, he kept his numerous family in Fleet Street upon a settled allowance; but returned to them every Saturday to give them three good dinners and his company, before he came back to us on the Monday night, treating them with the same, or perhaps more, ceremonious civility, than he would have done by as many people of fashion, making the Holy Scripture thus the rule of his conduct, and only expecting salvation as he was able to obey its precepts."[117] Johnson's female inmates were not like the romantic ones of Richardson. "We surely cannot but admire," says Boswell, "the benevolent exertions of this great and good man, especially when we consider how grievously he was afflicted with bad health, and how uncomfortable his home was made by the perpetual jarring of those whom he charitably accommodated under his roof. He has sometimes suffered me to talk jocularly of his group of females, and call them his seraglio. He thus mentions them, together with honest Levitt, in one of his letters to Mrs. Thrale: 'Williams hates everybody; Levett hates Desmoulins, and does not love Williams; Desmoulins hates them both; Poll loves none of them.'"[118] Of his residence in Inner Temple Lane we have spoken Johnson was probably in every tavern and coffee-house in Fleet Street. There is one which has taken his name, being styled, par excellence, "Doctor Johnson's Coffee-house." But the house he most frequented was the Mitre tavern, on the other side of the street, in a passage leading to the Temple. It was here, as we have seen, that he took his two innocent theologians, and paternally dandled them out of their misgivings on his knee. The same place was the first of the kind in which Boswell met him. "We had a good supper," says the happy biographer, "and port wine, of which he then sometimes drank a bottle." (At intervals he abstained from all fermented liquors for a long time.) "The orthodox, high-church sound of the Mitre, the figure and manner of the celebrated Samuel Johnson, the extraordinary power and precision of his conversation, and the pride arising from finding myself admitted as his companion, produced a variety of sensations, and a pleasing elevation of mind beyond what I had before experienced."[120] They sat till between one and two in the morning. He told Boswell at that period that "he generally went abroad at about four in the afternoon, and seldom came home till two in the morning. I took the liberty to ask if he did not think it wrong to live thus, and not to make more use of his great talents. He owned it was a bad habit." The next time, Goldsmith was with them, when Johnson made a remark which comes home to everybody, namely, that granting knowledge in some cases to produce unhappiness, "knowledge per se was an object which every one would wish to attain, though, perhaps, he might not take the trouble necessary for attaining it." One of his most curious remarks followed, occasioned by the mention of Campbell, the author It was at their next sitting in this house, at which the Rev. Dr. Ogilvie, a Scotch writer, was present, that Johnson made his famous joke, in answer to that gentleman's remark, that Scotland has a great many "noble wild prospects." Johnson. "I believe, sir, you have a great many. Norway, too, has noble, wild prospects; and Lapland is remarkable for prodigious, noble, wild prospects. But, sir, let me tell you, the noblest prospect which a Scotchman ever sees is the high road that leads him to England!" "This unexpected and pointed sally," says Boswell, "produced a roar of applause. After all, however" (he adds), "those who admire the rude grandeur of nature, cannot deny it to Caledonia."[122] Johnson had the highest opinion of a tavern, as a place in which a man might be comfortable, if he could anywhere. Indeed, he said that the man who could not enjoy himself in a tavern, could be comfortable nowhere. This, however, is not to be taken to the letter. Extremes meet; and Johnson's uneasiness of temper led him into the gayer necessities of Falstaff. However, it is assuredly no honour to a man, not to be able to "take his ease at his inn." "There is no private house," said Johnson, talking on this subject, "in which people can enjoy themselves so well as at a capital tavern. Let there be ever so great a plenty of good things, ever so much grandeur, ever so much elegance, ever so much desire that everybody should be easy, in the nature of things it cannot be: there must always be some degree of care and anxiety. The master of the house is anxious to entertain his guests; the guests are anxious to be agreeable to him; and no man, but a very impudent dog indeed, can as freely command what is in another man's house as if it were his own. Whereas, at a tavern, there is a general freedom from anxiety. You are sure you are welcome; and the more noise you "Whoe'er has travelled life's dull round, Where'er his stages may have been, May sigh to think he still has found The warmest welcome at an inn."[123] "Sir John Hawkins," says Boswell in a note on this passage, "has preserved very few memorabilia of Johnson." There is, however, to be found in his bulky tome, a very excellent one upon this subject. "In contradiction to those who, having a wife and children, prefer domestic enjoyments to those which a tavern affords, I have heard him assert, that a tavern chair was the throne of human felicity. 'As soon' (said he), 'as I enter the door of a tavern, I experience an oblivion of care, and a freedom from solicitude: when I am seated, I find the master courteous, and the servants obsequious to my call, anxious to know and ready to supply my wants: wine there exhilarates my spirits, and prompts me to free conversation, and an interchange of discourse with those whom I most love; I dogmatise, and am contradicted; and in this conflict of opinion and sentiments I find delight.'" The following anecdote is highly to Johnson's credit, and equally worthy of every one's attention. "Johnson was known to be so rigidly attentive to the truth," says Boswell, "that even in his common conversation the slightest circumstance was mentioned with exact precision. The knowledge of his having such a principle and habit made his friends have a perfect reliance on the truth of everything that he told, however it might have been doubted if told by many others. As an instance of this I may mention an odd incident, which he related as having happened to him one night in Fleet Street. 'A gentlewoman' (said he) 'begged I would give her my arm to assist her in crossing the street, which I accordingly did; upon which she offered me a shilling, supposing me to be the watchman. I perceived that she was somewhat in liquor.' This, if told by most people, would The gentlewoman, however, might have taken him for the watchman without being in liquor, if she had no eye to discern a great man through his uncouthness. Davies, the bookseller, said, that he "laughed like a rhinoceros." It may be added he walked like a whale; for it was rolling rather than walking. "I met him in Fleet Street," says Boswell, "walking, or rather, indeed, moving along; for his peculiar march is thus described in a very just and picturesque manner, in a short life of him published very soon after his death:—'When he walked the streets, what with the constant roll of his head, and the concomitant motion of his body, he appeared to make his way by that motion independent of his feet.' That he was often much stared at," continues Boswell, "while he advanced in this manner, may be easily believed; but it was not safe to make sport of one so robust as he was. Mr. Langton saw him one day, in a fit of absence, by a sudden start, drive the load off a porter's back, and walk forwards briskly, without being conscious of what he had done. The porter was very angry, but stood still, and eyed the huge figure with much earnestness, till he was satisfied that his wisest course was to be satisfied and take up his burden again."[125] There is another remark on Fleet Street and its superiority to the country, which must not be passed over. Boswell, not having Johnson's reasons for wanting society, was a little over-weening and gratuitous on this subject; and on such occasions the doctor would give him a knock. "It was a delightful day," says the biographer; "as we walked to St. Clement's Church, I again remarked that Fleet Street was the most cheerful scene in the world; 'Fleet Street,' said I, 'is in my mind more delightful than TempÈ.' Johnson.—'Ay, sir, but let it be compared with Mull.'"[126] The progress of knowledge, even since Johnson's time, has enabled us to say, without presumption, that we differ with this extraordinary person on many important points, without ceasing to have the highest regard for his character. His faults were the result of temperament; perhaps his good qualities and his powers of reflection were, in some measure, so too; but this must be the case with all men. Intellect East from Fetter Lane, on the same side of the street, is Crane Court—the principal house in which, facing the entry, was that in which the Royal Society used to meet, and where they kept their museum and library before they removed to their late apartments in Somerset House. The society met in Crane Court up to a period late enough to allow us to present to our imaginations Boyle and his contemporaries prosecuting their eager inquiries and curious experiments in the early dawn of physical science, and afterwards Newton presiding in the noontide glory of the light which he had shed over nature. |