The poet and his disciple continued their partnership through the sogging rains of Christmas, well into the chill opening of the new year. Then came the snow to fill up the valley in which stood the hut, and blur the outlines of the folded hills. Poetry and Sanchia drew together a pair who could have little in common.

But Glyde became the slave of the strange man who blended austerity with charitable judgment, and appeased his passion by blood from his heart. He was not himself a mystic, but a sensitive youth whom the world's rubs had taught the uses of a thick hide. Either you have that by nature, or you earn it by practice. Glyde had found out that the less you say to your maltreaters the less, in time, you have to say about it to yourself. He was conscious of his parts and all too ready to be arrogant. Senhouse's goddess had been kind to him, and he had presumed upon that. Senhouse's own method was to alternate extreme friendliness with torrential contempt. He knocked Glyde down and picked him up again with the same hand. He treated him as his equal whenever he was not considering him a worm. There is no better way of gaining the confidence of a youth of his sort. At the end of a fortnight there was nothing Glyde would not have told him; at the end of six months he would have crossed Europe barefoot to serve him.

He was nothing of a mystic, and therefore had his own ideas of what seemed to afford his master so much satisfaction; he was enough of a poet to be sure that Senhouse's romantic raptures were only a makeshift at best. To his mind here was a man aching for a woman. He thought that the poet sang to ease his bleeding heart. He came to picture the mating of these two—Sanchia the salient, beautiful woman, and his master of the clear, long-enduring, searching eyes, and that strange look of second-sight upon him which those only have who live apart from men, under the sky. It is a look you can never mistake. Sailors have it, and shepherds, and dwellers in the desert. The eye sees through you—into you, and beyond you. It is almost impossible for any person to be either so arresting in himself or possessed of such utterance as will cause the weathered eye to check its scanning of distance and concentrate upon an immediate presence. To such an eye, communing with infinite and eternal things, no creature of time and space can interpose solidly. Each must be vain and clear as bubbles of air. Behind it float spirits invisible to other men—essential forms, of whose company the seer into distance really is. He will neither heed you nor hear you; his conversation is other-where. And what then would Senhouse do confronted with Sanchia? Would he look beyond her, towards some horizon where she could never stand? Or would he not see in her blue eyes the goal of all his searching—the content of his own? What would he say but “You!” and take her? What she but sigh her content to be taken? Appeasement is holiness, says Senhouse. And what of their holy life thereafter, breast to breast, fronting the dawn? Glyde's heart, purged of his dishonesty, beat at the thought. He turned all his erotic over to the more generous emotion, and faced with glowing blood the picture of the woman he had coveted in the arms of the master he avowed.

When February began to show a hint of spring, in pairing plovers and breaking eglantine, Senhouse, in a temporary dejection, ceased work upon his poem, and Glyde said that he must know the news. All through the winter they had had little communication with the world beyond their gates. A shepherd homing from the folds, a sodden tinker and his drab, whom he touchingly cherished, a party of rabbit-shooters beating the furze bushes, had been all their hold upon a life where men meet and hoodwink each other. Once in a week one of them ploughed through the drifts to the cottage at the foot of the third valley, and got as he needed flour and candles, soap or matches. It had not yet occurred to either of them—to Senhouse it never did occur—to beg the sight of a newspaper. But Saint Valentine's call stirred the deeps of Glyde, who now said that he must have news. He departed for Sarum, and stayed away until March was in.

He returned with certain information, absorbed by Senhouse with far-sighted patient eyes and in silence. The only indication he afforded was inscrutable. His cheek-bones twitched flickeringly, like summer lightning about the hills.

Sanchia, Glyde said, was well and in London. She was living in a street off Berkeley Square, with an old lady who wore side-curls and shawls, and drove out every afternoon in a barouche with two stout horses and two lean men-servants. Sanchia sometimes accompanied her, stiff and pliant at once, bright-eyed and faintly coloured. She was taken about to parties also, and to the opera—and very often there were parties at the old lady's house—carriage-company, and gentleman in furred coats, who came in hansom cabs. He thought that she had suitors. There was a tall, thin man who came very often in the afternoons. He was sallow and melancholy, and wore a silk muffler day and night. Glyde thought that he was a foreigner, perhaps a Hungarian or Pole.

He had seen Sanchia often, but she could not have caught a glimpse of him. He admitted that he had haunted the house, had seen her come out and go in, knew when she dressed for dinner and when she went to bed. Long practice had acquainted him with the significance of light and darkness seen through chinks in shutters. “I know her room,” he said, “and the times of her lights. She looks out over the streets towards the Park twice every night—once when she is dressed, and once before she goes to bed. It is as if she is saying her prayers. She looks long to the west, very seriously. I think her lips move. I believe that she always does it.” Senhouse, who may have been listening, bowed his head to his knees, below his clasped hands.

“Twice she looked full at me without knowing me. Why should she know me now? Her pale and serious face, master, was as beautiful as the winter moon, as remote from us and our little affairs. No words of mine can express to you the outward splendour of her neck and bosom. She was uncovered for a party at the house. In the morning she came out to walk. You know her way, how she glides rather than seems to move her feet—the soaring, even motion of a sea-bird. She walked across the Park, and I followed, praising God, whose image she is. On the further side the Pole met her in his furs, and she walked with him for an hour in the sun. She had no wrappage to hide her blissful shape. Close-fitted, erect, free-moving, gracious as a young birch-tree. Master, she is the Holy One.”

“You played Peeping Tom, my ingenuous young friend,” said Senhouse, who was fastidious in such matters.

But Clyde cried out, “God forbid! Are you prying when you look at the sun! Master, you need not grudge the Pole. He is nothing.”

“I grudge no man anything he can get of her,” said Senhouse. “He will get precisely what lies within his scope.”

“He has the eyes of a rat,” Glyde said.

Senhouse answered, “Rats and men alike seek their meat of the earth. And the rats get rat-food, and the men man's food. Despoina's breasts are very large.” He turned to his poem, folded his jelab about his middle, and went out over the downs. Glyde saw him no more that day, nor, indeed, till the next morning, when he found him squatted over a pipkin simmering on the fire.

The year went on its course, and windy March broke into a wet, warm April. Glyde sat at the knees of his master, and imbibed learning and fundamental morality. But now and then he absented himself for a day at a time, and was understood to get news from Salisbury market. He came back one day with a newspaper. Senhouse read without falter or comment:

“A marriage is arranged, and will take place in July, between Nevile Ingram of Wanless Hall, Felsboro', Yorks, and Sanchia-Josepha, youngest daughter of Thomas Welbore Percival of—Great Cumberland Place, W., and The Poultry, E.G.”

In that night, or very early in the morning, Glyde disappeared without word or sign left behind him.