A telegram was handed to her as she came in from the garden, her broad-brimmed straw hat in her hand, and a bunch of fritillaries nodding in her blouse. That dates and places her at once: the time was April, and she was fond of curious flowers. She stood in the doorway to get the sunset glow upon the missive, and was herself ensanguined and enhanced, a sunny-haired, low-breasted young woman of middle height, rather faintly coloured, wholesome to see, with a bowed upper lip, and clear, grey-blue eyes of extreme directness and candour. A trick of looking you full, of considering you and her answer together, she had—a mild, steady beam, a radiance within the orb which told of a hidden glory. Her brows were level, eyebrows arched; her bust, though set like Aphrodite's of Melos, was full. The curving corners of the bow of her lips assured her the possession, even when she was most serious, of a lurking smile. Taking off her gardening gloves that she might break the red envelope, she disclosed a pair of fine, white, nervous hands, and pointed fingers which wore no rings.

The address, which she was careful to read before she tore the envelope, was—

Opening then, she read as follows:—

If she frowned slightly, it was a mere approach of the fine eyebrows to each other. She certainly smiled—wisely and meditatively, without showing her teeth. She touched her chin—a rounded, full chin—with the telegram, as she looked up at the maid who brought it.

“I must see Mrs. Benson about this. It's from Mr. Ingram.”

“Yes, Miss Percival.”

A friendly desire to share the puzzle was now manifest in the clear eyes.

“You see, Minnie, it might mean one of two things, and I am not quite sure which of them it does mean.” She looked again at the message with amused interest; but one could not have said whether she was amused at her interest, or interested in her amusement. That was part of Miss Percival's charm, that she was always baffling you.

But Minnie, the maid, was demure and monotonous under the attack of friendly desires. “No, Miss Percival,” she said, and added, “I am sure I couldn't say.” She stood aside from the doorway as the young lady entered the billiard-room, saying, as she went, “Ask Mrs. Benson to come to my room, Minnie, please; and tell Frodsham I should like to see him directly he comes to-morrow morning.”

She heard Minnie's “Very well, Miss Percival,” as she disappeared, smiling still, and with a slight heightening of colour. When her colour rose, it rose evenly, flooding her face and neck with the dawn-hue. There were no patches or streaks of flame; she showed, as it were, incandescent.

She crossed the hall in the deepening dusk, a fine, littered room, where a great log-fire revealed the tall portraits of ladies and gentleman of long ago—sportsmen with spaniels at their feet, general officers in scarlet, pointing through smoke the direction of the enemy, a judge in ermine and full bottomed wig, a lady in white satin leaning against a broken column in a park, and backed by a brewing thunderstorm; and as she went her way gave a couple of glances to right and left, picked up a Bradshaw from a side-table, stooped to put a tiger-skin straight. She continued down a long corridor, swinging her hat, and entered an open doorway at the extreme end. By the way she tossed the hat on to a chair and stirred the crackling logs with the point of her shoe, it was to be supposed that she was in her demesne. Standing with a foot on the fender she presently fell into a reverie, and presently reopened and re-read her telegram. Certainly she was smiling, and certainly her colour was enhanced.

The room, though business-like, was feminine. It had a Chippendale bureau between the windows, its pigeon-holes stuffed with papers; but there were flowers upon it, and elsewhere many photographs, and pictures evidently chosen by the tenant. The Dante from the Bargello was one, the three headless Fates of the Parthenon another; the Hermes and the Sophocles, all in autogravure. It had a piano and a small bookcase containing the poets in green morocco, a uniform set. Elsewhere, in a larger bookcase, were miscellaneous volumes, by no means all novels, though novels there were. One shelf was filled with household books: cookery, bee-keeping, poultry, the Dog in Health and Disease, the horse, the flower-garden, Botany, British Edible Fungi, the World of Vegetables, were some of the subjects treated of. Below the bookcase was a row of japanned tin boxes, carefully lettered in white paint. House Accounts, Garden Accounts, Stable Accounts, one read. A fourth bore the words “Wood Sales and Miscellaneous.”

If you were alone, waiting in the room, you would glance at the photographs perched about, like alighting butterflies, upon piano and mantelshelf and occasional table. You would pass over, I believe, the children on ponies and in sailor suits, that elderly, ample lady, brooched and in black, beaming under the status of Grandmamma, that gaitered gentleman with a square-topped felt hat upon his head and grizzled whiskers below his ears, in favour of a group of five girls in black muslin and lace, sisters evidently, prosperously together, an uncommonly happy five. They look on good terms with themselves and with each other. They look frankly at you out of the frame—and how they must have dazzled the photographer with their five pair of bright, uncompromising eyes! Hands rest easily upon familiar shoulders, elbows on knees. One of them smiles outright, two are very ready to smile; one is more serious, as becomes the eldest of five; and one is round-cheeked and solemn—the baby.

Miss Percival and her sisters, it's clear. One can't mistake the rounded chin, the level brows, the promise of womanhood. Women should always be photographed in evening dress if, like the Misses Percival, they have nothing to hide. But now to pick out our Miss Percival. You will observe that the young ladies' names are neatly printed beneath their persons.

Even if I were sure of dates, I should not insist upon the serious one. So far as I can judge, the photograph is some eight or ten years old. I go by the style of hair-dressing which it shows, and by the name of the photographer, who signs from Wigmore Street. He is out of date; fashion has deserted him. Then that grave, watchful young goddess, who sits enthroned with her nymphs about her, must be a great deal older than our lady of this room, of the doubtful smile and friendly desires. She has the sedate air of eight-and-twenty, and by this time must be thirty-six or even more. She is Philippa, anyhow, we read. Who comes next? Here is Hawise, standing behind her of the throne and the centre, with a hand on her bare shoulder. She is laughing, sleepily; she is distinctly pretty, but distinctly, also, fat. She cannot be the owner of this room.

There's a taste for names in the Percival family: we have Philippa, Hawise. Now for the seated pair, one on either side of Philippa: they are Melusine, who has a long neck and a very demure look, and a great deal of hair, and Victoria, who, having just tossed back her head, lifts her chin and glimmers at you through half-shut eyes. Her lips laugh snugly at some mischief meditating. Neither of these can be our lady, who must therefore be the last and youngest, this child of eighteen or so, round-cheeked, round-eyed and serious, with critical lids, like those of the Farnese Hera, and a beautiful mouth: Sanchia-Josepha, crouched on the floor at the feet of Philippa. A charming bevy of maidens—Philippa, Hawise, Melusine, Victoria, Sanchia-Josepha; ten years ago happily sisters and rich in promise, looking out boldly at the veiled years ahead of them. Ten years ago? Call it eight, and you make our Miss Percival, say, six-and-twenty by this time.

There are many other photographs—girls and women, most of them; but here is a man, dignified by a place apart upon the bureau. He occupies one side of it by himself, balanced by the sisters at the other. A youngish man in yeomanry uniform he appears only in torso. He has the smooth head of a soldier, and rather a low, but very square, forehead. His eyes are smallish, and set deep. They look to be grey, light grey, but may be light blue. He has a good nose, high-bridged, large, thin, and practically straight. Such noses are seldom perfectly straight, and his is not. I observe that he has curled his moustache with the tongs, so that it is well away from his upper lip. If I had been he I should not have done that. It is too much trouble—and if a man takes pains about his toilette, those pains ought not to be evident. Moreover, the mouth is by no means this young man's best feature. There is a twist, the hint of a snarl in the upper lip. The lower protrudes. The gentleman is the least in life underhung. Consider his chin. It has the jut of the Hapsburgs', of Charles the Fifth's, not pronounced by any means, but undoubtedly there. Firmness, or perhaps obstinacy, hard judgment, an uneven temper, a leaning to autocracy, I read in this portrait. There is no signature, nothing to tell you who he is. Certainly, no Percival.

I call your attention to one more photograph, in marked distinction to others of your notice. Those were, in every sense, full—dress affairs; this one, in all senses, undress. It is the work of an amateur, you can see at once—small, rather blurred to begin with, not perfectly focussed, and fading now towards the end of all such gear. It represents a bareheaded young lady in a white gown pinned very high. She is standing in a pond, with the water well over her knees. One hand keeps her balance with a pole, the other grasps a streamer of water-weed. Floating beyond her upon some kind of raft is a man, bareheaded also, in a white sweater with a rolling collar. His face is shadowed—you can see that his hair, black and straight, falls over his eyes. He is raking up the weed with his hand, his arm bare to the shoulder. Below is written, in a round, sprawling hand, “To Sanchia from Percy.” Both the workers are intent upon their task, with no idea that they are posing. The girl has a Greek face, and a very fine pair of legs heedlessly displayed. The man is as thin as a gypsy. Out of the dark in which his face is hidden gleam his white teeth. A classical, rather than romantic scene. The absence of draperies suggest it; but the absence of self-consciousness is conclusive.

But I keep Miss Percival too long at the fender. She had been standing there for some minutes after her entry, first re-reading her telegram, next stroking her chin with it. She was thoughtful still, and still smiling. Once she looked over her shoulder through the window to the dying day, and lightly sighed. The time was April's end, and had been squally, with violent storms; but the last onslaughts of the north-wester had routed the rain-clouds. The day was dying under a clear saffron sky, and a thrush piped its mellow elegy. Miss Percival heard him, and listened, smiling with her lips, and with her eyes also which the serene light soothed. Her lips barely moved, just relaxed their firm embrace, but no more. She held the light gratefully with her eyes, seemed unwilling to lose a moment of it, wistful to be still out of doors. Again she lightly sighed, and presently resumed her downward gazing at the fire.

Knuckles quavered at the door. She straightened herself, turned, and called out definitely, “Come in.” Mrs. Benson stood before her, vast, massive, black-gowned, cloudy for trouble, a cook.

There was instantly to be observed in Miss Percival's lifted head and eyes the same frank appeal for interchange of sentiments as had been manifested to Minnie the maid. Her brows were smoothed out, her smile became less dubious; her intention to be friendly was deliberately expressed. But truth will have it that, just as before, Mrs. Benson's guard turned out at the same moment, as at a signal. To vary the figure, her vedettes, in touch with the advancers, fell back upon the main body.

If the young lady perceived this she did not cease to be amiably disposed. “Oh, Mrs. Benson,” she said, “I've had a telegram.”

Mrs. Benson, with strict non-committal, lifted her eyebrows to “Well, well!” It was as if she implied that such things were to be expected in a world full of trouble. “So I hear, Miss Percival,” she grimly said.

“It's from Mr. Ingram, you know.”

“Ah, well—” Mrs. Benson could have been heard to sigh; but among the many things which Miss Percival chose to ignore, this sort of thing was one. Trouble to her, always, was a signal which braced the nerves and sinews.

“It's to say—but I think you had better read it.” It was held out unfalteringly, while Mrs. Benson dived for, opened, wiped, tested, and fixed her spectacles. These operations concluded, it was received as might have been a dangerous explosive.

Punctuating as she went, Mrs. Benson read, “Home to-morrow—seven people—Ingram.” Then she looked, confirmed in her omens, over the rim of her spectacles. “Seven people, Miss Percival! A house-party! And, as you may say, at a moment's notice. Dear, dear, dear!”

Miss Percival remained cheerful. “Oh, I don't read it like that,” she said, went behind Mrs. Benson, and read over her shoulder, pointing the words with a pencil still wet from her mouth. “'Home to-morrow, seven—with people—Ingram.' That's what it must mean, of course.” She spoke wooingly, but Mrs. Benson was not to be won.

“Then, why does he say 'Seven people,' Miss Percival? Why does he say that?”

“But he doesn't, according to me.” She laughed. “He is telling us the time of his train. How could we meet him and his people if he didn't?”

“Ah,” said Mrs. Benson, heavily prepared for the worst, “how could we? That's where it is, you see. But of course he wouldn't think of us.”

“But he does, you know. He has. He says that he will have people with him. That is to prepare us.” Mrs. Benson's fist crashed into the paper.

“How many people, Miss Percival? How many people? Why, seven, of course? What else could it be? And where's the fish to come from for seven people? And what about maids and valets? Does he count up the likes of them? He's not Mr. Ingram if he does. Not he! Nor his father before him. And what's Frodsham going to do about carriage-room for seven—and the servants as well—and the luggage, and all? Dogs, very likely, dogs and cats, and parrots. Who knows? I've seen 'em bring scritch-owls and hawks on their wrists before now. Oh, they'll do anything, some of 'em—anything to be looked at. That's what it is; they want looking at. And I'd look at 'em if I had my way!”

Mrs. Benson, shining with indignant heat, had to be pacified. She required much tact, the exercise of a low and musical voice. It cooed upon her like a dove's. Miss Percival used her hands, too, and in the end had one of them on Mrs. Benson's shoulder. The charm worked. Dinner should be cooked for five or six; Frodsham should meet the seven-four from London with the omnibus and luggage-cart. There would be no dogs at this time of year. Parrots were urged upon her again, but tentatively. She chuckled them away, musically, with real relish for the picture. She was sure there would be no parrots. Now she must see about the bedrooms—but Mrs. Benson peered round into her glowing face.

“And what about your supper, Miss Percival? It's just upon ready. And there's a sweet-bread.”

Miss Percival almost caressed the ridiculous good soul. Her arm remained about her shoulder, her hand touched it. “How nice of you! I'll go and get ready at once. Then I'll see what rooms we had better have. Wasn't it lucky we did the drawing-rooms last week?”

Gloom gathered again. Mrs. Benson thought that some people didn't deserve their luck. It was clear to whom she referred; certainly not to Miss Percival, for instance. But the young lady, with really extraordinary simplicity, replied that surely Mr. Ingram deserved credit for having well-chosen his ministers. “Yourself,” she said, “for the kitchen, and me for the hall.” She exploded this little bomb with some heightening of colour.

Mrs. Benson, glancing at her sideways, observed the blush, and was scared. She blinked. Miss Percival's blush deepened.

In the awkward pause that ensued the friendly hand was about to be removed, when Mrs. Benson, with an effort which did honour to her resources, said, “We all have our troubles, Miss Percival, else we shouldn't be here, as the Bible says. The good Book! Well for them as read therein. Now, only this afternoon Mr. Menzies was talking to me about things at large, and he says, 'Mrs. Benson, what's to be done with Struan Glyde?' quite sudden. So I says, 'And what should be done with such a one, Mr. Menzies, but wallop him?' and he shakes his head and says, 'He's on the catarampus, ma'am—in one of his black fits. Tells me to go my way and let him alone; then turns his back.' Now, what about such troubles as that, Miss Percival?”

Miss Percival looked serious, but not especially interested. Her eyes looked before her, but seemed not to see anything. She asked, “What did Mr. Menzies say to him next?” but if she was interested it was not in that matter.

Mrs. Benson brandished her voice. “Ha, you may well ask me. 'No, my man,' he says, 'but 'tis you that must go mine while I'm head-gardener at Wanless,' he says. That's what Mr. Menzies told him, the elderly man that he is—and now look at this. Young Glyde turns his back upon him, with no more notice taken than you or I would have of a flea on the arm. Insolence, that is. Downright insolence of an elderly man. Ah,” said Mrs. Benson with tightening lips, “if you come to troubles!”

Miss Percival's tone was sympathetic, if her eyes were still sightless. “Really! I'm very sorry. I'll see Mr. Menzies about it to-morrow, and of course I'll talk to Struan. He is difficult—it's very tiresome of him. I saw him this afternoon but had no notion of all this. I can't think how it is. Nerves, I suppose. He's a human creature, you see, as well as a gardener.”

Mrs. Benson was incapable of seeing such a possible combination: her explanation was simpler. Human! She scorned him. “Bad blood,” she said with energy; “bad, black, gypsy blood. He'll be murdering one of us in her bed in a day or two. You see if he don't.”

Miss Percival did not deny the suggestion. She considered it rather—its effect, its effectiveness. “Struan is tiresome, of course,” she said, “but I do think he has tried to restrain himself lately. He promised me he would.” She turned her full gaze suddenly upon Mrs. Benson, and almost disarmed that lady. “I like him, you know. He's very nice to me.”

Mrs. Benson gasped, but recovered just in time to resume the dark oracles in her keeping. “Ah,” she said, “he would be. If you can call it nice—”

“He's wonderful in the garden,” Miss Percival calmly continued. “Even Menzies admits it. He'll work all day. He's never tired.”

“Nor's a tiger,” the cook snapped. “Nor's a tom-cat.”

Miss Percival looked pitifully at her and smiled. “Poor Struan—you don't like him. I'll see him to-night. I have an influence, I think.”

Mrs. Benson touched the hand that lay within her reach, which had lately been upon her shoulder. “Don't, my dear, don't,” she said.

“Why not?” asked the lady with her lifted brows. “Why shouldn't I?”

“Influence! The likes of him!—Gypsy blood at midnight—soft-voiced, murderous—”

She gave no coherent answer, but smiled always, then leaned forward and stroked Mrs. Benson upon her personable cheek. “Dear old thing, let me do as I like. It's much better for everybody,” she presently said.