| | PAGE | I. | The Genius of Joseph Conrad | 1 | II. | A Visit to Walt Whitman | 22 | III. | The Buffoon of the New Eternities: Jules Laforgue | 32 | IV. | DostoÏevsky and Tolstoy, and the Younger Choir of Russian Writers | 52 | V. | I. Arnold Schoenberg | 89 | | II. Music of To-Day and To-Morrow | 104 | VI. | Frank Wedekind | 121 | VII. | The Magic Vermeer | 141 | VIII. | Richard Strauss at Stuttgart | 153 | IX. | Max Liebermann and Some Phases of Modern German Art | 173 | X. | A Musical Primitive: Modeste Moussorgsky | 190 | XI. | New Plays by Hauptmann, Sudermann, and Schnitzler | 203 | XII. | Kubin, Munch, and Gauguin: Masters of Hallucination | 222 | XIII. | The Cult of the Nuance: Lafcadio Hearn | 240 | XIV. | I. The Melancholy of Masterpieces | 249 | | II. The Italian Futurist Painters | 262 | XV. | In the Workshop of Zola | 275 | XVI. | A Study of De Maupassant | 288 | XVII. | Puvis de Chavannes | 301 | XVIII. | Three Disagreeable Girls | 311 | IVORY APES AND PEACOCKS
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