Women have their own way of loving books. They are very rarely students, and more rarely still do they amass really great libraries, though many of the famous women of history have done so. Yet a woman likes to have her own books, and she likes, too, to have them separate from her husband's or her brothers', or the general family collection. Most women like tiny editions fitted into tiny cases.[25] Colour is much more to a woman than to a man, and in the binding of her books she will very often be very happily inspired. I think that it is in De Maistre's Journey Round my Room that he says, 'It is certain that colours exercise an influence over us to the extent of rendering us gay or sad, according to their shades.' Charming tiny bookcases are now sold in various woods and in all sizes, and these have the advantage of being easily moved from place to place. A very pretty effect can be produced by a book-screen, but this, to be of service for taking books, must be placed in a room larger than most boudoirs. In choosing bindings for small books do not be surprised if, when bound, your books are not as flexible as they should be. The easy opening of a book, and this particularly applies to small books, depends very much upon the thickness of the paper used, and small books printed on thick paper will never open well. Much blame is often heaped upon binders in this direction which is by no means their fault. Roan, parchment, vellum, morocco, and buckram are all suitable for boudoir bindings. Very pretty effects are produced by binding a series of small books in vellum with green lettering-pieces, and green edges instead of gilded edges. White backs, with pink or blue lettering-pieces, are also very dainty; and a pretty effect of another kind is produced by dark brown polished calf, with round backs, raised bands, and yellow edges.

Reference books, such as verbal dictionaries, dictionaries of quotations, a classical dictionary, an atlas, or a biographical dictionary, should always be to hand; and even when these are in the large library, duplicates should be kept in the boudoir.

In a very charming book, already referred to, called The Story of my House, there is certain practical advice which seems to be the result of much experience and excellent taste on the part of the writer.

'With regard to the bookcases themselves, their height should depend upon that of the ceilings, and the number of one's volumes. For classification and reference it is more convenient to have numerous small cases of similar or nearly similar size, and the same general style of construction, than a few large cases in which everything is engulphed. With small or medium-sized receptacles, each one may contain volumes relating to certain departments or different languages, as the case may be; by this means a volume and its kindred may be readily found.'

'The style and colour of the bindings, also, may subserve a similar purpose; as, for instance, the poets in yellow or orange, books on nature in olive, the philosophers in blue, the French classics in red, &c. Unless methodically arranged, even with a very small library, a volume is often difficult to turn to when desired for immediate consultation, requiring tedious search, especially if the volumes are arranged upon the shelves with respect to size and outward symmetry. This may be avoided by the use of small bookcases and a definite style of binding.'

I think here that the boudoir library should have its own catalogue, and every bookshelf marked or numbered. Every boudoir library should have a catalogue.

'In a room ten and a half to eleven feet high, five feet is a desirable height for the bookcases. Besides the drawers at the base, this will afford space for four rows of books, to include octavos, duodecimos, and smaller volumes. The shelves should, of course, be shifting..... By leaving the top of the bookcase twelve to thirteen inches wide, ample space will be allowed for additional small books, porcelain, and bric-À-brac. It must be borne in mind that tall bookcases, in addition to the inaccessibility of the volumes in the upper shelves, have little, if any, space for pictures on the walls above them.'

It may be appropriate here to remind readers of an essay in Addison's Spectator upon my Lady's Library.

'Some months ago, my Friend, Sir Roger, being in the Country, enclosed a Letter to me, directed to a certain Lady, whom I shall here call by the name of Leonora, and as it contained Matters of Consequence, desired me to deliver it to her with my own Hand. Accordingly, I waited upon her Ladyship early in the Morning, and was desired by her Woman to walk into her Lady's Library till such time as she was in Readiness to receive me. The very Sound of a Lady's Library gave me a great Curiosity to see it; and as it was some time before the Lady came to me, I had an Opportunity of turning over a great many of her Books, which were ranged together in very beautiful Order. At the end of the Folios (which were finely bound and gilt) were great Jars of China, placed one above another in a very noble piece of Architecture. The Quartos were separated from the Octavos by a Pile of smaller Vessels, which rose in a delightful Pyramid. The Octavos were bounded by Tea Dishes of all Shapes, Colours, and Sizes, which were so disposed on a wooden Frame that they looked like one continued Pillar indented with the finest Strokes of Sculpture, and stained with the greatest Variety of Dyes. That Part of the Library which was designed for the Reception of Plays and Pamphlets and other loose Papers, was enclosed in a kind of Square, consisting of one of the prettiest Grotesque Works that ever I saw, and made up of Scaramouches, Lions, Monkies, Mandarines, Trees, Shells, and a thousand other odd Figures in China Ware. In the midst of the Room was a little Japan Table, with a Quire of gilt Paper upon it, and on the Paper a Silver Snuff-box, made in the Shape of a little Book. I found there were several other Counterfeit Books upon the upper Shelves, which were carved in Wood, and served only to fill up the Number, like Fagots in the muster of a Regiment. I was wonderfully pleased with such a mixt kind of Furniture, as seemed very suitable both to the Lady and the Scholar, and did not know at first whether I should fancy myself in a Grotto, or in a Library.'