Introduction—“A Description of 300 Animals”—Unicorn—The Bible Unicorn—The Heraldic Unicorn—The Horn as a Poison Test—The Unicorn of MediÆval Legend—Wolf Causing Dumbness—The Rompo or Man-eater—The Manticora—The Lamia—Stag Antipathies—Dragons—Dragon-slaying—Legends of the Saints—The “Legenda Aurea”—St. George—MediÆval Recipes—The “Historia Monstrorum” of Aldrovandus—The Dragon in Heraldry—The Dragon of Wantley—Dragons’ Teeth—The Dragonnades—The Dragons of Shakespeare—Guardians of Treasure—The Feud between the Dragon and the Elephant—The “Bestiare Divin” of Guillaume—The Cockatrice—The Basilisk—The Phoenix—Its Literary Existence from Herodotus to Shakespeare—The Dun-Cow of Warwick—Sir Guy, and Percie’s “Reliques of Antient Poetry”—Old Ribs and other Bones in Churches—The Salamander—Breydenbach’s Travels—The “Bestiary” of De Thaun—The Ylio—The Griffin—The Arimaspians—Burton’s “Miracles of Art and Nature”—The Lomie—The Tartarian Vegetable Lamb—The Sea-Elephant—Pegasus—The Vampyre—The Chameleon. ALL science is a gradual growth. Travellers as they toil up a long ascent turn round from time to time, and mark with satisfaction the ever-lengthening way that stretches between them and their distant starting-place, and derive a further encouragement from the sight to press The old herbals and books of travels abound in curious examples of the quaint beliefs of our forefathers, while their treatises on natural history are a still richer storehouse. Many of the old tomes, again, on the science of heraldry give other curious notions respecting the different animals introduced. Some of these animals, as the dragon or the griffin, are undoubtedly of the most mythical nature, yet we find them described in the most perfect good faith, and without the slightest suspicion as to their real existence. We shall have occasion to refer to several of the works of these old writers, and we will, without further preface, take down from our book-shelf a little book entitled “A Description of 300 Animals.” No one person appears on the title-page as author, For some reason that we cannot now discover, the unicorn was an especial favourite with the Scotch heralds, and it is from them that we derive it in our royal arms. Before the union of the two monarchies the supporters of the arms of the English monarchs had been very various, though in almost every case a lion had been one of the two employed, We have already indicated that potent virtues were believed to reside in the horn of the unicorn. In the Comptes Royaux of France in 1391 we find a golden cup with a slice of this horn in it for testing the food of the Dauphin, and again in the inventory of Charles V.—“Une touche de licorne, garnie d’or, pour faire essay.” Decker, again, in 1609 speaks of “the unicorn, whose horn is worth a city.” In Mrs. Bury Palliser’s most interesting work of “Historic Badges and Devices” we find an illustration of the standard of Bartolomeo d’Alviano. He was a great champion of the Orsini family, and took a leading part in all the feuds that devastated Central One of the Arabian annalists, El Kazwini, has much to say about the magical and curative properties of these cups; and a yet fuller notice of them appears in Lane’s “Arabian Nights,” chap. xx. note 32. It is also stated that most of the Eastern potentates possessed one of these cups. In Hyder Ali’s treasury at Tanjore was found a specimen. In “Uganda and the Egyptian Soudan,” by the Rev. C.T. Wilson and R.W. Felkin, vol. ii. p. 275, we read:— “Cups made of rhinoceros horn are supposed to have the peculiar virtue of detecting poison in coffee and sherbet. Often, when drinking for the first time in a strange house, one of these cups is offered to assure the visitor that no foul play is contemplated. These are considered most valuable presents and a mark of lasting friendship and esteem.” Back In the “Display of Heraldry” published by John Guillim in the year 1679 we read—“It hath been much questioned amongst naturalists, which it is that is properly called the Unicorn; and some have made doubt whether there be any such Beast as this or no. But the great esteem of his horn (in many places to be seen) may take away that needless scruple.” Having thus satisfactorily established the existence of such a creature he naturally feels at full liberty to group around the It seems to have been a debateable point whether the unicorn had ever been taken alive, but Guillim decisively negatives the idea, and naturally avails himself of it for the greater glorification of the creature and of its service in his beloved science of heraldry. He lays down the broad fact that the unicorn is never taken alive, and here surely we can thoroughly go with him; but “the reason being demanded, it is answered that the greatness of his mind is such that he chuseth rather to die, wherein the unicorn and the valiant-minded soldier are alike, which both contemn death, and rather than they will be compelled to undergo any base servitude and bondage they will lose their lives.” Philip de Thaun, on the other hand, not only admits the idea that the unicorn may be captured alive, but gives the full receipt for doing so. It would appear that, like Una’s lion, the animal is of a particularly impressionable nature, and is always prepared to do homage to maiden beauty and innocence, and this amiable trait in its character is basely taken advantage of. “When a man intends to hunt and take and ensnare it he goes to the forest where is its repair, and there places a virgin. Then it comes to the virgin, falls asleep on her lap, and so comes to its death. The man arrives immediately and kills it in its sleep, or takes it alive and does as he will with it.” The young ladies of that very indefinite date must have possessed considerably more courage and nerve than some of their sisters of the present day, who show symptoms of hysteria if they find themselves in the same room with a spider—a considerably less severe test than The unicorn, alive or dead, seems to have eluded observation in a wonderful way, and the men of science were left to extract their facts from the slightest hints, in the same way that distinguished anatomists and geologists of these later days are enabled to build up an entire animal from one or two isolated bones. The process, however, does not seem, in the case of the earlier men, to have been a very successful one, and there is consequently a great clashing amongst the authorities, and one of the mediÆval writers, feeling the difficulty of drawing any very definite result from the chaos before him, adopts the plan, in which we humbly follow him, of simply putting it all down just as it comes to hand, and leaving his readers to make the best they can of it. He writes as follows:— “Pliny affirmeth it is a fierce and terrible creature, Vartomannus a tame animal: those which Garcias ab Horto described about the Cape of Good Hope were beheld with heads like horses, those which Vartomannus beheld he described with the head of a Deere: Pliny, Ælian, Solinus, and Paulus Venetus affirm the feet of the Unicorn are undivided and like the Elephant’s, but those two which Vartomannus beheld at Mecha were, as he described, footed like a Goate. As Ælian describeth it, it is in the bignesse of an Horse, that which Thevet speaketh of was not so big as an Heifer, but Paulus Venetus affirmeth that they are but little lesse than Elephants.” On turning to the records of a distinguished French In the early days of a similar institution, our own Royal Society—a body which is now so staid, and which focuses all the most important scientific results of the day to itself—many points were discussed in perfect good faith that are now consigned to oblivion—the trees that grow diamonds, the rivers that run precious gems, and the seeds that fell from heaven being amongst these; while at another meeting we find the Duke of Buckingham presenting the Society with a piece of the horn of the unicorn. The old writers had no very definite system, and though The Lamia, too, is an extraordinary creature, and one that our not remote forefathers seem to have thoroughly believed in, for though the author says that there are many fictitious stories respecting it, he goes on to describe it, and gives an illustration. It is thought to be the swiftest of all four-footed creatures, so that its prey can seldom or never escape it. It is said to be bred in The stag is said to be “a great enemy to all kinds of serpents, which he labours to destroy whenever he finds any, but he is afraid of almost all other creatures.” Many of these old beliefs were simply handed down from generation to generation without question, or the opinions of the ancients accepted without experiment The tusks of the wild boar, we are told, cut like sharp knives when the animal is alive, but lose their keenness at his death. It is said when this creature is hunted down his tusks are so inflamed that they will burn and singe the hair of the dogs. The wild ox has a tongue so hard and rough that it can draw a man to him, “whom by licking he can wound to death.” The elephant, we are told on the same authority, has two Book IV. of the treatise is devoted to the consideration of serpents and insects. Amongst serpents and insects the dragon naturally takes the place of honour. The writer evidently has his doubts, and carefully qualifies his description by a free use of the responsibility evading formula “it is said.” He gives three illustrations. One The dragon or winged serpent has formed a part in many creeds, and the dragon-slayer has been the hero of countless legends. The legend varies with climate and country, and with the development of the race in which it is found; and yet the prophecies of the Bible of the ultimate bruising of the serpent’s head and the final victory over the dragon (“That old serpent, which is the Devil and Satan” Rev. xx. 2); the legends of classic days, such as that of Perseus and Andromeda; the still older struggles recorded in the slabs of Nineveh and Persepolis; the stories narrated to awed rings of listeners in the stillness of the Eastern night, or listened to by our children with eager eyes and rapt attention in the homes of England; the mass of legend that in mediÆval times clustered around the names of God’s faithful ones; and the local traditions of every land, from the equator to the poles, all dwell on the mischievous presence of some evil principle and record the ultimate triumph of good. Beneath the mass of ever-varying fable stands the like foundation, the strife between the two antagonistic principles; and thus the wide world over, in every age and in every clime, the mind of man, in broken accents, it may be, and with faltering tongue, records with joy its upward struggle, feels the need of help in the sore conflict, registers its belief in final triumph. Though the dragon-conflict occurs in many literatures, the same incidents occur over and over again, and we find in almost all the power and subtlety of the monster, the innocence and helplessness of his victims, the suddenness of his attack on them, and the completeness of his final overthrow, the dragon-slayers being the In Egypt he was Typhon, in Greece, Python. In India he is Kalli Naga, the thousand-headed, the foe and the vanquished of Vishnu. In Anglo-Saxon chronicles he is Lig-draca, the fire-drake or godes-andsacan, the denier of God—always unsleeping, poison-fanged, relentless, the terrible enemy of man, full of subtlety and full of power. On the advent of Christianity these ancient legends were not wholly discarded, but suggested others of a like character, and a slight alteration transferred to saint or martyr those feats and victories which had formerly been ascribed to gods and demigods. It only remained for the new religion to point out the analogy, and to incorporate into itself the lessons they taught, the conflict won, the abnegation of self for the good of others. It would take up far too much space if we were to endeavour to give many of these legends in detail. In some cases they were doubtless intended as descriptions of an actual conflict, by force of arms, with some real monster; but in others the conflict is allegorical; thus St. Loup, St. Martin of Tours, St. Hilary, and St. Donatus are all notable dragon-slayers, though the conflict was a mythical one, and their claim to regard on this score is based really on their gallant fight with either the heathenism of those amongst whom they laboured or the heresy of false brethren. The popular saint, too, receives often more than his due at the hands of his admirers, and legends gather thickly round his name, and his so-called biography is often romance and hero-worship from beginning to end. St. Romanus at Rouen, St. Veran at Arles, and St. Victor of Marseilles are all accredited with feats of dragon-slaying; but leaving It may not be generally known that the sister of Lazarus, the St. Martha of our legend, together with Mary Magdalene and two companions, Maxime and Marcellus, wandered so far away from Palestine as the shores of France. How much farther they may have intended to go the history does not tell us, but the untoward accident that stranded them on the shores of Languedoc was a most fortunate circumstance for the people of the district. The inhabitants of that region had been for some time tormented by a monster who fed on human flesh and had a most draconic appetite, and they at once appealed to these strangers to help them. This alone would seem to indicate the extremity in which they found themselves, or they would scarcely have applied to four shipwrecked strangers, half of them women, for aid in the hour of their necessity. St. Martha, however, in pitying consideration for their sad plight, at once agreed to help them. She had hardly entered the wood where the monster dwelt before the most frightful bellowings were heard, at which all the people sorely trembled and naturally concluded that this unarmed woman had fallen a victim to her temerity; but this alarming bellowing shortly ceased, and soon after St. Martha reappeared, holding in one hand a little wooden cross, and in the other a ribbon, with which she led forth her interesting captive. She then advanced into the middle of the town and presented the people with the dragon, as embarrassing a present as the proverbial white elephant; but they seem to have risen to the occasion, for we find The “Legenda Aurea,” written by Jacobus de Voraigne, Archbishop of Genoa, in the year 1260, is what Warton termed “an inexhaustible repository of religious fable.” For some centuries it was considered to have an almost sacred character, and its popularity was so great that it passed through an immense number of editions in the Latin, Dutch, German, and French languages. It should have the more interest to us, too, from the fact that it was one of the earliest of English printed books, Caxton publishing the first English edition in 1493. This was followed by other editions by Wynkyn de Worde in the years 1498, 1512, and 1527. The following account of our patron saint is taken from this source, a much less favourable history being found in Gibbon’s “Decline and Fall of the Roman Empire.” Once upon a time the neighbourhood of the city of Sylene was infested with an enormous dragon, who, making a “ponde, lyke a sea,” which skirted the walls, his usual residence, was accustomed to envenom the miserable citizens with his pestiferous breath, and therefore It chanced that St. George, who, like a true knight-errant, was travelling in quest of dangerous adventures, arrived at the spot not long after the king’s departure, and was much astonished when he beheld so fair a lady lingering there alone and weeping bitterly, and riding up he asked the cause of her sorrow. But she, unwilling to detain him in a place so perilous, entreated him to leave her to her fate. “Go on your way, young man,” she said, “lest ye perish also.” But St. George would know the truth, so the maiden told him. Then was the knight’s heart merry within him, and he rejoined, “Fayre doughter, doubte ye no thynge hereof, for I shall helpe thee in the The provost’s fury knew no bounds when he witnessed these marvels. He stretched the champion on the rack, but the engine broke in pieces; he plunged him into boiling lead, and lo! the Saint came out “refreshed and strengthened.” When Dacien saw this he began to moderate his anger, and again had recourse to flattery, praying the Saint to renounce his faith and sacrifice to the idols, and, much to his surprise, the knight questioned him with a smiling countenance why he had not asked him before, and promised to do his bidding. Then the provost was glad indeed, and assembled all the people to see the champion sacrifice. So they thronged the temple where the Saint was kneeling before the shrine of Jupiter, but he earnestly prayed a while to the true God, entreating Him to destroy those accursed images and convert the deluded Romans,—“and anone the fyre descended from heuens and brente the temple and the ydolles and theyr prestes;” and immediately after the earth opened and swallowed up all the ashes. This last marvel only hardened the ruler’s heart and strengthened him in his infidelity; he caused the warrior to be brought before him, and sternly reproved him for his duplicity. “Thenne sayd to him Saynt George, ‘Syr, beleue it not, but come wyth me and see how I shall sacrefise.’ Thenne said Dacyan to him, ‘I see wel thy frawde and thy treachery; thou wylt make the erthe to swalowe me lyke as thou hast the temple and my goddes.’” Then said St. George, “O catiff, tell me how thy gods help thee when they cannot help themselves?” Then was the provost so enraged that he ran to his wife, and, telling her that he should die of anger if he could In the Middle Ages the dragon gave a title in Hungary to an order of knighthood, that of “the dragon overthrown.” This was established in the year 1418, to perpetuate the memory of the condemnation of John Huss and Jerome of Prague by the Council of Constance for heresy, and to denote the overthrow of the doctrines these men propagated in Hungary, Bohemia, and elsewhere in Germany, and for which they were ultimately burnt at the stake. The badge of the order was a dragon prostrate. In China the dragon is the symbol of the Imperial power, and all our readers who are familiar with the appearance of the Celestial pottery, bronzes, and so forth, will readily recall how commonly the form is introduced. Some little time ago the Chinese As a symbol and attribute the dragon is constantly appearing in mediÆval work, as carvings, illuminations, and the like, and we may remind our readers that in the term gargoyle, used in speaking of the strange and monstrous forms often found in our old cathedrals and abbeys doing duty as water-shoots, we get the dragon idea again, as the word is derived from an old French word signifying some such draconic monster. While, however, we find ourselves thus classing the dragon amongst the mythical and arbitrary forms of the stone-carver or the herald, we must be careful to remember that its terror had not thus in earlier days lost its sting, for the workman who sculptured it on a capital or thrust its hideous form into any other noticeable position not only regarded it as a symbol, but believed very really and truly in its veritable existence. Albertus Magnus gives a long account of the creature, an account altogether too elaborate for us to here transcribe; but its capture, according to him, is an easy matter enough if Amongst the Lansdowne MSS. in the British Museum will be found Aubrey’s “Gentilisme and Judaisme.” His remarks on St. George and the dragon are sufficiently quaint and interesting to justify insertion here. “Dr. Peter Heylin,” he says, “did write the Historie of St. George of Cappadocia, which is a very blind business. When I was of Trin. Coll. there was a sale of Mr. William Cartright’s (poet) books, many whereof I had: amongst others (I know not how) was Dr. Daniel Featley’s Handmayd to Religion, which was printed shortly after Dr. Heylin’s Hist. aforesaid. In the Holyday Devotions he speaks of St. George, and asserts the story to be fabulous, and that there never was any such man. William Cartright writes in the margent—For this assertion was Dr. Featley brought upon his knees before William Laud, Abp. of Canterbury. See Sir Thomas Browne’s ‘Vulgar Errors’ concerning St. George, where are good Remarks. He is of opinion A vast amount of learning upon the subject of our patron saint may be found in Selden’s “Titles of Honour,” in which he treats of “The chiefest testimonies concerning St. George in the Western Church, and a consideration how he came to be taken for the patron saint of the English nation.” Selden originally inclined to the idea that the saint first stepped into this exalted position in the reign of Edward III., but in “a most ancient Martyrologie” that he afterwards came across—one of Saxon date in the library of one of the Cambridge Colleges—he found a sufficient testimony that the position of the saint as patron of Britain dated from a much earlier time. Peter Suchenwirt, a German poet of the fourteenth century, gives in one of his poems a very curious and striking illustration of the esteem in which at the battle of Poictiers the English soldiers held their patron saint:— “Di Frantzois schrienn ‘Nater Dam!’ Das spricht Unser Fraw mit nam; Der chrey erhal; ‘Sand Jors! Sand Jors!’” “The French shout forth ‘Notre Dame,’ Thus calling on our Lady’s name; To which the English host reply, ‘St. George! St. George!’ their battle cry.” The Celtic use of the word dragon for a chieftain The dragon of Wantley deserves a passing word, since he supplies a good illustration of how the mythical and the material are often mixed up. Wantley is merely a “Old stories tell how Hercules A dragon slew at Lerna, With seven heads and fourteen eyes, To see and well discern-a; But he had a club this dragon to drub, Or he had ne’er done it, I warrant ye; But More of More Hall, with nothing at all, He slew the dragon of Wantley. This dragon had two furious wings, Each one upon each shoulder; With a sting in his tayl, as long as a flayl, Which made him bolder and bolder. He had long claws, and in his jaws Four-and-forty teeth of iron; With a hide as tough as any buff, Which did him round environ. Have you not heard how the Trojan horse Held seventy men in his belly? This dragon was not quite as big, But very near, I tell ye. DevourÉd he poor children three, That could not with him grapple; And at one sup, he eat them up, As one would eat an apple. All sorts of cattle this dragon did eat, Some say he did eat up trees, And that the forests sure he could Devour up by degrees: For houses and churches were to him geese and turkeys: He eat all, and left none behind, But some stones, dear Jack, that he could not crack, Which on the hills you will find. In Yorkshire, near fair Rotherham, The place I know it well; Some two or three miles, or thereabouts, I vow I cannot tell; And Matthew’s house hard by it; O there and then was this dragon’s den, You could not chuse but spy it. Hard by a furious knight there dwelt, Of whom all towns did ring; For he could wrestle, play quarterstaff, kick and cuff, And any such kind of a thing; By the tail and the main with his hands twain He swung a horse till he was dead, And that which is stranger, he in his anger Eat him all up but his head. These children, as I told, being eat; Men, women, girls and boys, Sighing and sobbing, came to his lodging, And made a hideous noise: ‘O save us all, More of More Hall, Thou peerless knight of these woods; Do but slay this dragon, who won’t leave us a rag on, We’ll give thee all our goods.’ ‘Tut, tut,’ quoth he, ‘no goods I want; But I want, I want, in sooth, A fair maid of sixteen that’s brisk and keen, And smiles about the mouth: Hair black as sloe, skin white as snow, With blushes her cheeks adorning; To anoynt me o’er night, ere I go out to fight, And to gird me in the morning.’ This being done, he did engage To hew the dragon down; But first he went, new armour to Bespeak at Sheffield town; With spikes all about, not within but without, Of steel so sharp and strong; Both behind and before, arms, legs, and all o’er, Some five or six inches long. Had you but seen him in this dress, How fierce he looked and how big, You would have thought him for to be Some Egyptian porcupig: Each cow, each horse, and each hog; For fear they did flee, for they took him to be Some strange outlandish hedge-hog. It is not strength that always wins, For wit doth strength excell; Which made our cunning champion Creep down into a well, Where he did think this dragon would drink, And so he did in truth; And as he stooped low he rose up and cried ‘boh!’ And hit him in the mouth. Our politick knight, on the other side Crept out upon the brink, And gave the dragon such a crack, He knew not what to think. ‘Aha,’ quoth he, ‘say you so, do you see?’ And then at him he let fly With hand and with foot, and so they both went to’t, And the word it was, hey, boys, hey! ‘Oh,’ quoth the dragon with a deep sigh, And turned six times together, Sobbing and tearing, cursing and swearing, Out of his throat of leather; ‘More of More Hall! O thou rascÀl! Would I had seen thee never; With that thing at thy foot thou hast pricked me sore, And I’m quite undone for ever.’ ‘Murder, murder,’ the dragon cried, ‘Alack, alack, for grief; Had you but missed that place, you could Have done me no mischief.’ Then his head he shaked, he trembled and quaked, And down he laid and cried; First on one knee, then on back tumbled he, And groaned, and kicked, and died.” We sometimes see allusions in poetry and the press to the sowing of dragons’ teeth. The reference is always to some subject of civil strife, to some burning question The incident is derived from the old classic legend of the founding of Thebes by Kadmos. Arriving on the site of the future city, he proposed to make a sacrifice to the protecting goddess Athene, but on sending his men to a not far distant fountain for water, they were attacked and slain by a terrible dragon. Kadmos thereupon went himself and slew the monster, and at the command of Athene sowed its teeth in the ground, from whence immediately sprang a host of armed giants. These on the instant all turned their arms against each other, and that too with such fury that all were presently slain save five. Kadmos invoked the aid of these giants in the building of the new city, and from these five the noblest families of Thebes hereafter traced their lineage. The myth has been the cause of much perplexity to scholars and antiquaries, but it has been fairly generally accepted that the slaying of the dragon after it had destroyed many of the followers of Kadmos indicates the final reduction of some great natural obstacle, after some few or more had been first vanquished by it. We may imagine such an obstacle to colonisation as a river hastily rising and sweeping all before it in its headlong flood, or an aguish and fever-breeding morass. The springing-up of the armed men from the soil has been construed as signifying that the Thebans in after times regarded themselves as the original inhabitants of the country—no mere interlopers, but sons of the soil from time immemorial; while their conflicts amongst themselves, as their city rose to fame, have been too frequently reflected time after time elsewhere to need any very special exposition. Another literary allusion in which the dragon bears One naturally turns to Shakespeare for an apt illustration of any conceivable point that may arise. The lover finds in him his tender sonnets, the lawyer his quillets of the law, the soldier the glorification of arms, and the philosopher rich mines of wisdom. The antiquary finds in him no less a golden wealth of allusion to all the customs and beliefs of his day. In “Midsummer Night’s Dream” we find the lines— “Night’s swift dragons cut the clouds full fast, And yonder comes Aurora’s harbinger.” We get much the same idea again in the line in “Cymbeline”—“Swift, swift you dragons of the night,” and in “Troilus and Cressida”—“The dragon wing of night o’erspreads the earth.” “Scale of dragon, tooth of wolf,” and many other horrible ingredients are found in the witches’ caldron in “Macbeth,” while in “King Lear” we are advised not to come “between the “Though I go alone, like to a lonely dragon that his fen Makes feared and talked of more than seen.” In the play of “Pericles” we have the lines— “Golden fruit, but dangerous to be touched, For death-like dragons here affright thee hard.” And there are other references in “Romeo and Juliet” and other plays—references that it is needless here to give, as enough has been quoted to show our great poet’s realisation of this scaly monster of the marsh and forest. In the last extract we have given, that from “Pericles,” the golden fruit are the apples of the Hesperides, guarded by the dragon Ladon, foul offspring of Typhon and Echidna. Allusions to this golden fruit are very common amongst the poets, so we content ourselves with quoting as an illustration one that is less well known than many, from a poem by Robert Greene in the year 1598:— “Shew thee the tree, leafed with refinÈd gold, Whereon the fearful dragon held his seat, That watched the garden called Hesperides.” The dragon, like the griffin, is oftentimes the fabled guardian of treasure: we see this not only in the classic story of the garden of the Hesperides, but more especially in the tales of Eastern origin. Any of our readers who have duly gone through much of the “Arabian Nights’ Entertainments” will scarcely have failed to notice the employment of the dragon as a defender of gold and other hoarded wealth. Guillim, in his quaint The dragon, though, as we have seen, at times induced to mount guard over other people’s property, is ordinarily a very Ishmaelite; his hand is against everybody, and everybody’s hand against him; yet would he appear, if we may credit Pliny, to bear an excess and maximum of ill-will against the elephant. The elephant always strikes one as being such a great good-natured beast, as one who could do so much mischief if he would, yet spends his strength instead for the good of others, that it is difficult to understand how he should in so pre-eminent a degree have earned the ill-will of so potent an enemy. The dragon would appear to be always the aggressor, and the elephant has to defend himself as well as he can against the uncalled-for attack: it is satisfactory in this case to know that the scaly assailant sometimes fully meets his match. In Book VIII. of Pliny’s history we read that “India bringeth forth the biggest elephants, as also the dragons, that are continually at variance with them, and evermore fighting, and those of such greatnesse that they can easily clasp and wind them round the elephants, and withall tie them fast with a knot. In this conflict they die, both the one and the other; the elephant hee falls downe dead as conquered, and with his great and heavie weight crusheth and squeaseth the dragon that is wound and wreathed about him. Also the dragon assaileth him from an high tree, and launceth himselfe upon him, but the elephant knowing well enough he is not able to withstand his windings and knottings about him, seeketh to come close to some trees or hard rocks, and so for to crush and squeese the dragon between him and them. The dragons ware hereof, entangle and snare his feet and legs first with In the “Bestiare Divin” of Guillaume this antagonism of the elephant and dragon is again referred to, and indeed we find it an accepted belief throughout the Middle Ages. Pliny’s work was held for centuries in the greatest admiration, and to add “as Pliny saith” to any statement, no matter how wild, was considered amply sufficient. Guillaume’s description of the dragon is as follows—“C’est le plus grand des animaux rampants. Il nait en Éthiopie: il a la gueule petit, le corps long et reluisant comme or fin. C’est l’ennemie de l’ÉlÉphant; c’est avec sa queue qu’il triomphe de lui: lÀ est, en effet, le principe de sa force; sa gueule ne porte point venin de mort.” The book of Guillaume is a fair type of several books of the sort written by ecclesiastics during the Middle Ages. Such books were an attempt to show that all the works of nature were symbols and teachers of great Scriptural truths; hence, while much that they give is interesting, their statements always require to be received with great caution. If the facts of the case got at all in the way of a good moral, so much the worse for the facts; and if a little or a great modification of the true state of the case could turn a good moral into one much better, the goodness of the intention was held to amply justify the departure from the hampering influence of the real facts. The MS. of Guillaume dates from the thirteenth century, and is at present preserved in the Referring back to the “300 Animals,” the natural history that was considered good enough for the people living in the year of grace 1786, we find, after the account of the Dart, “so called from his flying like an arrow from the tops of trees and hedges upon men, by which means he stings and wounds them to death,” the following description:—“The Cockatrice is called the king of serpents, not from his bigness—for he is much inferior in this respect to many serpents—but because of his majestic pace, for he does not creep upon the ground, like other serpents, but goes half upright, for which cause all other serpents avoid him; and it seems nature designed him that pre-eminence, by the crown or coronet upon his head. Writers differ concerning the production of this animal. Some are of opinion that it is brought forth of a cock’s egg sat upon by a snake or toad, and so becomes a cockatrice. It is said to be half a foot in length, the hinder part like a serpent, the fore part like a cock. Others are of opinion that the cock that lays the egg sits upon and hatches it himself. These Guillim The Basilisk, to whom also was given the title of king of the serpents, was another of the stern, very stern realities of our forefathers, though, like the cockatrice, it has fallen a victim to the march of intellect. Its royal rank was bestowed upon it not from its pestiferous qualities, but from the crest or coronet it wears, or rather wore, as the species may now be considered extinct. Like the monstrous kraken of the Norway seas and the classic harpy or minotaur, down to the sheeted spectre that clanked its chains last century in churchyard or corridor, it has failed to make good its claims to our credence; and even the great sea-serpent, that from time to time appears in the columns of the newspapers when Parliament is not sitting, will have to appear very visibly elsewhere as well, or the scepticism of the nineteenth century will disestablish it. The basilisk was by some old writers described as a huge lizard, but in later times it became a crested serpent. Exact accuracy on this point was impossible, as, like the cockatrice, the glance of its eye was death. Pliny says, “We come now to the basiliske, whom all other serpents do flie from and are afraid of; albeit he killith them with his very breath and smell that passeth from him: yea, and by report, if he do but set his eye on a man it is enough to take away his life.” Readers of Shakespeare will recall the passage in King Henry VI., “Come, basilisk, and kill the innocent gazer with thy sight;” and again where the Lady Anne exclaims to Richard III., with reference to her eyes, “Would that they were basilisk’s, to strike thee dead.” Beaumont and Fletcher, too, in their “Woman Hater,” speaks of “The basilisk’s death-doing eye.” Dryden avails himself of the same old belief, and makes The basilisk is mentioned by most of the old writers, by Dioscorides, by Galen, Pliny, Solinus, Ælian, Ætius, Avicen, Ardoynus, Grevinus, and many others. Aristotle makes no mention of it. Scaliger gravely describes one that was found in Rome in the days of Leo IV., while Sigonius and others are so far from denying the possibility of such a beast that they have duly set forth various kinds or sub-species. Pliny, for instance, describes a thing he calls the Catoblepas, while Ætius gives details of another called Dryinus, each being only modifications of the basilisk idea. Where, of course, the whole thing was purely a figment of the imagination, the multiplication of species presents no difficulty at all, and it really makes little difference whether all the peculiarities and properties be focussed on one creature, or whether they be divided by a three or a four, and due distribution of them made to a like number of slightly varying monsters. There is no doubt but that if Baron Munchausen had turned his attention to this branch of natural history, we should have had many more species The Phoenix had what we may be allowed to call a literary existence amongst the Greeks and Romans, but scarcely became a visible creation of the artist until the mythic fowl was accepted by the early Christians as a type of the resurrection of the body—an association of ideas that afterwards rendered its use very common, and Tertullian, amongst other early writers, thus refers to its symbolic use. According to a tale narrated to Herodotus on his visit to Heliopolis, the phoenix visited that place once every 500 years, bringing with it the body of its predecessor, and burning it with myrrh in the sanctuary of the Sun-god; but the version on which the Christian moral and application is based is somewhat different. It is founded on the old belief that the phoenix, when it arrived at the age of 1461 years, committed itself to the flames that burst, at the fanning of its wings, from the funeral pyre that it had itself constructed of costly spices, and that from its ashes a new phoenix arose to life. This belief, which appears to us so absurd, was for hundreds of years as accepted a fact as any other point in natural history. The home of the phoenix was said to be at that delightfully vague address, somewhere in Arabia. In Hoole’s translation of the “Orlando Furioso” of Ariosto we have both the mystic bird and its very indefinite home thus referred to:— We get the same idea again in Fletcher’s poem of “The Purple Island”:— “So that love bird in fruitful Arabie, When now her strength and waning life decays, Upon some airy rock or mountain high, In spicy bed (fix’d by near Phoebus’ rays), Herself and all her crooked age consumes. Straight from her ashes and those rich perfumes, A new-born phoenix flies, and widow’d place resumes.” These two extracts speak respectively of the virgin and widowed phoenix. The latter idea can scarcely be correct; widowhood implies the loss of a mate, and the phoenix, we are told, is unique and alone in the world. Pliny and Ovid use the masculine pronoun. The former writer’s account of him, her, or it will be found in the second chapter of his tenth book, and runs as follows:—“It is reported that never man was knowne to see him feeding; that in Arabie hee is held a sacred bird, dedicated unto the Sunne; that he liveth six hundred years, and when he groweth old and begins to decay, he builds himselfe a nest with the twigs and branches of the cannell or cinnamon and frankincense trees; and when he hath filled it with all sort of sweet aromiticall spices, yieldeth up his life thereupon. He saith, moreover, that of his bones and marrow there breedeth at first, as it were, a little worme, which afterwards proveth to bee a pretie bird. And the first thing that this young phoenix doth is to performe the obsequies of the former phoenix late deceased; to translate and carie away his whole nest into the citie of the Sunne, It was one of the venerable jokes of our fathers that a man hearing that a goose would live one hundred years, determined to buy one and see whether this really was so; but this simple plan does not seem to have occurred to any of the ancients, for while Herodotus affirms that the phoenix lives five hundred years, Pliny as plumply and roundly asserts as a matter beyond doubt or contradiction that it is six hundred. Another authority, more precise, though perhaps not more accurate, brings it, we see, to just one thousand four hundred and sixty one, the odd unit giving a delightful appearance of extreme accuracy and precision that seems to challenge one to gainsay it if he dare. In Ovid the fable is given with the fullest detail. The following lines from Dryden’s translation let us into the secret of how the whole thing is managed. “Our special correspondent” could hardly be more precise:— “All these receive their birth from other things, But from himself the phoenix only springs; Self-born, begotten by the parent flame In which he burn’d, another and the same; Who not by corn or herbs his life sustains, But the sweet essence Amomum he drains; And watches the rich gums Arabia bears, While yet in tender dews they drop their tears. He (his five centuries of life fulfill’d) His nest of oaken boughs begins to build, On trembling tops of palms: The plan with his broad bill and crooked claws, Nature’s artificers: on this the pile Is formed and rises round: then with the spoil Of Cassia, Cynamon, and stems of Nard (For softness strewed beneath) his funeral bed is reared. The borders with corruptless myrrh are crowned. On this incumbent, till ethereal flame; First catches then consumes the costly frame; Consumes him, too, as on the pile he lies: He lived on odours, and on odours dies. An infant phoenix from the former springs, His father’s heir, and from his tender wings Shakes off his parent dust, his method he pursues, And the same lease of life on the same terms renews. When grown to manhood he begins his reign, And with stiff pinions can his flight sustain; He lightens of his load the tree that bore His father’s royal sepulchre before, And his own cradle: this with pious care Placed on his back, he cuts the buxom air, Seeks the Sun’s city, and his sacred church, And decently lays down his burden in the porch.” The phoenix was a good deal employed during the Middle Ages, like the griffin, salamander, and other mythical creatures, as a badge or heraldic device, one of the most interesting illustrations being its use by Jane Seymour. Queen Elizabeth then adopted it, and thereby gave the court poets a grand opportunity of yielding her that highly spiced flattery that was so much to her liking. Sylvester, in his “Corona Dedicatoria,” a poem written at a slightly later period, thus introduces the title:— “As when the Arabian (only) bird doth burne Her aged body in sweet flames to death, Out of her cinders a new bird hath breath, In whom the beauties of the first return; From spicy ashes of the sacred urne Of our dead phoenix (deere Elizabeth) A new true phoenix lively flourisheth.” Shakespeare frequently employs the ideas associated with the mythical bird in his writings, and seems to have thoroughly mastered all that could be said on the Richardson ascribes an age of one thousand years to the phoenix, and adds a detail that many of the older writers seem to have missed; according to him the bird has fifty orifices in his bill, and when he has built his funeral pyre he treats the world to a melodious ditty through this novel wind instrument, flaps his wings with an energy that soon sets fire to the pile, and so perishes. There seems a hint of this vocal and instrumental performance in “Paradise and the Peri” where the poet Moore refers to “The enchanted pile of that lonely bird, Who sings at the last his own death lay, And in music and perfume dies away.” The Alchemists employed the phoenix as a symbol of their hopes and vocation, and in Paracelsus and other writers many curious details of its association with alchemy may be found. Though it seems a tremendous drop from the mythical phoenix of Arabia and its dissolution in fragrant spices to the old Dun Cow in Warwickshire, yet the latter proved herself, if legends may be credited, a foe fully worthy of the prowess of a right knightly arm, and as deserving of our notice as the dragon-slaying of that valiant brother star of chivalry St. George himself. Sir Guy of Warwick takes a high place amongst the famous ancient champions, and Dugdale and other good authorities hold that the stories connected with his name are not wholly apocryphal, though doubtless the monks and other early chroniclers drew the long bow at a venture sometimes. Dugdale, in his “Warwickshire,” A.D. 1730, writes—“Of his particular adventures, lest what I say should be suspected for fabulous, I will onely instance that combat betwixt him and the Danish champion, Colebrand, whom some (to magnifie our noble Guy the more) report to have been a giant. The storie whereof, however it may “Men speken of romances of price, Of Horne Childe and Ippotis, Of Bevis and Sir Guy;” while Shakespeare, in “King Henry VIII.,” makes one of his characters say, “I am not Samson, nor Sir Guy, nor Colbrand, to mow them down before me.” In Percie’s “Reliques of Antient Poetry” is a long black letter ballad upon the exploits of Guy. It seems unnecessary to quote it in extenso, so we pick out a verse “I slew the gyant Amarant In battle fiercelye hand to hand: And doughty Barknard killed I, A treacherous knight of Pavye land. Then I to England came againe, And here with Colbronde fell I fought: An ugly gyant whom the Danes Had for their champion hither brought. I overcame him in the field, And slewe him soone right valliantlye; Wherebye this land I did redeeme From Danish tribute utterlye. And afterwards I offered upp The use of weapons solemnlye At Winchester, whereas I fought, In sight of manye farr and nye. But first, near Winsor, I did slaye A bore of passing might and strength; Whose like in England never was For hugenesse both of bredth and length. Some of his bones in Warwicke yet, Within the castle there do lye, One of his shield-bones to this day Hangs in the citye of Coventrye. On Dunsmore heath I alsoe slewe A monstrous wyld and cruell beast, Called the Dun-Cow of Dunsmore heath, Which manye people had opprest. Some of her bones in Warwicke yett Still for a monument doe lye; Which unto every lookers viewe As wondrous strange, they may espye. I alsoe did in fight destroye, Which did both man and beast oppresse, And all the countrye sore annoye. My body that endured this toyle, Though now it be consumed to mold; My statue faire engraven in stone, In Warwicke still you may behold.” The origin of the story of the mythical dun cow is lost in obscurity, but in the north-west of Shropshire will be found an eminence known locally as the Staple Hill, and on this a ring of stones of the rude Druidic type seen in various parts of England, and most notably at Avebury, in Wiltshire. This circle is some ninety feet or so in diameter, and legend has it that this enclosure was used by a giant as a cow-pen. This cow was no ordinary creature, but yielded her milk miraculously, filling any vessel that was brought to her. She seems to have deeply resented the act of an old crone in bringing her a sieve thus to fill, construed it into a direct insult to her powers (though one scarcely sees on what ground), broke loose from her enclosure, and wandered into Warwickshire, doing enormous mischief, until her career was cut short by the redoubtable Guy. Bones of the dun cow may be seen in many places, a circumstance that is explained by telling us that on the victory of the knight over the cow he sent its bones far and wide over the district it had ravaged, as tokens of victory and a manifest proof that the monster was no longer to be dreaded. At Warwick a rib is exhibited: this is some seven feet long, and at Coventry there is a gigantic blade-bone some eleven feet round. In some cases these probably are the bones of whales, and in others of the wild bonasus or urus; but it must be distinctly understood The Salamander received its full mythical development during mediÆval times, though the older writers refer to it occasionally. We see in the writings of such men as Pliny the first steps taken towards the erection of that fabric of fancy and superstition that in the Middle Ages was reared on so slight a foundation. Pliny asserts that the Salamander is made in the fashion of a lizard and marked with spots like stars; that it is never seen during fair weather, but only in heavy rain; and that it is of so cold a nature that if it do but touch fire it will as effectually quench it as if ice were placed thereon. He, moreover, declares its poisonous nature—a nature that, according to later writers, is so noxious that the mere climbing of the tree by the animal poisons all the fruit, so that all who afterwards eat thereof perish without remedy, and that if one enters a river the stream is effectually poisoned, and all who drink therefrom for an indefinite date thereafter must die. Glanvil, a learned English Cordelier monk who lived in the thirteenth century, goes so The salamander is the well-known device of Francis I. of France, A.D. 1515-1547, the monarch who met our own King Henry VIII. at “the field of the cloth of gold.” On this occasion the French Guard had the salamander embroidered on their uniform, and we also find the device freely in the sculpture, wall paintings, and stained glass at Fontainebleau, Chambord, Orleans, in fact in all the palaces of Francis I. The motto adopted with it was Nutrisco et extinguo, “I nourish and extinguish,” a somewhat contradictory saying based on a somewhat contradictory story, for while we are told on the one hand that the salamander is reared and nourished in flame, we are also told that “he is of so cold a complexion that if he doe but touch the fire he will quench it as presently as if yce were put into it.” John, king of Aragon, had, almost a hundred years before, adopted the same device, adding to it the motto, Durabo, “I will endure.” Asbestos, though really, of course, of a mineral The writings of Pliny abound in strange ideas; some of these he evidently set down without putting the statements to the test, but in many cases he shattered the old beliefs by bringing them to the crucial test of experiment. The story of the extreme frigidity of the salamander’s body at once putting out the fiercest fire was a matter that he thus brought to the testing-point, the result being that the unfortunate victim of science was quickly shrivelled up and consumed. Another old statement, equally capable of being brought to the trial, was that if even the foot of a man came in contact with the liquid exuded from the skin of the salamander all his hair would fall off. Perhaps the reason why one statement was tested and not the other was that in the first case any ill consequences that might arise would affect the reptile, while the second would come home more closely to the experimenter himself. In Breydenbach’s travels we find a salamander included amongst the other animals, a position that it probably owed to its association with legend, for we also find in the same old author that the unicorn is frankly accepted as a The salamander is commonly to be met with in many parts of Europe, but the real and the ideal creature are two very different things—as different as the deer-eyed cows quietly ruminating in their verdant pasturage are to the dun cow that taxed all the heroism of Sir Guy of Warwick, or as old grey Dobbin to Pegasus. The real creature is very similar in form to the newts that are so commonly to be found in ponds, but the salamander of Francis I. is more like a wingless dragon, while some of the mediÆval heralds made it a quadruped something Shakespearian students will recall how Falstaff rails at Bardolph, calling him the “Knight of the Burning Lamp,” “admiral, bearing lantern in the poop,” “ball of wildfire,” and so forth, all compliments called forth from the effects of strong liquor on the rubicund countenance of Bardolph. He winds up by saying, “Thou hast saved me a thousand marks in links and torches, walking with thee in the night betwixt tavern and tavern, but the sack that thou hast drunk me would have bought me lights as good cheap, at the dearest chandler’s in Europe. I have maintained that salamander of yours with fire any time this two and thirty years.” The salamander, like the toad, the slow-worm, or the water newt, is still held to be decidedly uncanny. In our younger days our seeking after such small objects of natural history was always held by wondering rustics as a foolish tempting of Providence, and we have repeatedly been told the most moving stories of the poisonous nature of all such creatures, and especially how newts developed the most alarming properties if interfered with, biting out pieces of the captor’s flesh, and then spitting fire into the wound. Prompt amputation or death was the dire alternative offered, though in our own case matters never reached so dread a climax. “Them pisonous effets” were many a time in those by-gone days held in the hand that now guides our pen. The belief in such fatal powers must have a very disquieting influence on the rustics who hold it. When farm animals, as calves or colts, die mysteriously, some one is sure to start the theory that they have been bitten by an effet while drinking; and in view of such a belief even the fetching of a pail of water from “Returning homeward a few evenings ago from a country walk in the environs of D——, I discovered in my path a strange-looking reptile, which, after regarding me steadfastly for a few moments, walked slowly to the side of the road, and commenced very deliberately clambering up the wall. Never having seen a similar animal, I was rather doubtful as to its properties; but, reassured by its tranquil demeanour, I put my pocket-handkerchief over it, and it suffered itself to be taken up without resistance, and was thus carried to my domicile. On arriving chez moi, I opened the basket to show my captive to the servants, when, to my surprise and consternation, they set up such a screaming and hullabaloo that I thought they would have gone into fits. “‘Oh! la, la, la, la, la!—Oh! la, la, la, la, la!’ and then a succession of screams in altissimo, which woke up the children and brought out the neighbours to see what could be the matter. “‘Oh, monsieur a rapportÉ un sourd!’ “‘Un sourd!’ cried one. “‘Un sourd!’ echoed another. “‘UN S-O-U-R-D!!!’ cried they all in chorus; and then followed a succession of shrieks. “When they calmed down into a mild sample of hysterics, they began to explain that I had brought home the most venomous animal in creation. “‘Oh! le vilaÍn bÊte!’ cried Phyllis. “‘Oh! le mÉchant!’ chimed in Abigail; ‘he kills “Here I transferred my curiosity from the basket to a glass jar, and put a saucer on the top to keep it safe. “‘O Monsieur! don’t leave him so; if he puts himself in a rage, nothing can hold him. He has got such force that he can jump up to the ceiling; and wherever he fastens himself he sticks like death.’ “‘Ah! it’s all true,’ cried my landlady, joining the circle of gapers; ‘Oh! la la! Ça me fait peur; Ça me fait tr-r-r-r-embler!’ “‘Once I saw a man in a haycart try to kill one, and the bÊte jumped right off the ground at a bound and fastened itself on the man’s face, when he stood on the haycart, and nothing could detach it till the man fell dead.’ “‘Ah! c’est bien vrai,’ cried Abigail; ‘they ought to have fetched a mirror and held it up to the bÊte, and then it would have left the man and jumped at its image.’ “The end of all this commotion was that, while I went to inquire of a scientific friend whether there was any truth in these tissue of bÊtises, the whole household was in an uproar, tout en Émoi, and they sent for a commissionnaire, and an ostler with a spade and mattock, and threw out my poor bÊte into the road and foully murdered it, chopping it into a dozen pieces by the light of a stable lantern; and then they declared that they could sleep in peace!—les miserables! “But there were sundry misgivings as to my fate, and, as with the Apostle, ‘they looked when I should have “And so it turned out that my poor little bÊte that had caused such a disturbance was nothing more nor less than a salamander—a poor, inoffensive, harmless reptile, declared on competent authority to be noways venomous, but whose unfortunate appearance and somewhat Satanic livery have exposed it to obloquy and persecution.” As the French word sourd primarily means one who is deaf, we get a curious parallelism of ideas between the salamander deaf to all sense of pity, and insensible to all but its own fell purpose, and the old idea of the deafness of the poisonous adder. “Deaf as an adder” is a common country saying, and the passage in the Psalms of David where we read that “the deaf adder stoppeth her ears, and will not heed the voice of the charmer, charm he never so wisely,” naturally rises to one’s mind. The deafness, it will be noted, is no mere lack of the hearing faculty, but a wilful turning away from gentle influence. It was an old belief that when the asp heard the voice of the serpent-charmer it stopped its ears by burying one of them in the sand and coiling its folds over the other. In turning over the quaint pages of the “Bestiary” of De Thaun we find allusion made to a creature that is evidently the salamander again, though we cannot quite make out the reference to King Solomon. Like all such books written in the Middle Ages, everything is introduced to point some moral or religious truth, though it may at first seem difficult for our readers to realise what possible connection there can be between the dreaded “sourd” and any spiritual instruction. The Like the salamander, the Griffin was to our forefathers no mere creature of the imagination. Ctesias describes them in all sober earnestness as “birds with four feet, of the size of a wolf, and having the legs and claws of a lion. Their feathers are red on the breast and black on the rest of the body.” Glanvil says of them, “The claws of a griffin are so large and ample that he can seize an armed man as easily by the body as a hawk a little bird. In like manner he can carry off a horse or an ox, or any other beast in his flight.” The creature is, if anything, still more terrible when met with in the description given by Sir John Mandeville:—“Thai have the body upward as an egle, and benethe as a lyoun, but a griffonne hath the body more gret, and is more strong than eight lyouns, and more grete and strongere than an hundred egles such as we have among us. For he hath his talouns so large and so longe and grete upon his fete as though thei weren homes of grete oxen, so that men maken cuppes of them to drinken of.” Oriental writers, who appear to have an especial delight in the “As when a gryphon through the wilderness With wingÈd course o’er hill and moory dale Pursues the Arimaspian, who by stealth Has from his watchful custody purloin’d The guarded gold: so eagerly the fiend O’er bog, or steep, through strait, rough, dense, or rare, With head, hands, wings, or feet, pursues his way, And swims, or sinks, or wades, or creeps, or flies.” The Arimaspians were a one-eyed people of Scythia, who braided their hair with gold and drew their supplies of the precious metal as best they could from the stores guarded by the griffins. The griffin has long been employed as a symbol of watchfulness, courage, and perseverance, on account of this fabled treasure-guarding. But Browne, who, as we have seen, took great delight in vivisecting the vulgar errors of his day and generation, discourses as follows on the matter—“Aristeus affirmed that neer the Arimaspi, or one-eyed nation, griffins defended the mines of gold, but this, as Herodotus delivereth, he wrote from hearsay, and Michovius, who hath expressly written of those parts, plainly affirmeth that there is neither gold nor griffins in that country, nor any such Animall extant, for so doth he conclude, ‘Ego vero contra veteres authores, gryphes nec in illa septentrionis nec in alius orbis partibus inveniri affirmarim.’” Like the dragon, the griffin seems to have been a good sort of fellow to deal with if you only took him the right way, and though a terrible monster to encounter if one had any burglarious intentions, he seems to have The griffin was fabled to be the offspring of the union of the lion and the eagle; it has the leonine body and stout claws of one parent, the hooked beak, keen eye, and wings of the other. The form is very often met with in heraldry, past and present, either as a crest or as a supporter to the arms. A very familiar example of their employment in this latter service will be seen in the arms of the city of London. It is also a very common form in Roman and Renaissance painting and sculpture. Gryphius, a celebrated French printer, adopted the creature as his device, and on his decease the following epitaph was written:— “La grande griffe Qui tout griffe A griffÉ le corps de Gryphe.” Though ordinarily written as griffin or griffon, the alternative rendering gryphon is somewhat more correct, as the word is derived from the Greek grypos, or hook-nosed, in evident allusion to its eagle-beak. Shakespeare frequently refers to the creature, but the only instance we need here refer to is where a considerable difference in the spelling of the word might lead some of our readers astray. The passage to which we allude will be found in “The Rape of Lucrece,” where she “Like a white hind under the grype’s sharp claws Pleads in a wilderness, where are no laws.” In the forests of Bohemia, we are told by Burton in Vegetable Lambs were another of the wonders of our forefathers. The credulous Sir John Mandeville says that in Cathay a gourd-like fruit is found that when ripe contains “as though it were a lytylle lomb withouten wolle.” In the twenty-sixth chapter of his book the lamb-tree is duly figured, and its peculiar fruit development graphically delineated. In many old books of natural history we find representations of some such creature under the names of the Scythian or Tartarian lamb. According to some old writers it was said to be purely an animal, and although rooted to the ground, was held to have so deadly an effect on vegetation in its neighbourhood that it effectually prevented the growth of all herbage within the scope of its baleful influence. So singular a creature naturally provoked attention and curiosity, and in the earlier days of the Royal Society the matter was considered quite worthy of their notice. Naturally, also, the supply endeavoured to keep pace The reference to the mermaid reminds us that the sea no less than the land bore in ancient and mediÆval days its full share of wonders. Of the mermaids we shall have occasion to say more presently, as we propose to class together all those forms that are more or less human, and to deal with them separately; but the sculptures of classic antiquity or the fancies of the mediÆval herald afford us illustrations of the sea-horse, the sea-lion, and many other quaint imaginings. On an antique seal we once even saw a sea-elephant, a creature having the fore-legs, tusks, trunk, and great flapping ears of the African Pegasus or Pegasos, the offspring of Medusa and Poseidon, was the symbol of poetic inspiration. Its association with Perseus and Bellerophon, with the fountain of Peirene and the heights of Olympus, may all be found duly set forth in classic story and engraved or sculptured on the gems and marbles of antiquity. It is also introduced in mediÆval heraldry, but there seems to be no reference in any book of this period to lead us to suppose that it was then regarded as a living verity. Shakespeare refers to it from time to time, but in one case it is only as an inn-sign, and in another the very terms employed indicate that the reference to it must be taken in a poetic rather than a literal sense. The first of the two to which we allude will be found in the “Taming of the Shrew,” and runs as follows:— The second will be met with in the first part of “King “I saw young Harry, with his beaver on, His cuisses on his thighs, gallantly arm’d, Rise from the ground like feather’d Mercury, And vaulted with such ease into his seat As if an angel dropp’d down from the clouds, To turn and wind a fiery Pegasus, And witch the world with noble horsemanship.” The arms of the Barrister Templars of the present day consist of the Pegasus on an azure shield. The original devices of the Templars were the Agnus Dei, a device that may still be seen carved on the Temple buildings in London, and two knights riding one behind the other on the same horse. This badge or device was originally chosen to denote the poverty of the order in its earlier days, but at a later day, when the symbol was misunderstood, these two rude figures of knights were taken for wings, and hence we get the modern device of the winged steed or Pegasus. The Vampyre was another of the strange imaginings of our forefathers. It was thought that men and women sometimes returned, body and soul, from the other world after their death, and wandered about the earth doing all kinds of mischief to the living, one of their favourite pursuits being to suck the blood of those who were asleep, and these became vampyres in turn. The superstition took deepest hold in Eastern Europe, and is still an article of firm faith in Hungary and Servia. One reads ghastly stories of men unconsciously entertaining and sheltering vampyres and perishing miserably, of lonely travellers pining suddenly away, of the bodies of the dead being disinterred and the corpse found with the tell-tale stains of blood around its mouth, and the The vampyre bat, a native of South America, is so called from its blood-sucking propensities. It is the legend of the vampyre that has given the name to the bat, Though the Chameleon, unlike the phoenix, the griffin, or the basilisk, is a living verity, so large a body of fable has grown up around it that the animal is almost as mythical as those creatures of the imagination. The name is derived from two Greek words signifying “ground-lion,” a name singularly inappropriate in every way, as it has nothing leonine in look or nature, while its organisation fits it especially for living on trees. When we consider the singularity of its appearance and the peculiarity of its habits, it is by no means surprising that it should have attracted attention; and when we recall the numerous erroneous beliefs current amongst our rustics in England in this nineteenth century in the matter of frogs, newts, slow-worms, and the like, we can hardly wonder at the superstitions that have surrounded it. The eyes of the creature are quite expressionless, and are worked perfectly independently of each other, so that one may be directed upwards and the other downwards at the same time, or turned simultaneously to front and rear. Its exceeding slowness of “As the chameleon, who is known To have no colours of its own, But borrows from his neighbour’s hue His white or black, his green or blue.” Aristotle was acquainted with the singular motions of the eyes of the creature, and his description may well have been taken from nature. At the same time, these old writers knew nothing of comparative anatomy or dissection and conducted no scientific post-mortem examinations; hence in all matters of internal structure they are often ludicrously in error, while the weakness of their statements is only perhaps equalled by the strength with which they are asserted. We are, therefore, not surprised to read in Aristotle that the chameleon has Many other strange beasts might engage our attention were it not that we have much new ground yet to explore, for not only might we discourse of the strange beliefs that have clustered round these monsters, but of the equally strange fancies that have been associated with such familiar creatures as cats and dogs, hares and spiders, goats and mice, while in another section we must dwell on the equally unnatural fancies that have been associated with various plants. Before, however, passing to these we must refer to those strange imaginings, such as the Decoration |