Craven woke abruptly a few hours later with a spasmodic muscular contraction that jerked him into a sitting position. Half dazed as yet with sleep he swung his heels to the floor and sat on the edge of the bed looking stupidly at his dusty boots and earth-stained fingers. Then remembrance came and he clenched his hands with a stifled groan. He drank thirstily the tea that was on a table beside him and went to the open window. As he crossed the room the reflection of his blood-stained haggard face, seen in a mirror, startled him. A bath and clean clothes were indispensable before he went back to the lonely little house on the hillside. He lingered for a few minutes by the window, glad of the cool morning breeze blowing against his face, trying to pull himself together, trying to brace himself to meet the consequences of his folly, trying to drag his disordered thoughts into something approaching coherence. He stared down over the bay and the sunlit waters mocked him with their dancing ripples sliding lightheartedly one after the other toward the shore. The view that he looked upon had been until this morning a never-failing source of pleasure, now it moved him to nothing but the recollection of the hackneyed line in the old hymn—“where only man is vile,” and he was vile—with all power of compensation taken from him. To some was given the chance of making reparation. For him there was no chance. He could do nothing to mitigate the injury he had done. She whom he had wronged must suffer for him and he was powerless to avert that suffering. His helplessness overwhelmed him. O Hara San, little O Hara San, who had given unstintingly, with eager generous hands. His face was set as he turned from the window and, starting to pull off his torn shirt, called for Yoshio. But no Yoshio was forthcoming and at his second impatient shout another Japanese servant bowed himself in, and, kowtowing, intimated that Yoshio had already gone on the honourable lord's errand and would there await him, and that in the meantime his honourable bath was prepared and his honourable breakfast would be ready in ten minutes.

Craven paused with his shirt half off.

“What errand?” he said, perplexed, unaware that he was asking the question audibly.

The man bowed again, with hands outspread, and gravely shook his head conveying his total ignorance of a matter that was beyond his province, but the pantomime was lost on Craven who was wrestling with his shirt and not even aware that he had spoken aloud. It was the first time in ten years' service that Yoshio had failed to answer a call and Craven wondered irritably what could have taken him away at that time in the morning, and concluded that it was some order given by himself the day before, now forgotten, so dismissing Yoshio and his affairs from his mind he signed to the still gently explaining servant to go.

His brain felt dull and tired, his thoughts were chaotic. He saw before him no clear course. Whichever way he looked at it the horrible tangle grew more horrible. There was a recurring sense of unreality, a visionary feeling of detachment which enabled him to view the situation from an impersonal standpoint, as one criticises a nightmare, confident in the knowledge that it is only a dream. But in this case the confidence was based on nothing tangible and the illusion faded as quickly as it rose and left him confronted with the brutal truth from which there was no escape.

In the dressing room everything that he needed had been laid out in readiness for him, and he dressed mechanically with a feverish haste that struggled ineffectually with a refractory collar stud, and caused him to execrate heartily the absent valet and his enigmatical errand. Another ten minutes was lost while he hunted for his watch and cigarette case which he suddenly remembered were in the coat that he had left at the little house. Or had he searched genuinely? Had he not rather been—perhaps unconsciously—procrastinating, shrinking from the task he had in hand, putting off the evil moment? He swung on his heel violently and passed out on to the verandah. But at the head of the steps a vigilant figure rose up, bowing obsequiously, announcing blandly that breakfast was waiting.

Craven frowned at him a moment until the meaning of the words filtered through to his tired brain, then he pushed him aside roughly.

“Oh, damn breakfast!” he cried savagely, and cramming his sun helmet on his head ran down the garden path to the waiting rickshaw. It never occurred to him to wonder how it came to be there at an unusual hour. He huddled in the back of the rickshaw, his helmet over his eyes. His nerves were raw, his mind running in uncontrollable riot. The way had never seemed so long. He looked up impatiently. The rickshaw was crawling. The slow progress and the forced inaction galled him and a dozen times he was on the point of calling to the men to stop and jumping out, but he forced himself to sit quietly, watching the play of their abnormally developed muscles showing plainly through the thin cotton garments that clung to their sweat-drenched bodies, while they toiled up the steep roads. And today the sight of the men's straining limbs and heaving chests moved him more than usual. He used a rickshaw of necessity, and had never overcome his distaste for them.

Emerging from a grove of pines they neared the little gateway and as the men flung themselves backward with a deep grunt at the physical exertion of stopping, Craven leaped out and dashed up the path, panic-driven. He took the verandah steps in two strides and then stopped abruptly, his face whitening under the deep tan.

Yoshio stood in the doorway of the outer room, his arms outstretched, barring the entrance. His face had gone the grey leaden hue of the frightened Oriental and his eyes held a curious look of pity. His attitude put the crowning touch to Craven's anxiety. He went a step forward.

“Stand aside,” he said hoarsely.

But Yoshio did not move.

“Master not going in,” he said softly.

Craven jerked his head.

“Stand aside,” he repeated monotonously.

For a moment longer the Jap stood obstinately, then his eyes fell under Craven's stare and he moved reluctantly, with a gesture of mingled acquiescence and regret. Craven passed through into the room. It was empty. He stood a moment hesitating—indefinite anxiety giving place to definite fear.

“O Hara San,” he whispered, and the whisper seemed to echo mockingly from the empty room. He listened with straining ears for her answer, for her footstep—and he heard nothing but the heavy beating of his own heart. Then a moan came from the inner room and he followed the sound swiftly. The room was darkened and for a moment he halted in the doorway, seeing nothing in the half light. The moaning grew louder and as he became accustomed to the darkness he saw the old armah crouching beside a pile of cushions.

In a second he was beside her and at his coming she scrambled to her feet with a sharp cry, staring at him wildly, then fled from the room.

He stood alone looking down on the cushions. His heart seemed to stop beating and for a moment he reeled, then he gripped himself and knelt down slowly.

“O Hara San—” he whispered again, with shaking lips, “little O Hara San—little—” the whisper died away in a terrible gasping sob.

She lay as if asleep—one arm stretched out along her side, the other lying across her breast with her small hand clenched and tucked under her chin, her head bent slightly and nestled naturally into the cushion. The attitude was habitual. A hundred times Craven had seen her so—asleep. It was impossible that she could be dead.

He spoke to her again—crying aloud in agony—but the heavily fringed eyelids did not open, no glad cry of welcome broke from the parted lips, the little rounded bosom that had always heaved tumultuously at his coming was still under the silken kimono. He bent over her with ashen face and laid his hand gently on her breast, but the icy coldness struck into his own heart and his touch seemed a profanation. He drew back with a terrible shudder.

How dared he touch her? Murderer! For it was murder. His work as surely as if he had himself driven a knife into that girlish breast or squeezed the breath from that slender throat. He was under no delusion. He understood the Japanese character too well and he knew O Hara San too thoroughly to deceive himself. He knew the passionate love that she had given him, a love that had often troubled him with its intensity. He had been her god, her everything. She had worshipped him blindly. And he had left her—left her alone with the memory of his strangeness and his harshness, alone with her heart breaking, alone with her fear. And she had been so curiously alone. She had had nobody but him. She had trusted him—and he had left her. She had trusted him. Oh, God, she had trusted him!

His quick imagination visualised what must have happened. Frantic with despair and desperate at the seeming fulfilment of her fears she had not stopped to reason nor waited for calmer reflection but with the curious Oriental blending of impetuosity and stolid deliberation she had killed herself, seeking release from her misery with the aid of the subtle poison known to every Japanese woman. He flung his arm across the little still body and his head fell on the cushion beside hers as his soul went down into the depths.

An hour of unspeakable bitterness passed before he regained his lost control.

Then he forced himself to look at her again. The poison had been swift and merciful. There was no distortion of the little oval face, no discoloration on the fair skin. She was as beautiful as she had always been. And with death the likeness had become intensified until it seemed to him that he must have been blind beyond belief to have failed to detect it earlier.

He looked for the last time through a blur of tears. It seemed horrible to leave her to the ministrations of others, he longed to gather up the slender body in his arms and with his own hands lay her in the loveliest corner of the garden she had loved so much. He tried to stammer a prayer but the words stuck in his throat. No intercession from him was possible, nor did she need it. She had passed into the realm of Infinite Understanding.

He rose to his feet slowly and lingered for a moment looking his last round the little room that was so familiar. Here were a few of her most treasured possessions, some that had come to her from her mother, some that he had given her. He knew them all so well, had handled them so often. A spasm crossed his face. It had been the home of the enchanted princess, shut off from all the world—until he had come. And his coming had brought desolation. Near him a valuable vase, that she had prized, lay smashed on the floor, overturned by the old armah in the first frenzy of her grief. It was symbolical and Craven turned from it with quivering lips and went out heavily.

He winced at the strong light and shaded his eyes for a moment with his hand.

Yoshio was waiting where he had left him. Craven walked to the edge of the verandah and stood for a few moments in silence, steadying himself.

“Where were you last night, Yoshio?” he asked at length, in a flat and tired voice.

The Jap shrugged.

“In town,” he said, with American brevity learned in California.

“Why did you come here this morning?”

Yoshio raised eyes of childlike surprise.

“Master's watch. Came here to find it,” he said nonchalantly, with an air that expressed pride at his own astuteness. But it did not impress Craven. He looked at him keenly, knowing that he was lying but not understanding the motive and too tired to try and understand. He felt giddy and his head was aching violently—for a moment everything seemed to swim before his eyes and he caught blindly at the verandah rail. But the sensation passed quickly and he pulled himself together, to find Yoshio beside him thrusting his helmet into his hands.

“Better Master going back to bungalow. I make all arrangements, understanding Japanese ways,” he said calmly.

His words, matter-of-fact, almost brutal, brought Craven abruptly to actualities. There was necessity for immediate action. This was the East, where the grim finalities must unavoidably be hastened. But he resented the man's suggestion. To go back to the bungalow seemed a shirking of the responsibility that was his, the last insult he could offer her. But Yoshio argued vehemently, blunt to a degree, and Craven winced once or twice at the irrefutable reasons he put forward. It was true that he could do no real good by staying. It was true that he was of no use in the present emergency, that his absence would make things easier. But that it was the truth made it no less hard to hear. He gave in at last and agreed to all Yoshio's proposals—a curious compound of devotion to his master, shrewd commonsense and knowledge of the laws of the country. He went quickly down the winding path to the gate. The garden hurt him. The careless splashing of the tiny waterfall jarred poignantly—laughing water caring nothing that the hand that had planted much of the beauty of its banks was stilled for ever. It had always seemed a living being tumbling joyously down the hillside, it seemed alive now—callous, self-absorbed.

Craven had no clear impression of the run back into Yokohama and he looked up with surprise when the men stopped. He stood outside the gate for a moment looking over the harbour. He stared at the place in the roadstead where the American yacht had been anchored. Only last night had he laughed and chatted with the Athertons? It was a lifetime ago! In one night his youth had gone from him. In one night he had piled up a debt that was beyond payment. He gave a quick glance up at the brilliant sky and then went into the house. In the sitting-room he started slowly to pace the floor, his hands clasped behind him, an unlit cigarette clenched between his teeth. The mechanical action steadied him and enabled him to concentrate his thoughts. Monotonously he tramped up and down the long narrow room, unconscious of time, until at last he dropped on to a chair beside the writing table and laid his head down on his arms with a weary sigh. The little still body seemed present with him. O Hara San's face continually before him—piteous as he had seen it last, joyous as she had greeted him and thoughtful as when he had first seen it.

That first time—the memory of it rose vividly before him. He had been in Yokohama about a month and was settled in his bungalow. He had gone to the woods to sketch and had found her huddled at the foot of a steep rock from which she had slipped. Her ankle was twisted and she could not move. He had offered his assistance and she had gazed at him, without speaking, for a few moments, with serious grey eyes that looked oddly out of place in her little oval face. Then she had answered him in slow carefully pronounced English. He had laughingly insisted on carrying her home and had just gathered her up into his arms when the old armah arrived, voluble with excitement and alarm for her charge. But the girl had explained to her in rapid Japanese and the woman had hurried on to the house to prepare for them, leaving Craven to follow more slowly with his light burden. He had stayed only a few minutes, drinking the ceremonial tea that was offered so shyly.

The next day he had convinced himself that it was only polite for him to enquire about the injured foot. Then he had gone again, hoping to relieve the tedium of her forced inactivity, until the going had become a habit. The acquaintance had ripened quickly. From the first she had trusted him, quickly losing her awe of him and accepting his coming with the simplicity of a child. She had early confided to him the story of her short life—of her solitude and friendlessness; of the mother who had died five years before, bequeathing to her the little house which had been the last gift of the Englishman who had been O Hara San's father and who had tired of her mother and left her two years after her own birth; of the poverty against which they had struggled—for the Englishman had left no provision for them; of the faithful old servant, who had been her mother's nurse; of O Hara San's discovery of her own artistic talent which had enabled her to provide for the simple wants of the little household. She had grown up alone—apart from the world, watched over by the old woman, her mind a tangle of fairy-tales and romance—living for her art, content with her solitude. And into her secluded life had come Barry Craven and swept her off her feet. Child of nature that she was she had been unable to hide from him the love that quickly overwhelmed her. And to Craven the incident of O Hara San had come merely as a relief to the monotony of lotus-eating, he had drifted into the connection from sheer ennui. And then had come interest. No woman had ever before interested him. He had never been able to define the attraction she had had for him, the odd tenderness he had felt for her. He had treated her as a plaything, a fragile toy to be teased and petted. And in his hands she had developed from an innocent child into a woman—with a woman's capacity for devotion and self-sacrifice. She had given everything, with trust and gladness. And he had taken all she gave, with colossal egoism, as his right—accepting lightly all she surrendered with no thought for the innocence he contaminated, the purity he soiled. He had stained her soul before he had killed her body. His hands clenched and unclenched convulsively with the agony of remorse. Recollection was torture. Repentance came too late. Too late! Too late! he words kept singing in his head as if a demon from hell was howling them in his ear. Nothing on earth could undo what he had done. No power could animate that little dead body. And if she had lived! He shuddered. But she had not lived, she had died—because of him. Because of him, Merciful God, because of him! And he could make no restitution. What was there left for him to do? A life of expiation was not atonement enough. There seemed only one solution—a life for a life. And that was no reparation, only justice. He put no value on his own life—he wished vaguely that the worth of it were greater—he had merely wasted it and now he had forfeited it. Remained only to end it—now. There was no reason for delay. He had no preparations to make. His affairs were all in order. His heir was his aunt, his father's only sister, who would be a better guardian of the Craven estates and interests than he had ever been. Peters was independent and Yoshio provided for. There was nothing to be done. He rose and opening a drawer in the table took out a revolver and held it a moment in his hand, looking at it dispassionately. It was not the ultimate purpose for which it had been intended. He had never imagined a time when he might end his own life. He had always vaguely connected suicide with cowardice. Was it the coward's way? Perhaps! Who can say what cowardice or courage is required to take the blind leap into the Great Unknown? That did not trouble him. It was no question of courage or cowardice but he felt convinced that his death was the only payment possible.

But as his finger pressed the trigger there was a slight sound beside him, his wrist and arm were caught in a vice-like grip and the weapon exploded harmlessly in the air as he staggered back, his arm almost broken with the jiu-jitsu hold against which even his great strength could do nothing. He struggled fruitlessly until he was released, then reeled against the table, with teeth set, clasping his wrenched wrist—the sudden frustration of his purpose leaving him, shaking. He turned stiffly. Yoshio was standing by him, phlegmatic as usual, showing no signs of exertion or emotion as he proffered a lacquer tray, with the usual formula: “Master's mail.”

Craven's eyes changed slowly from dull suffering to blazing wrath. Uncontrolled rage filled him. How dared Yoshio interfere? How dared he drag him back into the hell from which he had so nearly escaped? He caught the man's shoulder savagely.

“Damn you!” he cried chokingly. “What the devil do you mean—” But the Jap's very impassiveness checked him and with an immense effort he regained command of himself. And imperturbably Yoshio advanced the tray again.

“Master's mail,” he repeated, in precisely the same voice as before, but this time he raised his veiled glance to Craven's face. For a moment the two men stared at each other, the grey eyes tortured and drawn, the brown ones lit for an instant with deep devotion. Then Craven took the letters mechanically and dropped heavily into a chair. The Jap picked up the revolver and, quietly replacing it in the drawer from which it had been taken, left the room, noiseless as he had entered it. He seemed to know intuitively that it would be left where he put it.

Alone, Craven leaned forward with a groan, burying his face in his hands.

At last he sat up wearily and his eyes fell on the letters lying unopened on the table beside him. He fingered them listlessly and then threw them down again while he searched his pockets absently for the missing cigarette case. Remembering, he jerked himself to his feet with an exclamation of pain. Was all life henceforward to be a series of torturing recollections? He swore, and flung his head up angrily. Coward! whining already like a kicked cur!

He got a cigarette from a near table and picking up the letters carried them out on to the verandah to read. There were two, both registered. The handwriting on one envelope was familiar and his eyes widened as he looked at it. He opened it first. It was written from Florence and dated three months earlier. With no formal beginning it straggled up and down the sides of various sheets of cheap foreign paper, the inferior violet ink almost indecipherable in places.

“I wonder in what part of the globe this letter will find you? I have been trying to write to you for a long time—and always putting it off—but they tell me now that if I am to write at all there must be no more maÑana. They have cried 'wolf' so often in the last few months that I had grown sceptical, but even I realise now that there must be no delay. I have delayed because I have procrastinated all my life and because I am ashamed—ashamed for the first time in all my shameless career. But there is no need to tell you what I am—you told me candidly enough yourself in the old days—it is sufficient to say that it is the same John Locke as then—drunkard and gambler, spendthrift and waster! And I don't think that my worst enemy would have much to add to this record, but then my worst enemy has always been myself. Looking back now over my life—queer what a stimulating effect the certainty of death has to the desire to find even one good action wherewith to appease one's conscience—it is a marvel to me that Providence has allowed me to cumber the earth so long. However, it's all over now—they give me a few days at the outside—so I must write at once or never. Barry, I'm in trouble, the bitterest trouble I have ever experienced—not for myself, God knows I wouldn't ask even your help, but for another who is dearer to me than all the world and for whose future I can do nothing. You never knew that I married. I committed that indiscretion in Rome with a little Spanish dancer who ought to have known better than to be attracted by my beaux yeux—for I had nothing else to offer her. We existed in misery for a couple of years and then she left me, for a more gilded position. But I had the child, which was all I cared about. Thank God, for her sake, that I was legally married to poor little Lola, she has at least no stain on her birth with which to reproach me. The officious individual who is personally conducting me to the Valley of the Shadow warns me that I must be brief—I kept the child with me as long as I could, people were wonderfully kind, but it was no life for her. I've come down in the social scale even since you knew me, Barry, and at last I sent her away, though it broke my heart. Still even that was better than seeing her day by day lose all respect for me. My miserable pittance dies with me and she is absolutely unprovided for. My family cast off me and all my works many years ago, but I put my pride in my pocket and appealed for help for Gillian and they suggested—a damned charitable institution! I was pretty nearly desperate until I thought of you. I know no one else. For God's sake, Barry, don't fail me. I can and I do trust Gillian to you. I have made you her guardian, it is all legally arranged and my lawyer in London has the papers. He is a well-known man and emanates respectability—my last claim to decency! Gillian is at the Convent of the Sacred Heart in Paris. My only consolation is that you are so rich that financially she will be no embarrassment to you. I realize what I am asking and the enormity of it, but I am a dying man and my excuse is—Gillian. Oh, man, be good to my little girl. I always hoped that something would turn up, but it didn't! Perhaps I never went to look for it, quien sabe? I shall never have the chance again....”

The signature was barely recognisable, the final letter terminating in a wandering line as if the pen had dropped from nerveless fingers.

Craven stared at the loose sheets in his hands for some time in horrified dismay, at first hardly comprehending, then as the full significance of John Locke's dying bequest dawned on him he flung them down and, walking to the edge of the verandah, looked over the harbour, tugging his moustache and scowling in utter perplexity. A child—a girl child! How could he with his soiled hands assume the guardianship of a child? He smiled bitterly at the irony of it. Providence was dealing hard with the child in the Paris convent, from dissolute father to criminal guardian. And yet Providence had already that morning intervened on her behalf—two minutes later and there would have been no guardian to take the trust. Providence clearly held the same views as John Locke on charitable institutions.

He thought of Locke as he had known him years ago, in Paris, a man twenty years his senior—penniless and intemperate but with an irresistible charm, rolling stone and waster but proud as a Spaniard; a man of the world with the heart of a boy, the enemy of nobody but himself, weak but lovable; a ragged coat and the manners of a prince; idealist and failure.

Craven read the letter through again. Locke had forced his hand—he had no option but to take up the charge entrusted to him. What a legacy! Surely if John Locke had known he would have rather committed his daughter to the tender mercies even of the “institution.” But he had not known and he had trusted him. The thought was a sudden spur, urging him as nothing else could have done, bringing out all that was best and strongest in his nature. In a few hours he had crashed from the pinnacle on which he had soared in the blindness of egoism down into depths of self-realisation that seemed bottomless, and at the darkest moment when his world was lying in pieces under his feet—this had come. Another chance had been given to him. Craven's jaw set squarely as he thrust Locke's dying appeal into his pocket.

He ripped open the second letter. It was, as he guessed, from the lawyer and merely confirmed Locke's letter, with the additional information that his client had died a few hours after writing the said letter and that he had forwarded the news to the Mother Superior of the Convent School in Paris.

Craven went back into the sitting-room to write cables.