Johan Huizinga

Erasmus's mind: Ethical and aesthetic tendencies, aversion to all that is unreasonable, silly and cumbrous—His vision of antiquity pervaded by Christian faith—Renascence of good learning—The ideal life of serene harmony and happy wisdom—Love of the decorous and smooth—His mind neither philosophic nor historical, but strongly philological and moralistic—Freedom, clearness, purity, simplicity—Faith in nature—Educational and social ideas

What made Erasmus the man from whom his contemporaries expected their salvation, on whose lips they hung to catch the word of deliverance? He seemed to them the bearer of a new liberty of the mind, a new clearness, purity and simplicity of knowledge, a new harmony of healthy and right living. He was to them as the possessor of newly discovered, untold wealth which he had only to distribute.

What was there in the mind of the great Rotterdamer which promised so much to the world?

The negative aspect of Erasmus's mind may be defined as a heartfelt aversion to everything unreasonable, insipid, purely formal, with which the undisturbed growth of medieval culture had overburdened and overcrowded the world of thought. As often as he thinks of the ridiculous text-books out of which Latin was taught in his youth, disgust rises in his mind, and he execrates them—Mammetrectus, Brachylogus, Ebrardus and all the rest—as a heap of rubbish which ought to be cleared away. But this aversion to the superannuated, which had become useless and soulless, extended much farther. He found society, and especially religious life, full of practices, ceremonies, traditions and conceptions, from which the spirit seemed to have departed. He does not reject them offhand and altogether: what revolts him is that they are so often performed without understanding and right feeling. But to his mind, highly susceptible to the foolish and ridiculous things, and with a delicate need of high decorum and inward dignity, all that sphere of ceremony and tradition displays itself as a useless, nay, a hurtful scene of human stupidity and selfishness. And, intellectualist as he is, with his contempt for ignorance, he seems unaware that those religious observances, after all, may contain valuable sentiments of unexpressed and unformulated piety.

Through his treatises, his letters, his Colloquies especially, there always passes—as if one was looking at a gallery of Brueghel's pictures—a procession of ignorant and covetous monks who by their sanctimony and humbug impose upon the trustful multitude and fare sumptuously themselves. As a fixed motif (such motifs are numerous with Erasmus) there always recurs his gibe about the superstition that a person was saved by dying in the gown of a Franciscan or a Dominican.

Fasting, prescribed prayers, the observance of holy days, should not be altogether neglected, but they become displeasing to God when we repose our trust in them and forget charity. The same holds good of confession, indulgence, all sorts of blessings. Pilgrimages are worthless. The veneration of the Saints and of their relics is full of superstition and foolishness. The people think they will be preserved from disasters during the day if only they have looked at the painted image of Saint Christopher in the morning. 'We kiss the shoes of the saints and their dirty handkerchiefs and we leave their books, their most holy and efficacious relics, neglected.'

Erasmus's dislike of what seemed antiquated and worn out in his days, went farther still. It comprised the whole intellectual scheme of medieval theology and philosophy. In the syllogistic system he found only subtlety and arid ingenuity. All symbolism and allegory were fundamentally alien to him and indifferent, though he occasionally tried his hand at an allegory; and he never was mystically inclined.

Now here it is just as much the deficiencies of his own mind as the qualities of the system which made him unable to appreciate it. While he struck at the abuse of ceremonies and of Church practices both with noble indignation and well-aimed mockery, a proud irony to which he was not fully entitled preponderates in his condemnation of scholastic theology which he could not quite understand. It was easy always to talk with a sneer of the conservative divines of his time as magistri nostri.

His noble indignation hurt only those who deserved castigation and strengthened what was valuable, but his mockery hurt the good as well as the bad in spite of him, assailed both the institution and persons, and injured without elevating them. The individualist Erasmus never understood what it meant to offend the honour of an office, an order, or an establishment, especially when that institution is the most sacred of all, the Church itself.

Erasmus's conception of the Church was no longer purely Catholic. Of that glorious structure of medieval-Christian civilization with its mystic foundation, its strict hierarchic construction, its splendidly fitting symmetry he saw hardly anything but its load of outward details and ornament. Instead of the world which Thomas Aquinas and Dante had described, according to their vision, Erasmus saw another world, full of charm and elevated feeling, and this he held up before his compatriots.

It was the world of Antiquity, but illuminated throughout by Christian faith. It was a world that had never existed as such. For with the historical reality which the times of Constantine and the great fathers of the Church had manifested—that of declining Latinity and deteriorating Hellenism, the oncoming barbarism and the oncoming Byzantinism—it had nothing in common. Erasmus's imagined world was an amalgamation of pure classicism (this meant for him, Cicero, Horace, Plutarch; for to the flourishing period of the Greek mind he remained after all a stranger) and pure, biblical Christianity. Could it be a union? Not really. In Erasmus's mind the light falls, just as we saw in the history of his career, alternately on the pagan antique and on the Christian. But the warp of his mind is Christian; his classicism only serves him as a form, and from Antiquity he only chooses those elements which in ethical tendency are in conformity with his Christian ideal.

What pure Latinity and the classic spirit meant to Erasmus we cannot feel as he did because its realization does not mean to us, as to him, a difficult conquest and a glorious triumph. To feel it thus one must have acquired, in a hard school, the hatred of barbarism, which already during his first years of authorship had suggested the composition of the Antibarbari. The abusive term for all that is old and rude is already Gothic, Goths. The term barbarism as used by Erasmus comprised much of what we value most in the medieval spirit. Erasmus's conception of the great intellectual crisis of his day was distinctly dualistic. He saw it as a struggle between old and new, which, to him, meant evil and good. In the advocates of tradition he saw only obscurantism, conservatism, and ignorant opposition to bonae literae, that is, the good cause for which he and his partisans battled. Of the rise of that higher culture Erasmus had already formed the conception which has since dominated the history of the Renaissance. It was a revival, begun two or three hundred years before his time, in which, besides literature, all the plastic arts shared. Side by side with the terms restitution and reflorescence the word renascence crops up repeatedly in his writings. 'The world is coming to its senses as if awaking out of a deep sleep. Still there are some left who recalcitrate pertinaciously, clinging convulsively with hands and feet to their old ignorance. They fear that if bonae literae are reborn and the world grows wise, it will come to light that they have known nothing.' They do not know how pious the Ancients could be, what sanctity characterizes Socrates, Virgil, and Horace, or Plutarch's Moralia, how rich the history of Antiquity is in examples of forgiveness and true virtue. We should call nothing profane that is pious and conduces to good morals. No more dignified view of life was ever found than that which Cicero propounds in De Senectute.

In order to understand Erasmus's mind and the charm which it had for his contemporaries, one must begin with the ideal of life that was present before his inward eye as a splendid dream. It is not his own in particular. The whole Renaissance cherished that wish of reposeful, blithe, and yet serious intercourse of good and wise friends in the cool shade of a house under trees, where serenity and harmony would dwell. The age yearned for the realization of simplicity, sincerity, truth and nature. Their imagination was always steeped in the essence of Antiquity, though, at heart, it is more nearly connected with medieval ideals than they themselves were aware. In the circle of the Medici it is the idyll of Careggi, in Rabelais it embodies itself in the fancy of the abbey of ThÉlÈme; it finds voice in More's Utopia and in the work of Montaigne. In Erasmus's writings that ideal wish ever recurs in the shape of a friendly walk, followed by a meal in a garden-house. It is found as an opening scene of the Antibarbari, in the numerous descriptions of meals with Colet, and the numerous Convivia of the Colloquies. Especially in the Convivium religiosum Erasmus has elaborately pictured his dream, and it would be worth while to compare it, on the one hand with ThÉlÈme, and on the other with the fantastic design of a pleasure garden which Bernard Palissy describes. The little Dutch eighteenth-century country-seats and garden-houses in which the national spirit took great delight are the fulfilment of a purely Erasmian ideal. The host of the Convivium religiosum says: 'To me a simple country-house, a nest, is pleasanter than any palace, and, if he be king who lives in freedom and according to his wishes, surely I am king here'.

Life's true joy is in virtue and piety. If they are Epicureans who live pleasantly, then none are more truly Epicureans than they who live in holiness and piety.

The ideal joy of life is also perfectly idyllic in so far that it requires an aloofness from earthly concerns and contempt for all that is sordid. It is foolish to be interested in all that happens in the world; to pride oneself on one's knowledge of the market, of the King of England's plans, the news from Rome, conditions in Denmark. The sensible old man of the Colloquium Senile has an easy post of honour, a safe mediocrity, he judges no one and nothing and smiles upon all the world. Quiet for oneself, surrounded by books—that is of all things most desirable.

On the outskirts of this ideal of serenity and harmony numerous flowers of aesthetic value blow, such as Erasmus's sense of decorum, his great need of kindly courtesy, his pleasure in gentle and obliging treatment, in cultured and easy manners. Close by are some of his intellectual peculiarities. He hates the violent and extravagant. Therefore the choruses of the Greek drama displease him. The merit of his own poems he sees in the fact that they pass passion by, they abstain from pathos altogether—'there is not a single storm in them, no mountain torrent overflowing its banks, no exaggeration whatever. There is great frugality in words. My poetry would rather keep within bounds than exceed them, rather hug the shore than cleave the high seas.' In another place he says: 'I am always most pleased by a poem that does not differ too much from prose, but prose of the best sort, be it understood. As Philoxenus accounted those the most palatable fishes that are no true fishes and the most savoury meat what is no meat, the most pleasant voyage, that along the shores, and the most agreeable walk, that along the water's edge; so I take especial pleasure in a rhetorical poem and a poetical oration, so that poetry is tasted in prose and the reverse.' That is the man of half-tones, of fine shadings, of the thought that is never completely expressed. But he adds: 'Farfetched conceits may please others; to me the chief concern seems to be that we draw our speech from the matter itself and apply ourselves less to showing off our invention than to present the thing.' That is the realist.

From this conception results his admirable, simple clarity, the excellent division and presentation of his argument. But it also causes his lack of depth and the prolixity by which he is characterized. His machine runs too smoothly. In the endless apologiae of his later years, ever new arguments occur to him; new passages to point, or quotations to support, his idea. He praises laconism, but never practises it. Erasmus never coins a sentence which, rounded off and pithy, becomes a proverb and in this manner lives. There are no current quotations from Erasmus. The collector of the Adagia has created no new ones of his own.

The true occupation for a mind like his was paraphrasing, in which, indeed, he amply indulged. Soothing down and unfolding was just the work he liked. It is characteristic that he paraphrased the whole New Testament except the Apocalypse.

Erasmus's mind was neither philosophic nor historic. His was neither the work of exact, logical discrimination, nor of grasping the deep sense of the way of the world in broad historical visions in which the particulars themselves, in their multiplicity and variegation, form the image. His mind is philological in the fullest sense of the word. But by that alone he would not have conquered and captivated the world. His mind was at the same time of a deeply ethical and rather strong aesthetic trend and those three together have made him great.

The foundation of Erasmus's mind is his fervent desire of freedom, clearness, purity, simplicity and rest. It is an old ideal of life to which he gave new substance by the wealth of his mind. Without liberty, life is no life; and there is no liberty without repose. The fact that he never took sides definitely resulted from an urgent need of perfect independence. Each engagement, even a temporary one, was felt as a fetter by Erasmus. An interlocutor in the Colloquies, in which he so often, spontaneously, reveals his own ideals of life, declares himself determined neither to marry, nor to take holy orders, nor to enter a monastery, nor into any connection from which he will afterwards be unable to free himself—at least not before he knows himself completely. 'When will that be? Never, perhaps.' 'On no other account do I congratulate myself more than on the fact that I have never attached myself to any party,' Erasmus says towards the end of his life.

Liberty should be spiritual liberty in the first place. 'But he that is spiritual judgeth all things, yet he himself is judged of no man,' is the word of Saint Paul. To what purpose should he require prescriptions who, of his own accord, does better things than human laws require? What arrogance it is to bind by institutions a man who is clearly led by the inspirations of the divine spirit!

In Erasmus we already find the beginning of that optimism which judges upright man good enough to dispense with fixed forms and rules. As More, in Utopia, and Rabelais, Erasmus relies already on the dictates of nature, which produces man as inclined to good and which we may follow, provided we are imbued with faith and piety.

In this line of confidence in what is natural and desire of the simple and reasonable, Erasmus's educational and social ideas lie. Here he is far ahead of his times. It would be an attractive undertaking to discuss Erasmus's educational ideals more fully. They foreshadow exactly those of the eighteenth century. The child should learn in playing, by means of things that are agreeable to its mind, from pictures. Its faults should be gently corrected. The flogging and abusive schoolmaster is Erasmus's abomination; the office itself is holy and venerable to him. Education should begin from the moment of birth. Probably Erasmus attached too much value to classicism, here as elsewhere: his friend Peter Gilles should implant the rudiments of the ancient languages in his two-year-old son, that he may greet his father with endearing stammerings in Greek and Latin. But what gentleness and clear good sense shines from all Erasmus says about instruction and education!

The same holds good of his views about marriage and woman. In the problem of sexual relations he distinctly sides with the woman from deep conviction. There is a great deal of tenderness and delicate feeling in his conception of the position of the girl and the woman. Few characters of the Colloquies have been drawn with so much sympathy as the girl with the lover and the cultured woman in the witty conversation with the abbot. Erasmus's ideal of marriage is truly social and hygienic. Let us beget children for the State and for Christ, says the lover, children endowed by their upright parents with a good disposition, children who see the good example at home which is to guide them. Again and again he reverts to the mother's duty to suckle the child herself. He indicates how the house should be arranged, in a simple and cleanly manner; he occupies himself with the problem of useful children's dress. Who stood up at that time, as he did, for the fallen girl, and for the prostitute compelled by necessity? Who saw so clearly the social danger of marriages of persons infected with the new scourge of Europe, so violently abhorred by Erasmus? He would wish that such a marriage should at once be declared null and void by the Pope. Erasmus does not hold with the easy social theory, still quite current in the literature of his time, which casts upon women all the blame of adultery and lewdness. With the savages who live in a state of nature, he says, the adultery of men is punished, but that of women is forgiven.

Here it appears, at the same time, that Erasmus knew, be it half in jest, the conception of natural virtue and happiness of naked islanders in a savage state. It soon crops up again in Montaigne and the following centuries develop it into a literary dogma.