Samplers and Tapestry Embroideries / Second Edition

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Preface to the Second Edition

Contents

List of Colour Plates

Illustrations in Text

PART I Samplers

PART II Embroideries in the Manner of Tapestry Pictures

PART III I. Stitchery of Pictures in Imitation of Tapestry and the Like

II. The Stitchery of Samplers, with a Note on their Materials

Index

Title: Samplers and Tapestry Embroideries

Second Edition

Author: Marcus Bourne Huish

Language: English

Character set encoding: UTF-8

E-text prepared by the Online Distributed Proofreading Team
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from page images generously made available by
Internet Archive
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Note: Images of the original pages are available through Internet Archive. See http://archive.org/details/samplerstapestry00huisrich

SAMPLERS AND
TAPESTRY EMBROIDERIES

Tho our Countrie everywhere is fil’d
With ladies and with gentlewomen skil’d
In this rare art, yet here they may discerne
Some things to teach them if they list to learne
And as this booke some cunning workes doth teach
Too high for meane capacities to reache
So for weake learners other workes here be
As plaine and easie as an A B C.

The Needle’s Excellency.

 

Plate I.—Tapestry Embroidery. Henry VIII., Edward VI., Mary, and Elizabeth.
The Corporation of Maidstone.

(Frontispiece.)

The very unusual piece of Embroidery reproduced as our Frontispiece may date from the Accession of Queen Elizabeth, in which case it is the earliest specimen of an embroidery picture that we have seen. It would appear to be the creation of some exultant Protestant rejoicing at the restoration of his religion, which to him is “Good tidings of great joy”; for his Queen holds the Bible open at this verse, and is ready to defend it with her sword. Edward VI. also upholds the Bible in his upraised hand, whilst Henry VIII. has one foot on the downtrodden Pope, and the other on his crown, which he has kicked from his head. Popery is portrayed in Mary with her Rosary and Papal-crowned Dragon. The presence of the Thistle raises a doubt as to its being of the Elizabethan age, but although this flower consorts with the Rose it also does so with a pansy, which deprives it of its value as an emblem of Scotland. The piece belongs to the Corporation of Maidstone.

SAMPLERS & TAPESTRY
EMBROIDERIES

BY
MARCUS B. HUISH, LL.B.
Author of “Japan and its Art,” “Greek Terra Cotta Statuettes”
“The American Pilgrim’s Way,” &c.

SECOND EDITION

WITH 24 COLOURED PLATES AND
77 ILLUSTRATIONS IN THE TEXT

LONGMANS, GREEN, AND CO.
39 PATERNOSTER ROW, LONDON
NEW YORK, BOMBAY, AND CALCUTTA
1913
All rights reserved


                                                                                                                                                                                                                                                                                                           

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