When Kedzie was angry she called her father an “old country Jake.” Even she did not know how rural he was or how he had oppressed the sophisticated travelers in the smoking-room of the sleeping-car with his cocksure criticisms of cities that he had never seen. He had condemned New York with all the mercilessness of a small-town superiority, and he had told funny stories that were as funny as the moss-bearded cypresses in a lone bayou. While he was denouncing New York as the home of ignorance and vice, the other men were having sport with him—sport so cruel that only his own cruelty blinded him to it. When the porter summoned the passengers to pass under the whisk broom, Adna remembered that he had not settled upon his headquarters in New York, and he said to a man on whom he had inflicted a vile cigar: “Say, I forgot to ask you. What's a good hotel in New York that ain't too far from the railroad and don't rob you of your last nickel? Or is they one?” One of the smoking-room humorists mocked his accent and ventured a crude jape. “You can save the price of a hack-ride by going to Mrs. Biltmore's new boarding-house. It's right across the road from the depot.” If Adna had been as keen as he thought he was, or if the porter had not alarmed him just then by his affectionate interest, even Adna would have noted the grins on the faces of the men. But he broke the porter's heart by dodging the whisk broom and hustling his excited family to their feet. They were permitted to hale their own hand-baggage to the platform, where two red-capped Kaffirs reached for it together. There was danger of an altercation, but the bigger of the two frightened the smaller away by snapping his shiny eyeballs alarmingly. The smaller one took a second look at Adna and retreated with scorn, snickering: “You kin have him.” The other, who was a good loser at craps or tips, re-examined his clients, flickered his eyelids, and started down the platform to have it over with as soon as possible. He paused to say: “Where you-all want to go to—a taxicab?” Adna, who was a little nervous about his property, answered with some asperity: “No, we don't need any hack to git to Biltmore's.” “Nossah!” said the red-cap. “Right across the street, ain't it?” “Yassah!” The porter chuckled. The mention of the family's destination had cheered him a little. He might get a tip, after all. You couldn't always sometimes tell by a man's clothes how he tipped. While Kedzie stood watching the red-cap bestow the various parcels under his arms and along his fingers, a man bumped into her and murmured: “Sorry!” She turned and said, “Huh?” He did not look around. She did not see his face. It was the first conversation between Jim Dyckman and Kedzie Thropp. Charity Coe, when the train stopped, had flatly refused to walk up the station platform with Jim Dyckman. She had not only virtue, but St. Paul's idea of the importance of avoiding even the appearance of evil. She would not budge from the car till Jim had gone. He was forced to leave her at last. He swung through the crowd in a fury, jostling and begging pardon and staring over the heads of the pack to see if Cheever were at the barrier. He jolted Kedzie Thropp among others, apologized, and thought no more of her. Cheever had not come to meet his wife. Her telegram was waiting for him at his official home; he was at his other residence. When Dyckman saw that no one was there to welcome the fagged-out Charity, he paused and waited for her himself. When Charity came along her anxious eyes found nobody she knew except Dyckman. The disappointment she revealed hurt him profoundly. But he would not be shaken off again. He turned in at her side and walked along, and the two porters with their luggage walked side by side. Prissy Atterbury was hurrying to a train that would take him for a week-end visitation to people who hated him but needed him to cancel a female bore with. As Prissy saw it and described it, Dyckman came into the big waiting-room alone, looked about everywhere, paused, turned back for Charity Coe; then walked away with her, followed by their twinned porters. Prissy said “Aha!” behind his big mustaches and stared till he nearly lost his train. Atterbury had gained a new topic to carry with him, a topic of such fertile resources that it went far to pay his board and lodging. He made a snowball out of the clean reputations of Charity and Jim and started it downhill, gathering dirt and momentum as it rolled. It was bound to roll before long into the ken of Peter Cheever, and he was not the man to tolerate any levity in a wife. Cheever might be as wicked as Caesar, but his wife must be as Caesar's. When Charity Coe was garrulous and inordinately gay, Jim Dyckman, who had known her from childhood, knew that she was trying to rush across the thin ice over some deep grief. When he saw how hurt she was at not being met, and he insisted on taking her home, she chattered and snickered hysterically at his most stupid remarks. So he said: “Don't let him break your heart in you, old girl.” She laughed uproariously, almost vulgarly, over that, and answered: “Me? Let a man break my heart? That's very likely, isn't it?” “Very!” Jim groaned. When they reached her magnificent home it had a deserted look. “Wait here a minute,” said Charity when Jim got out to help her out. She ran up the steps and rang the bell. There was a delay before the second man in an improvised toilet opened the door to her and expressed as much surprise as delight at seeing her. “Didn't Mr. Cheever tell you I was coming home?” she gasped. “We haven't seen him, ma'am. There's a telegram here for him, but of course—” Charity was still in a frantic mood. She wanted to escape brooding, at all costs. She ran back to where Jim waited at the motor door. “Got any date to-night, Jim?” she demanded. He shook his head dolefully, and she said: “Go home, jump into your dancing-shoes, and come back for me. I'll throw on something light and you can take me somewhere to dance. I'll go crazy mad, insane, if you don't. I can't endure this empty house. You don't mind my making a convenience of you, do you, Jim?” “I love it, Charity Coe,” he groaned. He reached for her hand, but she was fleeting up the steps. He crept into the car and went to his home, flung off his traveling-togs, passed through a hot tub and a cold shower into evening clothes, and hastened away. Charity kept him waiting hardly a moment. She floated down the stairs in a something fleetily volatile, and he said: “You look like a dandelion puff.” “That's right, tell me some nice things,” she said. She did not tell the servant where she was going. She did not know. She hardly cared.
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