MINOR SCHOOLS. The schools of Squeers, Doctor Blimber, Mr. Creakle, Doctor Strong, and Mr. Gradgrind and Mr. M’Choakumchild are the most celebrated schools of Dickens, and they contain the greater part of his pedagogical teaching. His other schools are, however, worthy of very careful study. One of the first of the Sketches by Boz described a man who had passed through many vicissitudes, and at length was reduced to such poverty that he applied to the parish board for charity. This led to his appointment as a schoolmaster. Dickens clearly intended to teach the lesson, afterward emphasized in Nicholas Nickleby and other books, that poverty should not establish a claim to the position of a school-teacher. Minerva Hall, also in Sketches by Boz, reveals “one of those public nuisances, a spoiled child,” spoiled because his papa was too busy with public duties and his mamma with society duties to train him properly. It also shows the reason Mrs. Cornelius Brook Dingwall had for sending her daughter to school. She said: “One of my principal reasons for parting with my daughter is that she has lately acquired some sentimental ideas, which it is most desirable to eradicate from her young mind.” Here the public nuisance fell out of a chair, and mamma and papa showed their usual mode of training him. Mamma called him “a naughty boy,” and threatened “to send for James to take him away”—both name and threat being wrong. Papa merely excused the cherub on the ground of “his great flow of spirits.” The school also shows the silly training of so-called “finishing schools,” In The Old Curiosity Shop there are four schools: Mr. Marton’s two schools, Mrs. Wackles’s school, and Miss Monflathers’s school. Mr. Marton’s first school was introduced to reveal all the good qualities that Mr. Squeers lacked, especially sympathy. Mr. Marton was the immediate successor of Mr. Squeers, and they possessed directly opposite traits of character in their relationship to childhood. Mr. Squeers was coarse, unsympathetic, and coercive. Mr. Marton was kind, considerate, and a perfect type of true sympathy with the child. It is reasonable to believe that Mr. Marton and Mr. Squeers were drawn as companion pictures to illustrate and enforce the same truth—that sympathy with the child is the fundamental element in the character of a true teacher. The old bachelor emphasized this when he said to Mr. Marton, “You are none the worse teacher for having learned humanity.” There is a great deal of food for psychological and pedagogical study in the introduction of the boys he was to teach in his second school, given by the bachelor to Mr. Marton. The bachelor was as full of genuine boyish spirit as it is possible for any adult to be, and was in some respects a more perfect type for an ideal teacher than Mr. Marton. Mr. Marton had the tender, spiritual sympathy of a true woman, the motherhood spirit that constitutes the atmosphere in which all right elements of childhood find their richest development; the bachelor had the perfect manly sympathy that enabled him to enter heartily into boy life. He had especially the power of recognising in the things for which boys are often rebuked the best evidences of their strength, and he could remember his own boyhood so well as to fully sympathize with the boys. Mr. Marton and the bachelor reveal the whole range of sympathetic possibilities. When nothing more was left to be done he charged the boy to run off and bring his schoolmates to be marshalled before their new master and solemnly reviewed. “As good a set of fellows, Marton, as you’d wish to The messenger soon returned at the head of a long row of urchins, great and small, who, being confronted by the bachelor at the house door, fell into various convulsions of politeness; clutching their hats and caps, squeezing them into the smallest possible dimensions, and making all manner of bows and scrapes, which the little old gentleman contemplated with excessive satisfaction, and expressed his approval of by a great many nods and smiles. Indeed, his approbation of the boys was by no means so scrupulously disguised as he had led the schoolmaster to suppose, inasmuch as it broke out in sundry loud whispers and confidential remarks which were perfectly audible to them every one. “This first boy, schoolmaster,” said the bachelor, “is John Owen; a lad of good parts, sir, and frank, honest temper; but too thoughtless, too playful, too light-headed by far. That boy, my good sir, would break his neck with pleasure, and deprive his parents of their chief comfort—and between ourselves, when you come to see him at hare and hounds, taking the fence and ditch by the finger post, and sliding down the face of the little quarry, you’ll never forget it. It’s beautiful!” John Owen having been thus rebuked, and being in perfect possession of the speech aside, the bachelor singled out another boy. “Now look at that lad, sir,” said the bachelor. “You see that fellow? Richard Evans his name is, sir. An amazing boy to learn, blessed with a good memory and a ready understanding, and moreover with a good voice and ear for psalm singing, in which he is the best among us. Yet, sir, that boy will come to a bad end; he’ll never die in his bed; he’s always falling asleep in sermon time—and to tell you the truth, Mr. Marton, I always did the same at his age, and feel quite certain that it was natural to my constitution, and I couldn’t help it.” This hopeful pupil edified by the above terrible reproval, the bachelor turned to another. “But if we talk of examples to be shunned,” said he, “if we come to boys that should be a warning and a beacon to all their fellows, here’s the one, and I hope you won’t spare him. This is the lad, sir; this one with the blue Having disposed of this culprit, the bachelor turned to another, and from him to another, and so on through the whole array, laying, for their wholesome restriction within due bounds, the same cutting emphasis on such of their propensities as were dearest to his heart, and were unquestionably referable to his own precept and example. Thoroughly persuaded, in the end, that he had made them miserable by his severity, he dismissed them with a small present, and an admonition to walk quietly home, without any leapings, scufflings, or turnings out of the way; which injunction, he informed the schoolmaster in the same audible confidence, he did not think he could have obeyed when he was a boy had his life depended on it. What a model he was for teachers, this glorious bachelor, in his sympathy with the boys, and in his unconventionality! When teachers begin to feel the grip of formalism on their better natures and begin to lose faith in so-called bad boys, they should read this introduction of the pupils by the bachelor. Bless his memory! he will always rank among the greatest child trainers. His pretence of not letting the boys know that he thought they were good fellows was a pleasant rebuke of the miserable old doctrine that a boy should always be told his faults, but never be spoken to about his virtues. This false doctrine having been so carefully applied in homes and schools for centuries as a religious duty, based on the unscriptural doctrine of child depravity, has made a large portion of humanity in Christian countries mere defect dodgers, instead of making them conscious of power to do independent work for God and their fellow-men. Dickens had no faith in this doctrine, and he Through the whole series of criticisms of the boys, Dickens is showing the full rich sympathy of his own great heart for the whole race of boys in the unreasonable and unjust criticism to which they are subjected by forgetful and ignorant adulthood. Those who should be wisest in these matters—and especially many who think themselves wise—are still very forgetful of their own early life, and very ignorant of boyhood. Mrs. Wackles’s school was called a “Ladies’ Seminary,” but it was in reality “a very small day school for young ladies of proportionate dimensions.” The several duties of instruction in this establishment were thus discharged: English grammar, composition, geography, and the use of the dumb-bells, by Miss Melissa Wackles; writing, arithmetic, dancing, music, and general fascination, by Miss Sophy Wackles; the art of needlework, marking, and samplery, by Miss Jane Wackles; corporal punishment, fasting, and other tortures and terrors, by Mrs. Wackles. Miss Melissa Wackles was the eldest daughter, Miss Sophy the next, and Miss Jane the youngest. Miss Melissa might have seen five-and-thirty summers or thereabout, and verged on the autumnal, Miss Sophy was a fresh, good-humoured, buxom girl of twenty; and Miss Jane numbered scarcely sixteen years. Mrs. Wackles was an excellent, but rather venomous old lady of threescore. Mrs. Wackles’s school is described to show the frivolous nature of such so-called private educational institutions, and to strike again the abominable practice of abusing children by “corporal punishment, fasting, and other tortures and terrors” by “a venomous old lady of threescore.” Little Nell was sent to the establishment of Miss Monflathers with notices of Mrs. Jarley’s waxworks, being temporarily in the employ of that lady. Nell had no difficulty in finding out Miss Monflathers’s Boarding and Day Establishment, which was a large house, with a high wall, and a large garden gate with a large brass plate, and a small grating through which Miss Monflathers’s parlour maid inspected all visitors before admitting them; for nothing in the shape of a man—no, not even a milkman—was suffered, without special license, to pass that gate. Even the taxgatherer, who was stout, and wore spectacles and a broadbrimmed hat, had the taxes handed through the grating. More obdurate than gate of adamant or brass, this gate of Miss Monflathers’s frowned on all mankind. The very butcher respected it as a gate of mystery, and left off whistling when he rang the bell. As Nell approached the awful door, it turned slowly upon its hinges with a creaking noise, and forth from the solemn grove beyond came a long file of young ladies, two and two, all with open books in their hands, and some with parasols likewise. And last of the goodly procession came Miss Monflathers, bearing herself a parasol of lilac silk, and supported by two smiling teachers, each mortally envious of the other, and devoted unto Miss Monflathers. Confused by the looks and whispers of the girls, Nell stood with downcast eyes and suffered the procession to pass on, until Miss Monflathers, bringing up the rear, approached her, when she courtesied and presented her little packet; on receipt whereof Miss Monflathers commanded that the line should halt. “Yes, ma’am,” replied Nell, colouring deeply, for the young ladies had collected about her, and she was the centre on which all eyes were fixed. “And don’t you think you must be a very wicked little child,” said Miss Monflathers, who was of rather uncertain temper, and lost no opportunity of impressing moral truths upon the tender minds of young ladies, “to be a waxwork child at all?” Poor Nell had never viewed her position in this light, and not knowing what to say, remained silent, blushing more deeply than before. “Don’t you know,” said Miss Monflathers, “that it’s very naughty and unfeminine, and a perversion of the properties wisely and benignantly transmitted to us, with expansive powers to be roused from their dormant state through the medium of cultivation?” “Don’t you feel how naughty it is of you,” resumed Miss Monflathers, “to be a waxwork child, when you might have the proud consciousness of assisting, to the extent of your infant powers, the manufactures of your country; of improving your mind by the constant contemplation of the steam engine; and of earning a comfortable and independent subsistence of from two and ninepence to three shillings per week? Don’t you know that the harder you are at work, the happier you are?” “‘How doth the little——’” murmured one of the teachers in quotation from Dr. Watts. “Eh?” said Miss Monflathers, turning smartly round. “Who said that?” “The little busy bee,” said Miss Monflathers, drawing herself up, “is applicable only to genteel children. ‘In books, or work, or healthful play’ is quite right as far as they are concerned; and the work means painting on velvet, fancy needlework, or embroidery. In such cases as these,” pointing to Nell with her parasol, “and in the case of all poor people’s children, we should read it thus: ‘In work, work, work. In work alway There were indeed tears in her eyes, and drawing out her handkerchief to brush them away, she happened to let it fall. Before she could stoop to pick it up, one young lady of about fifteen or sixteen, who had been standing a little apart from the others, as though she had no recognised place among them, sprang forward and put it in her hand. She was gliding timidly away again, when she was arrested by the governess. “It was Miss Edwards who did that, I know,” said Miss Monflathers predictively. “Now I am sure that was Miss Edwards.” It was Miss Edwards, and everybody said it was Miss Edwards, and Miss Edwards herself admitted that it was. “Is it not,” said Miss Monflathers, putting down her parasol to take a severer view of the offender, “a most remarkable thing, Miss Edwards, that you have an attachment to the lower classes which always draws you to their sides; or, rather, is it not a most extraordinary thing that all I say and do will not wean you from propensities which your original station in life has unhappily rendered habitual to you, you extremely vulgar-minded girl?” “I really intended no harm, ma’am,” said a sweet voice. “It was a momentary impulse, indeed.” “An impulse!” repeated Miss Monflathers scornfully. “I wonder that you presume to speak of impulses to me”—both the teachers assented—“I am astonished”—both the teachers were astonished—“I suppose it is an impulse which induces you to take the part of every grovelling and debased person that comes in your way”—both the teachers supposed so too. “But I would have you know, Miss Edwards,” resumed the governess, in a tone of increased severity, “that you can not be permitted—if it be only for the sake of preserving a proper example and decorum in this establishment—that you can not be permitted, and that you shall not be permitted, to fly in the face of your superiors in this extremely gross manner. If you have no reason to feel a becoming pride before waxwork children, there are young ladies here who have, and you must either defer to those young ladies or leave the establishment, Miss Edwards.” This young lady, being motherless and poor, was Why, the gayest feather in Miss Monflathers’s cap, and the brightest glory of Miss Monflathers’s school, was a baronet’s daughter—the real live daughter of a real live baronet—who, by some extraordinary reversal of the laws of Nature, was not only plain in features but dull in intellect, while the poor apprentice had both a ready wit and a handsome face and figure. It seems incredible. Here was Miss Edwards, who only paid a small premium which had been spent long ago, every day outshining and excelling the baronet’s daughter, who learned all the extras (or was taught them all), and whose half yearly bill came to double that of any other young lady’s in the school, making no account of the honour and reputation of her pupilage. Therefore, and because she was a dependent, Miss Monflathers had a great dislike to Miss Edwards, and was spiteful to her, and aggravated by her, and, when she had compassion on Little Nell, verbally fell upon and maltreated her, as we have already seen. “You will not take the air to-day, Miss Edwards,” said Miss Monflathers. “Have the goodness to retire to your own room, and not to leave it without permission.” The poor girl was moving hastily away, when she was suddenly, in a nautical phrase, “brought to” by a subdued shriek from Miss Monflathers. “She has passed me without any salute!” cried the governess, raising her eyes to the sky. “She has actually passed me without the slightest acknowledgment of my presence!” In addition to the gross evils of such institutions already suggested, Dickens exposed the cruelty of Miss Monflathers, as a type of Christian rectitude, toward Nell, whom she assumed to be very wicked, and the tendency of society to treat teachers with contempt, if they are not rich. The standard based on mere wealth is happily changing. The tone of Miss Monflathers’s lofty criticism in language and thought, quite incomprehensible to the person admonished, is very true to the life in cases of conventional people, who take no pains to understand child nature or human nature in any phase, except its depravity. The heartlessness of the distinction between the “genteel” children and poor children is clearly pointed out. There could scarcely be a more unchristlike thought than the one that would prohibit the children of the poor from the enjoyment of their natural tendency to play. No civilization in which either by deliberate purpose or by criminal negligence the children of the poorest are left without the privilege and the means for full free play should dare to call itself Christian. Yet Miss Monflathers’s parody aptly represented the practical outworking of civilization at the time of Dickens, and long since, too, in regard to poor children. Miss Monflathers told Miss Edwards majestically that she “must not take the air to-day,” and contemptuously ordered her to remain in her room all day. This was written to condemn the common punishment of keeping children in at recess or confining them as a means of punishment. Dickens always thought it a crime against childhood to punish a child by robbing it of any of its natural rights to food, or fresh air, or free exercise. The grinders’ school was introduced to ridicule the practice of forcing all children in charitable institutions to wear a uniform dress, and to attack corporal punishment, neglect of moral training, and the practice of placing ignorant men in the high position of a teacher. The teacher in the grinders’ school was “a superannuated old grinder of savage disposition, who had been appointed schoolmaster because he didn’t know anything, and wasn’t fit for anything, and for whose cruel cane all chubby little boys had a perfect fascination.” The practice of dressing all children alike, and of dressing them all without taste, is continued in most homes for orphan children still. Surely the poor orphans have suffered enough without subjecting them to the indignity of tasteless dressing. There might at least be a difference of taste in colour, for instance, for the blondes and the brunettes. The school taught by Agnes in David Copperfield is mentioned to show that if a teacher works with a true spirit (Agnes was a splendid character for women to study with great care), teaching is a pleasant instead of an unhappy profession. The school attended by Uriah Heep and his father before him was described as an attack on the practice of instilling into the minds of poor children the consciousness of subserviency. David says: “I fully comprehended now for the first time (after hearing Uriah describe his training at school) what a base, unrelenting, and revengeful spirit must have been engendered by this early, and this long, suppression.” The first school attended by Esther in Bleak House is apparently introduced to point out four evils in the social training of little children. The other children were all older than Esther; her godmother refused to allow her to accept invitations to go to the homes of the other girls; she was never allowed out to play; and while holidays were given on the birthdays of other girls, none were ever given on hers. The cruelty of two of these evils was made still more bitter by the revelation of the fact that she was not treated like other girls because of some wrong her mother was supposed to have done. Miss Donny’s school at Greenleaf was a charming place, conducted in a “precise, exact, and orderly way.” Esther was taught well, and trained well. She was to be a governess, and so she taught as she learned. Her barren childhood made her sympathize with the girls whom she taught, especially the new girls, and she naturally won their love, and was therefore happy. Esther possessed every essential characteristic of a good teacher and a true woman. Miss Donny’s school is one of the schools in which Dickens was approving, not condemning. Mr. Cripple’s academy is merely mentioned in Little Dorrit to complain about the habit of scribbling over buildings and on desks and walls in which boys used to indulge, and of which many evidences may yet be found on the fences and walls of the present day. “The pupils of Mr. Cripple’s appeared to have been making a copy book of the street door, it was so extensively scribbled over in pencil.” Mr. Wopsle’s great-aunt kept an evening school in the village; that is to say, she was a ridiculous old woman of limited means and unlimited infirmity, who used to go to sleep from six to seven every evening, in the society of youth, who paid twopence per week each, for the improving opportunity of seeing her do it. She rented a small cottage, and Mr. Wopsle had the room upstairs, where we students used to overhear him reading aloud in a most dignified and terrific manner, and occasionally bumping on the ceiling. There was a fiction that Mr. Wopsle “examined” the scholars once a quarter. What he did on those occasions was to turn up his cuffs, stick up his hair, and give us Mark Antony’s oration over the body of CÆsar. Much of my unassisted self, and more by the help of Biddy than of Mr. Wopsle’s great-aunt, I struggled through the alphabet as if it had been a bramble bush; getting considerably worried and scratched by every letter. After that I fell among those thieves, the nine figures, who seemed every evening to do something new to disguise themselves and baffle recognition. But at last I began, in a purblind groping way, to read, write, and cipher on the very smallest scale. Biddy was Mr. Wopsle’s great-aunt’s granddaughter; I confessed myself quite unequal to the working out of the problem, what relation she was to Mr. Wopsle. The educational scheme or course established by Mr. Wopsle’s great-aunt may be resolved into the following synopsis: The pupils ate apples and put straws down one another’s backs, until Mr. Wopsle’s great-aunt collected her energies, and made an indiscriminate totter at them with a birch rod. After receiving the charge with every mark of derision, the pupils formed in line and buzzingly passed a ragged book from hand to hand. The book had an alphabet in it, some figures and tables, and a little spelling—that is to say, it had had once. As soon as this volume began to circulate, Mr. Wopsle’s great-aunt fell into a state of coma, arising either from sleep or a rheumatic paroxysm. The pupils then entered among themselves upon a competitive examination on the subject of boots, with the view of ascertaining who could tread the hardest upon whose toes. This mental exercise lasted The reasons for describing this school were to renew the attack on bad private schools, conducted without any state control and no supervision or inspection by competent officers, to show the need of better appliances and text-books, and to teach the utter folly of allowing pupils to try to read any book, especially the Bible, without understanding what they were reading. Incidentally Dickens taught that to use the Bible as it was used in Mr. Wopsle’s great-aunt’s school develops a lack of reverence for it. The evil of corporal punishment of the indiscriminate and irregular kind comes in for a share of condemnation in this wretched school. Dickens returned to the attack on bad private schools in Our Mutual Friend. He had made a thorough study of the evening schools conducted in London—conducted many of them by organizations with good intentions. There are a good many Sunday schools yet which in some respects are open to the criticisms made of Charley Hexam’s first school. The school at which young Charley Hexam had first learned from a book—the streets being, for pupils of his degree, the great preparatory establishment, in which It was a school for all ages and for both sexes. The latter were kept apart, and the former were partitioned off into square assortments. But all the place was pervaded by a grimly ludicrous pretence that every pupil was childish and innocent. This pretence, much favoured by the lady visitors, led to the ghastliest absurdities. Young women, old in the vices of the commonest and worst life, were expected to profess themselves enthralled by the good child’s book, the Adventures of Little Margery, who resided in the village cottage by the mill; severely reproved and morally squashed the miller, when she was five and he was fifty; divided her porridge with singing birds; denied herself a new nankeen bonnet, on the ground that the turnips did not wear nankeen bonnets, neither did the sheep, who ate them; who plaited straw and delivered the dreariest orations to all comers, at all sorts of unseasonable times. So unwieldy young dredgers and hulking mudlarks were referred to the experiences of Thomas Twopence, who, having resolved not to rob (under circumstances of uncommon atrocity) his particular friend and benefactor, of eighteenpence, presently came into supernatural possession of three and sixpence, and lived a shining light ever afterward. (Note, that the benefactor came to no good.) Several swaggering sinners had written their own biographies in the same strain; it always appearing from the lessons of those very boastful persons that you were to do good, not because it was good, but because you were to make a good thing of it. Contrariwise, the adult pupils were taught to read (if they could learn) out of the New Testament; and by dint of stumbling over the syllables and keeping their bewildered eyes on the particular syllables coming round to their turn, were as absolutely ignorant of the sublime Even in this temple of good intentions, an exceptionally sharp boy exceptionally determined to learn, could learn something, and, having learned it, could impart it so much better than the teachers; as being more knowing than they, and not at the disadvantage in which they stood toward the shrewder pupils. In this way it had come about that Charley Hexam had risen in the jumble, taught in the jumble, and been received from the jumble into a better school. Dickens slaughtered evils by wholesale in this brief description. The influence of the great preparatory The need of ventilation was pointed out, and the evil of crowding a large number of pupils into poorly ventilated rooms was made very clear. “Half the pupils dropped asleep, or fell into a state of waking stupefaction.” The teachers were untrained. “They were animated solely by good intentions, and had no idea of execution.” The consequence was a lamentable jumble. The separation of the sexes was not approved. The stupid blunder of treating all pupils alike, without regard to heredity, environment, or past experience, is aptly caricatured in giving the Adventures of Little Margery and the Experiences of Thomas Twopence to young women old in vice and to young male criminals in order to reform them. Incidentally he disapproves of such literature for any children, and also of the autobiographies of “swaggering sinners.” The error pointed out in Pip’s education of using the New Testament as a book from which pupils should be taught how to read is emphasized. “By dint of stumbling over the syllables and keeping their bewildered eyes on the particular syllables coming round to their turn, they were as absolutely ignorant of the sublime history as if they had never seen or heard of it.” He criticised severely the old custom of giving least attention to the choice of a teacher for the little ones. The old theory was: they can not learn much any way; anybody will do to teach them. “The inclined plane of unfortunate infants would be handed over to the prosiest and worst of all the teachers of good intentions, whom nobody older would endure.” The dreadful practice, still kept up in some heathen-producing Sunday schools, of having an “executioner’s assistant to keep order,” is severely condemned. “It was the function of the acolyte to dart at sleeping infants, restless infants, whimpering infants, and smooth, their wretched faces.” The irritating influence of this operation But the greatest cruelty was in having the infants talked at in a droning voice for an hour by the chief executioner in a voice that would sometimes deaden, sometimes irritate their nervous systems, and in language they could not comprehend, about subjects entirely foreign to their experiences. The danger of spreading contagious diseases in such badly ventilated schools was shown. Dickens was a leader in the department of sanitation both in homes and in schools. The schools taught by Bradley Headstone and Miss Peecher were newly built, and there were so many like them all over the country, that one might have thought the whole were but one restless edifice with the locomotive gift of Aladdin’s palace. All things in these schools—buildings, teachers, and pupils—were according to pattern, and engendered in the light of the latest Gospel according to Monotony. These brief descriptions contained volumes of protest against the dead uniformity of school architecture, and against the sacrifice of individuality in schools. There are no other buildings in which there should be more care taken to have truly artistic architecture than in schools, because the children are influenced so much by their environment. Correct taste may be formed more easily and more definitely by making the places in which children spend so much of their lives truly artistic than by studying the best authorities. The child’s spirits should be toned by the colouring of the walls of the schoolroom, and by the pictures, statues, and other artistic articles around them. The phrase “Gospel according to Monotony” is one of the most effective phrases ever used to describe the destruction of individuality. The Peecher-Headstone schools were described as one of several protests against separating little girls from little boys in schools. “No,” she said, “I am very fond of children, but I know nothing of teaching, beyond the interest I have in it, and the pleasure it gives me, when they learn. I have only read and been told about the new system. It seemed so pretty and pleasant, and to treat them so like the merry robins they are, that I took up with it in my little way. My school is a pleasure to me. I began it, when I was but a child, because it brought me and other children into company, don’t you see? I carry it on still, because it keeps children about me. I do it as love, not as work.” What a beautiful school! What an ideal spirit for every true teacher! What a wise man Dickens was to reveal so much sweetness and trueness in the life of such a woman as Phoebe! When Phoebe had overcome her restrictions so triumphantly, surely every one who dares to teach should try to rise above personal infirmities, and treat children like the “merry robins that they are.” The Holiday Romance, in which three young children write romances for the edification of their adult friends and relatives, to show how adult treatment impresses young children, is usually regarded as merely an exquisite piece of humour. In writing to Mr. Fields about the story Dickens said: “It made me laugh to that extent, that my people here thought I was out of my wits, until I gave it to them to read, when they did likewise.” The story is about Mrs. Lemon’s school and Mrs. Orange’s family. “The grown-up people” were the children in Nettie’s story, and the children were the managers of all things at home and at school. Mrs. Orange went to Mrs. Lemon’s and told her that “her children were getting positively too much for her.” She had two parents, two intimate friends of theirs, one godfather, two godmothers, and an aunt. She wished to send them to school, because they were “getting too much for her.” Many real mothers give the same reason. “Have you as many as eight vacancies?” “I have just eight, ma’am,” said Mrs. Lemon. “Corporal punishment dispensed with?” “Why, we do occasionally shake,” said Mrs. Lemon, “and we have slapped. But only in extreme cases.” Mrs. Orange was shown through the school, and had the bad “grown-ups” pointed out to her and their evil propensities explained to her in their hearing, as naturally as in a real school. She decided to send her family, and went home with her baby—which was a doll—saying, “These troublesome troubles are got rid of, please the pigs.” A small party for the grown-up children was given by Mrs. Alicumpaine, and the arrangements made for the adults, and the ways in which they were treated by their child masters, and the criticisms on the way the seniors behaved are all instructive to thoughtful parents. The real things that adult people say and do appear delightfully stupid or exquisitely silly when made to appear as said and done by children. “I wonder, James, dear,” said Mrs. Orange, looking up at the window, “whether the precious children are asleep!” “I don’t care much whether they are or not, myself,” said Mr. Orange. “James, dear!” “You dote upon them, you know,” said Mr. Orange. “That’s another thing.” “I do,” said Mrs. Orange rapturously. “Oh, I do!” “I don’t,” said Mr. Orange. “But, I was thinking, James, love,” said Mrs. Orange, pressing his arm, “whether our dear, good, kind Mrs. Lemon would like them to stay the holidays with her.” “If she was paid for it, I dare say she would,” said Mr. Orange. “I adore them, James,” said Mrs. Orange, “but suppose we pay her, then.” This was what brought the country to such perfection, and made it such a delightful place to live in. The grown-up people (that would be in other countries) soon left off being allowed any holidays after Mr. and Mrs. Orange tried the experiment; and the children (that would be in other countries) kept them at school as long as ever they lived, and made them do whatever they were told. This story was written about two years before the death of Dickens, so it represents his maturest thought. Its great fundamental motive was Froebel’s motto, “Come, let us live with our children.” It was a trenchant, though humorous criticism of the methods of treating children practised by adults, at home and at school. Mrs. Orange’s adoration for children, while at the same time she was proposing to keep them at school during the holidays, is very suggestive to those mothers who in society talk so much about their “precious darlings,” but who keep them in the nursery so that they have no share in the family life. The practice of calling children bad and describing their supposed evil propensities in the presence of others is also condemned in this story. It reveals the feelings of boys to the “Tartars” who teach school, as the boys, when they got control, put the Tartar into confinement and “forced him to eat the boys’ dinners and drink half a cask of their beer every day.” It reveals, too, the psychological condition of a healthy boy just entering the adolescent period, if he has been fortunate enough to have had a life of love and freedom at home; with his heart filled with love for the schoolmaster’s daughter Seraphina, and his mind filled with hopeful dreams of success, and triumph, and fortune, and happiness ever afterward, not excluding those who had nurtured him, but sharing all with them, and finding his greatest joy in their affectionate pride at his success. Blessed is the boy who has such glorious experiences and such hopeful dreams in his later boyhood and onward, and thrice blessed is he who finds in parenthood hearts so reverently sympathetic that it is natural for the young heart to overflow into them. “But such dreams can never come true.” They are true. Nothing is ever more true for the stage of evolution in which they naturally fill the life of the child. To stop them is a crime; to shut them up in the heart of the boy or girl makes them a source of great danger instead of an essential element in the ennoblement of character. Let the boy dream on, and help him to dream by sympathetically sharing his visions with him. His own visions and the most wonderful visions of heroism and adventure dreamed by the best authors should fill his life during the most important stage of his growth, adolescence, when the elements of his manhood are rushing into his life and require an outlet in the ideal life as a preparation for the real life of later days. Dickens recognises, too, in this story the great truth so little used by educators, that the child’s imagination is not restricted by any conditions of impossibility or by “And was there no quarrelling,” asked Mrs. Lirriper, “after the boy and his boy friend had gained high renown, and unlimited stores of gold, and had married Seraphina and her sister, and had come to live with Gran and Godfather forever, and the story was ended?” “No! Nobody ever quarrelled.” “And did the money never melt away?” “No! Nobody could ever spend it all.” “And did none of them ever grow older?” “No! Nobody ever grew older after that.” “And did none of them ever die?” “O, no, no, no, Gran!” exclaimed our dear boy, laying his cheek upon her breast, and drawing her closer to him. “Nobody ever died.” “Ah, Major, Major!” says Mrs. Lirriper, smiling benignly upon me, “this beats our stories. Let us end with the Boy’s Story, Major, for the Boy’s Story is the best that is ever told.” Miss Pupford’s school in Tom Tiddler’s Ground reveals the foolish conventional formalism of some teachers before their pupils; exposes the pretences of some teachers in private schools—“Miss Pupford’s assistant with the Parisian accent, who never conversed with a Parisian and never was out of England”; and condemns the practice of sending mere children long distances from home to be trained and educated: “Kitty Kimmeens had to remain behind in Miss Pupford’s school during the holidays, because her friends and relations were all in India, far away.” In Edwin Drood Dickens had begun a description of the school: “On the trim gate inclosing the courtyard of which is a resplendent brass plate flashing forth the legend: ‘Seminary for Young Ladies. Miss Twinkleton.’” The chief thing revealed by the brief description given of it is the formal conventionality of most teachers in such institutions, the unreality of manner and tone and character shown by most teachers in the schoolroom. How much greater Miss Twinkleton’s power would When the rumour of the quarrel between Neville Landless and Edwin Drood reached the seminary, and began to cause dangerous excitement among the young ladies, Miss Twinkleton deemed it her duty to quiet their minds. It was reserved for Miss Twinkleton to tone down the public mind of the Nuns’ House. That lady, therefore, entering in a stately manner what plebeians might have called the schoolroom, but what, in the patrician language of the head of the Nuns’ House, was euphuistically, not to say roundaboutedly, denominated “the apartment allotted to study,” and saying with a forensic air, “Ladies!” all rose. Mrs. Tisher at the same time grouped herself behind her chief, as representing Queen Elizabeth’s first historical female friend at Tilbury Fort. Miss Twinkleton then proceeded to remark that Rumour, ladies, had been represented by the Bard of Avon—needless were it to mention the immortal Shakespeare, also called the Swan of his native river, not improbably with some reference to the ancient superstition that that bird of graceful plumage (Miss Jennings will please stand upright) sung sweetly on the approach of death, for which we have no ornithological authority—Rumour, ladies, had been represented by that bard—hem!— “Who drew as painted full of tongues. Rumour in Cloisterham (Miss Ferdinand will honour me with her attention) was no exception to the great limner’s portrait of Rumour elsewhere. A slight fracas between two young gentlemen occurring last night within a hundred miles of these peaceful walls (Miss Ferdinand, being apparently incorrigible, will have the kindness to write out this evening, in the original language, the first four fables of our vivacious neighbour, Monsieur La Fontaine) had been very grossly exaggerated by Rumour’s voice. In the first alarm and anxiety arising from our sympathy with a sweet young friend, not wholly to be dissociated from one of the gladiators The unnatural formalism of her manner and her language are properly held up to ridicule by Dickens. He incidentally shows the great blunder of interrupting a lesson to censure a pupil, the weakness of having to demand attention, and the error of punishing by impositions to be memorized or written. What a terrible misuse it is of the literature that should always be attractive and inspiring to have it associated with punishment! He exposes the greater crime of making children commit to memory selections from the Bible as a punishment in Dombey and Son, and the association of the Bible with tasks in Our Mutual Friend. The Schoolboy’s Story deals with the problems of nutrition, coercion, robbing a boy of his holidays, the declaration of perpetual warfare between pupils and teachers in the olden days, and the surprise of the boys when they found that one of their teachers had a true and tender heart (what a commentary on teachers that boys should be surprised at their being true and good!), and how to treat children as Old Cheeseman did, when he inherited his fortune and married Jane, and took the disconsolate boys home to his own house, when they were condemned to spend their holidays at school. In Our School the chief pedagogical lessons are: the man’s remembrance of the pug dog in the entry at the first school he attended, and his utter forgetfulness of the mistress of the establishment; the folly of external polishing or memory polishing on which “the rust has long since accumulated”; the gross wrong of allowing an ignorant and brutal man to be a “The world had little reason to be proud of Our School, and has done much better since in that way, and will do far better yet.” This closing sentence of the sketch is very suggestive. Dickens described one school that he visited in America in his American Notes, evidently in order to show the need of more care than was then taken in the choice of matter for the pupils to read. I was only present in one of these establishments during the hours of instruction. In the boys’ department, which was full of little urchins (varying in their ages, I should say, from six years old to ten or twelve), the master offered to institute an extemporary examination of the pupils in algebra, a proposal which, as I was by no means confident of my ability to detect mistakes in that science, I declined with some alarm. In the girls’ school reading was proposed, and as I felt tolerably equal to that “The world has done better since, and will do far better yet” in the choice of reading matter for children. The school recalled by memory in connection with the other ghosts of his childhood in The Haunted House was described briefly, but the description is full of suggestiveness. Then I was sent to a great cold, bare school of big boys; where everything to eat and wear was thick and clumpy, without being enough; where everybody, large and small, was cruel; where the boys knew all about the sale before I got there [his father’s furniture had been sold for debt], and asked me what I had fetched, and who had bought me, and hooted at me, “Going, going, gone.” The inartistic bareness of the school, the tasteless clothing, the unattractive, unsatisfying food, the pervading atmosphere of cruelty, and the heartlessness of the boys in tearing open the wounds of the sensitive new boy—are all condemned. |