A quarter of a century ago there were still to be seen in the outer suburbs of London many good old roomy houses, standing in their own ample and occasionally park-like grounds, which have now ceased to exist. They were old manor-houses, mostly of the Georgian period, some earlier, and some, too, were fine large farmhouses which a century or more ago had been turned into private residences of city merchants and other persons of means. Any middle-aged Londoner can recall a house or perhaps several houses of this description, and in one of those that were best known to me I met with the skull, the story of which I wish to tell. It was a very old-looking, long, low red-brick building, with a verandah in front, and being well within the grounds, sheltered by old oak, elm, ash and beech trees, could hardly be seen from the road. The lawns and gardens were large, and behind them were two good-sized grass fields. Within the domain one had the feeling that he was far away in the country in one of its haunts of ancient peace, and yet all round it, outside of its old hedges and rows of elms, the ground had been built over, mostly with good-sized brick houses standing in their own gardens. It was a favourite suburb with well-to-do persons in the city, rents were high and the builders had long been coveting and trying to get possession of all this land which was "doing no good," in a district where haunts of ancients peace were distinctly out of place and not wanted. But the owner (aged ninety-eight) refused to sell. Not only the builders, but his own sons and sons' sons had represented to him that the rent he was getting for this property was nothing but an old song compared to what it would bring in, if he would let it on a long building lease. There was room there for thirty or forty good houses with big gardens. And his answer invariably was: "It shan't be touched! I was born in that house, and though I'm too old ever to go and see it again, it must not be pulled down—not a brick of it, not a tree cut, while I'm alive. When I'm gone you can do what you like, because then I shan't know what you are doing." My friends and relations, who were in occupation of the house, and loved it, hoped that he would go on living many, many years: but alas! the visit of the feared dark angel was to them and not to the old owner, who was perhaps "too old to die"; the dear lady of the house and its head was taken away and the family broken up, and from that day to this I have never ventured to revisit that sweet spot, nor sought to know what has been done to it. At that time it used to be my week-end home, and on one of my early visits I noticed the skull of an animal nailed to the wall about a yard above the stable door. It was too high to be properly seen without getting a ladder, and when the gardener told me that it was a bulldog's skull, I thought no more about it. One day, several months later, I took a long look at it and got the idea that it was not a bulldog's skull—that it was more like the skull of a human being of a very low type. I then asked my hostess to let me have it, and she said, "Yes, certainly, take it if you want it." Then she added, "But what in the world do you want that horrid old skull for?" I said I wanted to find out what it was, and then she told me that it was a bulldog's skull—the gardener had told her. I replied that I did not think so, that it looked to me more like the skull of a cave-man who had inhabited those parts half a million years ago, perhaps. This speech troubled her very much, for she was a religious woman, and it pained her to hear unorthodox statements about the age of man on the earth. She said that I could not have the skull, that it was dreadful to her to hear me say it might be a human skull; that she would order the gardener to take it down and bury it somewhere in the grounds at a distance from the house. Until that was done she would not go near the stables—it would be like a nightmare to see that dreadful head on the wall. I said I would remove it immediately; it was mine, as she had given it to me, and it was not a man's skull at all—I was only joking, so that she need not have any qualms about it. That pacified her, and I took down the old skull, which looked more dreadful than ever when I climbed up to it, for though the dome of it was bleached white, the huge eye cavities and mouth were black and filled with old black mould and dead moss. Doubtless it had been very many years in that place, as the long nails used in fastening it there were eaten up with rust. When I got back to London the box with the skull in it was put away in my book-room, and rested there forgotten for two or three years. Then one day I was talking on natural history subjects to my publisher, and he told me that his son, just returned from Oxford, had developed a keen interest in osteology and was making a collection of mammalian skulls from the whale and elephant and hippopotamus to the harvest-mouse and lesser shrew. This reminded me of the long-forgotten skull, and I told him I had something to send him for his boy's collection, but before sending it I would find out what it was. Accordingly I sent the skull to Mr. Frank E. Beddard, the prosector of the Zoological Society, asking him to tell me what it was. His reply was that it was the skull of an adult gorilla—a fine large specimen. It was then sent on to the young collector of skulls—who will, alas! collect no more, having now given his life to his country. It saddened me a little to part with it, certainly not because it was a pretty object to possess, but only because that bleached dome beneath which brains were once housed, and those huge black cavities which were once the windows of a strange soul, and that mouth that once had a fleshy tongue that youled and clicked in an unknown language could not tell me its own life-and-death history from the time of its birth in the African forest to its final translation to a wall over a stable door in an old house near London. There are now several writers on animals who are not exactly naturalists, nor yet mere fictionists, but who, to a considerable knowledge of animal psychology and extraordinary sympathy with all wildness, unite an imaginative insight which reveals to them much of the inner, the mind life of brutes. No doubt the greatest of these is Charles Roberts, the Canadian, and I only wish it had been he who had discovered the old gorilla skull above the stable door, and that the incident had fired the creative brain which gave us Red Fox and many another wonderful biography. Now here is an odd coincidence. After writing the skull story it came into my head to relate it to a lady I was dining with, and I also told her of my intention of putting it in this book of Little Things. She said it was funny that she too had a story of a skull which she had thought of telling in her volume of Little Things; but no, she would not venture to do so, although it was a better story than mine. She was good enough to let me hear it, and as it is not to appear elsewhere I can't resist the temptation of bringing it in here. On her return to Europe after travelling and residing for some years in the Far East, she established herself in Paris and proceeded to decorate her apartment with some of the wonderful rich and rare objects she had collected in outlandish parts. Gorgeous fabrics, embroideries, pottery, metal and woodwork, and along with these products of an ancient civilisation, others of rude or primitive tribes, quaint headgear and plumes, strings and ropes of beads, worn as garments by people who run wild in woods, with arrows, spears and other weapons. These last were arranged in the form of a wheel over the entrance, with the bleached and polished skull of an orang-utan in the centre. It was a very perfect skull, with all the formidable teeth intact and highly effective. She lived happily for some months in her apartment and was very popular in Parisian society and visited by many distinguished people, who all greatly admired her Eastern decorations, especially the skull, before which they would stand expressing their delight with fervent exclamations. One day when on a visit at a friend's house, her host brought up a gentleman who wished to be introduced to her. He made himself extremely agreeable, but was a little too effusive with his complimentary speeches, telling her how delighted he was to meet her, and how much he had been wishing for that honour. After hearing this two or three times she turned on him and asked him in the directest way why he had wished to see her so very much; then, anticipating that the answer would be that it was because of what he had heard of her charm, her linguistic, musical and various other accomplishments, and so on, she made ready to administer a nice little snub, when he made this very unexpected reply: "O madame, how can you ask? You must know we all admire you because you are the only person in all Paris who has the courage and originality to decorate her salon with a human skull." |