Their absence was plausibly explained, the next morning, by the young German friend who came in to see the Marches at breakfast. He said Hamburg had been so long a free republic that the presence of a large imperial garrison was distasteful to the people, and as a matter of fact there were very few soldiers quartered there, whether the authorities chose to indulge the popular grudge or not. He was himself in a joyful flutter of spirits, for he had just the day before got his release from military service. He gave them a notion of what the rapture of a man reprieved from death might be, and he was as radiantly happy in the ill health which had got him his release as if it had been the greatest blessing of heaven. He bubbled over with smiling regrets that he should be leaving his home for the first stage of the journey which he was to take in search of strength, just as they had come, and he pressed them to say if there were not something that he could do for them.

"Yes," said Mrs. March, with a promptness surprising to her husband, who could think of nothing; "tell us where Heinrich Heine lived when he was in Hamburg. My husband has always had a great passion for him and wants to look him up everywhere."

March had forgotten that Heine ever lived in Hamburg, and the young man had apparently never known it. His face fell; he wished to make Mrs. March believe that it was only Heine's uncle who had lived there; but she was firm; and when he had asked among the hotel people he came back gladly owning that he was wrong, and that the poet used to live in Konigstrasse, which was very near by, and where they could easily know the house by his bust set in its front. The portier and the head waiter shared his ecstasy in so easily obliging the friendly American pair, and joined him in minutely instructing the driver when they shut them into their carriage.

They did not know that his was almost the only laughing face they should see in the serious German Empire; just as they did not know that it rained there every day. As they drove off in the gray drizzle with the unfounded hope that sooner or later the weather would be fine, they bade their driver be very slow in taking them through Konigstrasse, so that he should by no means Miss Heine's dwelling, and he duly stopped in front of a house bearing the promised bust. They dismounted in order to revere it more at their ease, but the bust proved, by an irony bitterer than the sick, heart-breaking, brilliant Jew could have imagined in his cruelest moment, to be that of the German Milton, the respectable poet Klopstock, whom Heine abhorred and mocked so pitilessly.

In fact it was here that the good, much-forgotten Klopstock dwelt, when he came home to live with a comfortable pension from the Danish government; and the pilgrims to the mistaken shrine went asking about among the neighbors in Konigstrasse, for some manner of house where Heine might have lived; they would have been willing to accept a flat, or any sort of two-pair back. The neighbors were somewhat moved by the anxiety of the strangers; but they were not so much moved as neighbors in Italy would have been. There was no eager and smiling sympathy in the little crowd that gathered to see what was going on; they were patient of question and kind in their helpless response, but they were not gay. To a man they had not heard of Heine; even the owner of a sausage and blood-pudding shop across the way had not heard of him; the clerk of a stationer-and-bookseller's next to the butcher's had heard of him, but he had never heard that he lived in Konigstrasse; he never had heard where he lived in Hamburg.

The pilgrims to the fraudulent shrine got back into their carriage, and drove sadly away, instructing their driver with the rigidity which their limited German favored, not to let any house with a bust in its front escape him. He promised, and took his course out through Konigstrasse, and suddenly they found themselves in a world of such eld and quaintness that they forgot Heine as completely as any of his countrymen had done. They were in steep and narrow streets, that crooked and turned with no apparent purpose of leading anywhere, among houses that looked down upon them with an astonished stare from the leaden-sashed windows of their timber-laced gables. The facades with their lattices stretching in bands quite across them, and with their steep roofs climbing high in successions of blinking dormers, were more richly mediaeval than anything the travellers had ever dreamt of before, and they feasted themselves upon the unimagined picturesqueness with a leisurely minuteness which brought responsive gazers everywhere to the windows; windows were set ajar; shop doors were darkened by curious figures from within, and the traffic of the tortuous alleys was interrupted by their progress. They could not have said which delighted them more—the houses in the immediate foreground, or the sharp high gables in the perspectives and the background; but all were like the painted scenes of the stage, and they had a pleasant difficulty in realizing that they were not persons in some romantic drama.

The illusion remained with them and qualified the impression which Hamburg made by her much-trolleyed Bostonian effect; by the decorous activity and Parisian architecture of her business streets; by the turmoil of her quays, and the innumerable masts and chimneys of her shipping. At the heart of all was that quaintness, that picturesqueness of the past, which embodied the spirit of the old Hanseatic city, and seemed the expression of the home-side of her history. The sense of this gained strength from such slight study of her annals as they afterwards made, and assisted the digestion of some morsels of tough statistics. In the shadow of those Gothic houses the fact that Hamburg was one of the greatest coffee marts and money marts of the world had a romantic glamour; and the fact that in the four years from 1870 till 1874 a quarter of a million emigrants sailed on her ships for the United States seemed to stretch a nerve of kindred feeling from those mediaeval streets through the whole shabby length of Third Avenue.

It was perhaps in this glamour, or this feeling of commercial solidarity, that March went to have a look at the Hamburg Bourse, in the beautiful new Rathhaus. It was not undergoing repairs, it was too new for that; but it was in construction, and so it fulfilled the function of a public edifice, in withholding its entire interest from the stranger. He could not get into the Senate Chamber; but the Bourse was free to him, and when he stepped within, it rose at him with a roar of voices and of feet like the New York Stock Exchange. The spectacle was not so frantic; people were not shaking their fists or fingers in each other's noses; but they were all wild in the tamer German way, and he was glad to mount from the Bourse to the poor little art gallery upstairs, and to shut out its clamor. He was not so glad when he looked round on these, his first, examples of modern German art. The custodian led him gently about and said which things were for sale, and it made his heart ache to see how bad they were, and to think that, bad as they were, he could not buy any of them.