For forty-eight hours longer the fact of the defalcation was kept back; but then, in view of the legal action urged by those who did not accept the theory of Northwick's death, it had to come out, and it broke all bounds in overwhelming floods of publicity.

Day after day the papers were full of the facts, and it was weeks before the editorial homilies ceased. From time to time, fresh details and unexpected revelations, wise guesses and shameless fakes, renewed the interest of the original fact. There were days when there was nothing about it in the papers, and then days when it broke out in vivid paragraphs and whole lurid columns again. It was not that the fraud was singular in its features; these were common to most of the defalcations, great and small, which were of daily fame in the newspapers. But the doubt as to the man's fate, and the enduring mystery of his whereabouts, if he were still alive, were qualities that gave peculiar poignancy to Northwick's case. Its results in the failure of people not directly involved, were greater than could have been expected; and the sum of his peculations mounted under investigation. It was all much worse than had been imagined, and in most of the editorial sermons upon it the moral gravity of the offence was measured by the amounts stolen and indirectly lost by it. There was a great deal of mere astonishment, as usual, that the crime should have been that of a man whom no one would have dreamed of suspecting, and there was some sufficiently ridiculous consternation at the presence of such moral decay in the very heart of the commercial life of Boston.

In the Events, Pinney made his report of the affair the work of art which he boasted should come from his hand. It was really a space-man's masterpiece; and it appealed to every nerve in the reader's body, with its sensations repeated through many columns, and continued from page to page with a recurrent efflorescence of scare-heads and catch-lines. In the ardor of production, all scruples and reluctances became fused in a devotion to the interests of the Events and its readers. With every hour the painful impressions of his interview with Miss Northwick grew fainter, and the desire to use it stronger, and he ended by sparing no color of it. But he compromised with his sympathy for her, by deepening the shadows in the behavior of the man who could bring all this sorrow upon those dearest to him. He dwelt upon the unconsciousness of the family, the ignorance of the whole household, in which life ran smoothly on, while the head of both was a fugitive from justice, if not the victim of a swift retribution. He worked in all the pathos which the facts were capable of holding, and at certain points he enlarged the capacity of the facts. He described with a good deal of graphic force the Northwick interior. Under his touch the hall expanded, the staircase widened and curved, the carpets thickened, the servants multiplied, the library into which "the Events' representative was politely ushered," was furnished with "all the appliances of a cultured taste." The works of the standard authors in costly bindings graced its shelves; magnificent paintings and groups of statuary adorned its walls and alcoves. The dress of the lady who courteously received the Events' reporter, was suitably enriched; her years were discounted, and her beauty approached to the patrician cast. There was nothing mean about Pinney, and while he was at it he lavished a manorial grandeur upon the Northwick place, outside as well as inside. He imparted a romantic consequence to Hatboro' itself: "A thriving New England town, proud of its historic past, and rejoicing in its modern prosperity, with a population of some five or six thousand souls, among whose working men and women modern ideas of the most advanced character had been realized in the well-known Peck Social Union, with its co-operative kitchen and its clientÈle of intelligent members and patrons."

People of all occupations became leading residents in virtue of taking Pinney into their confidence, and "A Prominent Proletarian" achieved the distinction of a catch-line by freely imparting the impressions of J. M. Northwick's character among the working-classes. "The Consensus of Public Feeling," in portraying which Pinney did not fail to exploit the proprietary word he had seized, formed the subject of some dramatic paragraphs; and the whole formed a rich and fit setting for the main facts of Northwick's undoubted fraud and flight, and for the conjectures which Pinney indulged in concerning his fate.

Pinney's masterpiece was, in fine, such as he could write only at that moment of his evolution as a man, and such as the Events could publish only at that period of its development as a newspaper. The report was flashy and vulgar and unscrupulous, but it was not brutal, except by accident, and not unkind except through the necessities of the case. But it was helplessly and thoroughly personal, and it was no more philosophized than a monkish chronicle of the Middle Ages.

The Abstract addressed a different class of readers, and aimed at a different effect in its treatment of public affairs. We look upon newspapers as having a sort of composite temperament, formed from the temperaments of all the different men employed on them; but, as a matter of fact, they each express the disposition and reflect the temperament of one controlling spirit, which all the other dispositions and temperaments yield to. This is so much the case that it is hard to efface the influence of a strong mind from the journal it has shaped, even when it is no longer actively present in it. A good many years before the time of the Northwick defalcation, the Events had been in the management of a journalist, once well-known in Boston, a certain Bartley Hubbard, who had risen from the ranks of the reporters, and who had thoroughly reporterized it in the worst sense. After he left it, the owner tried several devices for elevating and reforming it, but failed, partly because he was himself a man of no ideals but those of the counting-room, and largely because the paper could not recover from the strong slant given it without self-destruction. So the Events continued what Bartley Hubbard had made it, and what the readers he had called about it liked it to be: a journal without principles and without convictions, but with interests only; a map of busy life, indeed, but glaringly colored, with crude endeavors at picturesqueness, and with no more truth to life than those railroad maps where the important centres converge upon the broad black level of the line advertised, and leave rival roads wriggling faintly about in uninhabited solitudes. In Hubbard's time the Abstract, then the Chronicle-Abstract, was in charge of the editor who had been his first friend on the Boston press, and whom he finally quarreled with on a point which this friend considered dishonorable to Hubbard. Ricker had not since left the paper, and though he was called a crank by some of the more progressive and reckless of the young men, he clung to his ideal of a conscience in journalism; he gave the Abstract a fixed character and it could no more have changed than the Events, without self-destruction. The men under him were not so many as CÆsar's soldiers, and that, perhaps, was the reason why he knew not only their names but their qualities. When Maxwell came with the fact of the defalcation which the detectives had entrusted to him for provisional use, and asked to be assigned to the business of working it up, Kicker consented, but he consented reluctantly. He thought Maxwell was better for better things; he knew he was a ravenous reader of philosophy and sociology, and he had been early in the secret of his being a poet; it had since become an open secret among his fellow-reporters, for which he suffered both honor and dishonor.

"I shouldn't think you'd like to do it, Maxwell," said Ricker, kindly. "It isn't in your line, is it? Better give it to some of the other fellows."

"It's more in my line than you suppose, Mr. Ricker," said the young fellow. "It's a subject I've looked up a great deal lately. I once thought"—he looked down bashfully—"of trying to write a play about a defaulter, and I got together a good many facts about defalcation. You've no idea how common it is; it's about the commonest fact of our civilization."

"Ah! Is that so?" asked Ricker with ironical deference to the bold generalizer. "Who else is 'onto' this thing?"

"Pinney, of the Events."

"Well, he's a dangerous rival, in some ways," said Ricker. "When it comes to slush and a whitewash brush, I don't think you're a match for him. But perhaps you don't intend to choose the same weapons." Ricker pulled down the green-lined pasteboard peak that he wore over his forehead by gaslight, and hitched his chair round to his desk again, and Maxwell knew that he was authorized to do the work.

He got no word from the detective, who had given him a hint of the affair, to go ahead the night after his return from Hatboro', as he had expected, but he knew that the fact could not be kept back, and he worked as hard at his report as Pinney and Pinney's wife had worked at theirs. He waited till the next morning to begin, however, for he was too fagged after he came home from the Hilarys'; he rose early and got himself a cup of tea over the gas-burner; before the house was awake he was well on in his report. By nightfall he had finished it, and then he carried it to Ricker. The editor had not gone to dinner yet, and he gave Maxwell's work the critical censure of a hungry man. It was in two separate parts: one, a careful and lucid statement of all the facts which had come to Maxwell's knowledge, in his quality of reporter, set down without sensation, and in that self-respectful decency of tone which the Abstract affected; the other, an editorial comment upon the facts. Ricker read the first through without saying anything; when he saw what the second was, he pushed up his green-lined peak, and said, "Hello, young man! Who invited you to take the floor?"

"Nobody. I found I couldn't embody my general knowledge of defalcation in the report without impertinence, and as I had to get my wisdom off my mind somehow, I put it in editorial shape. I don't expect you to take it. Perhaps I can sell it somewhere."

Ricker seemed to pay no attention to his explanation. He went on reading the manuscript, and when he ended, he took up the report again, and compared it with the editorial in length. "If we printed these things as they stand it would look like a case of the tail wagging the dog."

Maxwell began again, "Oh, I didn't expect—"

"Oh, yes, you did," said Ricker. "Of course, you felt that the report was at least physically inadequate."

"I made as much as I honestly could of it. I knew you didn't like padding or faking, and I don't myself."

Ricker was still holding the two manuscripts up before him. He now handed them over his shoulder to Maxwell, where he stood beside him. "Do you think you could weld these two things together?"

"I don't know."

"Suppose you try."

"As editorial, or—"

"Either. I'll decide after you're done. Do it here."

He pushed some papers off the long table beside him, and Maxwell sat down to his task. It was not difficult. The material was really of kindred character throughout. He had merely to write a few prefatory sentences, in the editorial attitude, to his report, and then append the editorial, with certain changes, again. It did not take him long; in half an hour he handed the result to Ricker.

"Yes," said Ricker, and he began to read it anew, with his blue pencil in his hand.

Maxwell had come with nerves steeled to bear the rejection of his article entire, but he was not prepared to suffer the erasure of all his pet phrases and favorite sentences, sometimes running to entire paragraphs.

When Ricker handed it back to him at last with "What do you think of it now?" Maxwell had the boldness to answer, "Well, Mr. Ricker, if I must say, I think you've taken all the bones and blood out of it."

Ricker laughed. "Oh, no! Merely the fangs and poison-sacks. Look here, young man! Did you believe all those cynical things when you were saying them?"

"I don't know—"

"I know. I know you didn't. Every one of them rang false. They were there for literary effect, and for the pleasure of the groundlings. But by and by, if you keep on saying those things, you'll get to thinking them, and what a man thinks a man is. There are things there that you ought to be ashamed of, if you really thought them, but I know you didn't, so I made free to strike them all out." Maxwell looked foolish; he wished to assert himself, but he did not know how. Ricker went on: "Those charming little sarcasms and innuendoes of yours would have killed your article for really intelligent readers. They would have suspected a young fellow having his fling, or an old fool speaking out of the emptiness of his heart. As it is, we have got something unique, and I don't mind telling you I'm very glad to have it. I've never made any secret of my belief that you have talent."

"You've been very good," said Maxwell, a little rueful still. The surgeon's knife hurts though it cures.

When Maxwell went home, he met his mother. "Why, mother," said the young fellow, "old Ricker is going to print my report as editorial; and we're not going to have any report."

"I told you it was good!"

Maxwell felt it was due to himself to keep some grudge, and he said, "Yes; but he's taken all the life out of it with his confounded blue pencil. It's perfectly dead."

It did not seem so when he saw it in proof at the office later, and it did not seem so when he got it in the paper. He had not slept well; he was excited by several things; by the use Ricker had made of his work, and by the hopes of advancement which this use quickened in him. He was not ashamed of it; he was very proud of it; and he wondered at its symmetry and force, as he read and read it again.

He had taken very high philosophical ground in his view of the matter, and had accused the structure of society. There must be something rotten, he said, at the core of our civilization, when every morning brought the story of a defalcation, great or small, in some part of our country: not the peculations of such poor clerks and messengers as their employers could be insured against, but of officials, public and corporate, for whom we had no guaranty but the average morality of our commercial life. How low this was might be inferred from the fact that while such a defalcation as that of J. M. Northwick created dismay in business and social circles, it could not fairly be said to create surprise. It was, most unhappily, a thing to be expected, in proof of which no stronger evidence need be alleged than that patent to the Abstract reporter in the community where the defaulter had his home, and where, in spite of his reputation for the strictest probity, it was universally believed that he had run away with other people's money merely because he had been absent twenty-four hours without accounting for his whereabouts.

At this point Maxwell wove in the material he had gathered on his visit to Hatboro', and without using names or persons contrived to give a vivid impression of the situation and the local feeling. He aimed at the historical attitude, and with some imitation of Taino's method and manner, he achieved it. His whole account of the defalcation had a closeness of texture which involved every significant detail, from the first chance suspicion of the defaulter's honesty, to the final opinions and conjectures of his fate. At the same time the right relation and proportion of the main facts were kept, and the statement was throughout so dignified and dispassionate that it had the grace of something remote in time and place. It was when the narrative ended and the critical comment began that the artistic values made themselves felt. Ricker had been free in his recognition of the excellence of Maxwell's work, and quick to appreciate its importance to the paper. He made the young fellow disjointed compliments and recurrent predictions concerning it when they were together, but there were qualities in it that he felt afterwards he had not been just to. Of course it owed much to the mere accident of Maxwell's accumulation of material about defalcations for his play; but he had known men break down under the mass of their material, and it surprised and delighted him to see how easily and strongly Maxwell handled his. That sick little youngster carried it all off with an air of robust maturity that amused as well as surprised Ricker. He saw where the fellow had helped himself out, consciously or unconsciously, with the style and method of his favorite authors; and he admired the philosophic poise he had studied from them; but no one except Maxwell himself was in the secret of the forbearance, the humane temperance with which Northwick was treated. This was a color from the play which had gone to pieces in his hands; he simply adapted the conception of a typical defaulter, as he had evolved it from a hundred instances, to the case of the defaulter in hand, and it fitted perfectly. He had meant his imaginary defaulter to appeal rather to the compassion than the justice of the theatre, and he presented to the reader the almost fatal aspect of the offence. He dwelt upon the fact that the case, so far from being isolated or exceptional, was without peculiarities, was quite normal. He drew upon his accumulated facts for the proof of this, and with a rapid array of defaulting treasurers, cashiers, superintendents, and presidents, he imparted a sense of the uniformity in their malfeasance which is so evident to the student. They were all comfortably placed and in the way to prosperity if not fortune; they were all tempted by the possession of means to immediate wealth; they all yielded so far as to speculate with the money that did not belong to them; they were all easily able to replace the first loans they made themselves; they all borrowed again and then could not replace the loans; they were all found out, and all were given a certain time to make up their shortage. After that a certain diversity appeared: some shot themselves, and some hanged themselves, others decided to stand their trial; the vastly greater number ran away to Canada.

In this presentation of the subject, Maxwell had hardly to do more than to copy the words of a certain character in his play: one of those cynical personages, well-known to the drama, whose function is to observe the course of the action, and to make good-humored sarcasms upon the conduct and motives of the other characters. It was here that Ricker employed his blue pencil the most freely, and struck out passages of almost diabolical persiflage, and touched the colors of the black pessimism with a few rays of hope. The final summing up, again, was adapted from a drama that had been rejected by several purveyors of the leg-burlesque as immoral. In a soliloquy intended to draw tears from the listener, the hero of Maxwell's play, when he parted from his young wife and children, before taking poison, made some apposite reflections on his case, in which he regarded himself as the victim of conditions, and in prophetic perspective beheld an interminable line of defaulters to come, who should encounter the same temptations and commit the same crimes under the same circumstances. Maxwell simply recast this soliloquy in editorial terms; and maintained that not only was there nothing exceptional in Northwick's case, but that it might be expected to repeat itself indefinitely. On one hand, you had men educated to business methods which permitted this form of dishonesty and condemned that; their moral fibre was strained, if not weakened, by the struggle for money going on all around us; on the other hand, you had opportunity, the fascination of chance, the uncertainty of punishment. The causes would continue the same, and the effects would continue the same. He declared that no good citizen could wish a defaulter to escape the penalty of his offence against society; but it behooved society to consider how far it was itself responsible, which it might well do without ignoring the responsibility of the criminal. He ended with a paragraph in which he forecast a future without such causes and without such effects; but Ricker would not let this pass, even in the semi-ironical temper Maxwell had given it. He said it was rank socialism, and he cut it out in the proof, where he gave the closing sentences of the article an interrogative instead of an affirmative shape.