As for Harte’s talk, it was mostly ironical, not to the extreme of satire, but tempered to an agreeable coolness even for the things he admired. He did not apparently care to hear himself praised, but he could very accurately and perfectly mark his discernment of excellence in others. He was at times a keen observer of nature and again not, apparently. Something was said before him and Lowell of the beauty of his description of a rabbit, startled with fear among the ferns, and lifting its head with the pulsation of its frightened heart visibly shaking it; then the talk turned on the graphic homeliness of Dante’s noticing how the dog’s skin moves upon it, and Harte spoke of the exquisite shudder with which a horse tries to rid itself of a fly.

But once again, when an azalea was shown to him as the sort of bush that Sandy drunkenly slept under in ‘The Idyl of Iced Gulch’, he asked, “Why, is that an azalea?” To be sure, this might have been less from his ignorance or indifference concerning the quality of the bush he had sent Sandy to sleep under than from his willingness to make a mock of an azalea in a very small pot, so disproportionate to uses which an azalea of Californian size could easily lend itself to.

You never could be sure of Harte; he could only by chance be caught in earnest about anything or anybody. Except for those slight recognitions of literary, traits in his talk with Lowell, nothing remained from his conversation but the general criticism he passed upon his brilliant fellow-Hebrew Heine, as “rather scorbutic.” He preferred to talk about the little matters of common incident and experience. He amused himself with such things as the mystification of the postman of whom he asked his way to Phillips Avenue, where he adventurously supposed his host to be living. “Why,” the postman said, “there is no Phillips Avenue in Cambridge. There’s Phillips Place.” “Well,” Harte assented, “Phillips Place will do; but there is a Phillips Avenue.” He entered eagerly into the canvass of the distinctions and celebrities asked to meet him at the reception made for him, but he had even a greater pleasure in compassionating his host for the vast disparity between the caterer’s china and plated ware and the simplicities and humilities of the home of virtuous poverty; and he spluttered with delight at the sight of the lofty ‘epergnes’ set up and down the supper-table when he was brought in to note the preparations made in his honor. Those monumental structures were an inexhaustible joy to him; he walked round and round the room, and viewed them in different perspectives, so as to get the full effect of the towering forms that dwarfed it so.

He was a tease, as many a sweet and fine wit is apt to be, but his teasing was of the quality of a caress, so much kindness went with it. He lamented as an irreparable loss his having missed seeing that night an absent-minded brother in literature, who came in rubber shoes, and forgetfully wore them throughout the evening. That hospitable soul of Ralph Keeler, who had known him in California, but had trembled for their acquaintance when he read of all the honors that might well have spoiled Harte for the friends of his simpler days, rejoiced in the unchanged cordiality of his nature when they met, and presently gave him one of those restaurant lunches in Boston, which he was always sumptuously providing out of his destitution. Harte was the life of a time which was perhaps less a feast of reason than a flow of soul. The truth is, there was nothing but careless stories carelessly told, and jokes and laughing, and a great deal of mere laughing without the jokes, the whole as unlike the ideal of a literary symposium as well might be; but there was present one who met with that pleasant Boston company for the first time, and to whom Harte attributed a superstition of Boston seriousness not realized then and there. “Look at him,” he said, from time to time. “This is the dream of his life,” and then shouted and choked with fun at the difference between the occasion and the expectation he would have imagined in his commensal’s mind. At a dinner long after in London, where several of the commensals of that time met again, with other literary friends of a like age and stature, Harte laid his arms well along their shoulders as they formed in a half-circle before him, and screamed out in mocking mirth at the bulbous favor to which the slim shapes of the earlier date had come. The sight was not less a rapture to him that he was himself the prey of the same practical joke from the passing years. The hair which the years had wholly swept from some of those thoughtful brows, or left spindling autumnal spears, “or few or none,” to “shake against the cold,” had whitened to a wintry snow on his, while his mustache had kept its youthful black. “He looks,” one of his friends said to another as they walked home together, “like a French marquis of the ancien regime.” “Yes,” the other assented, thoughtfully, “or like an American actor made up for the part.”

The saying closely fitted the outward fact, but was of a subtle injustice in its implication of anything histrionic in Harte’s nature. Never was any man less a ‘poseur’; he made simply and helplessly known what he was at any and every moment, and he would join the witness very cheerfully in enjoying whatever was amusing in the disadvantage to himself. In the course of events, which were in his case so very human, it came about on a subsequent visit of his to Boston that an impatient creditor decided to right himself out of the proceeds of the lecture which was to be given, and had the law corporeally present at the house of the friend where Harte dined, and in the anteroom at the lecture-hall, and on the platform, where the lecture was delivered with beautiful aplomb and untroubled charm. He was indeed the only one privy to the law’s presence who was not the least affected by it, so that when his host of an earlier time ventured to suggest, “Well, Harte, this is the old literary tradition; this is the Fleet business over again,” he joyously smote his thigh and crowed out, “Yes, the Fleet!” No doubt he tasted all the delicate humor of the situation, and his pleasure in it was quite unaffected.

If his temperament was not adapted to the harsh conditions of the elder American world, it might very well be that his temperament was not altogether in the wrong. If it disabled him for certain experiences of life, it was the source of what was most delightful in his personality, and perhaps most beautiful in his talent. It enabled him to do such things as he did without being at all anguished for the things he did not do, and indeed could not. His talent was not a facile gift; he owned that he often went day after day to his desk, and sat down before that yellow post-office paper on which he liked to write his literature, in that exquisitely refined script of his, without being able to inscribe a line. It may be owned for him that though he came to the East at thirty-four, which ought to have been the very prime of his powers, he seemed to have arrived after the age of observation was past for him. He saw nothing aright, either in Newport, where he went to live, or in New York, where he sojourned, or on those lecturing tours which took him about the whole country; or if he saw it aright, he could not report it aright, or would not. After repeated and almost invariable failures to deal with the novel characters and circumstances which he encountered he left off trying, and frankly went back to the semi-mythical California he had half discovered, half created, and wrote Bret Harte over and over as long as he lived. This, whether he did it from instinct or from reason, was the best thing he could do, and it went as nearly as might be to satisfy the insatiable English fancy for the wild America no longer to be found on our map.

It is imaginable of Harte that this temperament defended him from any bitterness in the disappointment he may have shared with that simple American public which in the early eighteen-seventies expected any and everything of him in fiction and drama. The long breath was not his; he could not write a novel, though he produced the like of one or two, and his plays were too bad for the stage, or else too good for it. At any rate, they could not keep it, even when they got it, and they denoted the fatigue or the indifference of their author in being dramatizations of his longer or shorter fictions, and not originally dramatic efforts. The direction in which his originality lasted longest, and most strikingly affirmed his power, was in the direction of his verse.

Whatever minds there may be about Harte’s fiction finally, there can hardly be more than one mind about his poetry. He was indeed a poet; whether he wrote what drolly called itself “dialect,” or wrote language, he was a poet of a fine and fresh touch. It must be allowed him that in prose as well he had the inventive gift, but he had it in verse far more importantly. There are lines, phrases, turns in his poems, characterizations, and pictures which will remain as enduringly as anything American, if that is not saying altogether too little for them. In poetry he rose to all the occasions he made for himself, though he could not rise to the occasions made for him, and so far failed in the demands he acceded to for a Phi Beta Kappa poem, as to come to that august Harvard occasion with a jingle so trivial, so out of keeping, so inadequate that his enemies, if he ever truly had any, must have suffered from it almost as much as his friends. He himself did not suffer from his failure, from having read before the most elect assembly of the country a poem which would hardly have served the careless needs of an informal dinner after the speaking had begun; he took the whole disastrous business lightly, gayly, leniently, kindly, as that golden temperament of his enabled him to take all the good or bad of life.

The first year of his Eastern sojourn was salaried in a sum which took the souls of all his young contemporaries with wonder, if no baser passion, in the days when dollars were of so much farther flight than now, but its net result in a literary return to his publishers was one story and two or three poems. They had not profited much by his book, which, it will doubtless amaze a time of fifty thousand editions selling before their publication, to learn had sold only thirty-five hundred in the sixth month of its career, as Harte himself,

confided to his Cambridge host after his first interview with the Boston counting-room. It was the volume which contained “The Luck of Roaring Camp,” and the other early tales which made him a continental, and then an all but a world-wide fame. Stories that had been talked over, and laughed over, and cried over all up and down the land, that had been received with acclaim by criticism almost as boisterous as their popularity, and recognized as the promise of greater things than any done before in their kind, came to no more than this pitiful figure over the booksellers’ counters. It argued much for the publishers that in spite of this stupefying result they were willing, they were eager, to pay him ten thousand dollars for whatever, however much or little, he chose to write in a year: Their offer was made in Boston, after some offers mortifyingly mean, and others insultingly vague, had been made in New York.

It was not his fault that their venture proved of such slight return in literary material. Harte was in the midst of new and alien conditions,—[See a corollary in M. Froude who visited the U.S. for a few months and then published a comprehensive analysis of the nation and its people. Twain’s rebuttal (Mr. Froude’s Progress) would have been ‘a propos’ for Harte in Cambridge. D.W.]—and he had always his temperament against him, as well as the reluctant if not the niggard nature of his muse. He would no doubt have been only too glad to do more than he did for the money, but actually if not literally he could not do more. When it came to literature, all the gay improvidence of life forsook him, and he became a stern, rigorous, exacting self-master, who spared himself nothing to achieve the perfection at which he aimed. He was of the order of literary men like Goldsmith and De Quincey, and Sterne and Steele, in his relations with the outer world, but in his relations with the inner world he was one of the most duteous and exemplary citizens. There was nothing of his easy-going hilarity in that world; there he was of a Puritanic severity, and of a conscience that forgave him no pang. Other California writers have testified to the fidelity with which he did his work as editor. He made himself not merely the arbiter but the inspiration of his contributors, and in a region where literature had hardly yet replaced the wild sage-brush of frontier journalism, he made the sand-lots of San Francisco to blossom as the rose, and created a literary periodical of the first class on the borders of civilization.

It is useless to wonder now what would have been his future if the publisher of the Overland Monthly had been of imagination or capital enough to meet the demand which Harte dimly intimated to his Cambridge host as the condition of his remaining in California. Publishers, men with sufficient capital, are of a greatly varying gift in the regions of prophecy, and he of the Overland Monthly was not to be blamed if he could not foresee his account in paying Harte ten thousand a year to continue editing the magazine. He did according to his lights, and Harte came to the East, and then went to England, where his last twenty-five years were passed in cultivating the wild plant of his Pacific Slope discovery. It was always the same plant, leaf and flower and fruit, but it perennially pleased the constant English world, and thence the European world, though it presently failed of much delighting these fastidious States. Probably he would have done something else if he could; he did not keep on doing the wild mining-camp thing because it was the easiest, but because it was for him the only possible thing. Very likely he might have preferred not doing anything.