Although the New York of my youth had little claim to be recognized as a literary centre, it yet was a city whose tastes and manners were much influenced by people of culture. One of these, Robert Sands, was the author of a poem entitled "Yamoyden," its theme being an Indian story or legend. His family dated back to the Sands who once owned a considerable part of Block Island, and from whom Sands Point takes its name. If I do not mistake, these Sands were connected by marriage with one of my ancestors, who were also settlers in Block Island. I remember having seen the poet Sands in my childhood, a rather awkward, near-sighted man. His life was not a long one. A sister of his, Julia Sands, wrote a biographical sketch of her brother, and was spoken of as a literary woman.

William Cullen Bryant resided in New York many years. He took a prominent part in politics, but mingled little in general society, being much absorbed in his duties as editor of the "Evening Post," of which he was also the founder.

I first heard of Fitz-Greene Halleck as the author of various satirical pieces of verse relating to personages and events of nearly eighty years ago. He is now best remembered by his "Marco Bozzaris," a noble lyric which we have heard quoted in view of recent lamentable encounters between Greek and Barbarian.

Among the lecturers who visited New York, I remember Professor Silliman of Yale College, Dr. Follen, who spoke of German literature, George Combe, and Mr. Charles Lyell.

Charles King, for many years editor of a daily paper entitled "The New York American," was a man of much literary taste. He had been a pupil at Harrow when Byron was there. He was an appreciative friend of my father, although as convivial in his tastes as my father was the reverse. I remember that once, when a temperance meeting was going on in one of our large parlors, Mr. King called and, finding my father thus engaged, began to frolic with us young people. He even dared to say: "How I should like to open those folding doors just wide enough to fire off a bottle of champagne at those temperance folks!"

He was the patron of my early literary ventures, and kindly allowed my fugitive pieces to appear in his paper. He always advocated the abolition of slavery, and could never forgive Henry Clay his part in effecting the Missouri Compromise. He and his brother James, my father's junior partner, were sons of Rufus King, a man eminent in public life. I was a child of perhaps eight years when I heard my elders say with regret that "old Mr. King was dying."

Quite late in his life, Mr. Charles King became President of Columbia College. This institution, with the houses of its officers, occupied the greater part of Park Place. Its professors were well known in society. The college was very conservative in its management. The professor of mathematics was asked one day by one of his class whether the sun did not really stand still in answer to the prayer of Joshua. He laughed at the question, and was in consequence reprimanded by the faculty.

Professor Anthon, of the college, became known through his school and college editions of many Latin classics. Professor Moore, in the department of Hellenics, was popular among the undergraduates, partly, it was said, on account of his very indulgent method of conducting examinations. Professor McVickar, in the chair of Philosophy, was one of the early admirers of Ruskin. The families of these gentlemen mingled a good deal in the society of the time, and contributed no doubt to impart to it a tone of polite culture. I should say that before the forties the sons of the best families of New York city were usually sent to Columbia College. My own brothers, three in number, were among its graduates. New York parents in those days looked upon Harvard as a Unitarian institution, and shunned its influence for their sons.

The venerable Lorenzo Da Ponte was for many years a resident of New York, and a teacher of the Italian language and literature. When Dominick Lynch introduced the first opera troupe to the New York public, sometime in the twenties, the audience must surely have comprised some of the old man's pupils, well versed in the language of the librettos. In earlier life, he had furnished the text of several of Mozart's operas, among them "Don Giovanni" and "Le Nozze di Figaro."

Dominick Lynch, whom I have just mentioned, was an enthusiastic lover of music. His visits to my father's house were occasions of delight to me. He was without a rival as an interpreter of ballads, and especially of the songs of Thomas Moore. His voice, though not powerful, was clear and musical, and his touch on the pianoforte was perfect. I remember creeping under the instrument to hide my tears when I heard him sing the ballad of "Lord Ullin's Daughter."

Charles Augustus Davis, the author of the "Letters of J. Downing, Major, Downingville Militia, Second Brigade, to his old Friend Mr. Dwight, of the New York Daily Advertiser," was a gentleman well known in the New York society of my youth. The letters in question contained imaginary reports of a tour which the writer professed to have made with General Jackson, when the latter was a candidate for reËlection to the Presidency. They were very popular at the time, but have long passed into oblivion. I remember that in one of them, Major Downing describes an occasion on which it was important that the general should interlard his address with a few Latin quotations. Not possessing any learning of that kind, he concluded his speech with: "E pluribus unum, gentlemen, sine qua non."

The great literary boast of the city at the time of which I speak was undoubtedly Washington Irving. I was still a child in the nursery when I heard of his return to America, after a residence of some years in Spain. A public dinner was given in honor of this event. One who had been present at it told of Mr. Irving's embarrassment when he was called upon for a speech. He rose, waved his hand in the air, and could only utter a few sentences, which were heard with difficulty.

Many years after this time I was present, with other ladies, at a public dinner given in honor of Charles Dickens by prominent citizens of New York. We ladies were not bidden to the feast, but were allowed to occupy a small anteroom whose open door commanded a view of the tables. When the speaking was about to begin, a message came, suggesting that we should take possession of some vacant seats at the great table. This we were glad to do. Washington Irving was president of the evening, and upon him devolved the duty of inaugurating proceedings by an address of welcome to the distinguished guest. People who sat near me whispered, "He'll break down—he always does." Mr. Irving rose, and uttered a sentence or two. His friends interrupted him by applause which was intended to encourage him, but which entirely overthrew his self-possession. He hesitated, stammered, and sat down, saying, "I cannot go on." It was an embarrassing and painful moment, but Mr. John Duer, an eminent lawyer, came to his friend's assistance, and with suitable remarks proposed the health of Charles Dickens, to which Mr. Dickens promptly responded. This he did in his happiest manner, covering Mr. Irving's defeat by a glowing eulogy of his literary merits.

"Whose books do I take to bed with me, night after night? Washington Irving's! as one who is present can testify." This one was evidently Mrs. Dickens, who was seated beside me. Mr. Dickens proceeded to speak of international copyright, saying that the prime object of his visit to America was the promotion of this important measure. I met Washington Irving several times at the house of John Jacob Astor. He was silent in general company, and usually fell asleep at the dinner-table. This occurrence was indeed so common with him that the guests present only noticed it with a smile. After a nap of some ten minutes he would open his eyes and take part in the conversation, apparently unconscious of having been asleep.

In his youth, Mr. Irving had traveled quite extensively in Europe. While in Rome, he had received marked attention from the banker Torlonia, who repeatedly invited him to dinner parties, the opera, and so on. He was at a loss to account for this until his last visit to the banker, when Torlonia, taking him aside, said, "Pray tell me, is it not true that you are a grandson of the great Washington?"

Mr. Irving had in early life given offense to the descendants of old Dutch families in New York by the publication of "Knickerbocker's History of New York," in which he had presented some of their forbears in a humorous light. The solid fame which he acquired in later days effaced the remembrance of this old-time grievance, and in the days in which I had the pleasure of his acquaintance, he held an enviable position in the esteem and affection of the community.

He always remained a bachelor, owing, it was said, to an attachment, the object of which had been removed by death. I have even heard that the lady in question was a beautiful Jewess, the same one whom Walter Scott has depicted in his well-known Rebecca. This legend of the beautiful Jewess was current in my youth. A later authority informs us that Mr. Irving was really engaged to Matilda, daughter of Josiah Ogden Hoffman, a noted lawyer of New York, and that the death of the lady prevented the intended marriage from taking place. "He could never, to his dying day, endure to hear her name mentioned," it is said, "and, nearly thirty years after her death, the accidental discovery of a piece of her embroidery saddened him so that he could not speak."