"It seemed somehow impossible, me going to be cook there all my days." So writes Sophy at a later date in regard to her life at Morpingham Hall. To many of us in our youth it has seemed impossible that we should pass all our days in the humdrum occupations and the mediocre positions in which we have in fact spent them. Young ambitions are chronicled only when they have been fulfilled—unless where a born autobiographer makes fame out of his failures. But Sophy had a double portion of original restlessness—this much the records of Morpingham years, scanty as they are, render plain. Circumstances made much play with her, but she was never merely the sport of chance or of circumstances. She was always waiting, even always expecting, ready to take her chance, with arm out-stretched to seize Occasion by the forelock. She co-operated eagerly with Fate and made herself a partner with Opportunity, and she was quick to blame the other members of the firm for any lack of activity or forwardness. "You can't catch the train unless you're at the station—and take care your watch isn't slow," she writes somewhere in the diary. The moral of the reflection is as obvious as its form; it is obvious, too, that a traveller so scrupulous to be in time would suffer proportionate annoyance if the train were late.

The immediate result of this disposition of hers was unhappy, and it is not hard to sympathize with the feelings of the Brownlows. Their benevolence was ample, but it was not unconscious; their benefits, which were very great, appeared to them exhaustive, not only above what Sophy might expect, but also beyond what she could imagine. They had picked her up from the road-side and set her on the way to that sort of kingdom with the prospect of which Basil Williamson had tried to console her. The Squire was an estimable man, but one of small mind; he moved among the little—the contented lord of a pin-point of the earth. Mrs. Brownlow was a profoundly pious woman, to whom content was a high duty, to be won by the performance of other duties. If the Squire detected in the girl signs of ingratitude to himself, his wife laid equal blame on a rebellion against Heaven. Sophy knew—if not then, yet on looking back—what they felt; her references to them are charged with a remorse whose playful expression (obstinately touched with scorn as it is) does not hide its sincerity. She soon perceived, anyhow, that she was getting a bad character; she, the cook in posse, was at open war with Mrs. Smilker, the cook in esse; though, to be sure, "Smilker" might have done something to reconcile her to "Grouch!"

Mrs. Brownlow naturally ranged herself on the side of constituted authority, of the superior rank in the domestic hierarchy. Moreover, it is likely that Mrs. Smilker was right in nine cases out of ten, at all events; Sophy recognized that probability in after-life; none the less, she allows herself more than once to speak of "that beast of a Smilker." Mere rectitude as such never appealed to her; that comes out in another rather instructive comment, which she makes on Mrs. Brownlow herself, "Me being what I was, and she what she was, though I was grateful to her, and always shall be, I couldn't love her; and what hit me hardest was that she didn't wonder at it, and, in my opinion, wasn't very sorry either—not in her heart, you know. Me not loving her made what she was doing for me all the finer, you see."

Perhaps these flashes of insight should not be turned on our benefactors, but the extract serves to show another side of Sophy—one which in fairness to her must not be ignored. Not only was restlessness unsatisfied, and young ambitions starved; the emotions were not fed either, or at least were presented with a diet too homely for Sophy's taste. For the greater part of this time she had no friends outside the Hall to turn to. Julia Robins was pursuing her training in London, and, later, her profession in the country. Basil Williamson, who "amused" her, was at Cambridge, and afterwards at his hospital; a glimpse of him she may have caught now and then, but they had no further talk. Very probably he sought no opportunity; Sophy had passed from the infants' school to the scullery; she had grown from a child into a big girl. If prudent Basil kept these transformations in view, none can blame him—he was the son of the Rector of the parish. So, when bidden to the Hall, he ate the potatoes Sophy had peeled, but recked no more of the hand that peeled them. In the main the child was, no doubt, a solitary creature.

So much is what scientific men and historians call "reconstruction"—a hazardous process—at least when you are dealing with human beings. It has been kept within the strict limits of legitimate inference, and accordingly yields meagre results. The return of Julia Robins enables us to put many more of the stones—or bones, or whatever they may be called—in their appropriate places.

It is the summer of 1865—and Julia is very gorgeous. Three years had passed over her head; her training had been completed a twelvemonth before, and she had been on her first tour. She had come home "to rest"—and to look out for a new engagement. She wore a blue hat with a white feather, a blue skirt, and a red "Garibaldi" shirt; her fair hair was dressed in the latest fashion. The sensation she made in Morpingham needs no record. But her head was not turned; nobody was ever less of a snob than Julia Robins, no friendship ever more independent of the ups and downs of life, on one side or the other, than that which united her and Sophy Grouch. She opened communications with the Hall scullery immediately. And—"Sophy was as much of a darling as ever"—is her warm-hearted verdict.

The Hall was not accessible to Julia, nor Woodbine Lodge to Mrs. Brownlow's little cook-girl. But the Squire's coachman had been at the station when Julia's train came in: her arrival would be known in the Hall kitchen, if not up-stairs. On the morrow she went into the avenue of old elms about twelve o'clock, conjecturing that her friend might have a few free moments about that hour—an oasis between the labors of the morning and the claims of luncheon. Standing there under the trees in all her finery—not very expensive finery, no doubt, yet fresh and indisputably gay—she called her old mocking challenge—"Sophy Grouch! Sophy Grouch!"

Sophy was watching. Her head rose from the other side of the ditch. She was down in a moment, up again, and in her friend's arms. "It's like a puff of fresh air," she whispered, as she kissed her, and then, drawing away, looked her over. Sophy was tall beyond her years, and her head was nearly on a level with Julia's. She was in her short print gown, with her kitchen apron on; her sleeves rolled up, her face red from the fire, her hands too, no doubt, red from washing vegetables and dishes. "She looked like Cinderella in the first act of a pantomime," is Miss Robins's professional comment—colored, perhaps, also by subsequent events.

"You're beautiful!" cried Sophy. "Oh, that shirt—I love red!" And so on for some time, no doubt. "Tell me about it; tell me everything about it," she urged. "It's the next best thing, you know."

Miss Robins recounted her adventures: they would not seem very dazzling at this distance. Sophy heard them with ardent eyes; they availed to color the mark on her cheek to a rosy tint. "That's being alive," she said, with a deep-drawn sigh.

Julia patted her hand consolingly. "But I'm twenty!" she reminded her friend. "Think how young you are!"

"Young or old's much the same in the kitchen," Sophy grumbled.

Linking arms, they walked up the avenue. The Rector was approaching from the church. Sophy tried to draw her arm away. Julia held it tight. The Rector came up, lifted his hat—and, maybe, his brows. But he stopped and said a few pleasant words to Julia. He had never pretended to approve of this stage career, but Julia had now passed beyond his jurisdiction. He was courteous to her as to any lady. Official position betrayed itself only as he was taking leave—and only in regard to Sophy Grouch.

"Ah, you keep up old friendships," he said—with a rather forced approval. "Please don't unsettle the little one's mind, though. She has to work—haven't you, Sophy? Good-bye, Miss Robins."

Sophy's mark was ruddy indeed as the Rector went on his blameless way, and Julia was squeezing her friend's arm very hard. But Sophy said nothing, except to murmur—just once—"The little one!" Julia smiled at the tone.

They turned and walked back towards the road. Now silence reigned; Julia was understanding, pitying, wondering whether a little reasonable remonstrance would be accepted by her fiery and very unreasonable little friend; scullery-maids must not arraign social institutions nor quarrel with the way of the world. But she decided to say nothing—the mark still glowed. It was to glow more before that day was out.

They came near to the gates. Julia felt a sudden pressure on her arm.

"Look!" whispered Sophy, her eyes lighting up again in interest.

A young man rode up the approach to the Hall lodge. His mare was a beauty; he sat her well. He was perfectly dressed for the exercise. His features were clear-cut and handsome. There was as fine an air of breeding about him as about the splendid Newfoundland dog which ran behind him.

Julia looked as she was bidden. "He's handsome," she said. "Why—" she laughed low—"I believe I know who it is—I think I've seen him somewhere."

"Have you?" Sophy's question was breathless.

"Yes, I know! When we were at York! He was one of the officers there; he was in a box. Sophy, it's the Earl of Dunstanbury!"

Sophy did not speak. She looked. The young man—he could be hardly more than twenty—came on. Sophy suddenly hid behind her friend ("To save my pride, not her own," generous Julia explains—Sophy herself advances no such excuse), but she could see. She saw the rider's eye rest on Julia; did it rest in recognition? It almost seemed so; yet there was doubt. Julia blushed, but she forbore from smiling or from seeking to rouse his memory. Yet she was proud if he remembered her face from across the footlights. The young man, too—being but a young man—blushed a little as he gave the pretty girl by the gate such a glance as discreetly told her that he was of the same mind as herself about her looks. These silent interchanges of opinion on such matters are pleasant diversions as one plods the highway.

He was gone. Julia sighed in satisfied vanity. Sophy awoke to stern realities.

"Gracious!" she cried. "He must have come to lunch! They'll want a salad! You'll be here to-morrow—do!" And she was off, up the drive, and round to her own regions at the back of the house.

"I believe his Lordship did remember my face," thought Julia as she wandered back to Woodbine Cottage.

But Sophy washed lettuces in her scullery—which, save for its base purposes, was a pleasant, airy apartment, looking out on a path that ran between yew hedges and led round from the lawn to the offices of the house. Diligently she washed, as Mrs. Smilker had taught her (whether rightly or not is nothing to the purpose here), but how many miles away was her mind? So far away from lettuces that it seemed in no way strange to look up and see Lord Dunstanbury and his dog on the path outside the window at which she had been performing her task. He began hastily:

"Oh, I say, I've been seeing my mare get her feed, and—er—do you think you could be so good as to find a bone and some water for Lorenzo?"

"Lorenzo?" she said.

"My dog, you know." He pointed to the handsome beast, which wagged an expectant tail.

"Why do you call him that?"

Dunstanbury smiled. "Because he's magnificent. I dare say you never heard of Lorenzo the Magnificent?"

"No. Who was he?"

"A Duke—Duke of Florence—in Italy." He had begun to watch her face, and seemed not impatient for the bone.

"Florence? Italy?" The lettuce dropped from her hands; she wiped her hands slowly on her apron.

"Do you think you could get me one?"

"Yes, I'll get it."

She went to the back of the room and chose a bone.

"Will this do?" she asked, holding it out through the window.

"Too much meat."

"Oh!" She went and got another. "This one all right?"

"Capital! Do you mind if I stay and see him eat it?"

"No."

"Here, Lorenzo! And thank the lady!"

Lorenzo directed three sharp barks at Sophy and fell to. Sophy filled and brought out a bowl of water. Lord Dunstanbury had lighted a cigar. But he was watching Sophy. A new light broke on him suddenly.

"I say, were you the other girl behind the gate?"

"I didn't mean you to see me."

"I only caught a glimpse of you. I remember your friend, though."

"She remembered you, too."

"I don't know her name, though."

"Julia Robins."

"Ah, yes—is it? He's about polished off that bone, hasn't he? Is she—er—a great friend of yours?"

His manner was perhaps a little at fault; the slightest note of chaff had crept into it; and the slightest was enough to put Sophy's quills up.

"Why not?" she asked.

"Why not? Every reason why she should be," he answered with his lips. His eyes answered more, but he refrained his tongue. He was scrupulously a gentleman—more so perhaps than, had sexes and places been reversed, Sophy herself would have been. But his eyes told her. "Only," he went on, "if so, why did you hide?"

That bit of chaff did not anger Sophy. But it went home to a different purpose—far deeper, far truer home than the young man had meant. Not the mark only reddened—even the cheeks flushed. She said no word. With a fling-out of her arms—a gesture strangely, prophetically foreign as it seemed to him in after-days—she exhibited herself—the print frock, the soiled apron, the bare arms, red hands, the ugly knot of her hair, the scrap of cap she wore. For a moment her lips quivered, while the mark—the Red Star of future days and future fame—grew redder still.

The only sound was of Lorenzo's worrying the last tough scrap of bone. The lad, gentleman as he was, was good flesh and blood, too—and the blood was moving. He felt a little tightness in his throat; he was new to it. New, too, was Sophy Grouch to what his eyes said to her, but she took it with head erect and a glance steadily levelled at his.

"Yes," he said. "But I shouldn't have looked at any of that—and I shouldn't have looked at her either."

Brightly the mark glowed; subtly the eyes glowed. There was silence again.

Almost a start marked Dunstanbury's awakening. "Come, Lorenzo!" he cried; he raised his hat and turned away, followed by his dog, Lorenzo the Magnificent.

Sophy took up her lettuces and carried them into the kitchen.

"There you are, at last! And what's put you in a temper now?" asked Mrs. Smilker. She had learned the signs of the mark.

Sophy smiled. "It's not temper this time, Mrs. Smilker. I—I'm very happy to-day," she said. "Oh, I do hope the salad will be good!"

For he who was to eat of the salad—had he not forgotten print frock and soiled apron, bare arms, red hands, ugly knot, and execrable cap? He would not have looked at them—no, nor at beautiful many-tinted Julia Robins in her pride! He had forgotten all these to look at the stained cheek and the eyes of subtle glow. She had glanced in the mirror of love and sipped from the cup of power.

Such was her first meeting with Lord Dunstanbury. If it were ever forgotten, it was not Dunstanbury who forgot.

The day had wrought much in her eyes; it had wrought more than she dreamed of. Her foot was near the ladder now, though she could not yet see the lowest rung.