Lady Meg left London for Paris towards the end of 1865 or the beginning of 1866, but we hear nothing of her doings until the early summer of 1868. The veil lifts then (so far as it ever lifts from before the face of the Paris period), and shows us the establishment in the Rue de Grenelle. A queer picture it is in many ways; it gives reason to think that the state of mind to which Lady Meg had now come is but mildly described as eccentricity.

The eminent Lord Dunstanbury, Lady Meg's father, had been one of that set of English Whigs and Liberals who were much at home in Paris in the days of the July Monarchy. Among his friends was a certain Marquis de Savres, the head of an old French family of Royalist principles. This gentleman had, however, accepted the throne of Louis Philippe and the political principles and leadership of Guizot. Between him and Lord Dunstanbury there arose a close intimacy, and Lady Meg as a girl had often visited in the Rue de Grenelle. Changed as her views were, and separated as she was from most of her father's coterie in Paris, friendship and intercourse between her and the Savres family had never dropped. The present head of that family was Casimir de Savres, a young man of twenty-eight, an officer of cavalry. Being a bachelor, he preferred to dwell in a small apartment on the other side of the river, and the family house in the Rue de Grenelle stood empty. Under some arrangement (presumably a business one, for Marquis de Savres was by no means rich) Lady Meg occupied the first floor of the roomy old mansion. Here she is found established; with her, besides three French servants and an English coachman (she has for the time apparently shaken off the spaniels), is Mademoiselle Sophie de Gruche, in whose favor Sophy Grouch has effected an unobtrusive disappearance.

This harmless, if somewhat absurd, transformation was carried out with a futile elaboration, smacking of Lady Meg's sardonic perversity rather than of Sophy's directer methods. Sophy would probably have claimed the right to call herself what she pleased, and left the world to account for her name in any way it pleased. Lady Meg must needs fit her up with a story. She was the daughter of a Creole gentleman married to an English wife. Her mother being early left a widow, Sophy had been brought up entirely in England—hence her indifferent acquaintance with French. If this excuse served a purpose at first, at any rate it soon became unnecessary. Sophy's marked talent for languages (she subsequently mastered Kravonian, a very difficult dialect, in the space of a few months) made French a second native tongue to her within a year. But the story was kept up. Perhaps it imposed on nobody; but nobody was rude enough—or interested enough—to question it openly. Sophy herself never refers to it; but she used the name from this time forward on all occasions except when writing to Julia Robins, when she continues to sign "Sophy" as before—a habit which lasts to the end, notwithstanding other changes in her public or official style.

The times were stirring, a prelude to the great storm which was so soon to follow. Paris was full of men who in the next few years were to make or lose fame, to rise with a bound or fall with a crash. Into such society Lady Meg's name, rank, and parentage would have carried her, had she cared to go; she could have shown Sophy the Emperor of the French at close quarters instead of contenting herself with a literal fulfilment of her promise by pointing him out as he drove in the streets. But Lady Meg was rabid against the Empire; her "Lord help him!"—the habitual expression of contempt on her lips—was never lacking for the Emperor. Her political associates were the ladies of the Faubourg St.-Germain, and there are vague indications that Lady Meg was very busy among them and conceived herself to be engaged in intrigues of vital importance. The cracks in the imposing Imperial structure were visible enough by now, and every hostile party was on the lookout for its chance.

As we all know, perhaps no chance, certainly no power to use a chance, was given to Lady Meg's friends; and we need not repine that ignorance spares us the trouble of dealing with their unfruitful hopes and disappointed schemes. Still the intrigues, the gossip, and the Royalist atmosphere were to Sophy in some sort an introduction to political interests, and no doubt had an influence on her mind. So far as she ever acquired political principles—the existence of such in her mind is, it must be confessed, doubtful—they were the tenets which reigned in the Rue de Grenelle and in the houses of Lady Meg's Royalist allies.

So on one side of Lady Meg are the nobles and their noble ladies sulking and scheming, and on the other—a bizarre contrast—her witch and her wizard, Madame Mantis and Pharos. Where the carcass is, there will the vultures be; should the carcass get up and walk, presumably the vultures would wing an expectant way after it. Madame Mantis—the woman of the prophecy about "something bright"—had followed Lady Meg to Paris, scenting fresh prey. But a more ingenious and powerful scoundrel came on the scene; in association with Mantis—probably very close and not creditable association—is Pharos, alias Jean Coulin. In after-days, under the Republic, this personage got himself into trouble, and was tried at Lille for obtaining no less a sum than one hundred and fifty thousand francs from a rich old Royalist lady who lived in the neighborhood of the town. The rogue got his money under cover of a vaticination that MacMahon would restore the monarchy—a nearer approach to the real than he reached in his dealings with Lady Meg, but not, probably, on that account any the more favorably viewed by his judges.

The President's interrogation of the prisoner, ranging over his whole life, tells us the bulk of what we know of him; but the earliest sketch comes from Sophy herself, in one of the rare letters of this period which have survived. "A dirty, scrubby fellow, with greasy hair and a squint in his eye," she tells Julia Robins. "He wears a black cloak down to his heels, and a gimcrack thing round his neck that he calls his 'periapt'—charm, I suppose he means. Says he can work spells with it; and his precious partner Mantis kisses it (Italics are Sophy's) whenever she meets him. Phew! I'd like to give them both a dusting! What do you think? Pharos, as he calls himself, tells Lady Meg he can make the dead speak to her; and she says that isn't it possible that, since they've died themselves and know all about it, they may be able to tell her how not to! Seeing how this suits his book, it isn't Pharos who's going to say 'no,' though he tells her to make a will in case anything happens before he's ready to 'establish communication'—and perhaps they won't tell, after all, but he thinks they will! Now I come into the game! Me being very sympathetic, they're to talk through me (Italics again are Sophy's). Did you ever hear of such nonsense? I told Master Pharos that I didn't know whether his ghosts would talk through me, but I didn't need any of their help to pretty well see through him! But Lady Meg's hot on it. I suppose it's what I'm here for, and I must let him try—or pretend to. It's all one to me, and it pleases Lady Meg. Only he and I have nothing else to do with each other! I'll see to that. To tell you the truth, I don't like the look in his eye sometimes—and I don't think Mrs. Mantis would either!"

As a medium Sophy was a failure. She was antagonistic—purposely antagonistic, said Jean Coulin, attempting to defend himself against the President's suggestion that he had received something like three thousand pounds from Lady Meg and given her not a jot of supernatural information in return. This failure of Sophy's was the first rift between Lady Meg and her. Pharos could have used it against her, and his power was great; but it was not at present his game to eject her from the household. He had other ends in view; and there was no question of the hundred-pound note yet.

It is pleasant to turn to another figure—one which stands out in the meagre records of this time and bears its prominence well. Casimir Marquis de Savres is neither futile nor sordid, neither schemer nor impostor. He was a brave and simple soldier and gentleman, holding his ancestral principles in his heart, but content to serve his country in evil times until good should come. He was courteous and attentive to Lady Meg, touching her follies with a light hand; and to Sophy he gave his love with an honest and impetuous sincerity, which he masked by a gay humor—lest his lady should be grieved at the havoc she herself had made. His feelings about Pharos, his partner, and his jugglings, need no description. "If you are neither restoring the King nor raising the devil to-morrow, I should like to come to breakfast," he writes in one of his early letters. "O Lady of the Red Star, if it were to restore you to your kingdom in the star whose sign you bear, I would raise the devil himself, all laws of Church and State notwithstanding! I came on Tuesday evening—you were surrounded by most unimpeachable dowagers. Excellent principles and irreproachable French! But, mon Dieu, for conversation! I came on Thursday afternoon. Pharos and Mantis held sway, and I dared not look round for fear of my ancestors being there to see me in the Emperor's uniform! Tell me when there will be no ancestors living or dead, nor dowagers nor devils, that I may come and see you. If dear Lady Meg (Laidee Maig!)[1] should be pursuing one or the other in other places, yet forbid me not to come. She has whims, we know, but not, thank Heaven, many principles; or, if she has our principles, at least she scorns our etiquette. Moreover, queens make etiquette, and are not ruled by what they make. And Star-Queens are more free and more absolute still. What a long note—all to ask for a breakfast! No, it's to ask for a sight of your eyes—and a volume would not be too long for me to write—though it would be a bad way to make friends with the eyes that had to read it! I believe I go on writing because it seems in some way to keep you with me; and so, if I could write always of you, I would lay down my sword and take up the pen for life. Yet writing to you, though sweet as heaven, is as the lowest hell from which Pharos fetches devils as compared with seeing you. Be kind. Farewell.

"Casimir."

To this he adds a postscript, referring apparently to some unrecorded incident: "Yes, the Emperor did ask who it was the other day. I was sure his eye hit the mark. I have the information direct."

It is very possible that this direct information pleased Sophy.

Last among the prominent members of the group in which Sophy lived in Paris is Madame Zerkovitch. Her husband was of Russian extraction, his father having settled in Kravonia and become naturalized there. The son was now in Paris as correspondent to one of the principal papers of Slavna. Madame Zerkovitch was by birth a Pole; not a remarkable woman in herself, but important in this history as the effective link between these days and Sophy's life in Kravonia. She was small and thin, with auburn hair and very bright, hazel eyes, with light-colored lashes. An agreeable talker, an accomplished singer, and a kind-hearted woman, she was an acquaintance to be welcomed. Whatever strange notions she harbored about Sophy in after-days, she conceived from the beginning, and never lost, a strong affection for her, and their friendship ripened quickly from their first meeting at Lady Meg's, where Marie Zerkovitch was a frequent visitor, and much interested in Pharos's hocus-pocus.

The occasion was one of the sÉances where Sophy was to be medium. It was a curious scene. Gaunt Lady Meg, with her eyes strained and eager, superintended the arrangements. "Lord help you!" was plentiful for everybody, even for the prophet Pharos himself when his miracle was behind time. Mantis was there, subterraneously scornful of her unwilling rival; and the rogue Pharos himself, with his oily glibness, his cheap mystery, and his professional jargon. Two or three dowagers and Casimir de Savres—who had to unbuckle his sword and put it outside the door for reasons insufficiently explained—completed the party. In the middle sat Sophy, smiling patiently, but with her white brow wrinkled just a little beneath the arching masses of her dark hair. On her lips the smile persisted all through; the mark was hardly visible. "No more than the slightest pinkness; I didn't notice it till I had looked at her for full five minutes," says Marie Zerkovitch. This was, no doubt, the normal experience of those who met Sophy first in moments of repose or of depression.

Sophy is to "go off." Pharos makes his passes and goes through the rest of his performance.

"I feel nothing at all—not even sleepy," said Sophy. "Only just tired of staring at monsieur!"

Casimir de Savres laughed; old Lady Meg looked furious; Mantis hid a sickly smile. Down go the lights to a dull gloom—at the prophet's request. More gestures, more whisperings, and then sighs of exhaustion from the energetic wizard.

"Get on, Lord help you!" came testily from Lady Meg. Had Pharos been veritably her idol, she would have kicked him into granting her prayer.

"She won't give me her will—she won't be passive," he protests, almost eliciting a perverse sympathy.

He produced a glittering disk, half as large again as a five-franc piece; it gave forth infinite sparkles through the dark of the room. "Look at that! Look hard—and think of nothing else!" he commanded.

Silence fell on the room. Quick breaths came from eager Lady Meg; otherwise all was still.

"It's working!" whispered the wizard. "The power is working."

Silence again. Then a sudden, overpowering peal of laughter from the medium—hearty, rippling, irrepressible and irresistible.

"Oh, Lady Meg, I feel such a fool—oh, such a fool!" she cried—and her laughter mastered her again.

Irresistible! Marie Zerkovitch joined in Casimir's hearty mirth, Mantis's shrill cackle and the sniggers of the dowagers swelled the chorus. Casimir sprang up and turned up the gas, laughing still. The wizard stood scowling savagely; Lady Meg glared malignantly at her ill-chosen medium and disappointing protÉgÉe.

"What's the reason for it, Lord help you?" she snarled, with a very nasty look at Pharos.

He saw the danger. His influence was threatened, his patroness's belief in him shaken.

"I don't know," he answered, in apparent humility. "I can't account for it. It happens, so far as I know, only in one case—and Heaven forbid that I should suggest that of mademoiselle."

"What is the case?" snapped Lady Meg, by no means pacified—in fact, still dangerously sceptical.

Pharos made an answer, grave and serious in tone in purpose and effect malignantly nonsensical: "When the person whom it is sought to subject to this particular influence (he touched the pocket where his precious disk now lay) has the Evil Eye."

An appeal to a superstition old as the hills and widespread as the human race—would it ever fail to hit some mark in a company of a dozen? Casimir laughed in hearty contempt, Sophy laughed in mischievous mockery. But two of the dowagers crossed themselves, Lady Meg started and glowered—and little Madame Zerkovitch marked, recorded, and remembered. Her mind was apt soil for seed of that order.

That, in five years' time, five years in jail awaited the ingenious Monsieur Pharos occasions a consoling reflection.