The Choice Humorous Works, Ludicrous Adventures, Bons Mots, Puns, and Hoaxes of Theodore Hook

FOOTNOTES:

[1] She was the authoress of, at least, one theatrical piece, "The Double Disguise," played with success at Drury Lane, in 1784, her husband providing the music.

[2] Dr. Hook amused himself about fifty years ago, by writing two novels, "Pen Owen," and "Percy Mallory," which at the time were commonly ascribed to Theodore, and which would hardly have done him any discredit. They have been republished, as they well deserved to be, in a cheap form. The picture of the Cato-street Conspiracy, in one of them, is most striking.

[3] The "Babillard" of M. Charles Maurice.

[4] "The Man of Sorrow." A Novel. In Three Volumes. By Alfred Allendale, Esq. London: Printed for Samuel Tipper, Leadenhall Street, 1808.

[5] "He was a Man of Sorrow, and acquainted with Grief."

[6] A slight obliquity of vision for which his lordship was remarkable suggested the title—a passable adaptation of Theodore's own joke—"Hook and Eye."

[7] There can be little doubt that the following was also written by Hook:—

"The Radical Harmonist; or, a Collection of Songs and Toasts given at the late Crown and Anchor Dinner. Collected by Old Tom of Oxford. To which is subjoined, The Goose's Apology, a Michaelmas Ode. London: printed for W. Wright, 46, Fleet Street, 1820." It is issued by the publisher of "Tentamen," of which there is an advertisement on the fly-leaf. One of the songs (p. 11) bears a remarkable resemblance to Mrs. Muggins's Visit to the Queen.

[8] It may seem strange that he should have been capable of thus making sport to the Philistines out of his own calamity and disgrace; but it is stranger still that he is said to have in fact adopted some hints from a version of Allan's suicide, which found favour with the lowest only of his political haters, and the circulation of which in a street broadside had seemed to give him very serious annoyance. We quote some verses of this doggrel, just to show that Hook had to take as well as give:—

"Then Hook says to Allan, 'We're blown, my poor nigger,

We at last are found out to be loose in the figure;

We have sacked it and spent it, and cannot repay,

So let's e'en hop the twig in the old Roman way!'

'O massa!' says Allan, 'whatever you do,

It will comfort my heart to accompany you.

That there grog at the governor's! O, what a goose!

Which is best, steel or lead, or a drop of the juice?'

'First a drop of the juice this here bottle contains—

And then barkers, like gemmen, to blow out our brains!

Here they are, fill your glass, to that bed-room retire—

Make ready, present, and when mine goes off—fire!'

Humble Allan then manfully emptied his glass,

And with pistol on cock to the bed-room did pass;

In a moment he heard massa's bang, and the nigger

In his mouth clapp'd the muzzle and drew back the trigger.

Then the beaks tumbled in, black and bistre and yellow,

And found Hook in great horror beside the poor fellow.

His own bullet of course perforated the floor—

And the peacher could now be cross-questioned no more."

[9] "Sayings and Doings" provoked a rather pungent satirical pamphlet, entitled "Sayings and Doings Considered, with On Dits, Family Memoirs, etc., etc., etc. London: Allman, 1825," p. 46.

[10] The Vatican.

[11] Annibale Caracci.

[12] Giorgione.

[13] Gray's Inn.

[14] Trop fort.

[15] Calembours.

[16] The dÉnoÛment of that faux pas.

[17] Phrenology.

[18] Arians.

[19] John Cam Hobhouse (afterwards Lord Broughton), the friend of Byron.

[20] This is a poetical licence; for by the paternal solicitude of Sir Francis B——, little Cammy was rescued from the dreadful contamination. It was not unamusing to see the worthy baronet start with horror at the idea of sending a gentleman, like his friend, to a nasty, damp, filthy prison. We thought the laws were to know no distinctions, particularly the laws of the Radicals.—Arcadian.

[21] At a meeting at a tavern in the Strand, Hunt observed that Mr. H——'s Newgate manoeuvre "savoured a little of an election trick."—Arcadian.

[22] From the John Bull.

[23] The last word is illegibly written in the manuscript—it looks like hare, but it seems that it ought to rhyme to fore—we leave it to the sagacity of our readers.—Author's Note.

[24] Mr. Creevy, on bringing forward a motion for the reform of the Board of Control, March 16, 1822, took occasion to observe: "It happened that he had himself been Secretary, once upon a time, to this Board; during the thirteen months he was there, there was no board at all that he ever saw. His right honourable friend (Mr. Tierney) sat in one room, himself in another, and the gentlemen commissioners in a third. * * * He must also state, that during all the time he was there, there was not business enough for the situation." An admission which elicited the following sarcasm from Mr. Canning. "It seemed," said the latter, "a little extraordinary, that the idle secretary should be the person who called for such an inquiry. This was reform with a vengeance. This was no unfaithful picture of those principles on which reform was usually clamoured for. If they traced the principles of those who raised that clamour to their source, it would be found that habites rem confitentem, and that, nine times out of ten, the evil existed only when the clamour was raised. It was beyond his hopes that any Hon. Gent. should be so blinded by his fancies as to come forward with such a notice under such circumstances, crying aloud, 'Me, me, adsum qui (non) feci!' I am the man who did nothing; and I now call upon you to inquire why those men associated with me, and who were diligent, failed to follow my example."—Barham.

[25] On a motion being made, Jan. 31, 1821, in the House, respecting the Queen's annuity, Mr. Brougham rose and presented a message on the part of Her Majesty: "She feels it due to the House and to herself respectfully to declare, that she perseveres in the resolution of declining any arrangement while her name continues to be excluded from the Liturgy." A subscription equivalent to the proposed allowance was talked of; but her Majesty was eventually induced to reconsider her determination, and accept the £50,000 per annum.—Barham.

[26] It may not be known to many of our readers, that Mr. Scarlett, upon some little error in grammar, in the King's Bench, was referred to the authority of Lowth. "Lowth!" said the erudite lawyer, "what d'ye mean by Lowth?—it's no bull, and I never was in Ireland."—It is hardly necessary to remind our readers in general, though Mr. Scarlett was not aware of the circumstance, that Bishop Lowth, who wrote the English Grammar, was not a county in Ireland, which happens to be of the same name.—Author's Note.

[27]

"Do you know me?"

"Excellent well; you are a fishmonger."

Hamlet.

[28] The badness of the times, according to that Venerable Bede of modern days, Mr. Cartwright, is owing to the Septennial Parliament Bill (1 Geo. I. cap. 38); but according to the better opinion of Mr. J. C. Boghouse, to the battle of Waterloo. (vide Panegyr. Nap. Bon. passim.)

[29] Vide Caius de Canibus Britannicis c. de Majoribus.

[30] Vide Restituta by the learned Sir Egerton Brydges, Knight of St. Joachim, A.S.S.

[31] In this chapter Mr. Edward Dixon has favoured me with a dissertation to show that the proverb "more knave than fool," was first used in Whittington's time, and that there is strong reason to suppose that the true reading is, "more fool than knave." Lest this learned dissertation on so curious a topic should be lost, or even delayed to the world, I have furnished it to my worthy and most erudite friend Mr. Macvey Napier, as an article for his forthcoming EncyclopÆdia Edinburgensis.

[32] See also on this interesting subject the Pepysian MSS. in Magd. Libr. Cantab.—Report of the Commissioners of Naval Revision, Folio LIV.—And the Earl of Darnley's late Speech on the state of the Fleets, in which last particularly, the whole matter is treated with that clearness, ability, knowledge, and conciseness for which the noble and learned peer is remarkable.

[33] "Mission to Ashantee," p. 431, last edition.

[34] Barthol. de Spina. Quest. de Strigibus, cap. 8. Mal. Malefica, tom. 2, disputes at large the transformation of Witch into Cats, and their sucking spirits as well as blood, which Godelman, lib. de Lamiis, would have À stridore et avibus foedissimis ejusdem nominis; but, as I think, without good reason.

[35] Edit. Lond. Dean and Munday, 1819, p. 17.

[36] Probably not in these words, because they are Shakespeare's.—Printer's Devil.

[37] A complete exposure of their unfairness on the latter point, has been lately given in the life of the celebrated Mr. Edgeworth by himself and his daughter; in which he shows, that he had invented telegraphs some years before the French, though he had with a blameable modesty kept the secret entirely to himself till the French had infamously pirated his invention.

[38] Ray, in his "History of English Proverbs," states this circumstance to have originated the subsequently familiar saying of "to let the Cat out of the bag."

[39] Higgins in his Treatise on Oyster-Shells (by the way, a remarkably shrewd and entertaining work), mentions the story of Whittington and his Cat, and attributes her easy compliance with his wishes to a charm, which he says was afterwards adopted by Ben Jonson in his Masque of Queens, celebrated Feb. 6th, 1609, beginning with these words:—

"The weather is fair, the wind is good,

Up, dame, on your horse of Wood."

Delrio. Disq. Mag. lib. 11, QuÆst. VI. has a story out of Triezius, about this horse of Wood; "but that which our witches call so is usually the staff, or handle of a Broom!" Vide Remiq. DÆmonol. lib. 1, cap. 14. Boden, 1. 2, cap. 4.

[40] I am informed that Lord Holland has a very interesting Tract touching this subject, called "Thee Siege of Windsorre," which I confess I should have much liked to have consulted; but Mrs. Blinkinsop is one of those old-fashioned women who choose to be particular, and I have been by her prevented from making the only interest through which I could have hoped to have obtained the loan of it.

[41] How easy it is to trace the source of good-breeding at this epoch, when one would have supposed that a man in Matthew's sphere (through ignorance), would have seated himself snugly by the side of his protegÉe, with as much familiarity as if she had been Mrs. Whittington; but the Black Prince had just at the time set such an example to the people, in his behaviour to the French king; to whom he declared, "that being a subject, he was too well acquainted with the distance between his own rank, and that of Majesty, to assume such a freedom as to sit in its presence."—(Hume, vol. iii. p. 88.) That the tone of good-breeding pervaded all classes, and reached even Matthew, who by the excessive delicacy and respect with which he had attended his lady, not only raised himself in the eyes of everybody, but practically upheld the claim she had on their interest and affections.

[42] The name of the last of these modern ladies, (the histories of all of whom may be found in Messrs. Vandenhok and Ruprecht's Gallerie MerkwÜrdiger Fraunzimmer, Ed. Gottingen, 1794 and 1798) reminds me of a jest, which, though modern, is not without its whimsicality. Mr. Perry, proprietor and editor of the newspaper called the Morning Chronicle, having one day descanted somewhat freely on politics, was asked by one of his hearers to what party he professed to belong. "To the Whigs, to be sure," said Perry. "So do I," rejoined his friend, "but not to the Perry-Whigs."

[43] Josephus Miller, edit. Lond. (no date) page 42.

[44] The crime she was charged with, it may be necessary to say, was sorcery, not murder:—putting people out of the world she had never been accused of.

[45] PalÆphatus de incredibilibus.—Ed. 1649.

[46] The strongest contradiction to the assertion that she never assumed the human form may be found in a work intituled Institutione di uno fanciullo nato nobilimente.—Ed. 1558.

[47] John Bull, Oct. 14, 1821.

[48] John Bull, Oct. 13, 1822.

[49] John Bull, March 30, 1823.

[50] The reader will scarcely require to be informed that Leigh Hunt is the person alluded to—Ed.

[51] Keats.

[52] It will be remembered how this patriot, who bullied himself into Horsemonger Gaol, snivelled to get himself out again—but to no purpose. Yet he has perpetually Hampden and Sydney in his mouth.—Don Juan.

[53] This paper was written to ridicule the innumerable books of idle gossip, published immediately after Lord Byron's death, by Captain Medwin and others, in which the noble Poet's slightest remarks and most trivial habits were chronicled with the zeal, but probably without the accuracy, of a Boswell.—Ed.

[54] This notice was written in ridicule of an absurd book, now become very scarce, by Dr. Dillon, entitled: "The Lord Mayor's Visit to Oxford, written at the desire of the Party by the Chaplain of the Mayoralty, 1826."—Ed.

[55] Published as a note at the end of the novel of "Gilbert Gurney."

[56] Contributed to a tiny Annual for Children, entitled "The Christmas Box." Edited by T. Crofton Croker, 1828.

[57] John Bull, May 4, 1828.

[58] For its trenchant irony, this little piece is worthy to rank with Swift's celebrated "Directions to Servants."—Ed.

[59] From "The Man of Sorrow," 1808, iii., 93-95. By "Mr. Minus" is understood Thomas Moore, then better known under his own pseudonym of "Little."—Ed.

[60] The Words and Music by T. Minus, Esq., price 5s., published in Bond Street.

[61] Of the John Bull newspaper.—Ed.

[62] Tour in England, Ireland, and France, in the years 1828 and 1829. With remarks on the manners and customs of the inhabitants, and anecdotes of distinguished characters. By a German Prince. 2 vols. 12mo. London. 1831.

[63] From "Gilbert Gurney."

[64] From "Gurney Married."

[65] From "Gilbert Gurney."

[66] This story, which Hook used to relate at dinner-parties, was afterwards amplified into a chapter of Gilbert Gurney. (See "The Visit to Wrigglesworth," anteÀ, p. 425.)—Ed.

[67] From the musical Farce of "Catch Him Who Can" (1806).

[68] From "Catch Him who Can."

[69] From "The Fortress," a drama in three acts (1807). This song was sung with great success by Mathews. Vide anteÀ, p. 9.

[70] From the Farce of "Music Mad" (1808).

[71] From "Gilbert Gurney."

[72] From "Gilbert Gurney."

[73] From "Gilbert Gurney."

[74] This humorous sketch originally appeared (July, 1829) in Sharpe's London Magazine, a brief-lived monthly, which only reached its third number. The substance of it was afterwards incorporated into the novel of "Gilbert Gurney," where the name of Scropps was altered to Firkins. See the paper entitled "Lord Wenables Again" (p. 304).

[75] George the Fourth.

[76] Mr. Barham gives a different version of this hoax, and makes Terry, not Mathews, the coadjutor in it.—Ed.

[77] This reminds us of Byron's jest on the Trinity, in Don Juan:

"I devoutly wish'd the three were four,

On purpose to believe so much the more."

[78] The name of Belvoir is thus pronounced.—Ed.

[March, 1883.

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Century (A) of Dishonour:

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Crimes and Punishments.

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Cruikshank, George:

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Davenant.—What shall my Son be?

Hints for Parents on the Choice of a Profession or Trade for their Sons. By Francis Davenant, M.A.

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Drama, A Dictionary of the.

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Dyer.—The Folk-Lore of Plants.

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Early English Poets.

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Familiar Allusions:

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Fitzgerald.—Recreations of a Literary Man;

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My Garden Wild, and What I Grew there. By Francis George Heath. Crown 8vo, cloth extra, 5s.

One Shilling Monthly.

Gentleman's Magazine (The) for 1883.

"The New Abelard," Robert Buchanan's New Serial Story, was begun in the January Number of The Gentleman's Magazine. This Number contained many other interesting Articles, the continuation of Julian Hawthorne's Story "Dust," and a further instalment of "Science Notes," by W. Mattieu Williams. F.R.A.S.

Now ready, the Volume for July to December, 1882, cloth extra, price 8s. 6d.; and Cases for binding, price 2s. each.

Gentleman's Annual (The).

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THE RUSKIN GRIMM.—Square 8vo, cl. ex., 6s. 6d.; gilt edges, 7s. 6d.

German Popular Stories.

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"The illustrations of this volume ... are of quite sterling and admirable art, of a class precisely parallel in elevation to the character of the tales which they illustrate; and the original etchings, as I have before said in the Appendix to my 'Elements of Drawing,' were unrivalled in masterfulness of touch since Rembrandt (in some qualities of delineation, unrivalled even by him).... To make somewhat enlarged copies of them, looking at them through a magnifying glass, and never putting two lines where Cruikshank has put only one, would be an exercise in decision and severe drawing which would leave afterwards little to be learnt in schools."—Extract from Introduction by John Ruskin.

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Glenny.—A Year's Work in Garden and

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Golden Treasury of Thought, The:

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Ballad History of England. By W. C. Bennett.

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Godwin's (William) Lives of the Necromancers.

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Jesse's (Edward) Scenes and Occupations of Country Life.

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Mallory's (Sir Thomas) Mort d'Arthur: The Stories of King Arthur and of the Knights of the Round Table. Edited by B. Montgomerie Ranking.

Pascal's Provincial Letters. A New Translation, with Historical Introduction and Notes, by T. M'Crie, D.D.

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Rochefoucauld's Maxims and Moral Reflections. With Notes, and an Introductory Essay by Sainte-Beuve.

St. Pierre's Paul and Virginia, and The Indian Cottage. Edited, with Life, by the Rev. E. Clarke.

Shelley's Early Poems, and Queen Mab, with Essay by Leigh Hunt.

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Shelley's Posthumous Poems, the Shelley Papers, &c.

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White's Natural History of Selborne. Edited, with Additions, by Thomas Brown, F.L.S.

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Greeks and Romans, The Life of the,

Described from Antique Monuments. By Ernst Guhl and W. Koner. Translated from the Third German Edition, and Edited by Dr. F. Hueffer. With 545 Illustrations.

"Must find a place, not only upon the scholar's shelves, but in every well-chosen library of art."—Daily News.

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Guyot.—The Earth and Man;

or, Physical Geography in its relation to the History of Mankind. By Arnold Guyot. With Additions by Professors Agassiz, Pierce, and Gray; 12 Maps and Engravings on Steel, some Coloured, and copious Index.

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Hair (The): Its Treatment in Health, Weakness,

and Disease. Translated from the German of Dr. J. Pincus.

Hake (Dr. Thomas Gordon), Poems by:

Maiden Ecstasy. Small 4to, cloth extra, 8s.
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The Serpent Play. Crown 8vo, cloth extra, 6s.

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Half-Hours with Foreign Novelists.

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Hall.—Sketches of Irish Character.

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"The Irish Sketches of this lady resemble Miss Mitford's beautiful English sketches in 'Our Village,' but they are far more vigorous and picturesque and bright."—Blackwood's Magazine.

Haweis (Mrs.), Works by:

The Art of Dress. By Mrs. H. R. Haweis. Illustrated by the Author. Small 8vo, illustrated cover, 1s.; cloth limp, 1s. 6d.

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The Art of Beauty. By Mrs. H. R. Haweis. Square 8vo, cloth extra, gilt, gilt edges, with Coloured Frontispiece and nearly 100 Illustrations, 10s. 6d.

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See also Chaucer, p. 6 of this Catalogue.

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Haweis (Rev. H. R.).—American Humorists.

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Heath (F. G.)—My Garden Wild,

And What I Grew there. By Francis George Heath, Author of "The Fern World," &c.

"If gardens of wild flowers do not begin at once to spring up over half the little patches of back yard within fifty miles of London it will not be Mr. Heath's fault, for a more exquisite picture of the felicity of horticulture has seldom been drawn for us by so charming and graphic a word-painter as the writer of this pleasant little volume."—Grant Allen, in The Academy.

SPECIMENS OF MODERN POETS.—Crown 8vo, cloth extra, 6s.

Heptalogia (The); or, The Seven against Sense.

A Cap with Seven Bells.

"The merits of the book cannot be fairly estimated by means of a few extracts; should be read at length to be appreciated properly, and in our opinion its merits entitle it to be very widely read indeed."—St. James's Gazette.

Cr. 8vo, bound in parchment, 8s.; Large-Paper copies (only 50 printed), 15s.

Herbert.—The Poems of Lord Herbert of

Cherbury. Edited, with an Introduction, by J. Churton Collins.

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Holmes.—The Science of Voice Production

and Voice Preservation: A Popular Manual for the Use of Speakers and Singers. By Gordon Holmes, M.D.

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Hood's (Thomas) Choice Works,

In Prose and Verse. Including the Cream of the Comic Annuals. With Life of the Author, Portrait, and Two Hundred Illustrations.

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Hood's (Tom) From Nowhere to the North

Pole: A Noah's ArkÆological Narrative. With 25 Illustrations by W. Brunton and E. C. Barnes.

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Hook's (Theodore) Choice Humorous Works,

including his Ludicrous Adventures, Bons-mots, Puns and Hoaxes. With a new Life of the Author, Portraits, Facsimiles and Illustrations.

Tenth Edition, crown 8vo, cloth extra, 7s.

Horne.—Orion:

An Epic Poem, in Three Books. By Richard Hengist Horne. With Photographic Portrait from a Medallion by Summers.

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Howell.—Conflicts of Capital and Labour

Historically and Economically considered. Being a History and Review of the Trade Unions of Great Britain, showing their Origin, Progress, Constitution, and Objects, in their Political, Social, Economical, and Industrial Aspects. By George Howell.

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Hueffer.—The Troubadours:

A History of ProvenÇal Life and Literature in the Middle Ages. By Francis Hueffer.

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Ireland under the Land Act:

Letters to the Standard during the Crisis. Containing the most recent Information about the State of the Country, the Popular Leaders, the League, the Working of the Sub-Commissions, &c. With Leading Cases under the Act, giving the Evidence in full; Judicial Dicta, &c. By E. Cant-Wall.

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Janvier.—Practical Keramics for Students.

By Catherine A. Janvier.

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Jefferies.—Nature near London.

By Richard Jefferies, Author of "The Gamekeeper at Home."

[In the press.

A New Edition, crown 8vo, cloth extra, Illustrated, 7s. 6d.

Jennings.—The Rosicrucians:

Their Rites and Mysteries. With Chapters on the Ancient Fire and Serpent Worshippers. By Hargrave Jennings. With Five full-page Plates and upwards of 300 Illustrations.

Jerrold (Tom), Works by:

The Garden that Paid the Rent. By Tom Jerrold. Fcap. 8vo, illustrated cover, 1s.; cloth limp, 1s. 6d.

Household Horticulture: A Gossip about Flowers. By Tom and Jane Jerrold. Illustrated. Post 8vo, cloth limp, 2s. 6d.

Our Kitchen Garden: The Plants we Grow, and How we Cook Them. By Tom Jerrold. Post 8vo, cloth limp, 2s. 6d.

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Crowns and Coronations: A History of Regalia in all Times and Countries. With about 150 Illustrations, many full-page. Crown 8vo, cloth extra, 7s. 6d. [In preparation.

Two Vols. 8vo, with 52 Illustrations and Maps, cloth extra, gilt, 14s.

Josephus, The Complete Works of.

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Small 8vo, cloth, full gilt, gilt edges, with Illustrations, 6s.

Kavanagh.—The Pearl Fountain,

And other Fairy Stories. By Bridget and Julia Kavanagh. With Thirty Illustrations by J. Moyr Smith.

Crown 8vo, illustrated boards, with numerous Plates, 2s. 6d.

Lace (Old Point), and How to Copy and

Imitate it. By Daisy Waterhouse Hawkins. With 17 Illustrations by the Author.

Lane's Arabian Nights, &c.:

The Thousand and One Nights: Commonly called, in England, "The Arabian Nights' Entertainments." A New Translation from the Arabic, with copious Notes, by Edward William Lane. Illustrated by many hundred Engravings on Wood, from Original Designs by Wm. Harvey. A New Edition, from a Copy annotated by the Translator, edited by his Nephew, Edward Stanley Poole. With a Preface by Stanley Lane-Poole. Three Vols., demy 8vo, cloth extra, 7s. 6d. each.

Arabian Society in the Middle Ages: Studies from "The Thousand and One Nights." By Edward Wm. Lane, Author of "The Modern Egyptians," &c. Edited by Stanley Lane-Poole. Cr. 8vo, cloth extra, 6s.

Lamb (Charles):

Mary and Charles Lamb: Their Poems, Letters, and Remains. With Reminiscences and Notes by W. Carew Hazlitt. With Hancock's Portrait of the Essayist, Facsimiles of the Title-pages of the rare First Editions of Lamb's and Coleridge's Works, and numerous Illustrations. Crown 8vo, cloth extra, 10s. 6d.

Lamb's Complete Works, in Prose and Verse, reprinted from the Original Editions, with many Pieces hitherto unpublished. Edited, with Notes and Introduction, by R. H. Shepherd. With Two Portraits and Facsimile of a Page of the "Essay on Roast Pig." Crown 8vo, cloth extra, 7s. 6d.

"A complete edition of Lamb's writings, in prose and verse, has long been wanted, and is now supplied. The editor appears to have taken great pains to bring together Lamb's scattered contributions, and his collection contains a number of pieces which are now reproduced for the first time since their original appearance in various old periodicals."—Saturday Review.

Poetry for Children, and Prince Dorus. By Charles Lamb. Carefully Reprinted from unique copies. Small 8vo, cloth extra, 5s.

"The quaint and delightful little book, over the recovery of which all the hearts of his lovers are yet warm with rejoicing."—A. C. Swinburne.

Crown 8vo, cloth extra, 6s.

Lares and Penates;

Or, The Background of Life. By Florence Caddy.

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Life in London;

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Crown 8vo, cloth extra, 6s.

Lights on the Way:

Some Tales within a Tale. By the late J. H. Alexander, B.A. Edited, with an Explanatory Note, by H. A. Page, Author of "Thoreau: A Study."

Longfellow:

Longfellow's Complete Prose Works. Including "Outre Mer," "Hyperion," "Kavanagh," "The Poets and Poetry of Europe," and "Driftwood." With Portrait and Illustrations by Valentine Bromley. Crown 8vo, cloth extra, 7s. 6d.

Longfellow's Poetical Works. Carefully Reprinted from the Original Editions. With numerous fine Illustrations on Steel and Wood. Crown 8vo, cloth extra, 7s. 6d.

Crown 8vo, cloth extra, 5s.

Lunatic Asylum, My Experiences in a.

By A Sane Patient.

"The story is clever and interesting, sad beyond measure though the subject be. There is no personal bitterness, and no violence or anger. Whatever may have been the evidence for our author's madness when he was consigned to an asylum, nothing can be clearer than his sanity when he wrote this book; it is bright, calm, and to the point."—Spectator.

Demy 8vo, with Fourteen full-page Plates, cloth boards, 18s.

Lusiad (The) of Camoens.

Translated into English Spenserian Verse by Robert Ffrench Duff.

McCarthy (Justin, M.P.), Works by:

History of Our Own Times, from the Accession of Queen Victoria to the General Election of 1880. Four Vols., demy 8vo, cloth extra, 12s. each.—Also a Popular Edition, in Four Vols., crown 8vo, cloth extra, 6s. each.

A Child's History of Our Own Times. Crown 8vo, cloth extra, 4s. 6d. [In preparation.

History of the Four Georges. Four Vols., demy 8vo, cloth extra, 12s. each. [In preparation.

For Mr. McCarthy's Novels, see pp. 21, 24.

McCarthy (Justin H.), Works by:

An Outline of the History of Ireland, from the Earliest Times to the Present Day. Crown 8vo, 1s.; cloth, 1s. 6d.

Serapion, and other Poems. Crown 8vo, cloth extra, 6s.

MacDonald (George, LL.D.), Works by:

The Princess and Curdie. With 11 Illustrations by James Allen. Small crown 8vo, cloth extra, 5s.

Gutta-Percha Willie, the Working Genius. With 9 Illustrations by Arthur Hughes. Square 8vo, cloth extra, 3s. 6d.

For George Macdonald's Novels, see pp. 22, 25.

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Maclise Portrait-Gallery (The) of Illustrious

Literary Characters; with Memoirs, Biographical, Critical, Bibliographical, and Anecdotal, illustrative of the Literature of the former half of the Present Century. By William Bates, B.A. With 85 Portraits printed on an India Tint. [In the press.

Macquoid (Mrs.), Works by:

In the Ardennes. With 50 fine Illustrations by Thomas R. Macquoid. Square 8vo, cloth extra, 10s. 6d.

Pictures and Legends from Normandy and Brittany. With numerous Illustrations by Thomas R. Macquoid. Square 8vo, cloth gilt, 10s. 6d.

Through Normandy. With 90 Illustrations by T. R. Macquoid. Square 8vo, cloth extra, 7s. 6d.

Through Brittany. With numerous Illustrations by T. R. Macquoid. Sq. 8vo, cloth extra, 7s. 6d.

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A Dog of Flanders.

Pascarel.
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Signa.
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Moths.
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Maid, Wife, or Widow?

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Ready-Money Mortiboy.
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This Son of Vulcan.
With Harp and Crown.
The Golden Butterfly.
By Celia's Arbour.
The Monks of Thelema.
'Twas in Trafalgar's Bay.
The Seamy Side.
The Ten Years' Tenant.
The Chaplain of the Fleet.

BY ROBERT BUCHANAN.

A Child of Nature.
God and the Man.

BY MRS. H. LOVETT CAMERON.

Deceivers Ever.
Juliet's Guardian.

BY WILKIE COLLINS.

Antonina.
Basil.
Hide and Seek.
The Dead Secret.
Queen of Hearts.
My Miscellanies.
The Woman in White.
The Moonstone.
Man and Wife.
Poor Miss Finch.
Miss or Mrs?
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The Frozen Deep.
The Law and the Lady.
The Two Destinies.
The Haunted Hotel.
The Fallen Leaves.
Jezebel's Daughter.
The Black Robe.

BY M. BETHAM-EDWARDS.

Felicia.

BY MRS. ANNIE EDWARDES.

Archie Lovell.

BY R. E. FRANCILLON.

Olympia.
Queen Cophetua.

BY EDWARD GARRETT.

The Capel Girls.

BY CHARLES GIBBON.

Robin Gray.
For Lack of Gold.
In Love and War.
What will the World Say?
For the King.
In Honour Bound.
Queen of the Meadow.
In Pastures Green.
The Flower of the Forest.
A Heart's Problem.

BY THOMAS HARDY.

Under the Greenwood Tree.

BY JULIAN HAWTHORNE.

Garth.
Ellice Quentin.
Sebastian Strome.

BY MRS. ALFRED HUNT.

Thornicroft's Model.
The Leaden Casket.

BY JEAN INGELOW.

Fated to be Free.

BY HENRY JAMES, Jun.

Confidence.

BY HARRIETT JAY.

The Queen of Connaught.
The Dark Colleen.

BY HENRY KINGSLEY.

Number Seventeen.
Oakshott Castle.

BY E. LYNN LINTON.

Patricia Kemball.
Atonement of Leam Dundas.
The World Well Lost.
Under which Lord?
With a Silken Thread.
The Rebel of the Family.
"My Love!"

BY JUSTIN McCARTHY, M.P.

The Waterdale Neighbours.
My Enemy's Daughter.
Linley Rochford.
A Fair Saxon.
Dear Lady Disdain.
Miss Misanthrope.
Donna Quixote.
The Comet of a Season.

BY KATHARINE S. MACQUOID.

Lost Rose.
The Evil Eye.

BY FLORENCE MARRYAT.

Open! Sesame!
Written in Fire.

BY JEAN MIDDLEMASS.

Touch and Go.

BY D. CHRISTIE MURRAY.

A Life's Atonement.
Joseph's Coat.

BY MRS. OLIPHANT.

Whiteladies.

BY JAMES PAYN.

Lost Sir Massingberd.
The Best of Husbands.
Fallen Fortunes.
Halves.
Walter's Word.
What He Cost Her.
Less Black than We're Painted.
By Proxy.
Under One Roof.
High Spirits.
Carlyon's Year.
A Confidential Agent.
From Exile.

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It is Never Too Late to Mend.
Hard Cash.
Peg Woffington.
Christie Johnstone.
Griffith Gaunt.
The Double Marriage.
Love Me Little, Love Me Long.

By Charles Reade—continued

Foul Play.
A Simpleton.
The Cloister and the Hearth.
The Course of True Love.
The Autobiography of a Thief.
Put Yourself in His Place.
A Terrible Temptation.
The Wandering Heir.
A Woman-Hater.
Readiana.

By MRS. J. H. RIDDELL.

Her Mother's Darling.

BY JOHN SAUNDERS.

Bound to the Wheel.
Guy Waterman.
One Against the World.
The Lion in the Path.
The Two Dreamers.

BY BERTHA THOMAS.

Proud Maisie.
Cressida.
The Violin-Player.

BY ANTHONY TROLLOPE.

The Way we Live Now.
The American Senator.

BY T. A. TROLLOPE.

Diamond Cut Diamond.

BY SARAH TYTLER.

What She Came Through.
The Bride's Pass.

BY J. S. WINTER.

Cavalry Life.

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The Martyrdom of Madeline. By Robert Buchanan.

Love Me for Ever. By Robert Buchanan. Front. by P. Macnab.

Sweet Anne Page. By Mortimer Collins.

Transmigration. By M. Collins.

Blacksmith and Scholar. By Mortimer and Frances Collins.

From Midnight to Midnight. By Mortimer Collins.

The Village Comedy. By Mortimer and Frances Collins.

You Play me False. By Mortimer and Frances Collins.

Paul Foster's Daughter. By Dutton Cook.

Hearts of Gold. By Wm. Cyples.

Dolores. By James L. Derwent.

One by One. R. E. Francillon.

The Braes of Yarrow. By Charles Gibbon.

Prince Saroni's Wife. By Julian Hawthorne.

Ivan de Biron. By Sir A. Helps.

Paul Faber, Surgeon. By Geo. MacDonald, LL.D. With a Frontispiece by J. E. Millais, R.A.

Thomas Wingfold, Curate. By George MacDonald, LL.D. With a Frontispiece by C. J. Staniland.

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Frau Frohmann. By Anthony Trollope.

Marion Fay. By A. Trollope.

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BY EDMOND ABOUT.

The Fellah.

BY HAMILTON AÏDÉ.

Confidences.
Carr of Carrlyon.

BY MRS. ALEXANDER.

Maid, Wife, or Widow?

BY W. BESANT & JAMES RICE.

Ready-Money Mortiboy.
With Harp and Crown.
This Son of Vulcan.
My Little Girl.
The Case of Mr. Lucraft.
The Golden Butterfly.
By Celia's Arbour.
The Monks of Thelema.
'Twas in Trafalgar's Bay.
The Seamy Side.
The Ten Years' Tenant.

BY SHELSLEY BEAUCHAMP.

Grantley Grange.

BY FREDERICK BOYLE.

Camp Notes.
Savage Life.

BY BRET HARTE.

An Heiress of Red Dog.
The Luck of Roaring Camp.
Gabriel Conroy.
Flip.

BY MRS. BURNETT.

Surly Tim.

BY MRS. H. LOVETT CAMERON.

Deceivers Ever.
Juliet's Guardian.

BY MACLAREN COBBAN.

The Cure of Souls.

BY C. ALLSTON COLLINS.

The Bar Sinister.

BY WILKIE COLLINS.

Antonina.
Basil.
Hide and Seek.
The Dead Secret.
The Queen of Hearts.
My Miscellanies.
The Woman in White.
The Moonstone.
Man and Wife.
Poor Miss Finch.
Miss or Mrs.?
The New Magdalen.
The Frozen Deep.
The Law and the Lady.

By Wilkie Collins—cont.

The Two Destinies.
The Haunted Hotel.
Fallen Leaves.
Jezebel's Daughter.

BY DUTTON COOK.

Leo.

BY MRS. ANNIE EDWARDES.

A Point of Honour.
Archie Lovell.

BY M. BETHAM-EDWARDS.

Felicia.

BY EDWARD EGGLESTON.

Roxy.

BY PERCY FITZGERALD.

Polly.
Bella Donna.
Never Forgotten.
The Second Mrs. Tillotson.
Seventy-five Brooke Street.

BY ALBANY DE FONBLANQUE.

Filthy Lucre.

BY R. E. FRANCILLON.

Olympia.
Queen Cophetua.

BY EDWARD GARRETT.

The Capel Girls.

BY CHARLES GIBBON.

Robin Gray.
For Lack of Gold.
What will the World Say?
In Honour Bound.
The Dead Heart.
In Love and War.
For the King.
Queen of the Meadow.
In Pastures Green.

BY JAMES GREENWOOD.

Dick Temple.

BY ANDREW HALLIDAY.

Every-day Papers.

BY LADY DUFFUS HARDY.

Paul Wynter's Sacrifice.

BY THOMAS HARDY.

Under the Greenwood Tree.

BY JULIAN HAWTHORNE.

Garth.
Ellice Quentin.

BY TOM HOOD.

A Golden Heart.

BY VICTOR HUGO.

The Hunchback of Notre Dame.

BY MRS. ALFRED HUNT.

Thornicroft's Model.

BY JEAN INGELOW.

Fated to be Free.

BY HENRY JAMES, Jun.

Confidence.

BY HARRIETT JAY.

The Queen of Connaught.
The Dark Colleen.

BY HENRY KINGSLEY.

Number Seventeen.
Oakshott Castle.

BY E. LYNN LINTON.

Patricia Kemball.
Atonement of Leam Dundas.
The World Well Lost.
Under which Lord?
With a Silken Thread.

BY JUSTIN McCARTHY, M.P.

The Waterdale Neighbours.
Dear Lady Disdain.
My Enemy's Daughter.
A Fair Saxon.
Linley Rochford.
Miss Misanthrope.
Donna Quixote.

BY AGNES MACDONELL.

Quaker Cousins.

BY KATHARINE S. MACQUOID.

The Evil Eye.
Lost Rose.

BY FLORENCE MARRYAT.

Open! Sesame!
A Harvest of Wild Oats.
A Little Stepson.
Fighting the Air.
Written in Fire.

BY JEAN MIDDLEMASS.

Touch and Go.
Mr. Dorillion.

BY D. CHRISTIE MURRAY.

A Life's Atonement.

BY MRS. OLIPHANT.

Whiteladies.

BY OUIDA.

Held In Bondage.
Strathmore.
Chandos.
Under Two Flags.
Idalia.
Cecil Castlemaine's Gage.
Tricotrin.
Puck.
Folle Farine.

By Ouida—cont.

A Dog of Flanders.
Pascarel.
Two Little Wooden Shoes.
Signa.
In a Winter City.
Ariadne.
Friendship.
Moths.
Pipistrello.
A Village Commune.

BY JAMES PAYN.

Lost Sir Massingberd.
A Perfect Treasure.
Bentinck's Tutor.
Murphy's Master.
A County Family.
At Her Mercy.
A Woman's Vengeance.
Cecil's Tryst.
The Clyffards of Clyffe.
The Family Scapegrace.
The Foster Brothers.
Found Dead.
Gwendoline's Harvest.
Humorous Stories.
Like Father, Like Son.
A Marine Residence.
Married Beneath Him.
Mirk Abbey.
Not Wooed, but Won.
Two Hundred Pounds Reward.
The Best of Husbands.
Walter's Word.
Halves.
Fallen Fortunes.
What He Cost Her.
Less Black than we're Painted.
By Proxy.
Under One Roof.
High Spirits.
A Confidential Agent.
Carlyon's Year.

BY EDGAR A. POE.

The Mystery of Marie Roget.

BY CHARLES READE, D.C.L.

It is Never Too Late to Mend.
Hard Cash.
Peg Woffington.
Christie Johnstone.
Griffith Gaunt.
The Double Marriage.
Love Me Little, Love Me Long.
Foul Play.
The Cloister and the Hearth.
The Course of True Love.
The Autobiography of a Thief.
Put Yourself in his Place.

BY MRS. J. H. RIDDELL.

Her Mother's Darling.

BY GEORGE AUGUSTUS SALA.

Gaslight and Daylight.

BY JOHN SAUNDERS.

Bound to the Wheel.
Guy Waterman.
One Against the World.
The Lion in the Path.

BY ARTHUR SKETCHLEY.

A Match in the Dark.

BY WALTER THORNBURY.

Tales for the Marines.

BY T. ADOLPHUS TROLLOPE.

Diamond Cut Diamond.

BY ANTHONY TROLLOPE.

The Way we Live Now.
The American Senator.

BY MARK TWAIN.

A Pleasure Trip in Europe.
Tom Sawyer.
An Idle Excursion.

BY LADY WOOD.

Sabina.

BY EDMUND YATES.

Castaway.
Forlorn Hope.
Land at Last.

ANONYMOUS.

Paul Ferroll.
Why P. Ferroll Killed his Wife.

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The Chaplain of the Fleet. By Besant and Rice.

The Shadow of the Sword. By Robert Buchanan.

A Child of Nature. R. Buchanan.

Sweet Anne Page. By Mortimer Collins.

Transmigration. By M. Collins.

Frances. By M. and F. Collins.

Sweet and Twenty. Ditto.

Blacksmith and Scholar. Ditto.

From Midnight to Midnight. By Mortimer Collins.

A Fight with Fortune. Ditto.

The Village Comedy. By Mortimer and Frances Collins.

You Play me False. Ditto.

The Black Robe. By Wilkie Collins.

Paul Foster's Daughter. By Dutton Cook.

Dolores. By James L. Derwent.

One by One. R. E. Francillon.

Dr. Austin's Guests. W. Gilbert.

The Wizard of the Mountain. By William Gilbert.

James Duke. By Wm. Gilbert.

Sebastian Strome. By Julian Hawthorne.

Ivan de Biron. By Sir A. Helps.

The Leaden Casket. By Mrs. Alfred Hunt.

The Rebel of the Family. By Mrs. Lynn Linton.

"My Love!" E. Lynn Linton.

Paul Faber, Surgeon. By Geo. MacDonald, LL.D.

Thomas Wingfold, Curate. Do.

New Republic. W. H. Mallock.

Phoebe's Fortunes. By Mrs. Robert O'Reilly.

From Exile. By James Payn.

Some Private Views. Ditto.

Valentina. By E. C. Price.

A Levantine Family. By Bayle St. John.

The Two Dreamers. J. Saunders

The Mysteries of Heron Dyke. By T. W. Speight.

Cressida. By Bertha Thomas.

Proud Maisie. Bertha Thomas.

The Violin-Player. Ditto.

What She Came Through. By Sarah Tytler.

Fcap. 8vo, picture covers, 1s. each.

Jeff Briggs's Love Story. By Bret Harte.

The Twins of Table Mountain. By Bret Harte.

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TRANSCRIBER'S NOTE

Obvious typographical errors and punctuation errors have been corrected after careful comparison with other occurrences within the text and consultation of external sources. Many passages have deliberate misspelling for humorous effect.

Except for those changes noted below, all misspellings in the text, and inconsistent or archaic usage, have been retained. For example: barmaid, bar-maid; pianoforte, piano-forte; dismission; inanition.

Pg v, "Much Alike 572" added to Table of Contents.
Pg 9, 'to blin_' replaced by 'to blink'.
Pg 29, 'eagnerness' replaced by 'eagerness'.
Pg 46, 'depth f' replaced by 'depth of'.
Pg 75, 'Couut Roller' replaced by 'Count Roller'.
Pg 97, ' n black' replaced by 'in black'.
Pg 254, ' blem' replaced by 'emblem'.
Pg 258, 'they written' replaced by 'they were written'.
Pg 267, 'than e rest' replaced by 'than the rest'.
Pg 302, 'guant' replaced by 'gaunt'.
Pg 357, "O'Connel" replaced by "O'Connell" (twice).
Pg 359, 'told your' replaced by 'told you,'.
Pg 359, 'newspape,' replaced by 'newspaper'.
Pg 366, 'Kenmell Park' replaced by 'Kennell Park'.
Pg 373, 'gravely his' replaced by 'gravely to his'.
Pg 432, 'CuraÇoa' replaced by 'CuraÇao'.
Pg 454, 'Blackbeath' replaced by 'Blackheath'.
Pg 475, 'had l ered' replaced by 'had hovered'.
Pg 486, 'in-atuated' replaced by 'infatuated'.
Pg 516, "e'en tchetts" replaced by "e'en Hatchetts".

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