CARVING CURVED SURFACES: COCOA-NUTS, BOWLS, HORNS, CASKS, TANKARDS, ETC. Carving concave or convex surfaces, such as the exterior of a horn or the interior of a bowl, is often very difficult work, and though an ingenious artist will readily find out for himself some way to get over such difficulties, it is well to know at once how the work may be done. Horns. The first difficulty is to fix the object so as to cut it. A beginner who undertakes to carve such a very hard, slippery, and unmanageable object as a horn, will, if he hold it with one hand while he carves with If you wish to colour the horn, select one which is chiefly white. Take a solution of nitrate of silver, which any chemist will prepare for you. Be very careful indeed how you handle it, for it will burn clothes, carpets, or flesh, and at least stain your fingers for a long time. With a glass brush, if you can get one, if not, with a glass point, or pen, or agate point, or wax, apply the acid carefully to the pattern. If you use wood for this purpose it will answer, but it is very speedily consumed by the acid. This will make a yellow, or brown, or sometimes a black stain, according to the strength of the solution, the number of times it is applied, and the hardness of the horn. When the horn is covered with diaper-work, or a great many small figures, or a close pattern, then always put the acid into the hollows, and leave the design in white. A black dye for horn, as well as for metal, is made by combining ammonia with sulphur. It is very malodorous, but is effective. Any chemist will make If a horn is boiled in hot water, or steamed, it will become so soft that it may be flattened. Then it is very easy to carve. The author has in his possession two very ancient and singularly ornamented Italian horns which were thus shaped. Horn, when treated with quick-lime and hot water, can be reduced to a paste which can be made into any shape like a cement or plaster. It becomes hard again in cold water. All old horns were not used for gunpowder; many of them were for wine or other liquors; others were used for blowing; they all make effective ornaments. Carved horns are handsome ornaments when hung up with cord and tassels. I have made them very attractive by gilding the raised patterns on them. To carve a Bowl. The exterior of a bowl presents no special difficulty, if it be well clamped down. It may be secured with blocks and nails, or screws. But the interior is harder to get at and much harder to cut. This is, of course, chiefly done with bent gouges and chisels. It requires care and patience in cases of special trouble. I have, however, easily succeeded in wearing or wasting away the ground by the process which will be described in carving cocoa-nuts. Wooden bowls, which are well adapted to carving, may be bought cheaply at household furnishing shops. They are of the kind used in every kitchen. They may be mounted on bases, such as any turner can make, to which the bowl should be fastened with a screw and glue. Bowls may be coloured or gilded like horns. They are very useful for many purposes, chiefly to contain visitors’ cards or other small objects on the writing, work, or toilet table. Cocoa-nuts. If it is to be used as a cup, begin by sawing away the end on which is the “monkey face,” or so much as is The ground may, with patience, be cut away with flat gouges, and, with practice, this becomes really easy, and more expeditious than one would at first suppose. Or it may be done chiefly with files. But the most rapid manner of working is by a “cut” which is described as follows by Gen. Seaton, who, however, limits it to mere decoration for a ground. “There is a species of ornament most useful for the bend of branches, and which is to be seen in Swiss carved brackets. This may be called the zigzag pattern or ornament. It is intended to represent the cross-fissures and marks that are seen in the bark of some trees at the end of the branches. It is done with a flat or quarter-round gouge, the hand swaying from side to side, and at the same time advancing by alternate steps each corner of the tool.” That is to say, put the tool straight up and down, and rock it from side to side, and it will require little practice to learn it. But to use it, not for ornament, but a cut, or rather dig, a firmer or chisel is better than a gouge; nor need we be very particular as to the appearance of the marks made, as they are all, in the end, to be cut or smoothed out. Rock up and down with the firmer, pressing a little flatter than if the object were to only make lines, or so as to scrape away some of the ground. Then from another direction go over this ground, digging and scraping away again. In this manner a shell may be bosted rapidly, and by it one can work at the bottom of a bowl when even the bent tools are of little or no use. When the whole ground is Casks. A cask when carved is an admirable object for waste-papers, or holding canes and umbrellas, Fig. 56. It should be of wood at least one inch in thickness. If held together by broad brass or copper hoops it will be much handsomer. A bucket or pail may be carved in like manner; and when lions’ heads or other carved ornaments are applied, it will be found that a very ornamental object may be made with little trouble or expense. Tankards and Waste-Paper Boxes. Tankards, if small, may be turned from solid wood, but, when large, it is best to have them made by the cooper, of several pieces, and hooped The old Irish, and sometimes the Danes, made a rude kind of tankard, Fig. 58, by fastening together with nails, glue, or screws, four pieces of oak panel or thin board. It was like drinking from a box. It makes a useful receptacle for many purposes. |